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This manga offers an intriguing deconstruction of the conventions of the mystery genre, along with a fascinating metanarrative that defies expectations. It's surprising to see how Kago explores these themes in the context of eroguro, a niche genre. However, the rest of the stories in the anthology can be more predictable, focusing mainly on the grotesque, disgusting and erotic. “Fraction” isn't for everyone, but for those interested in a unique and thought-provoking narrative experience, it's definitely worth exploring. It's a good option for mature readers who enjoy slow-paced, thought-provoking horror with a mix of dark mystery, graphic gore and a touch of twisted relief and ... dark comedy.

How lesbian can you make a series? The answer given by this series was “Yes”.
Animation isn't exactly going to win awards. The backgrounds are pretty basic and the soundtrack is nothing to write home about, although the opening and closing songs at least have a certain catchy charm that fits well with the overall tone of the series.
The protagonists do what is expected of them in a parody of typical magical girl anime, but the comedy doesn't always manage to get laughs. Instead, the series seems to lean more towards fan service, with a rather aggressive and explicit approach that might make you wonder if ... you're watching something you should be watching on the family TV in the living room.
As for the plot, it's…let's just say it doesn't reinvent the wheel. The series joins the mountain of similar anime, notable only for its ability to spark debate about the sexualization of high school girls in anime series.
The only thing I think you can gain by watching this series is the right to complain about it.

The anime adaptation of “Super Crooks” manages to not only capture the essence of Mark Millar's original comic, but also enrich the story by providing greater context about the world in which it takes place. Unlike a simple transposition of vignettes, the anime delves into the personalities of the characters, giving them complexity and taking the plot to a deeper level.
A distinctive element of this adaptation is the inclusion of characters from another Millar comic, “Jupiter's Legacy,” creating intriguing connections that expand the narrative universe. This integration not only adds additional layers to the story, but also offers a ... richer and more satisfying experience for Millar fans (it's about time for a good adaptation, thank you).
A wise choice in the anime is the change in the location of the last heist, moving it from Europe to Japan. This modification is not only understandable, but also provides a unique and fresh touch to the plot, taking advantage of the aesthetics and characteristics of the country.
Regarding the treatment of characters, the adaptation addresses the representation of sexual diversity in a thoughtful and respectful manner. The Gladiator character (my favorite character), originally the subject of stereotypical mockery in the comic, receives a more nuanced approach in the anime. From the beginning, his sexual orientation is established without resorting to offensive stereotypes, presenting him as a true brute force worthy of fear. However, the change in narrative focuses on the complexity of her personal life, deviating from harmful stereotypes and offering a more inclusive representation.
It's difficult for me to say this without sounding like a fanboy, but this adaptation really seems like a true tribute to the original work, it shows that there was a lot of love behind it. And at least from my side, it's the best adaptation of a comic I've ever seen.

I reach to “Monster”, like many of you, as a self-imposed homework.
The work is always named in the best top 10 and mentioned by the most pedantic nerds as one of those masterpieces; one you should read before you die, as it will change your perception of manga and make you see the lousy conceptual state of the industry today (this while holding a glass of wine in one hand and a Rei Ayanami body pillow in the other).
And to be honest, it complies quite well with the quality section, but it was really hard for me to get past ... the first 2 volumes, since it cooks over low heat and is conceptually very charged, and its dialogues feel dense and heavy at times. I don't want to call it boring, but it seems like a bit of a challenge to read until you get the plot on the rails and then get carried away by the suspense.
The initial premise is relatively simple: The story centers on Dr. Kenzo Tenma, a brilliant neurosurgeon who decides to save the life of a boy instead of the city's mayor, triggering a series of events that lead him to discover the truth behind a sinister conspiracy.
If we make a comparison with previous works by the author up to this point such as “Yawara!”, “Dancing Policeman”, “NASA”, “Happy!” and “Jigoro!” we can see that they all have an approach to topics such as sports and everyday life with a much lighter tone that favors comedy.
“Monster” on the other hand, is a much darker and emotionally intense story, more mature, where Urasawa demonstrates his ability to create more complex and convincing characters, and to maintain a tense and intriguing plot until the end, this surely developed during his artistic contribution in “Master Keaton”.
In terms of other works in “Big Comic Original” magazine, it marks a before and after for its focus on the psychological thriller and the whole conspiracy plot thing. Except for “Master Keaton”, most of the works published in the magazine were mature and aimed at an older audience, but focused on everyday comedy or drama. After the successful publication of “Monster,” the magazine began to venture into darker stories.
One of the strengths of the story is the way Urasawa handles the themes of justice and morality. Throughout the story, the reader is constantly questioned as to who the monster really is: the serial killer that Dr. Tenma is after, or the corrupt system that allows it to exist? This constant reflection on human nature and justice is what makes it a timeless masterpiece.
In summary, it's a great piece of work that doesn't disappoint fans of the noir genre, but one must commit to heavy, complicated dialogue and slow progress without much action; something that can disinterest more casual readers.

