Jan 9, 2014
Fleure (All reviews)
Emotions are a powerful thing; they have the capability to override any modicum of rationality and force even the ficklest of beings to succumb to their emotional disposition. Due to this, often times, those of us who claim ourselves to be critics of various mediums fall short of our own expectations. “Clannad After Story”, a series described as “life-changing” by many is the perfect suspect; a production that captured the hearts of the majority that viewed it while instantly becoming a classic within its genre. Littered with subpar designed moe characters, irrelevant arcs, contradictory elements, forced plot devices, and a plethora of other obvious issues, it truly is baffling how effective an appeal to pathos can be. Although, the series has plenty of redeeming qualities, the title it has so profusely clenched--that of a masterpiece by a large consensus, must indeed be questioned.

--Story/Plot :5/10--

“After Story” takes place right after the first season of Clannad and chronicles the lives of certain characters from the first season, primarily focusing on Tomoya, his relationship with Nagisa and more importantly, himself. It attempts to bring a sense of realism to its viewer through the joys and hardships that Tomoya goes through and accomplishes that for a while. It also eliminates the harem aspect of season one and adopts a much more serious tone.

The series spans 24-episodes with the first 10-episodes composed of various arcs dealing with other characters and their corresponding dilemmas while the rest of the show focuses on the primary protagonists. This brings up the problem of structure and inconsistency. The initial problem with “After Story” is the characters that are focused on for the first 10 episodes. With the exception of the Misae arc as it LOOSELY connects to the magical component of the show, the other arcs have no direct relevance to the overarching story nor do they serve any function in moving the plot, but are just thrown in there, forcing unnecessary drama. This also causes a huge gap in consistency between the first part of the show and the rest, especially in regards to quality. However, the next few episodes are a pleasure to watch as they highlight Tomoya’s evolution as a character along with his relationship with Nagisa. Structurally, “After Story” fell short, consequently causing a gap in quality and consistency.

Substantially, “After Story” has its share of delightful moments, but those are restricted to a very limited amount of episodes. The story is unoriginal, but imbues concepts and themes that are very real and relatable such as: imploring responsibility and growing up, the innateness of hardships, the importance of relationships, moving on, and many others that are close to home. Yet, “After Story” manages to ruin the very thing it tries to achieve. The show spends a great deal of time trying to evoke “realism” through manifesting the aforementioned themes, but subsequently destroys that with its detachment from reality and deus ex machina resolve. For example, one of the arcs in the earlier part of the series shows how two supposedly bitter and rival gangs end up being bros4lyfe via some [extraneous] female side-character. I may not have a proper grasp on gang psychology, but I’m fairly certain that the odds of something like a dudefest and “understanding” blossoming between two rival gangs are astronomical. This notion of “bonds of friendships overcoming everything” is extremely over exaggerated deeming many of the earlier arcs unrealistic, effectively leaving me in a state of overwhelming ennui.

For a series that tries to emphasize real life, especially while trying to deal with issues such as loss, acceptance, etc., it negates all validity by embracing a faux idealism grounded in wish fulfillment. The realism juxtaposed with magical idealism/wish fulfillment really disintegrates the show by the end. However, that is probably one of the overarching reasons the show is as popular it is, because instead of staying true to its realistic core, it defaults into fantasy, idealism, and wish fulfillment. It’s successful but at the cost of complete contradiction therefore making After Story somewhat of a Pyrrhic victory. It should be noted that there is nothing wrong with having a plot based on supernatural/metaphysical notions, however, when the show is simultaneously trying to bring a strong sense of realism to the front, it becomes counter-productive and contradictory. I can’t even incorporate this under efficient “magical realism” because of how badly the two are handled when looked at as a pair.

Essentially, where “After Story” excels at is deception. It does an excellent job serenading its viewer into a false lull making it seem exponentially better than it actually is by manipulating sympathetic themes and completely over exaggerating them, however, when dissected the story offers nothing unique, let alone life altering. It’s a good effort, but that’s all it is, an effort, that has its comely yet ephemeral moments. Conclusively, "After Story" ends up stumbling within its own narrative and resolution.

