This was definitely the best and most enjoyable episode since the fourth. It still wasn't nearly as impressive as episode four, nor did it quite reach the levels of the second or third, for that matter, but, thankfully, this was a considerable improvement over the previous few episodes, partially due to the heightened focus on the relationship between Mashiro and Sorata, and also, of course, to the relative lack of Aoyama. This episode was paced quite well, as the comedy was very deftly balanced with an engaging interspersion of dramatic elements, while also providing rather effective character development.
My favorite sequence, by far, was the moment Mashiro leaped into the air, as the numerous fireworks accentuated her silhouette. It was a particularly beautiful moment that was superbly directed. The tense atmosphere of Sorata's interview was depicted quite well. Aoyama's realization of love at the end of the episode felt like it had already been established quite some time ago, but I suppose it was meant as a proper illustration of the approaching triangle and that Aoyama will be strongly attempting, however unsuccessfully, to steal Sorata's heart before Mashiro does.
Mashiro was easily the highlight of this episode, as she consistently provided the best and most intriguing moments throughout. Her continued development is highly interesting, as she's slowly beginning to realize the subtle growth of her romantic feelings for Sorata, as excellently portrayed by her unexpected smile at the pool and the plethora of her deeply caring actions throughout this episode. Though Sorata and Mashiro's relationship didn't exactly develop in a significant manner, I loved their small, but meaningful interactions throughout the episode, especially the moment she handed Sorata a charm before he departed for the interview, which was surprisingly thoughtful, and potentially indicative of how the unknown complexities of her emotions are slowly beginning to unravel.
Sorata, though occasionally grating, has definitely become more likable and rather sympathetic following this episode, as the narrative smartly developed his character in a manner that was emotionally poignant, while never really faltering into overt melodrama. As such, I quite liked how he quickly moved past his temporary setback, since I was expecting something more needlessly dramatic, which wouldn't really have benefited this particular part of his early development.
Aoyama definitely remains the weakest character, since, aside from a rare moment or two, she never appears to elevate beyond a one-note personality, which has become quite monotonous, as her tendencies to either react with an extremely flustered exaggeration or berate Sorata following an instance in which she misunderstands a situation and consequently interferes between Mashiro and Sorata have never worked as a comedic element to her personality, so it's increased prevalence isn't exactly enjoyable. Though fully indicative of the care she has for Sorata, her reaction to his momentary failure was anything but helpful, as her over-bearing sympathy only threatened to compound his suffering, especially displayed by her inconsiderate questioning of his lack of sadness. Basically, she's a secondary character that has been needlessly forced into a heightened "relevance" in the narrative, poorly masquerading as a main.
The quality of the show improves considerably whenever it focuses on Sorata and Mashiro's unique dynamic. Otherwise, it occasionally tends to slip into a nature of conventional repetition. This has, for the most part, been averted by Misaki's intermittent inclusion in the story and the episodes that heavily touch on said dynamic, but the ever-increasing romantic elements have felt rather restrained and predictable much of the time, and, as long as Nanami is directly involved in the narrative, this unfortunate mediocrity seems quite likely to continue, since, so far, it has permeated the potential for significant relationship development with a sort of artificial stagnancy. Essentially, the natural fluidity of the narrative is noticeably diminished by the seeming length of Nanami's contrived involvement within the romantic aspect of the story, since all she effectively does is temporarily stall Sorata and Mashiro's relationship development.
All in all, despite the unimpressive quality of the previous several episodes and the questionable narrative flaws that remain, Sakurasou continues to be one of the most surprising shows of the season, filled with an abundance of engaging characters and, for the most part, a very interesting and enjoyable story. It's quite clear that this unnecessary triangle will be far more prevalent in the narrative than I initially expected, which is disappointing, but, at least during this episode, it was rather easy to overlook. So, essentially, rather than a furtherance of pointless, uninteresting triangle antics, I'd very much prefer actual development for Sorata and Mashiro's inevitable relationship. Of course, this is a lengthier show, so there's certainly no need to unnecessarily hasten the arrival of such developments, but it would be quite detrimental to the story's effectiveness if all progress of any significance were to be left until the very end. Regardless, I'm really looking forward to the introduction of a new, hopefully good, character in the next episode, and I'm expecting further development for Misaki and Jin in the near future, as their potential relationship is thoroughly compelling. |