“Sundome” is a unique and thought-provoking manga that tells the story of a high school boy named Hideo Aiba, who joins the school's “Roman Club” and falls in love with the new transfer student, Kurumi Sahana. The manga explores themes of love, obsession, and power dynamics, and has been described as a dark romance.
The plot revolves around Hideo's masochistic relationship with Kurumi, who denies him sexual gratification and exerts control over his every move. The manga delves deep into the characters' psyches, exploring their motivations, fears, and desires, and the complex dynamic between them.
One of the strengths of “Sundome” is its character ... development. The main characters are fleshed out with unique personalities, backstories, and quirks, and their interactions feel realistic and nuanced. The manga also touches on broader themes such as the pressure to conform, the difficulty of finding one's place in the world, and the search for meaning and purpose.
However, it should be noted that “Sundome” is really close to contain explicit sexual content, as well as themes of BDSM, domination, and submission, which may not be suitable for all readers. Additionally, the ending has been controversial, with some readers finding it satisfying and others feeling that it undermines the message of the story.

Ah, the anime that exceeded everyone's expectations, including the one from the budget department:
The plot is simple, it's about a girl named Gotou Hitori who wants to be part of a rock band in order to be popular, but has trouble talking to people due to her extreme, ridiculous and sometimes worrying case of social anxiety. Thus, we follow Hitori, now nicknamed Bocchi as she struggles to overcome her shyness and form a rock band with her friends from her school.
The series explores themes of friendship, perseverance, and self-acceptance, with a few tidbits of indie music trappings, while also featuring ... funny and heartwarming moments.
Generally speaking, it features limited, though vibrant and colorful animation, often mixing animation styles on the occasions where Bocchi freaks out, to highlight both the comedy of the scene and Bocchi's hilarious suffering. It is in these occasions where the saved budget goes, and also in the scenes where we want the rock to shine.
The drawing style is somewhat flat, but attractive and fits well with the comedy of the anime.
The music is energetic and helps create a rock and fun vibe, I've managed to check out several real musicians praising the technical side of it. The characters are charming and each has their own personality and personal struggle.
I haven't read the manga, but the series has done a very good job of selling it to me…. Plus now Bocchi is my spirit animal.
Overall, “Bocchi the Rock!” is a fun and heartwarming anime series that is easy to enjoy.
If you like light comedies with a musical twist, this series is a good choice for you.

The must-see anime of the season for trend-seekers, romcom lovers, and loners yearning for human warmth:
The plot is simple, a boy named Wakana Gojo starts making dolls dressed in traditional Japanese costumes after falling in love with the beauty and quality of them in his grandfather's shop. The boy commits himself to this niche art to the point of socially and culturally isolating himself from the rest of his classmates, considering himself a freak. Everything changes when he meets Marin, the most popular and pretty girl in his school who turns out to be with whom he finds common ground of interest in the ... world of cosplay sewing and…
The rest you have already written in your heads, the plot is full of romcom clichés, and its characters are not so deep as to make it heavy nor so flat as to make them boring. Classic.
What matters in these cases is the visual presentation of the series, in which fluid and colorful animation is appreciated, although it is so calm there are not many scenes where it stands out.
The drawing style is attractive and well-detailed, allowing the characters and their clothing to shine on screen, which is essential in a series with such an emphasis on aesthetics.
The music is nice and accompanies the story well, but no bangers or anything worth remembering.
Overall, “Sono Bisque Doll wa Koi wo Suru” is a pleasant and relaxing series, perfect for those who enjoy slice-of-life and hobby stories. If you're a fan of the manga or just looking for a light and fun series, this is definitely worth checking out—A sweet dessert with spicy touches.

