One must remember that the Umineko no Naku Koro ni anime is an adaptation. While the anime in itself may not necessarily warrant harsh scores of 2 or 3, in comparison to its source material, it is extremely, extremely lacking. I find it inconceivable that anyone could give this series, even if they never read the sound novel, a 9 or 10 out of 10 rating. While the sound novel may not have been a masterpiece, it was intriguing, exciting, and, at times, moving. In its adaptation into an anime, the entire thing was turned into something disgustingly shallow and one-dimensional.
I doubt that any
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studio or director would have been able to cram every single detail of the sound novels into 26 episodes. However, the way it was done was nothing but uncouth.
I was looking forward to Umineko from the moment I heard of it. I wasn't a big fan of Higurashi, but the synopsis made it seem reminiscent of my favorite book, And Then There Were None, and more fitting to my tastes in general. After the first five episodes, I couldn't describe it in any way other than "shallow." I hadn't heard of or read the novels at the time, but from the very beginning it felt as though something was missing. I heard the novel really was amazing, though, and sought it out. While there were flaws, the first four episodes of the novel felt much more complete than the anime. The story is mostly reading and the atmosphere is set more by the music rather than the visuals. Despite this, R07 managed to make the experience very enjoyable. After finishing it, I then continued with the anime, hoping it would at least somewhat meet the level the sound novel did. Of course, it didn't come close.
The anime really has no continuity or flow whatsoever. I found myself asking as the episodes progressed, "Wait, did they cover event X?" and holes simply cannot be left in a mystery story (what Umineko is presented as), other than intentional ones. Small things, such as Battler and Beatrice's reactions to each others' actions were left out or glossed over, making the story incredibly superficial. A lot of fun from the sound novel came from these moments between them.
The meaning behind events happening and secrets slowly unfolding is completely lost. In fact, the fight between Battler and Beatrice, anti-fantasy vs. anti-mystery, might as well not exist in the anime. It's supposed to be a detective/mystery story, albeit a strange one, and not simply that of a fickle witch murdering over a dozen people for fun, which is what the anime turned it into, at least until the very end where it does a rapid, poorly timed 180. Of course, the end was the "same" in the sound novel, but then it was clearly thought out and planned. The anime made it seem as if the producers/director forgot all about the end until the last five minutes of the final episode, then shoved it in.
By the end of the fourth game, one should be able to determine the culprit. By reading the sound novel, I believe this to be possible. I don't see how it could ever be done watching the anime alone.
The art is something that is clearly hit-or-miss. The main reason people seem to be put off from the sound novel is the "horrendous" art. Yes, different heads put on the same body and then turned into different characters. Yes, boxing glove hands. The art of Ryukishi07's works is clearly all about the faces. Whether the art of the anime is better or worse is something I'll let you decide for yourself. However, I think it's unquestionable that the facial expressions of the sound novel are exponentially better than the anime. I won't say that they are drawn well, but something has to be said of bad art that can manage to send chills down spines and make someone not want to read it at night because of frightening expressions. It would be hard for any animator to capture the riveting expressions of the sound novel, however I think they definitely could have tried harder, or at least have done a wider variation.
Of course, the faces weren't the only things animated. Some characters (Rosa) clearly look better than others (Battler), however no one looked totally dreadful, though some people would beg to disagree with that point. In some cases I actually found myself preferring it (Maria actually looks like a nine-year old), but I can't understand why they felt the need change nearly everyone's eye color to blue.
The sound was the most decent thing. The sound of the sound novel was excellent, as to be expected. The music really makes the setting, and even some scenes. The anime remixed some of the songs and used some of the original sound effects. Some fan-favorite songs were left out, but overall they did a decent job in this department.
The song for the opening was very good; I was happy to see they used Akiko Shikata, who did the opening for the sound novel. While, other than "yami o kirisaku OH DESIIIIRE," I disliked the ending song itself. I found it very fitting for Kinzo, however.
While many characters aren't expanded on in the sound novel until Episode 5 and the anime goes up to Episode 4, the anime made it seem as if no one, aside from Battler and Maria, had a personality. Several scenes left out of the anime expand on many of the characters, mainly the adults. Every adult in the anime, aside from Rosa, the cruel, heartless, "mother of the year," might as well have been there to simply add to the body count. For instance, a scene completely left out of the fourth game in the anime, known as the "Krauss Counter," made Krauss (the only adult I actually disliked at the time) likable. While the scene itself was probably the most over-the-top out of them all and not vital to the story (though it actually was part of the group held underground escaping), it made it harder to be suspicious of Krauss, who seemed to care about money more than anything else beforehand. Several scenes that were included were done very poorly, such as Rosa and Maria at the end of the second game and the Sisters of Purgatory, Kyrie, and Rudolf fighting in the third game. It was these many moments centered around the adults that actually made them seem like people rather than warm bodies existing for the sole purpose of dying.
The characterization is so important to the series. A mystery has three parts to answer: the whodunnit, the howdunnit, and the whydunnit. In this series, its easiest to focus on the whydunnit, as opposed to many other mysteries.
Beatrice says that witches exist and that everyone is being killed by magic. Battler refuses to believe in the existence of witches and magic but can't deny that the murders are happening. If it's not magic, then one of the eighteen has to be the killer. One of the reasons the sound novel is so compelling is that every one of the possible culprits is likable in some way. As the it progresses, you don't want to believe it's any of them, but you know someone has to be guilty. Watching the anime alone, I wouldn't mind suspecting nearly anyone; I'd have no attachment to any of the characters, and therefore the story.
The saddest thing about this series is that it ruined what is an, if not great, at least enjoyable, story. Those who hated it are missing out on a story they could have gotten to really like. Those who loved it should definitely start reading the sound novel, if anything to read Umineko no Naku Koro ni Chiru, which will probably/hopefully never see an anime adaption.
Jan 2, 2010
Umineko no Naku Koro ni
(Anime)
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One must remember that the Umineko no Naku Koro ni anime is an adaptation. While the anime in itself may not necessarily warrant harsh scores of 2 or 3, in comparison to its source material, it is extremely, extremely lacking. I find it inconceivable that anyone could give this series, even if they never read the sound novel, a 9 or 10 out of 10 rating. While the sound novel may not have been a masterpiece, it was intriguing, exciting, and, at times, moving. In its adaptation into an anime, the entire thing was turned into something disgustingly shallow and one-dimensional.
I doubt that any ... |
