After the war, there are many "Extends" in the city, people whose bodies were modified to make them into dangerous weapons. Inui Juuzou is one of them, and he has no memories of his life and body before his head was transformed into a gun. Strangely enough, his head-gun is designed so that only someone behind him can pull the trigger. Juuzou makes a living by taking on cases involving Extends in the city, and he is assisted by Mary, an intelligent young woman that he has taken under his protection.
Whenever you try to find a manga, you generally look at various things that can catch either your eye or mind. You look at the cover or read the synopsis, or scroll through the volume to quickly check the drawing and dialogues.
What caught my attention is the cover, mainly the character design. It is quite literally a gunhead. Now, i haven't seen much characters with such a design, if you try googling 'gunhead' the results show you a character from My Hero Academia, but comparing those two aesthetic-wise, you clearly can tell who's the winner here. Without even checking the story, the character design
just gives you this noir feeling. "The revolver is just useless and obsolete", nevertheless works pretty good as a symbol of crime, and city where the actions occur is full of it.
Crime, murders, corruption, abuse of political influence - this pretty much describes the events of the story. It's a dark time, people live in fear, but with hope for a better future. This is a post-war era, but the spirit of war, people known as Extends, still lives on. During the war, due to human experimentation to enhance human capabilities, partial and full body modifications were created, making them an extension to the weapons, some of them, like our protagonist Inui Juuzou is the embodiment of a weapon himself.
This is a journey of Inui Juuzou, a stoic man who survived the war, but with a cost of being turned in a Gun Slave Unit for the rest of his life. He may seem as a cruel, violent and rough weapon of the authorities, but in reality he adheres to his principles and keeps his motives and mind clear. And last but not least, he is human with a difficult mindset. Inui keeps his humanity close to himself, showing it only to the closest people he knows. He values it very much, because it's all he has that's left from the life before...
The war left a big influence and left a lot of questions unanswered. Whether he succeeds or not, it's up to you to find out.
The storyline is not unique. Body modification of humans to exceed their capabilities has been displayed multiple times, the Ghost In The Shell franchise alone is handful of similar material. But what is different is the time it's happening, looks more like a retro and noir-like time and not a cyber era. But it's not bad and keeps you moderately interested.
The art style is great, really. From the city landscapes to the amazing battles and clashes between the characters, it's very pleasing to the eye and enjoyable to look at.
Character development is the key here. You are fully immersed in the mind of Inui, his thinking process and course of thoughts. So far, it is great. This man is an intriguing mystery. The stoic mindset and strong will magnetizes.
Even though the storyline is somewhat plain, you still get certain moments, especially the battles, that keep you going. Strong personality of Inui, funny accidents, amazing battles, overall quite enjoyable.
The action doesn't start right away, so i wouldn't recommend it to the impatient ones. Whether or not you want to read it - it is up to you.
Story : 8
Art : 7
Character : 9
Enjoyment : 9
Overall : 8
No guns life is a manga by Tasuku Karasuma telling us the story of Juzo Inui, a "Gun Slave Unit", basicly a man with a gun instead of his head (and some more abilities, but I won't spoil here ;) ). Juzo used to be a soldier during a 50-year great war, and now he's investigating on affairs including extends : humans with mehanic parts increasing their physical abilities.
One of the greatest qualities of this manga is the universe, with complex and barely legal relationships
between the different authorities of this post-apocalyptic world. We feel the will to make it change and the powerlessness of the protagonists in front of the mysterious people who call the shots we learn to know little by little.
The plot itself, including the characters, might be hard to get at the first reading, I fully enjoyed the story after a second reading of the five first volumes when the sixth came out in France, but when I finished reading all the published books, I felt a little despaired of being forced to wait eight months to get the seventh one... All to tell that the story is really intense.
Let's now talk about the fights and action scenes. We here have a real seinen with lots of blood, and cut limbs. However, at the first reading, those fights looked as much like a flow as like a quality : I really enjoyed the badass Juzo and his opponents, but I hardly understood the action because of the special style of Karasuma(-sensei).
