Reviews

Jul 30, 2010
What happens when a series about social issues is not really enlightening on said social issues but is praised because it addresses them?

Welcome to NHK in my opinion is among the "untouchable" series in an age I dub the generation of fantastic hypocrites.

It's not that manga has never been experimental or fantastic nor am I saying many of the fans of this series are dumb.

If anything I think it's the reverse. We've come to the point where intellectual laziness is so... on the surface that we now have a culture that's "smart" enough to belittle the moral cliches of underdog stories, harem, fighters shouting out their moves...things that were once isolated to Western anti-manga critics who couldn't appreciate the quirks of such romanticized storytelling.

You'd think this would be a good thing but the down side of this is that the very same intellectual otaku community can be forgiving if not apologists for these kinds of...I wouldn't say poorly presented because it does entertain...so I'd call it more of a inaccurate pseudo-social commentary going overboard.

Maybe it's because of my ignorance of the Japanese culture and the Japanese language but since I perceive myself as a hikikomori... things like the way a woman falls under the lap of this protagonist is just as bad in my opinion as the fantastic elements of portraying hikikomories as being totally in the dark in a cave-like room.

It's not so much that this has no realistic connection to how Hikikomories live but that there is a sense of "wrongly demystifying" the whole turmoil of a Hikikomories' life. But again, I'm mostly basing this from my own experiences and thoughts.

That said, it's really hard to go against this type of series which is why I claim it to be untouchable...especially from someone who isn't equipped with the communication ability to cement the cons of this series.

Still, I think even if there is someone with the right tools, it's going to be hard because it's about a series where you "excuse" the flaws and praise the... social clues the series gives you even if the clues themselves are mostly hollow and makes the character cheap.

The easiest example of this is the whole inclusion of the love interest in the first place. Even if you take away the fact that it's about a hikikomori and treat it as merely a manga character...you could easily see the shades of Mary Sue super qualities in the characters.

Without going into spoiler territory, the series just can't carry itself as being character oriented despite what one reviewer said. Instead, it relies on bizarre illusions, a cheap non-descriptive "conspiracy" to create a sort of equally cheap "passing the buck" atrribute in the protagonist, a character that has almost no difficulty in gaining talents and finally a character that for the most part is a Hikikomori "because" the plot asks him to.

It's really complicated to explain without pointing to each scenario specifically but this is the thing. Even in an average quality harem series, there tends to be a character study in between each scenario. Welcome to NHK for the most part replaces this with "time skips" and then immediately after that provides a sort of "eye dazzling" iconic image. (An example of this would be the getting caught naked in front of the computer pic that you might have seen in some imageboards or forums)

In many ways, these scenarios might seem like a good way to present the problems with humor but it doesn't. If you really look at most of the comments on this series, the fans don't really gain anything insightful to say except that they feel there's analogues of this series to their problem...which as controversial as this is, is like saying Christianity gave you the key to solving your problems even though you joined mostly for the community rather than the doctrine and instead of following the teachings of the Bible...you follow the teachings of the priests.

It's more feel good but...where is the substance? Where is this highly praised representation of social issues? There's mostly none.

Or rather, it's not about the series not giving anything to the social issues it addresses but that it mostly gives off a vague Barnum effect rather than any stand on the issues except the shallowest ways of addressing such issues.

Then again, these type of series are almost like a Hollywood film...a reviewer for example would mention Tyler Durden of Fight Club which is equally a shallow movie about a shallow subject that gives enough "Barnum effect" that it's fans think it provides some in-depth social commentary even if they as fans aren't really able to show that they have grown as a person or they have better understood their problems because of this series.

It's not easy justifying this though. In fact I keep going around and around on this point in a loop because I don't know how to pinpoint the con to one effective and efficient example.

Another analogy I thought of is akin to one character in the basketball anime Slam Dunk doing a between the legs dunk...it's fantastic if it happened...but the soul of what made Slam Dunk "inspirational basketball" would be lost in favor of "eye dazzling" if that happened even though each character has their "Genius" skills in the series.

It all goes back to this issue of fantastic hypocrites.

I'm not saying I'm immune to this and certainly in the past there has been fantastic elements to manga and anime series that I've looked past on (i.e. the liberties DragonBall took of the character Son Goku) but...it's the issue of "ridiculousness".

It's one way if one is merely anti-ridiculous or pro-ridiculous or even a shade of grey on both. It's another if we live in a generation where this attitude is wide spread to the point that these types of series are praised highly.

It's a case of extreme "ridiculous apologetic-ness" on one end (the shallowest and clearest examples again being things like Naruto being an orange ninja with a lame cloning power that he uses as offense rather than stealth or even in Hollywood analogues of people excusing the new Karate Kid despite the name being used to hump on a series and the protagonist using Kung Fu) to a separate case of "ridiculous praising" (i.e. there are many fans of this series that can say with a straight face that this series portrays the issues accurately minus there being a love interest falling in one's lap without realizing that if you took away the girl most of the events of this series won't happen the way it happened at all)

In the end though, I'm not really sharing this review to convince the reader to avoid this series. I think the premise of these type of stories begs them to be checked out regardless of their quality. Rather I post this as a sort of warning to those who find this series in anyway special. A warning in the sense of looking beyond the surface quality or the surface feeling this series gives out. That said, I would have hoped I could have been a whole lot better at communicating which areas one should not settle and be wary of praising but like I said, I'm not the best equipped at presenting the criticisms of this series but in a site where there are only positive reviews, it almost feels like a duty to share a negative one to balance out the perspective on this series but more than that, I hope this bad review could inspire someone to write a "better" bad review here and everywhere else where the balance is off just so we don't lose ourselves in the effect of "Manga becoming Air".

(Source of "Manga as Air" is found in the book Manga: 60 years of Japanese Comics since it seems neither Google or DuckDuckGo is showing an easy reference behind the meaning of that quote)
Reviewer’s Rating: 3
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