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Nov 25, 2013
Uchouten Kazoku opens with Shimogamo Yasaburou, an energetically laid-back shape-shifting tanuki, giving us a quick rundown of his hometown of Kyoto. This is a city with a storied history of mostly-regular humans, proud tengu magicians, and oh, playful tanuki shape-shifters, of course and here, he tells us, there are endless quantities of amusement to be had. As the camera follows him deftly navigating the beautiful cityscape, he declares with conviction that while he is a tanuki, he's far too proud to be a mere tanuki and is instead one who passes his days admiring tengu and imitating humans. He assures us that he is so read more
Oct 30, 2013
"At the end of the day, at the end of the day when all was for naught, I can at least take pleasure in knowing that my little sister is waiting at home with open arms and a warm bosom." — Sophocles

Since the Armory Show of 1913, the state of Western Civilization has been one of decline. Though the rise of Modernist Art might not seem terribly significant to the average uneducated reader, the paradigm shift from Representational Art to Abstract Art planted the Seeds of Degeneracy that sprouted into the base and rotten Popular "Culture" that we are all so familiar with today. Indeed, read more
Aug 15, 2013
If it weren't for two other particularly strong entries, Gifuu Doudou!!: Kanetsugu to Keiji—the double exclamation marks say it all, really—would probably be a strong contender for the most righteous show of the summer 2013 anime season. Gifuu Doudou!!'s premise is simple: Naoe Kanetsugu and Maeda Keiji, two ridiculously large and powerful "legitimate eccentrics," recount their exploits dispensing their brand of "RIGHTEOUSNESS" all over Sengoku-era Japan. It has the right attitude to make this sort of narrative funny and fun, clearly not taking itself very seriously with things like an over the top opening (entirely composed of recycled footage of course) named "SAMURAI ROCK" with read more
Jul 26, 2013
Well that was just a little heavy-handed.

Kaikisen: Return to the Sea falls into a classic trap. Is the greedy land-developer character not perceptibly evil enough despite the fact that he literally wears sunglasses indoors? Let's also have his driver almost hit the main character in his fancy car then, just to show that he really isn't someone who cares. It should be enough to let the motives and major actions of your characters speak for themselves, but sometimes authors just can't resist adding that extra little "kick."

Yes, our villain actually kicks a dog.

The absurd portrayal of the people behind the development project ruins what what read more