Report kkev_mal's Profile

Your Gay (shit movie 100% ur taste is shit 100% goofy ahhh)

Plot:
An absolute mess. Without spoiling it, this movie fails to get into the main plot until roughly halfway through. Before that point, it views like a teenage slice of life; nothing to be disappointed by. After the halfway mark, the plot becomes incredibly contrived with no logic, reason, or thought put into its creation. There were at least 4 separate climaxes (which is inexcusable for any movie which is not Return of the King) and an overly drawn out epilogue sequence. The main climax happens off screen, which negates the entire build up to it, because Shinkai wanted to have a reveal with little weight. There are an unacceptable amount of plotholes, mostly due to the concept of Musubi. There's little coherence, and amateur directing/writing displayed frequently throughout. To differentiate this from his other movies, Shinkai infused supernatural elements with romance, which fails horribly at enhancing the movie and instead detracts very significantly. Even amongst the people who love this movie, there is a large percentage that find the plot messy.

Art/Animation:
It's Makoto Shinkai. If movies were judged by aesthetics alone, this would be one of the best ones. There are no issues with the art. Scene composition is mostly great, the animation was very high quality, and the art style was beautiful. While there are not as many wallpaper opportunities as in 5cm/s, the quality of them is significantly higher. Watch this in the highest possible quality you can find. Worth watching for the art alone. The animation is what you'd expect from a high budget movie, but it's not anything revolutionary. There are several scenes that move beautifully and feel like magic to look at. The animation quality isn't quite up to Ghibli standards but it is nothing to scoff at.

Sound:
Voice actors were quite good and played different roles effectively. The change in voice aesthetic was notable during the first half when they were body swapping. The soundtrack was unmemorable, but set the scene adequately, and it may help to broaden your horizons and expose you to new music. Sound FX and general background noise was well produced and sounded natural. The opening sequence song in particular stood out and is worth a listen, but I can't say that for most of the soundtrack.

Character:
The mains were adolescents, which meant there was a lot of adolescent stuff going on in the first half. The characters were interesting initially, though none stood out as incredibly well written and became less and less captivating as the movie went on. The main positive about the characters was that they mostly felt natural, save for when they were clearly not meant to. Side characters were certainly more natural than the mains, and contributed well to the atmosphere of the movie. They develop plot stupidity and have no depth or drive other than the forced romance, and plot amnesia is introduced for added gratuitous drama. There is no reason for the characters to become stupid, or amnesiacs, and it detracts from the believability of the characters and the plot.


Buy this on bluray because it looks stunning. Don't expect good characters, or a remotely good plot, but do expect to salivate at another of Shinkai's wallpaper opportunity movies. Worth the watch for the visuals. It's an awful movie that looks good.

I must begin by saying that you should not be discouraged. At first glance, it can be difficult, but you only have to write 90 chapters perfectly tied together, with great characters and mystery to the world and titans, fantastic fights that actually serve a purpose with barely any talk no jutsu moments, and perhaps the single most important thing in all of this, Sasha being alive.

What you ought to do afterward is write a timeskip. This is meant for the end-series so we can have a "where are they now" segment but there is no need to worry about it because another timeskip will occur in the last chapter as we would have the pleasure of seeing in efficiency how terrible Eren's plan was. The first timeskip is primarily meant as a means of showing Eren becoming this evil incarnate that at no point in the series have we gotten hits about such alteration to his character. The second one is instead a quick reminder of how Yams got worse at writing a proper story without contrivance to its characters. Both are meant for Eren as he's convinced that all lives must be taken in order to obtain "freedom" and in doing so he ought to go against his friends causing an artificial conflict between him and the rest of Paradis as well countless third parties in which for entirely redundant reasons will join Paradis side and go against Eren. From this point onwards, you don't have to write anything decent since it will all depend on which character is to your liking the most and you'll always have to make him or her achieve whatever goal they are in need of. In this case, it's Armin. He's mastered the talk no Jutsu, I dare to say it's his strongest technique. Anyone he's talked to has been convinced to help him do whatever he's wanted to and its limits know no bounds.