For those who are interested in watching it just to enjoy a good series:
The story follows Denji, a young man who makes a living running errands for the yakuza to pay off an exorbitant debt that keeps him destitute, and his partner Pochita, a chainsaw dog/demon. Together, they battle all kinds of monsters as they fight for their survival in a dangerous world. From that premise, the story does nothing but escalate.
The anime adaptation is notable for its fluid and detailed animation, which does justice to the manga's unique and raw drawing style; giving good fight choreographies, although sometimes it sacrifices the ... quality of the backgrounds a bit, but the animation always stands out in its most exciting moments as well as in the most mundane.
The music, composed by Kensuke Ushio, is a perfect complement to the fast-paced action and tense atmosphere of the story; besides, the opening and the different endings are mostly absolute bangers. The voice actors are also amazing at giving each of the leads a good personality. In an attached note, I want to say that those Spanish speakers who want to see the series, take a look at the dubbing in Spanish, because those actors have been given freedom in their expressions that ends up accentuating the most comical and acid side of the work.
The plot is exciting, while the characters are more complex than they look and are well-developed. Denji is an interesting and tragic protagonist, emphasizing a history of abuse and how a person who was initially unfairly deprived of almost everything develops and develops in a world that he does not understand very well; For the rest, the relationships with him and among others are moving, bizarre and sometimes emotional.
In addition, the series does not stray from the violence and gore that characterizes the manga, which makes the anime suitable for mature audiences and fans of horror and action.
Overall, “Chainsaw Man” is an excellent anime adaptation that captures the essence of the manga well and is a strong recommendation for those who enjoy action horror stories.
To be honest with you, I don't know where all the hate towards this series comes from, it's not like it's a bad adaptation or like it has horrible animation or overall bad style; I think that a certain group of people simply idealized the original manga so much and raised their expectations so much that they ended up creating a masterpiece in their heads at the height of the second coming of Christ. News: The adaptation wasn't perfect, and they let themselves down, but somehow the show is to blame. Instead of being carried away by the story and the characters, they were too concerned about whether the play is meeting their expectations and didn't enjoy it.

Basically, the plot is about the relationship between a teacher (Takahashi, Tetsuo) and his students who happen to be a minority of supernatural beings called ajin or “demi”. It also happens by chance that he is a biologist, really interested in studying the demi from a scientific point of view to demystify the legends that revolve around them.
As he learns more about the demis and works with them to help them deal with the unique challenges they face due to their physical and social differences, Takahashi also reflects on his own life and relationships.
The story addresses interesting themes such as acceptance, prejudice, and compassion, and ... uses the supernatural genre to explore issues relevant to real life. In addition to the plot, Petosu's art is colorful and expressive, helping to bring the characters and their environments to life, although it should be noted that his backgrounds are not very elaborate and the plot sometimes commits the sin of taking itself too seriously.
If you like stories that revolve around the student-teacher relationship and also where a good influence is reciprocal, I recommend that you read this manga.

I think anthologies of stories like these help to close or complete concepts in franchises where world-building is so important; or is this where sensations are; Besides, it always warms my heart to see these two beloved idiots wander.
It is a unique experience brought by the hand of almost twenty talented authors, some better known than others; who imprint their vision on the relationship between these two; sometimes emphasizing their relationship itself, other times in their relationship with the world around them, letting us see facets somewhat left out in the original manga.
If you want to spend the afternoon reading something, I recommend this manga ... after reading the original; I'm sure you'll enjoy it as much as I do.