Ningyou no Kuni
Aposimz

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Foi totalmente compactado o final, o que foi engraçado e triste ao mesmo tempo.
Porém, recomendo lerem one-shot antes de ler este mangá, vai fazer uma diferença muito grande em certas partes, diferença que fez eu ficar muito feliz por ter lido tudo! :D
Embora o final tenha sido feito de forma rápida, conseguiu sanar todas as dúvidas!
Recomendo muito ler o one-shot antes e depois, faz muita diferença...
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The ending was fully compressed, which was both funny and sad at the same time.
However, I recommend reading the one-shot before reading this manga, it will make a big difference in certain parts, a difference that made me very happy ... to have read it all! :D
Although the ending was done quickly, it managed to solve all doubts!
I highly recommend reading the one-shot before and after, it makes a lot of difference...

Aposimz is a mixed bag, but I'd still recommend it to Tsutomu Nihei superfans.

Tsutomu Nihei has an incredible ability to craft unique sci-fi worlds that function on their own rules of nature. He then crafts epic stories that slowly reveal those rules to you through exploration and character interactions. Sometimes, on the way, events lead to those rules fundamentally changing, requiring you to figure things out all over again. To me, this is the main appeal of Tsutomu Nihei manga.

So will you find this in Aposimz? The short answer is yes, but it takes a while to get going.

I'll say right now that if you ... love Tsutomu Nihei and you're thirsting for more of his work, you're gonna want to read this. If you've never read anything by Tsutomu Nihei, you should probably check out his more polished work first. Blame!, Biomega and Knights of Sidonia are all great.

If you're interested, I recommend you stop reading this review now and just start. But I'll share my spoiler-free thoughts below anyway.

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The biggest difference between Aposimz and other Nihei works is that, here, the main driver of the plot is the characters' emotional motivations (at least at the beginning). This is in stark contrast to Blame! and Biomega, where the characters barely have emotional motivations - and if they do, it's something larger than life like "become god" or "see heaven." Even in Knights of Sidonia, where the characters' emotions were on full display - the primary motivator of the characters from a plot perspective was the existential threat of extinction, and any cheesy romance tropes were intertwined with unique sci-fi concepts. But Aposimz isn't like that.

Unlike most Nihei works, Aposimz starts out as a simple revenge story, entirely driven by the main character's motivation to get back at the bad guys who crossed him. There are hints of the epic Nihei sci-fi plot going on in the background, but that takes the backseat for the first good chunk of the story. This makes it awkward to read since, in my opinion, Nihei really struggles to write characters you're supposed to empathize with. This makes the first act feel like a generic plot with generic characters in an interesting world.

However, about halfway or a little over halfway through the story, more actors enter the mix which makes things a lot more interesting. This continues into the rushed ending, which many reviewers here disliked but I personally enjoyed. It was very reminiscent of other Nihei works which I love. That's all I'll say about the ending to avoid spoilers.

One other thing to comment on though is the fight scenes. Many of the fight scenes in Aposimz take the opposite approach from Nihei's typical "show-don't-tell" style of writing. This manifests in many ways including shounen-style narration, and the moment-to-moment thoughts of both characters engaging in battle. It usually reads pretty cheesy, but it helps you appreciate the decisions the characters make in a way you otherwise wouldn't.

That's pretty much all I have to say. Nihei takes a very different approach to storytelling and writing in Aposimz - mostly for the worse, but it does shape up by the end, and the uniqueness does make it interesting to read as a Tsutomu Nihei fan. That's why I only recommend this series to existing Tsutomu Nihei fans, and say everyone else should read his better works first and come back when you run out of Nihei content to consume.

Its interesting and strange to me that people write reviews for unfinished or ongoing manga, but in the case for Aposimz - even its now "finished" status is actually forever unfinished due to a hasty cancellation. Nihei was forced to attempt to cliff note about 50 chapters worth of story into the last 4 because of that. I won't judge Aposmiz for the hilariously rushed ending, however I didn't find rest of the story or art to hold up regardless of that forced ending.

As per the Nihei Blame usual you have a rather stoic MC with a small gun that has the power ... to punch a hole through everything, travelling around a mechanical dystopia with a female sidekick (actually 2 this time), some Abara style transformations, and at times the lighthearted goofiness of Sidonia. The biggest change is probably how generic and "not-Nehei" the manga feels; things quickly devolve into shounen battles with tiered enemies, special superpowers, mascot animals, ass pull fights, explanation of said fight/abilities, etc. Technically Nihei always has moments almost like that, but not to the same degree and frequency that Aposmiz has. It is very much a watered down and shounen-y story overall. There are hints of the expert world building of Nihei, but it feels rehashed from his older works, except now straddled by this atmosphere killing shounen battle nonsense (along with some very obvious and clear "influence" from Nausicaa).

That being said nothing here is really new for him, besides his continuation/advancement of the Sidonia artstyle, which is something I personally think just looks rather boring and lifeless in comparison to his older heavy ink stuff. Its lacking in shading at times, being mostly empty white, a single grey tone, and then ink for hair and lines of objects. I appreciate trying a new artstyle; but it feels more simplified in its shading, more boring to look at, like less effort is being put in, and honestly sometimes hard to make out what things are exactly due to that lack of shading. A look at his coloured pages are obviously a huge step down from his previous efforts, not even in a different style, they are simply just flat out worse and look like he barely tried at all. Faces and people are also far more cutesy, utterly gone are the uncanny and strangely spaced faces from his older works which stood out from other artists.

The atmosphere too is very similar to Sidonia because of how much more playful characters are and how lighthearted things look. Silly jokes and even ecchi scenes coming up again and again through the story, but are mostly just generic and played out nonsense. Nothing like the ol naked girl walks into the bathroom and then hurts the MC for looking at her titddies, never seen enough of those epic gags, right guys....? Maybe I am no longer Nihei's target audience with things like this, but I never found these "jokes" very funny even when I was younger, and more importantly is that it's so overdone that I believe it's absolutely worthy of criticism.

Its a shame to say; but with this manga, Sidonia, and the Blame CGI movie - I think I have to say that modern day Nihei is completely washed up. He seems more interested in having cute girls, slapstick humor, shounen battles, and awful romance than creating the gritty, mysterious and dark worlds he was known for. Its fine to change your style, but if your new thing is just trying to make yourself more accessible and generic - then I'm not going to pretend its anything other than bad. I don't like having to say that, but I think its the truth at this point because he threw away his own unique style and then watered himself down to be more "accessible". Essentially he sold out, which was probably clear as day with Sidonia, but I was holding on hoping that maybe it was only a one time thing. That is not the case, and really I expect him to make an even more egregious attempt to commercialize himself in the next story he creates due to the failure of Aposmiz.