 A special program held on Sunday for the previously announced Kamisama ni Natta Hi (The Day I Became a God) TV anime announced the director and cast for the heroine, Hina: Yoshiyuki Asai and Ayane Sakura, respectively. The collaborative anime of Key, Aniplex, and P.A. Works, will premiere in October this year. Continuing the companies' collaborative project that began with Angel Beats!, Asai will return to helm the direction of Kamisama ni Natta Hi after his work on Charlotte. Sakura was also in-charge of portraying the heroine in Charlotte, Nao Tomori. The special documentary episode featuring Key and the series' original creator Jun Maeda introducing the becoming of the anime will also broadcast on May 31 on ABC TV and Metele (Nagoya Broadcasting Network). Source: PR Times |
VindstotMay 24, 2020 9:52 AM
| I have high hopes for this one~!^^ |
| My expectations for it are low now. Asai has done nothing good so far imo. |
STOP SLEEPING ON ODD TAXI |
| Oh well, hopefully he does better this time. |
| After Charlotte, I'm little bit worried about this one, but still hopeful. |
| Oh boy... I had watched Charlotte some time before this anime was announced and thought it was... just fine. I didn't know how to feel about Nao Tomori and some of the characters got annoying before the halfway point, but Charlotte still had some good ideas and it was better than a couple of other similar shows I could name (cough cough Beyond the Boundary cough). I'm still looking forward to watching this, but I guess I shouldn't expect it to be another Angel Beats, huh? |
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| That's... the opposite of great news. Will still watch it but not expecting much after Charlotte. |
| Oh no... Let's hope he improved from his past experiences. |
| beep |
| Y'all act like if the director was the only one responsible for everything happening in the industry. He can do a wonderful job, but if there is something wrong elsewhere then he can do his best, he still cannot save everything. I actually consider that his directing skills were excellent in Charlotte. |
KryzakamiHrybamiMay 24, 2020 5:45 PM
Hrybami said: Y'all act like if the director was the only one responsible for everything happening in the industry. He can do a wonderful job, but if there is something wrong elsewhere then he can do his best, he still cannot save everything. I actually consider that his directing skills were excellent in Charlotte. yup you are right infact its not his fault that Charlotte did have only 13 episode so of course its gonna be rushed |
 ”A fight isn't won once a victor is decided, it's won when someone loses.” – Izayoi SakamakiI don’t even know the real names of the two… no, three that I killed back then. I just closed my eyes, put my hands over my ears and tried to forget it all.” – Kirito MY ANIME LIST |
Askaa said: Hrybami said: Y'all act like if the director was the only one responsible for everything happening in the industry. He can do a wonderful job, but if there is something wrong elsewhere then he can do his best, he still cannot save everything. I actually consider that his directing skills were excellent in Charlotte. yup you are right infact its not his fault that Charlotte did have only 13 episode so of course its gonna be rushed Charlotte felt rushed because there were a lot more contents than what we would expect from a standard 13 episodes. Actually, the anime isn't really that rushed. The episodes were all well structured with a clear goal in mind and the director successfully achieved implementing every necessary things in the episodes with fluidity and without leaving plot-holes. As a result, every scenes were significant and were enjoyable. |
| OH WTH...Charlotte, Fate/Apocrypha, and now this? Fingers crossed that Akai really DID learn from his past mistakes, keeping expectations low for now. |
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| >Maeda Jun aight, now you have my attention.... |
| I'm excited for this anime. |
| Apaixonado por jogos e animes. |
Hrybami said: Y'all act like if the director was the only one responsible for everything happening in the industry. He can do a wonderful job, but if there is something wrong elsewhere then he can do his best, he still cannot save everything. I actually consider that his directing skills were excellent in Charlotte. For me he is kinda like a budget version of Seiji Kishii, he does what need to be done and that's pretty much all you can expect from him. Outside the chase sequence of the first episode the whole anime is too plain, nothing really stands out as "Wow, that's so good"(talking about storyboards). |
| It's funny how people are so quick to bash on the director for his "past mistakes" as if you know everything the guy ever did and was ever responsible for. What exactly are his past mistakes? None of the series mentioned on this thread had production delays, incompetent production or budget issues. As someone who actually took the time to look up all the projects he's worked on I'm really looking forward to see how this one turns out. He's been working with P.A.Works ever since True Tears (2008) as an ED and did the storyboard for many emotionally-packed series (Tari Tari, NagiAsu, Rewrite, Angel Beats) so in my opinion this is quite the safe directing pick. lezerman said: Outside the chase sequence of the first episode the whole anime is too plain, nothing really stands out as "Wow, that's so good"(talking about storyboards). Incidentally, the storyboards from Angel Beats credited to him on ANN are from episode 5, that episode with the flying school chairs and Yui's first performance as the lead for GirlDeMo. I thought that was a really good episode. |
xbobx said: It's funny how people are so quick to bash on the director for his "past mistakes" as if you know everything the guy ever did and was ever responsible for. What exactly are his past mistakes? None of the series mentioned on this thread had production delays, incompetent production or budget issues. As someone who actually took the time to look up all the projects he's worked on I'm really looking forward to see how this one turns out. He's been working with P.A.Works ever since True Tears (2008) as an ED and did the storyboard for many emotionally-packed series (Tari Tari, NagiAsu, Rewrite, Angel Beats) so in my opinion this is quite the safe directing pick. lezerman said: Outside the chase sequence of the first episode the whole anime is too plain, nothing really stands out as "Wow, that's so good"(talking about storyboards). Incidentally, the storyboards from Angel Beats credited to him on ANN are from episode 5, that episode with the flying school chairs and Yui's first performance as the lead for GirlDeMo. I thought that was a really good episode. Wow really? that episode was so well crafted, Angel Beats had a lot of good moments overall but of the comedy ones this is the one who stands out the most. But anyway, this show is shaping to be the absolute reverse of Angel Beats/Charlotte, a simple anime with a simple story, so hopefully with something more simple and plain they feel better about trying to create something more memorable?, can't wait for the first trailer. |
| I haven't liked anything Key has written and Yoshiyuki Asai hasn't directed anything good so I have no expectations for this. |
| "Otaku search for patterns within data presented and draw conclusions. Anime fans only see clones and copies." -artificialnightsky |
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