because we're two different human beings so to assume someone that you have never talked to before would understand you is a mere miscalculation on your part. Thanks for the info. I'll pick it back up when it's over. I'd rather watch horses run than waste time on some horned trash bin.
Either I haven't Bookmarked it(since I kinda just recently joined), too lazy to catch up to the trend, or I just simply don't watch on my own decision.
As i aimed to use the entire spectrum from 1 to 10 to categorize works, 7-9 are works that are mainly the reason why i am still watching anime and they are also the works that i highly recommended, 1-2 for works that i had failed to see any significant value or something like that. I don't want to waste numbers for works with which i didn't form a valuable experience. I am not still sure on how i rate stuff but i just mentally see the process as throwing stuff in 10 boxes. It’s been a really long time since i last watched steins;gate. So if i had to talk in the stead of my past self as to why he dropped it in fifth box, as far as i can remember i actually liked the slice of life esque initial episodes and it felt good to know about the characters, the way they live and the way they behave and interact with one another. It had this enigmatic feel that is only accentuated by great visual direction, the world felt mysterious and that lingering feeling that things happen in the background unbeknownst to us. we may never get the chance to unpack the enigma of this world, this world will always be a mysterious place and we are part of something large. That's how i see the world and i liked those episodes. I am currently reading iriya no sora and i get the same feel from it, another one might be haruhi suzumiya. When the series shifts gears into mystery suspense thriller and started unpacking mystery. It relied on too many plot devices which didn't satisfy my thirst for any interesting thematical ideas rather than to forward plot in some way(what i mean is when you look at the time travel plot device in 'the girl who leapt through time' it is used to make protagonist learn to face the difficult situations and to make decision and how running way is not the solution always) . I really didn't care about whatever happened in second half. Whenever characters throw a load of technical jargon, it made me laugh at the attempt to bluff me. It adopts multiple time lines concept to discount the paradoxes but i noticed few inconsistencies here and there which doesn't matter since i don't care about plot holes much anyway.
'They tried to change their past, they thought they can escape by rewriting it to their liking, by not trying to come to terms with it, they thought they can ignore consequences, they thought everyone can be happy in the end without losing anything'
I can hear these words but the way it spoke didn't click with me, maybe due to the nature of its storytelling and reliance on myriad of plot devices that come out of nowhere or maybe its focus on other stuff or maybe it wasn't even speaking those words. I am having hard time remembering my experience with it since i didn't care about s;g much or knew someone who liked to sperg about it. it's just my past self perspective and it might give a glimpse into how i approach media and how that affect my experience. i may read the work from different perspective had i rewatched it recently. it may differ from how you consume media and may conflict with your standards. I am the type who constantly strive to improve his thinking into new boundaries to find new interesting ways to see works from and that requires me torturing my standards. You might get a good sense of why i think about s;g that way when you hear me sperg about stuff i like, because sometimes the stuff we like can inform why we didn't like something. I like to hear new interesting perspectives and i like when people are honest with their liking and sperg about stuff they like, be it SAO or eromanga sensei or whatever
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seems like ep 16 might be a turnaround though (hopefully)
Also, the review was made in early march so it's obvious I was speaking on the recent episodes. moron.
'They tried to change their past, they thought they can escape by rewriting it to their liking, by not trying to come to terms with it, they thought they can ignore consequences, they thought everyone can be happy in the end without losing anything'
I can hear these words but the way it spoke didn't click with me, maybe due to the nature of its storytelling and reliance on myriad of plot devices that come out of nowhere or maybe its focus on other stuff or maybe it wasn't even speaking those words. I am having hard time remembering my experience with it since i didn't care about s;g much or knew someone who liked to sperg about it. it's just my past self perspective and it might give a glimpse into how i approach media and how that affect my experience. i may read the work from different perspective had i rewatched it recently. it may differ from how you consume media and may conflict with your standards. I am the type who constantly strive to improve his thinking into new boundaries to find new interesting ways to see works from and that requires me torturing my standards. You might get a good sense of why i think about s;g that way when you hear me sperg about stuff i like, because sometimes the stuff we like can inform why we didn't like something. I like to hear new interesting perspectives and i like when people are honest with their liking and sperg about stuff they like, be it SAO or eromanga sensei or whatever