The set of this story is a post-apocalyptic world. Civilization doesn't exist as we know it and skirmishes for basic resources abound. The characters of this manga behave more like non-human animals than like socialized people. For these characters to live is to fight. In comparison you and I, as habitual readers of manga, live confortable lives; if you are reading this review, you probably have a computer, be it in the form of a PC, smartphone, tablet or whatever. We live in a world in which all resources are usually accesible if you have enough money. We, in our current world, work together to build complex systems of resource extraction, exploitation and trading. This recquires firstly abundance and, secondly, a degree of peace. In this manga, the opposite is the norm: scarcity and conflict.
It's in a world of scarcity and conflict in which a proganist as the one of this manga is born: Shuu is a misantropic teenager, a hermit who hunts down plunderers hundreds of yards away. He lives in the ruins of a large city, which he calls "Alamo", these ruins he knows like the palm of his hand. He masses guns and manga inside his fort: the former to keep anyone away and the latter to entertain his mind. Jiro Matsumoto, the author, often uses war as a form of exploring the human soul and intrapersonal relations (see Mikai no Hoshi). On this work of his, he achieves the perfect identity of signifier and signified: Shuu's heavily armed fort is a direct reflection of his mind/psyche/soul. Shuu lives all by himself, his only companion is a pseudo-human android called Alice whom he uses as bait to kill people. Much like his impenetrable fort, he despises human touch, close emotional relationships, his fear of other people is such that he can not bring himself to kill peole if they are close.
The former is but the prologue of the manga. The plot starts with Shuu's need of relying on others when he runs out of food. The manga is basically Shuu's confrontation with the need of being with others. Shuu agrees to work a season for Makilda, the political leader of a refugee community. At that point we are laid before us fundamental philosophical issues: how to build an ideal political body? Makilda's work is basically achieving peace within her community and among its neighbors. Another topic is when can humans trust each other?: Shuu was somewhat safe at Alamo all by himself, but he needed to be always working to get what he needed; within a community he himself does not need go get what he needs; he can buy it in exchange for money he recieved for his labor, though the fact that there are other people around him puts him always in peril. From the issue regarding trust is born another one: after and during times of war, can people regain what we may call an ethical behavior? It is not unknown that in war people usually commit atrocities: rape, torture, pillaging, arson. Such actions hurt the soul of the survivors, the mere sight of these orgies of violence may be as well called a form hell. The emotional scars left by generalized violence take away most of what we call "humanity". It's in that place that forms after emotional trauma where Shuu stands and lives, he was born in war and has always known war. On Plato's dialogue "Phaedo", Socrates says that the misanthrope is born because he has had bad experiences with people after he thought he knew how people were. Shuu at one point on his life had hopes of love but they all were blown away by the sandstorm of war.
On the final chapters of this manga Shuu is shown reading the American comic book The Walking Dead. I don't think that this be just a way for the author to namedrop his influences. The Walking Dead is quite similar regarding the themes with which it deals: a dead civilization and what it means in terms of human survival. How a tough world shapes human psychology and its effects on morality. What is needed to build a state, can trust exist when there is not enough for all of us?. On the TV adaptation of TWD we are shown a character who spends his time coming up with traps to kill anyone who comes close, a character who lives all by himself and can only think of death and dying, much like Shuu. We are faced with the question "is anyone bad enough to be considered unforgivable"? in other words in a life without peace "do humans posses humanity"? That is the question of both Alice in Hell and The Walking Dead. On "Alice in Hell" after a traumatic experience of death, rape and pillaging a woman says "This is Hell", just as Rick Grimes says after having to kill several people for the first time "WE are the walking dead".
