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Mar 17, 2018
"Didn't find what I was hoping for."
That's not so much the case with this film. Perhaps the real strength is that you DO NOT HAVE to look at abstract things like religion, time convolution, or even the age-old classic of "growing up," to derive a wonderful experience. On it's own legs, the movie is genuinely interesting and has many warm moments that just reestablish how likable the characters can be. This alone makes the movie worthwhile and if I were to find a fault it would be that I think it is imperative that potential viewers have watched the prior two seasons for context and
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character relations; this isn't necessarily bad, but I do acknowledge that the series can seem underwhelming at first. I didn't watch this consecutively after the first two seasons and I think that decision helped me enjoy this as much as I did. I didn't find the original and sequel to be too profound; for each trace of insight or allusion that the two seasons had there just was a sense of untapped potential. I think on the surface, the 'Suzumiya Haruhi' anime's (all together) can simply be enjoyed as a reasonably fun high-school setting show and, for those who wish- the series also has little bursts of themes that you can choose to pursue or just shrug at.
Long story short. Have you ever seen Kubrick's, "The Shining?" Surface wise, it's a well crafted horror movie that does it's job very well- masterfully even. There is, however, a few subtext's that you can explore within that movie through visual cue's and using some subjective insight to make your own little narrative and that makes it even more so interesting. Suzumiya Haruhi no Shoushitsu reminds of that sort of thing. Not to spoil it, but there is a scene that takes place in a restaurant and there are two paintings visible within the time we spend there. They could have been anything, even just generic art would have been fine and not even caught my eye- these paintings did and they weren't just random, but seemed to have meaning and metaphor- almost like a flag waving to get your attention.
Reading into it too much? Perhaps, though I think that's where the real strength lies. Suzumiya Haruhi no Shoushitsu does what the first two series' did, but with much more impact and even without going that route- the movie itself is very good and definitely worthy of attention. Noteworthy because it's enjoyable whatever path you choose while watching. Very neat little film.
Reviewer’s Rating: 9
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Feb 4, 2018
When I finished this last night I found it hard to not be biased and just give the series a 10 simply for the amount of enjoyment I found in it's 24 episodes. But, this is not about me and is intended to steer any curious readers on whether, "Mahoujin Guruguru," is for them.
A description of the story sounds like your average adventure and, in a way, it is! It's an adventure we've all seen, played, or even heard about; The hero is chosen from normal circumstances and given the task of healing the world from the evil Demon King. As 'cookie-cutter' as that sounds,
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the story is centered on this crux, but as the first episode plays out the true nature of the show being a delightful comedic romp through some of adventures most tried and true tropes begins. The humor CAN be hit and miss, sure- but the nature of the comedy is so varied that it literally plays-out like a buffet of gags; a vocal reaction, a character facial expression, great slow-motion reactions and shots, a perfect tsukkomi retort, visual comedy, absurdity, or even breaking the 4th-wall. For each joke that might make you roll your eyes there is bound to be three more that tickle you quite well. It's this point that I think makes the show feel quite superior even if the story is a shared idea, Mahoujin Guruguru does it's best to make it original and fresh.
A series' art can be very subjective and there are bound to be disagreements, but please indulge my nostalgia for a little bit. I watch/ have watched a decent amount of anime and, admittedly, there are times I burn-out from my favorite medium of entertainment. It happens. The art of this show reminded me of Saturday morning cartoons, a concept that loses all meaning as you grow older, but I was instantly whisked away to that nostalgic feeling of waking up early in order to catch an episode of dubbed anime before the regular programming block would begin. It's not flashy, it's not too defined, but it's charming and is just very fun to watch. Anyone who remembers the show, 'Samurai Pizza Cats,' and trying to catch an episode at an odd-time might notice a bit of that excitement right from the gate.
Personally, I liked both Openings and Endings, that sort of music genre never bothered me and it suits the show, especially the 2nd OP. The show itself has RPG sound-effects scattered throughout and even if you don't personally recognize the reference it's not too niche to understand the idea behind it. I include voice-acting in sound, of course, and I think the cast do a great job of not only giving the characters life, but also in making the jokes work as well as they do. There are times when an 'epic' voice is needed and it's delivered with just enough smirk behind it that you can hear it and makes a joke that much better. Sounds strange, but watch the show and you might see what I mean; think of it like trying to be serious while stifling a laugh- something like that.