With the power of friendship, Armin doesn't give up, not for one moment while he and co-venture towards Eren to stop him but first, we must go a bit before all that because you are clearly asking how all those characters have joined the Paradis side. Because of plot device, they ultimately were there because Eren too changed sides and there was no choice but to help their enemies. The two couldn't stay on one side only since that wouldn't make sense, just like it doesn't make any sense for Reiner, Pieck, and others to help Armin and Mikasa, meant solely as an excuse for "redemption" for some of the characters. Armin succeeds because of course, he did, Eren becomes dove because of course, he did, we never learn much about the titans and the few things we get to throw at us are pure nonsense in an asspull way upon the "paths" was introduced into the story which, for all intents and purposes is the main reason why the second arc of the timeskip is this bad. Historia getting sidelined from the story by getting pregnant off of some random farmer we never know anything about, which it's not the fact the child is not Eren's that pissed me off, but rather that she could've done so much that being someone's whore. To top it all, Eren Lelouch'd his ass out of and acts like he did something important or useful when all he did was fight for something he himself committed. I always knew he was going to do that the moment he becomes evil for the greater good but never wanted to believe it as I knew it wouldn't work with the story itself.

All the troubles Eren went through, all the people he killed, were just for his friends to live happily ever after. Instead of removing the titan course and finishing what he initially wanted to, he follows the most bullshit route and makes peace for a few generations... slightly for his friends to live their miserable life in complete serenity and with this in mind, the descendants to be inevitably killed. There is no point in taking so many lives when everything remains the same and what Eren has fought so far becomes useless because his goal was suddenly retconned when he confessed his "love" to Mikasa all of a sudden. Especially when you murdered 80% of the population and would've taken a mere couple of hours to exterminate the rest and finally be free of the burden. Even if Eren had somehow died because of that, it's still a better outcome of what we've got although it needs to once again be mentioned that what led to that would've been abominable regardless. It can't get out of character than this, and it makes no sense either given how Mikasa got to suck Horse's dick anyway. I wonder what Dove-Eren must've felt when he saw Mikasa getting fucked by the only person he didn't want to fuck her. I bet it's not sitting well with him.

"Thank you Eren for turning yourself into a mass-murder for our sake"

If you want more proof that Armin is the most hateful character, here you go. Eren is the worst character, but Armin is someone you would hate the moment he opens his mouth. When Armin mastered the talk-no-Jutsu it was as clear as day that he was going to succeed in convincing all of the previous enemies into joining his side to take down Eren, which he does, and that he had a plan into making Eren stop but think about it, why would Eren stop and how would Armin make that happen? Apparently, Armin never thought about the consequences, and the whole reason why he did all that in the first place was that it was against genocide, that there had to be a better option to put an end to this and in the last chapter he goes "Thank you for killing all them fuckers". What could have possibly happened between his determination to stop Eren and the last chapter that made him accept Eren's behavior and get along with everything he's done? Armin who is not only the brain of the trio, but was always been morally right, and looking back at everything he's always made the right and acceptable decision to put an end to something but in the last chapter he comes across as disingenuous and a piece of shit with virtually no fucking reason that let him to the settlement.

As for tradition, a good lead female in shonen is hard to come by and Mikasa is no exception. You won't certainly hate her as much as Eren and Armin but will sure get on your nerves with her stoic persona throughout. In the early series, she's got something to work with and her strength was admirable so for all the good reasons she was reliable in that department. I always liked her early on but looking back it's clear Yams either didn't care much about her or perhaps wasn't able to give her more stuff to do as the story went on, which I find extremely odd given how in the post timeskip she was suddenly given more importance than before but ended up being a leftover until the last two chapters gaining the determination to do the thing she should have done a long time ago. Mikasa is a bit awesome in her own way, but she has no ambitions of any kind and comes across as Eren's shadow. It is clear that she has had mental issues since she was a kid from the accident she and Eren had and her affection for Eren is due to this, but Yams does not look into this with the possibility that she may recover one day. Eren seemingly hating her was an excuse to make her grow and act on her own rather than following in his footsteps but she does nothing the entire time besides feeling sad at Eren's sentiments towards her because Yams never gave a shit about her.

