I remember there being an absurd amount of divisiveness with regards to this anime, so much so that there were spoilers being thrown around left and right along with their associated arguments. Because of that, it took me the longest time to actually get around to watch this.
Well...it was solid. I'm not sure how else to describe it. ERASED is a completed story, albeit with pacing issues. I don't know how much content was altered or removed between the transition from manga to anime, but from what I can see, I can definitely tell there was something missing in the transitions between the "arcs," if you can call them that. Though, whatever it may be, the overall experience wasn't affected all too much. I didn't really care for any explanations regarding the Revival power, as its origins doesn't really effect my understanding of the overall plot. I will, however, question the use of romance subplots here, as it also ties directly with the behaviors of the various characters, particularly Satoru, Kayo, and Kenya.
I understand the concept of kids maturing far beyond their years. However, it's weird seeing how calm everyone seemed when faced with sudden revelations. Other titles may have issues with overreacting, often coupled with some distractingly obstuse facial shots with screaming and tears, but here, while we had some of that with Kayo's mother, a good amount of the dramatic moments were quite downplayed. I'm not exactly sure how the audience is supposed to react, but I suppose it's used as a moment of silence for viewers to absorb information and react accordingly, as opposed to the characters creating that reaction themselves.
With Satoru, it becomes another aspect of the show I'd question. He jumps a lot between acting like his older self before leaping back and acting like a kid. I'm not sure if that was intentional, as he seems quite adept at acting like a naive child immediately upon getting sent back in time. It's hard to believe that he's supposed to be 29 given how he acts, but this inconsistency is linked back to the tone of the series, which tries to balance halfhearted comedy with dramatic moments built from purely actions, rather than actions taken upon established characters.
I still believe that this anime might have made a stronger impact if it had more time to develop itself. Additionally, the effort placed into involving all the murder victims seemed a bit much for the 12 episode time constraint. For a single season, perhaps it might have been more effective to focus solely on Kayo, as the resolution of that part led directly into the rest of the case, which wasn't given as much time or attention comparatively. In addition, the romance subplot between Satoru and Kayo was thrown out rather quickly, rendering the comedic moments and whatever relationship built between them a bit awkward in hindsight. I probably would have been kinder in this regard had they strictly maintained a friend-only relationship, but all that incessant shipping became quite distracting after some time.
I don't mind the ending, but again, it was resolved somewhat quickly given the amount of complexity associated the murders. You'd think that there were some government conspiracy associated with the case given how many hands were involved in covering things up. Well, Gaku was certainly in the city council, but even then, I'm still unsure about it all. Murdering to cover up murders? I'm not sure if that all connect. That, and it heavily relies on the police and the public to immediately assume that Satoru was deranged enough to kill his mother, conspire with a high school girl to do so, then attempt to kill her through arson to cover it up. It would be like walking around with a large neon reading "I'M INSANE," and by not taking a moment to consider how absurd that sight would be, it would paint the particular society of ERASED as being ridiculously gullible and easily manipulated.
Perhaps it's a reflection of Japan's judicial system and societal values. Perhaps it's a reflection of how we try to ascribe blame to any event before trying to understand the event itself, becoming a game of pointing fingers instead. This is shown in how Kayo's mother was suddenly given her own character upon meeting her own mother, where the blame for her actions wasn't absolved, but rather shifted over to her ex-husband. This doesn't resolve any of the abuse, nor does it excuse the amount of time dedicated to showing why abuse is bad. That's...kind of a given, but the fact that it had to be pointed out may be indicative of how the drama has much to be desired for.
It just seems like the series could have done more with its set up, as it's quite interesting to consider the concept of a mystery that must be solved between two different timelines. As it was executed, I don't have any particular complaints, as the series is still solid despite all I've said. Still, I feel that it could be better, and I suppose that room for improvement could be the groundwork for future titles of a similar nature. That being said, at the moment of this post, I still have Re:zero on my Plan to Watch list, so guess I'll leave it at that. |