Well I’m writing this in word because MAL is down… so sad.
From what I glanced over before MAL went down I saw a few people who thought Story and Characters were the most important aspects of the stuff they watch. For me, however, I typically gravitate to more artistically directed shows. This isn’t to say “if it has an original arty style I automatically like it,” as that would be quite stupid. I find that more artistic shows tend to focus a lot more on the quality of their script and the sound of the show. Thus, on a whole they are more artistic (beyond the visuals). I have had some very bad experiences with these arty films. I am horrible with names, so forgive me that I completely cannot remember this particular movie’s title (though chances are you’ve never heard of it) but I once watched this French film with a bunch of my other friends. I was insured that it would be “amazing,” and that it would “blow my mind,” according to my one friend. The general concept was the whole re-hashed “what is reality?” concept, though it offered nothing new to say on the subject whatsoever. Instead it’s entire purpose was to attempt to confuse you as much as possible, add in some neat lo-fi funny eccentric vintage things, add some angst, failed love, more failed love, some more nonsense, and some vague reference to how dreams are really neat and weird-o! When the mess finally ended I turned to my friends and confessed that I not impressed by the pointless ‘creativity’. Thus, while I do love art, and even films that are made for the sake of art, I despise it when something I am watching pretends to be more intelligent than it actually is. The director was probably some stuck up cock who thinks he created the weirdest intelligent shit ever. That just bothers me to no end. Being abstract (for me) is fairly easy. I can throw some ideas into a hat and pick them out one by one and glue them all together; I can create art. Whoohoo.
So now that I’ve established I like to be drawn in visually, I shall move towards the characters. For me well developed characters are a must (unless there is a point for having a flat character they really should not be involved). Sorting out all main characters with very basic cliché flaws is an obvious must. Even beyond those more simply written characters, even some of the more “complex” characters tend to have unfounded problems. I enjoy it when characters actually have motive. Personally, I tend to gravitate to shows with a Byronic hero (dark, self-destructive, moody, outcasts—Oh, Swoon!). I know it’s not the most difficult device to pull, but it gets me every time (especially when well done). I am the type of person who really falls hard for characters (in terms of admiration, sympathy and what-not).
It is perhaps because of my attachment to a well developed fictional character that tragedy affects me more than comedy (Though traga-comedies shall forever hold a very special place in my heart). You’d think because I grow so attached to these characters that their death/failure would cause me to be upset with the ending. This is not the case (whoo catharsis hahahaa). Instead I feel that tragedies tend to have a greater impact on me, not just emotionally.
Though I don’t particularly despise comedies either, as a happy ending can make even my icy cold hart warm and fuzzy (see: joke).
Hmm.. well I’m getting into genre but I’m tired as all fuck so goodnight. This is already TL;DR well enough.
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