In fact, No Guns Life's art is really peculiar : at the first sight, it looks at the middle point between a sketch and a finished drawing, but I really like this drawing style and think it reinforces the dark and brutal atmosphere of the story.
Finally, I really enjoyed this manga, and would recommand it to anyone who like seinen, violent fights, power struggles, and post-apocalyptic worlds. As one of the first mangas I've read, I might be overrating it, but I hope I'm not and it's really worth the value I give it.
Shaping up nicely. I’ve suppressed my urge to write a review until now, because I was unsure about the overarching plot progression, but the latest chapters made me feel optimistic. Although it was obvious even before that there is a plot, and it has the potential to be interesting, but what really carries this story is its cyber noire setting.
Sometimes you gotta pay attention to editorial remarks on your mango, an here one on the cover says “SF hard boiled the gun smoke drifts muzzle talks” (like that, without commas). And it’s surprisingly accurate – the protagonist, Inui Juuzou, is ya rogue private detective, always
smoking, smoking hot, smoking with gun smoke, because he is a cyborg made of revolvers, his head is a revolver, and he is the spirit of the noire revolver embodied: bitter, badass, with a history, seeking to break away from the hands that try to subdue him, actually a weapon. Of course, he doesn’t trust, but tries to see things right. And, of course, he’s got involved in something big this time. Enter the low-comma action. No Gun’s Life earnestly works on bringing together the many things that are associated with the noire today – blood, mystery, 40-s New York, femme fatales, violence barely suppressed, powerful figures on all sides of social spectrum. The heart of this works lies with the noire.
Or maybe half of it. The second half is taken by a retrofuturistic cyberpunk, also a proper one – with an evil cybernetic corporation, with a police force, tasked with keeping implanted “extends” in check, with questions of transhumanism and alienation, also with the punk part – bodies being spliced and spruced up in back-door undercity clinics, body horror and brain hacking. Aesthetically it’s sort of Gunm, sort of what Deus Ex could be, if it went radical with designs (i.e. an old guy with wheels for legs, or artificial eyes, or full body mods that are not too human looking).
And the two halves are connected, cleverly, by a war recently ended, which both explains why heavy modifications have been used on people and breathes depth into the powerful noire characters. Just like this No Gun’s Life is more intelligent, than you initially expect, in some of its parts – the original, movie noire’s heavy men also brought their violence from the smokes of the battlefield, and nothing breathes life like blood after all.
The structure is supported by memorable art: black and white and stark contrast, smoky handsome designs, sprinkled with details and ambitious – no matter what, you don’t see a hero with a revolver for head all that often. The covers and the colored pages are great. Though, at least at the beginning, there’re moments, mostly during fights, where the contrast and the detailization clash, making it hard to understand what is exactly happening.
No, No Guns Life is not ideal. There have been several mushy chapters, not failed, but not quite exciting – side characters not that well presented, humorous moments not that well placed, immature. There’s the annoying fetish battle garb for women, that breaks immersion, though sexualization doesn’t discriminate and men too, especially Juuzou, end up being sexualized to hell and back. (There’s also a drag queen, who provides comedic relief, just fyi.) In general, the plot is not as meaty as I’d liked, with separate arcs being rather light on substance.
But then there’re these slightly more intelligent things that give hope. The hooks set for the bigger plot are effective (well, catchy). The protected child this time is a boy, and annoying and bratty sometimes at that, which creates a wonderful character dynamics. Juuzou is connected throughout the city, which makes his encounters with different powers more lively and personal. And the handsome gentleman type rival, that has appeared recently, has these amazing nervous broken lip corners, which liven up his design.
No Guns Life is still developing, and its growth will take time. Its future is still covered in smoke – maybe it will overgrow its issues, maybe it has hit its glass ceiling. All still drifts in the air. But No Guns Life sharp originality of setting and ambitiousness of designs make it a work worth checking out for any manga enthusiast, who is interested in noire and cyberpunk both as settings and as visual styles, and I hope that most of us are.