--Character: 6/10--

“After Story” gets a ridiculous amount of praise for having “human-like” characters, however, the series lacks greatly in terms of balanced characterization. Tomoya is well developed and one can partly empathize with his struggles as he tries to shuffle through the various challenges he encounters. Tomoya’s progression is probably the most realistic part of the show and is fairly well-executed. While the show gives us a dynamic Tomoya, we are left face-palming in deep regret and resentment with the lack of attention given to Nagisa. There is nothing memorable about her; struck with some unknown illness, we often see her washing dishes for like three continuous episodes. I felt no sort of attachment, relation, or even empathy towards Nagisa, rather her lack of progression had the opposite effect. Her static, ingénue personality got unbearable. Oh and she can’t hold her liquor. That just heightened my insouciance even further. The futility of Nagisa truly is a burden on “After Story”.

The over-development of one protagonist and under-development of the other did not have a neutralizing effect, but a detrimental one. Their relationship is the foundation of “After Story” but it remains immature, mainly due to Nagisa’s incomplete characterization. Instead of spending the initial 10 episodes on completely useless characters, the series could have utilized the same time to construct Nagisa into a character with dimension, personality, and purpose. The show spent so much time trying to build this false delusion about how “friendship solves everything” that essential aspects got completely disregarded. Tomoya along with an unmentioned character carry the weight of “After Story”. In hopes of keeping this review spoiler free, only the two main protagonists (Tomoya x Nagisa) are discussed.

There are plenty of supporting/side characters in the show, some making cameos (from season one), others for reasons I have yet to understand. The only notable side characters are Nagisa’s parents who provide some comedic relief (which is the same recycled humor of the first season) but they still manage to maintain their likability.

--Art/Animation: 7/10--

Don’t hold your breath expecting anything aesthetically orgasmic. The girls are molded with “moe” in mind at all times: Unrealistic character designs for a “realistic” anime. In terms of the actual art, “After Story” does a fairly good job. Bright colors are often used to accompany the magical atmosphere and vibrancy of life that the show is grounded upon. There are instances of visually striking scenes scattered here and there, especially with some of the natural backgrounds. There is always light illuminating from somewhere, even in the darker scenes. The one place where the animation did shine is while depicting the “illusionary” world. The background, colors, and overall depiction of that world is nicely done as it provides a very surreal atmosphere to the viewer. However, don’t expect gorgeous animation akin to something like “5 centimeter”. It’s nice, but nothing exceptional.

--Sound: 6/10--

“After Story” has a viable soundtrack that fit its purposes. Composed of subtle, soft, and sometimes melancholic piano music, the OST is pleasant, but conventional. It wasn't something that compelled me to go download or re-listen to. The same applies to the OP/ED selections. They are very imminent and “of-the-moment” in the sense that they are enjoyable and appropriate at the time they played. However, I almost always forwarded the OP and rarely listened to ED. The voice actors are fitting in regards to their respective roles.

--Overall/Enjoyment: 6/10--

Undoubtedly, “After Story” is at the forefront its genre because of its inherent ability to capitalize on emotions and “feels” to the point where many “manly” tears are shed and lives are changed. However, I could not relate; as the anime defied all levels of logic with convenient plot devices, contradicted its own pursuit of realism, over-dramatized situations, wasted 11 episodes of my time with frankly fatuous arcs, and underestimated the importance of complete characterization--emotions no longer mattered. After all, feels and impact are evanescent, quality is what remains.

"After Story” therefore didn’t really leave a strong impact on me nor did I learn some particularly significant lesson about life nor did I put my feels on suicide watch. Nevertheless, the four or five episodes towards the middle/end are truly poignant and laudable—if “After Story” could have maintained that level of quality throughout and refrained from committing some of the aforementioned blunders, the series would have lived up to its hype. Alas, I cannot rate a 24-episode series any higher based on my enjoyment of five episodes. My “After Story” experience is a step away from the norm and that’s the reason I spewed all of this—to offer some solace to those who couldn’t cry those manly tears or indulge in wish fulfillment, while also providing another perspective to those who have yet to watch it that isn’t soaked in sheer “feels”.