I have a legitimate question for you GoHands: How many times do you want to copy-paste your works? As if the plagiarism issues on the new-but-now-abandoned Tokyo Babylon 2021 isn't a red mark enough, I don't think that Project SCARD here is any different: it's just the aesthetic of K that has the appeal of the Hand Shakers universe.
The story aspect isn't all that different from Hand Shakers or even W'z for that matter: just use an exploitable item that breaks the balance of the world, pit characters in a cat-and-mouse chase and see who can outplay, outwit and outlast. And that is most certainly the case for Praeter no Kizu: have everyone don tattoos of Greek mythology for names and fashion senses, whether may be weak or strong.
The characters....just exist for the story. Call forth the next-gen "hero" to take over the outgoing "hero" and challenge the status quo, and that's the case for Kai Yamato. Add in the double-team of GoHands's loosely designed K-inspired Bishounens for the added exposition effect, and that's as basic as how characters go.
I probably don't need to mention even after these few years that GoHands have largely stuck to their psychedelic 3DCG model that's the studio's bread-and-butter, but it's certainly better than that one series that tries to "trump a genre all over the world". Even the music is unremarkable, and yes, even to the instrumental ED.
To be frank, we've all gotten used to GoHands at this point, and whatever Shingo Suzuki and team will be cooking up in the future, it's gonna be largely written off on the side.