Characters make the show and what a great line-up. Nike is a VERY average hero character; he's lazy, a bit oblivious, a bit conniving, but he shines. He gets his awesome moments and when it really counts he comes through like a hero should. Kukuri is his partner in heroics and, quite simply, she's just as fun, if not more-so, than Nike himself. As a fledgling mage we see Kukuri grow through experience (my, how RPG) and even through some more unexpected means, but she has a lot of heart and at the end, that's what really counts. You can't help but root for both of them. The rest of the cast, like Juju, Toma, Raid, and a certain person who ALWAYS seems to get in the shot, are great foils for both the MC's and the viewer- often giving us context, explanations, exposition, or another reason to laugh. I'd also be remiss to not mention Gipple, a mascot character who not only provides his own brand of humor, but if you're one of the folks out there who roll your eyes at cheesy lines, well- you might want to keep an eye out for him.
Without sounding redundant at this point (personally, I think it's obvious I enjoyed the show) I overall give this series a very high 9/10! Personally, I want it to be a 10/10, but I try to be fair. The show is great and I think worth a look-in at the very least, but like everything, it might not be everyone's cup of tea, my feelings of nostalgia are not universal, of course. However, if you are hungry for a fun show with comedy, heart-warming moments, shocking moments, epic moments, and just enjoyable character interaction and progression than Mahoujin Gurguru (2017) might be an agreeable ticket for you. I think the characters are charming enough and the comedy varied enough that mostly anyone can find something they like to cling-to; whether it be Kukuri learning something new, Nike being a bit of a sneak, or even a rather intoxicating dance that never seems to end. Great fun and that's why it's a 9 out of 10. It's Great! (please excuse my awful Saturday morning commercial reference there).
Thanks for reading!
Reviewer’s Rating: 9
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Sep 30, 2015
So, this all started months ago when I decided to watch, with no prior knowledge, episode 1 of this particular series. Needless to say I was surprised and intrigued, so I resigned myself to wait the season out in anticipation of watching the series in bulk in a binge-watch situation in order to get the most out of it; in the end, I'm pleased, interested, and satisfied with the end result.
Story: Well, it's a black/white story of a group of characters being thrust into a dire situation that has a bit of mystery and a good dose of psychological trauma, all presented with a sort
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of sugary glaze of "moe," art, dialogue, and interaction. It can be freely argued that this mix doesn't work out well, but as a fan of David Lynch and Todd Solondz styled films, I can easily say I like the staggered mix of normality and trauma; it's not perfect, but the comedy is there as a set-up for a newer serious bit. I like that. The formula works for me.
Art: It's "moe," style throughout; nothing else to really say about that. The characters are drawn lively and the occasional moments of "service," which do happen, (I will not deny this,) are, in my opinion, easily disregarded if you are watching this open-minded and looking for story. Animation is good, period.
Sound: The intro is a trap, haha. I like that juxtaposition. The outro's vary, and I think there are about four different ones; each corresponds with ending emotion of the parent episode. I would like to point out that there are some moments, (helps to watch with head-phones for this effect,) that the music or sound corresponds with the viewers emotions. Think, "Eyes Wide Shut," piano notes, though obviously not as profound. Just good arrangement, overall .
Character: Well, with a group of girls, in anime, you get the usual mix, but I think that Yuki and Miki are the ones you should focus on. Miki is a natural foil to Yuki and it's interesting to watch their relationship evolve. The other supporters are good, and do also add the development and understanding of the relationships between characters, but if you are looking for a good contrast focus on the former two.
Enjoyment: I like trasngressive film, I like deconstruction, and I like nice characters being tossed into difficult situations. I was satisfied with this showing. It almost brought back memories of,"When they Cry," with the fun art and dark story. I find that this show delivers on surprise value when you go in oblivious. The last 3 episodes, if you like the characters, should help elicit some emotion; tears may be too much, but I definitely felt a lump in my throat during the last episode, especially.
Overall: This series was a surprise. I knew after previewing the first episode that I would want to watch this in my usual binge style and at the end of the day I was satisfied. The ending may feel a bit of a drag, but just put your feelings in the passenger seat and enjoy the last scene that leads towards hope and the future. Sure, nothing is concrete, but someone in the grand, outside word received a touching sentiment, and in the end, isn't that enough?