I haven't talked about the rest of the characters but really, what there is to talk about? They all suck because the writing sucks and the story shifted from average (Marley) to the worst thing (War for Paradis) in a dozen or so chapters and it destroys everyone's solid characterization they once had. The transition from Eren becoming evil and after meeting Ymir was awful and the premise itself was bad, to begin with, because it didn't build up to characters that would eventually join the Paradis side to defeat a common enemy. It does this by assuming that everyone is fine in the first place, while that couldn't be feasible in any way. Yams wanted to give the characters more depth but clearly couldn't work with the way they were presented in the first place and also goes against their characters as previously they wanted to defeat Eren as quickly as possible without taking out everyone and yet waste time for trivial stuff. A "goal" of any of the characters who weren't on Eren's side, vanish because the final moments of the story is them trying to reach and take down Eren and in the midst of all the chaos down there, it's impossible to get any devolvement, and they don't, so Yams had to put Floch as a mini-boss before the final event as a means of showing the "cooperation" of the two sides of which couldn't work but the shitty writing proved me otherwise.

Which is better, the journey or the destination? The answer is both. But can everyone get that luxury? Unfortunately not. What one must do to get near to said luxury? Make the journey be worth the destination. If the AoT story had followed this thought of mine, it would've made sense. What was only needed is a linear thread to follow and find its end without splitting into different directions because you wanted to make it a more compelling approach to your story. You could, but why risk it when you had the answer right in the palm of your hand?

Eren died a virgin. That's all you need to know!

9999699999699999699999699999699999
9666696669696666696666696669666966
9999696669696666696666696669666966
9666699999696699696699696669666966
9666696669696669696669696669666966
9666696669699999699999699999666966

Highlight the numbers
Press Ctrl + F
Then press 9

The original series, the highly rated "Clannad", was one painful viewing experience for me - not because it's full of tragic tales, but because of how dire it is. Female characters sugary enough to induce diabetes in a lump of rock, combined with atrociously forced "drama" fast tracked it to a lofty position on my "Overrated Shite" list. And yet its ratings pales in comparison to that of its sequel, "Clannad: After Story".

Given my experiences with the first series, I hadn't originally intended to watch "Clannad: After Story", but people kept telling me how much better it was and how different it was compared to the first season. Intrigued, I decided to give it shot...

...and boy was I disappointed.

"Clannad: After Story" was supposedly a different kettle of fish from "Clannad", but it's obvious to me that it's the same kettle, with mostly the same fish inside - it's still very moe; the melodrama is still clumsily manipulative; it's still unmistakably "Clannad".

Unlike "Clannad" though, "Clannad: After Story" is somewhat inconsistent. But I mean that as a back hand compliment, in that "Clannad: After Story" had the some good moments amongst the crap, while "Clannad" was just consistently crap.

The first part of "Clannad: After Story" is almost indistinguishable from "Clannad". It continues from where the original series left off, taking on a similar format comprising mini-arcs of various happenings around the school. Since Tomoya and Brown Haired Girl are already an item at the start of this series, there is no longer a harem aspect. You would think this would improve things, but in the case of this anime, all it meant was that it concentrated on mass producing contrived melodrama instead.

The first arc, starring Sunohara, was one of the worst offenders. It started off as a comedy, and although some parts were a bit tasteless, it was at least tolerable. Half way through though, it tried to turn into a serious drama, and it was all downhill from there on. The problem is that, as with most stories involving Sunohara, the comedy is quite ridiculous, involving an absurd set up that you simply can't take seriously, but the drama directly extends from that set up, and the anime seems to think it's fine to try and deliver emotional punches off this same platform that was used to deliver goofy punchlines shortly before. There are also glaring problems in the plot and inconsistencies in the portrayal of Sunohara's character, but the real crux is this: these problems are not oversights - these are the consequences of the show's willingness to sacrifice everything in order to crank up drama to 11. Not surprising then, that I found it so unconvincing.

And so "Clannad: After Story" continues in typical "Clannad" fashion, spinning implausible, almost surreal sob stories about its bizarrely troubled characters ... until around episode 10. This is the point where Tomoya and his ex-harem members graduate and make their way into the big wide world. It marks the beginning of what made many consider "Clannad: After Story" to be one of the greatest anime ever made. So I approached the show renewed hope...

...only to be disappointed once more.

