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These are series you can read within 1 volume, I tried adding as many series that aren't a collection of One-Shots and are full stories! all genres, all demographics!

Enjoy!
- Weebookey

Minus the Bakumatsu Period (1853-1868), in another stack.

Currently has an overflow stack, Edo Redux. May be sorted thematically later.

A list of manga avaible on Mangamo

Original list: https://www.anime-planet.com/users/Demelza/lists/official-english-on-mangamo-app-376622

Yo besties, I've been having a challenge of reading short manga.
so I thought of creating interest stacks for this challenge.
Some of the manga I've listed in the challenge aren't in MAL so I will list them in the description.
Each set (currently there are 15, and it continues) has 49 entries, and the manga vary in genres and popularity.
All of the manga are 1-5 volumes long, and I would love to see other people participating in this challenge!
(All of these should be scanlated, except for a few)

Manga in this set not listed in MAL:
Neko to Ookami
Shiroi Hon no Monogatari


Next set: https://myanimelist.net/stacks/34670
Previous Set: https://myanimelist.net/stacks/34667

"It's not a matter of good or evil; it's simply not possible to do it any other way."

Noir is characterized by such elements as cynical heroes, stark lighting effects, frequent use of flashbacks, intricate plots, and an underlying existentialist philosophy.

The isolation from society of the typical noir hero was underscored by the use of stark high-contrast lighting. Classic images of noir included rain-soaked streets in the early morning hours; street lamps with shimmering halos; flashing neon signs on seedy taverns, diners, and apartment buildings; and endless streams of cigarette smoke wafting in and out of shadows.

The inherent subjectivity of Expressionism is also evident in noir’s use of narration and flashback. An omniscient, metaphor-spouting narrator frequently clarifies a characteristically labyrinthine noir plot or offers a subjective, jaded point of view. Tension and suspense are increased by the use of all-knowing narrators and flashbacks, in that the audience is always cognizant of impending doom.

The heroes of noir generally share certain qualities, such as moral ambiguity, a fatalistic outlook, and alienation from society. They also exhibit an existential acceptance of random, arbitrary occurrences as being the determining factors in life. Such compassionless pragmatism is found in the most noble, as well as the most tarnished, of noir heroes. The weakest of such characters exhibit an abundance of tragic flaws.

Noir villains are often characterized as homme fatales or “spiders”; in the words of one critic, they are “comfortable in the world of cheap dives, shadowy doorways, and mysterious settings.” They cunningly and ruthlessly manipulate their counterparts to gain power or wealth.

Nevertheless, the noir villains often evoke sympathy, as they are frequently victims of emotional or physical abuse, with such victimization providing impetus for their vengeance. They are trapped in passionless or violent bonds of contract/servitude and resort to murder as a means of escape, usually destroying their conspirators in the process.

Source: Britannica - list will be kept updated