Reviewer’s Rating: 8
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Jul 10, 2015
Well, before I jumped into the new season of Yahari Ore [...] I decided to re-fresh myself on the prior season and at the end of it all, I still found myself feeling an ability to relate to the feelings of the MC and to enjoy the small amounts of drama that occurred. It's a good watch, no doubt.
This sequel, however, took characters I didn't even realize, myself, that I related to so deeply and really fleshed them out. Enough to the point where I really felt myself understanding the MC's motivations and feelings because I have also, to some extent, felt the same- especially
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in the brutal environment that can be high-school social life.
I feel this really makes the series honest. The ending bit is especially great because it alters the way you feel towards one of the heroines (if that title suffices,) and opens up a new way of understanding the motivations of the characters and actually connects with the first season.
I had tears at some points, not going to lie about that, but this presentation was great, and even though there may be some who want a more concrete ending with a finality I say this; instead of looking for closure, why not reflect on the emotions and motivations of the characters and enjoy the growth and admittance, the shame and denial, and the overall feeling that resounds too true with basic human wants and fears.
An awesome, awesome, sequel. Not a masterpiece, but damn, I was gratefully surprised with how the show evolved. Probably one of the more, if not most, honest high-school setting series' I have ever enjoyed.
Reviewer’s Rating: 9
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Sep 6, 2014
Now that was a fun trip.
I watched Ben-to initially out of a need for something action-packed and fun. Prior to this, I had been burning myself out on, 'slice of life,' and 'comedy,' focused shows so this was actually a welcome experience.
Story: I suppose the story on it's base isn't particularly interesting or fascinating, but the idea of a bunch of students battling for a money saving meal is fun. The way this premise is turned into an epic battle over territories and pride just makes the pay-off feel satisfying. If you like the declaration of values before a big fight, than you're on the
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right track.
Art: Having been lucky enough to watch the show in 720p on a capable computer I will say that the art is pretty eye-candy. The action is fast and the character designs (while generic at times,) are fun to watch in motion. The art for some of the bento's had me drooling, so that's also a plus.
Sound: Well, the voices were appropriate. I especially liked Hana's voice acting because it sounded like the actress was having fun at times. The themes are the average J-Pop songs that are to be expected.
Character: I liked the variety, personally. Even though I am familiar with the archetypes, the way the characters dance out their lines and actions was enjoyable. I must also mention that Yarizuri isn't your average melancholy upperclassman, but also shows a bit of emotion.
Enjoyment: Bias warning! I watched this show with a hope for fun, over-the-top action and guess what? It delivered. The premise is wacky enough and the character interactions are funny and enjoyable. Overall, I would have to say that the characters create the world they wish to portray.
Overall: Listen, if you are like me and seek the occasional wacky, over-the-top, epic anime about a subject matter that seems banal 95% of the time, than you will find this show to be a joy. This is a fun series that only takes itself seriously when need be in order to up the 'epic,' factor. It was a blast!
Also, shout-outs to Satou for having a Fantasy Zone poster being displayed proudly. I respect that Sega love, ha.
Reviewer’s Rating: 8
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Jun 15, 2014
Oyasumi Punpun, eh?
Well, there have been few stories that have tapped into my own, "emotional well," as effective as this tale. I have been lucky enough to experience story-telling in this form within my lifetime and for that I am gratefully in awe.
Story: The very idea of 'growing up' is explored throughout the narrative. The feelings of regret, hate, love, and reflection are strong enough to initiate self-reflection leading to a very humanist understanding- we hurt because we WANT ourselves to.
Characters: While the general amount of characters is small enough to keep ones' focus, the depth of emotion is enough to instill empathy. The
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characters are what make this manga succeed. From Punpun's varied 'transformations,' to a slight smile from Aiko, the depth of affection felt for the main characters is deep. So much so, that this empathy carries on until the last chapters where with tragic actions bear tear-felt consequences and the reader almost feels lost midst a sea of emotion.
Art: I can't say much more than the art is drawn within the sense of realism. The characters look fantastic and expressions are of a high caliber. The pages are just wonderful to look at.
Sound: It's a manga, so sound is irrelevant.
Enjoyment: I am a cynical person. I am a realist and a defeatist. After reading this story of redemption and loss, I feel a certain connection throughout all interpretive forms. Oyasumi PunPun is a story that ultimately deals with loss and the consequences. Loss can be gauged by our own emotional response, but is strongest in head-to-head war.
Reviewer’s Rating: 10
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