What I liked about this manga is that it frequently jumped out of the school setting because of the acting business that the characters took part in. It wasn’t just something that the mangaka brushed over, either. Though the details didn’t get too technical, the reader is able to learn a little bit about how expression, experience, appearance, and dedication get the actors to where they are in the industry. Yes, some people have natural talent, but they need to grow on that in order to become wonderful. That’s shown when Mao works from the bottom up, starting from a few model shoots, commercials, and then short films. Ryouma is similarly given smaller jobs before he can handle the more serious ones, even having to deal with stage fright. Acting is not some light business.
The amount of times I laughed while reading this manga was countless. I was super excited to pick this one up after recognizing the art and realizing that it was created by a mangaka whose work I had read before (a oneshot called “Hatsukoi Harinezumi”). It was hilarious to see Mao acting on her impulses sometimes (like in the first chapter, she maneuvers a bulldozer to save a cat stuck in a sewer drain from a fallen log), and I even chuckled during her incredibly dense moments. Ryouma really took the cake for my laughter, though, as he was so eager to please but also hindered by his own insecurities and other people’s lack of common sense. A few of the other characters that were introduced were also quite humorous; I’m sure I laughed every moment the mangaka intended me to.
I especially loved Ryouma as the main character. Though he and others think that he is an average-looking guy, I think his dual-colored hair makes him quite unique and attractive. While he doesn’t face situations as head on as Mao does, I think he comes in second compared to her. He made his debut as an actor quite quickly, and as she did it for the person she loved, he did as well. He grew a lot from the beginning of the manga until the end.
What I like most about his personality is his “mood swings.” People refer to them as such, but they result from his being a tsundere. They only occur around people he trusts, situations where they ask him to do things and he’ll say something like, “Fine, not that I want to!” or something similar. It’s so cute because everyone recognizes what he really means. Like all tsunderes, he has an incredibly sweet side as well. When he’s comfortable enough, he shows a lot of care for his friends and family and I just love it.
I liked Ryouma more than the other characters just because of who he was. I couldn’t bring myself to like Mao that much for other reasons, but that aside, the other actors were great people and fun to read about.
The artwork by Ayumi Komura is really quite stunning. It has that fresh and light feel to it while still being detailed in shading, clothing, and hair. People with light colored hair have thick light colored eyelashes, so that’s something I always stare at when those characters pop up. Most characters have large eyes, even the males, so that’s a little different for shoujo. The only things I didn’t like were that the characters tended to have long noses and limbs, but I suppose those are consistent.
The romance was a little iffy near the end of the book, but it tied up nicely and very cutely with a oneshot. I came in expecting a lot after having read a great oneshot by the same mangaka, and with good reason, because most shoujo oneshots are terrible. Seeing that, I knew this manga would be amazing. While it isn’t the best shoujo I’ve ever read, it did meet my expectations and I will definitely read more from this mangaka. Her artwork is a whole other story in itself. I love the way she uses humor in various situations. The characters are excellent. Overall it was a fantastic read.
