Nov 5, 2018
Comic_Sans (All reviews)
(NOTE: This is a re-upload of the review that was originally published on March 26 2015 but then was removed. However, I was allowed to re-post it. At the time of the removal, the review had 403 likes and was the 3rd most liked review of Tokyo Ghoul √A.)

“I laughed...
I cried...
I experienced something that changed my life...”
- LemonLyme about Tokyo Ghoul √A, 2015

Tokyo Ghoul √A is one of the most brilliant and intriguing anime I’ve ever had the pleasure to watch. With a breathtaking plot, well-developed characters and wonderful animation that leaves me speechless beyond measure it is definitely one of the greatest, if not THE greatest, anime that has been, and will ever be, made.

The story centers around all of the many wonderful characters that appear in Tokyo Ghoul; Ken Kaneki (his hair is completely white now by the way. That’s badass!), the Anteiku ghouls and the not-so-evil police force that tries to eliminate the poor ghouls from the surface of the Earth. But does having an unnecessary gigantic amount of characters make the anime, in any way, messy and more than often really hard to follow? No! Not at all! I actually think it would have been harder to follow the story if they hadn’t decided that switching between mindless action scenes, yummy slice of life sequences and awkward gay sexual innuendos all the time was the best way to tell the story of Tokyo Ghoul √A. I mean, who wants to watch an anime with a well-paced, comprehensible and, Io and behold, well-written story? Not me at least, and I don’t see why anybody would like to watch something like that.

Now, let’s move on to the best part of Tokyo Ghoul √A: the characters. Oh, how I love them! How I love all those unrealistic ghouls and police men who keep making moronic and unjustified decisions, those deep and multidimensional villains that pop up from nowhere and we don’t get to know anything about, those poor victims that also pop up from nowhere and die a tragic death ten seconds after their first appearance! I never knew such fantastic characters existed until I watched this anime. The best character is, without a doubt, our dear protagonist Ken Kaneki. He only gets around two minutes of screen time in the first nine-ten episodes or so, and yet he gets so much character development. When he rolls around on the floor while screaming we understand that he’s really sad. When he fights the good guys for the lulz we understand that he does that because he has to do it. When he joins the Aogiri organization we understand that he does that because he has to protect his friends (because the evil guys also want to protect his friends – that’s what enemies are for!). The other characters are also wonderfully fleshed out and get some brilliant development; some of them are so realistic that I even tried talking to them once and touched my computer screen to see if the characters weren’t real people after all.

The art and animation are, likewise, absolutely fantastic. Especially the clumsily animated action sequences, the dialogue scenes where nothing but the mouths are moving and the derpy faces that appear in each and every scene - I can really feel that the animators put a lot of love in their work while animating this and that they definitely didn’t do it just because they needed the money. I'd even go as far as say that Tokyo Ghoul √A has changed my view on what ''good animation quality'' is; this anime's animation makes stuff like Suzumiya Haruhi no Shoushitsu and Fate/Stay Night: Unlimited Blade Works (TV) look like complete garbage.

Last but not least: the sound. The voice acting is absolutely superb; whenever Kaneki or any of the other characters open their mouth and talk/whine/scream overdramatically I could hear angels chant somewhere far away. I can’t praise the voice actors enough (especially Natsuki Hanae who voiced Kaneki and Yuki Kaji who voiced Ayato. Such dramatic! Such sensitivity! Much feels!) – Or well, almost all of them. I simply can’t understand why they hired that unprofessional bastard Mamro Moyano to voice Tsukiyama. Seriously, why didn’t they hire a bad voice actor instead, like the dude who voiced Kiri-gay-a in Sword Art Online?

The soundtrack is, of course, also great. Especially the opening theme; the lyrics are simply amazing. They are so deep that they are almost 2deep4me - “We gave our love to toys (…) The prostitute spat fire”. I believe that whoever wrote the song is the Japanese songwriter version of Shakespeare and that s/he will receive a Grammy for “Best Songwriter” in five-six years, and I will definitely try to support her/him and her/his songs about the terrible porn industry all the way.

Conclusion? Tokyo Ghoul √A is, without a doubt, one of the best anime ever created. It will make you laugh, it will make you cry, it will scare the heck out of you, it will make you upset, it will change your life. Before I watched this anime I was nothing but an edgy emo teen that enjoyed watching mindless horror movies and being envious of the popular girls in my class. But Tokyo Ghoul √A made me see The Light. It made me understand that my current way of life was shameful and wrong, and that I should start living like a good person instead. This anime is the very reason why I am who I am today. God knows what would have happened to me if I hadn’t watched this show.
Once again: this show will change your way of thinking, your way of life. I simply can't recommend this anime enough. Go watch this masterpiece immediately!