However much "Clannad: After Story" changes its settings, it still approaches drama with the subtle touch of a rapist. While I admit that the show does mature somewhat, its maturity is much like the way Brown Haired Girl matures during the show - she became more like a 15 year-old than a 10 year-old. An improvement it may be, but it's debatable whether this 50% increase in maturity is worthy of lavish praise when

1) the initial bar was set so stupidly low, and
2) she's supposed to be in her twenties by the end of the show.

But allow me to pause in the middle of my acid spewing in order to acknowledge that there are definitely merits found in this part of the story, and that's enough to make it by far the best part of the whole franchise.

As is always the case, these best parts centred around Tomoya himself and not some dipshit moe girl or some other retarded side character. One of the stories dealt with Tomoya trying to settle into a job and striving to overcome, amongst other difficulties, his physical handicap. This I liked, because above all, it was unembellished, believable drama - he actually had plausible real world problems to deal with, which isn't something to take for granted in the world of "Clannad", despite it often being labelled as a real life drama.

It's fair to say that the franchise would be a lot worse without Tomoya; he was almost carrying the show single handedly. But there was one other, newly introduced in "Clannad: After Story", who shared his burden of being a rare good character stuck in the cesspit of shit ones. It's not too surprising then, that the stretch of episodes focusing almost solely on the two of them are the best ones that "Clannad: After Story" has to offer. Its emotional apex, a gorgeous scene set in a field of golden flowers tinted red in the setting sun, is hands down the most touching moment in the combined two seasons of the show. Emotional but not forcefully so, it captured the central theme of family with a poignancy and sincerity that's most unusual for the show.

But that, I'm afraid, is the last remaining good thing I have to say about "Clannad: After Story".

In between the aforementioned high points, and even entwined with them, crappy arcs and sub-plots are found in abundance. Amongst them, there's the incident of an all important decision reached via baseball, and another one that dealt with matters between Tomoya and his dad. The former looks to be an instance of "Clannad: After Story" trying to be subtle by approaching the matter at hand in a round-a-bout manner, in the same way that an elephant might try to do ballet; the latter is another classic case of the show sacrificing its characters to the drama. Time and time again over the course of the two seasons I witnessed Human Plot Device, aka Tomoya's dad, demonstrate his immense capability by taking on whatever personality the plot required, and this unsurprisingly resulted in his character feeling like an unfathonable, contradicting mess.

To say the remaining episodes were unsatisfactory would be an understatement. To begin with there was the re-appearance of one of the most fucking annoying characters I've ever had misfortune of encountering, which invoked more sadness within me than all the sad stories in the whole series put together. And then there's the ending. I don't want to give spoilers, so I'll just say that not only was it confusing, but I would have felt cheated if I didn't have so little emotional investment in the show to be cheated out of.

That aside, there's also some weird business going on with the ending to the main story not being the last episode of the series. There are two more episodes after the main ending: the first one is an alternative reality side story; the other one, the final episode, is just a recap. It's as if the show was going for the most anti-climatic end to a series ever. The purpose of throwing in that side story eludes me, but the re-cap's summarising did help to make the ending clearer. It doesn't clear up everything though, and there are major plot elements that remain baffling to the end. I did come across an informative time line that made references to the visual novel, and in all honesty, I was quite impressed with the grand scheme of what I saw. Unfortunately, various aspects of the plot failed to translate during the adaptation. Most notably, the visual novel mechanics they tried to port across caused plenty of confusion. The irony is that by trying to be more faithful to the source material, the anime actually ended up being worse off.

That said, the ending is just a single nail in a rather large coffin; the show's problems run far deeper, right down to the conceptual level. Other than being filled with moe blobs that barely qualifies as characters, I get the impression that the franchise has been developed from a completely wrong approach. Instead of starting with some good ideas and letting them grow into good stories organically, it feels like the writers started with the intention of making the biggest fucking weepfest ever, then threw in whatever ludicrous ideas that came into their heads in order to achieve their goal. As a result, values like story and character integrity were continuously being compromised to make the show more tragic superficially. This might have been forgivable if it only happened on occasion, but when it's the bread and butter aspects of the story, the end product simply isn't a good drama.

It's just emotion pr0n.