I don't like hyped shows, that's why I only watched Madoka after it's 10th anniversary, and that's initially because of Yuki Kajiura score. I also didn't have big expectations for the show, which is always a good attitude to have, btw. After seeing it I can say that hype does NOT make it justice. It IS a masterpiece, which I didn't expect from SHAFT with magical girls setting. That said, I feel it's a flawed masterpiece, but that only appears to me after it edned. I might have not got everything that happened, so certain things did not make complete sense to me in the end. I'm sure questioning the plot will bring up many issues, but I have no issues with the way it proceded and ended when watched a first time, only looking back. I really like the resolution and Madoka's wish as "the only way" to solve the problem and how it was built up, not taking too long - I like how this show is compact with 13 episodes - but in the end I feel it's a rather poisoned fruit, especially considering a movie sequel. There is a rather fine line between exploration of a theme and exploitation of it, before you engage, and any plot in the end serves only two kinds of purposes - to promote good, or evil. That only becomes apparent after you went through it. A happy end not always good, and it's not true to say that people always want it. Profound screenplays can take any from, it's the truth behind the experience what matters, and if this truth got to the audience. It's very easy, however, to go into tampering with the audience to produce an engaging experience, which will harm them. In all honesty, even if there are people who "like" being hurt (maybe because they don't feel much), we don't need more of that with life we have. Indeed, if you cross that line, when you begin setting characters up to suffer for entertainment, you have turned to evil. That is an equivalent to state that God has us suffering for His entertainment - each time an artist as a creator does that, he is promoting that idea, any agenda an artist may have - it's easy to become a god in your mind. Knowing how to play on emotions and doing it to appease the public is just cynical, but what I described above is evil. What you see in a movie gets into your subconscious AS IF it was a real experience (movies are hypnosis), so this experience is not to be taken lightly. I have issues with Urobutcher's scripwriting, I just didn't bother to look into exactly why yet, it is as if he is incapable of making a satisfactory ending, instead it must always be ruining your expectations or the material, kind of like Midas in reverse, ruining gold instead of making it. Like the man specifically looks out for good ideas to crap them over in the end. And so, Madoka being a masterpiece, is a fallen masterpiece in the end. It obviously not failed in popularity, but will it survive as a classic? For example, I am Evangelion's contemporary, but I never considered it of lasting importance, and indeed, I have no interest in watching it today or recommending it to someone. Sadly, that is true with Madoka. I want to love it, and I rate it as a masterpiece, but I simply can't see it holding up. While Sailor Moon from 90's will forever be among my most favorite, because while being excellent it also has a soul. Madoka has all the components to become a legend, except for that subtle substance I call a soul - instead it takes out the soul of a watcher and uses it for a while, before putting it back somewhat worse for wear and with a few gems, but you wonder if they are fake and your own weren't taken in the process. |