• Action - Exciting action sequences take priority and significant conflicts between characters are usually resolved with one's physical power. While the overarching plot may involve one group against another, the narrative in action stories is always focused on the strengths/weaknesses of individual characters and the effort they put into their personal battles with the opposing group's members. Contrast with Military or Sports where the narrative is on collective achievement, or monster-of-the-week where the brief action scenes are a predicted climax to the episode's plot.
• Adventure - Whether aiming for a specific goal or just struggling to survive, the main character is thrust into unfamiliar situations or lands and continuously faces unexpected dangers. The narrative of adventure stories is always on how the characters react to sudden events or trials during the journey, indicating personal growth or setback based on which actions or choices are taken. Character development as a response to the journey's dangers is a requirement of adventure stories. Simply experiencing foreign lands or worlds is not adventure.
• Avant Garde - Experimental fiction which shunned conventional storytelling at the time it was created. These stories often invoke unsettled feelings because they reject traditional ways in which we prefer to view (or escape from) the world. Narrative is avant garde works is often of higher importance than the content. Deconstructions often fall into this genre. Note that simply being darker, edgier, or cynical doesn't mean the work is avant garde.
• Award Winning - Titles which have won prestigious or professional awards in Japan. Examples include the Tokyo Anime Award or Japan Media Arts Festival awards.
• Boys Love - Same-sex romantic/sexual relationships between men are the focus of these stories. In Japan, the term Boys Love and its abbreviation BL are commonly used to refer media written by women for female audiences. These stories vary in their explicit content levels, with some being more focused on relationship development and others focused more on erotic scenes. In the West, the terms Shounen Ai and Yaoi were often used to refer to non-sexual and sexual BL stories, respectively. However, while the term Shounen Ai comes from Japanese, it doesn't mean the same thing in Japan, which can create confusion. To avoid this, we depreciated these Western terms on MAL, and now use the Japanese term "Boys Love" instead. This means that if you want to search for what the West calls Shounen Ai, you should look for Boys Love titles without an explicit genre; if you want to search for Yaoi, then you should look for Boys Love titles tagged Erotica.
• Comedy - Uplifting the audience with positive emotion takes priority, eliciting laughter, amusement, or general entertainment. Almost always, comedy stories are episodic or have happy endings. Nearly every work will use comedy as a plot device to relieve tension, but the overarching narrative must be focused on evoking amusement to be Comedy. Drama and Comedy are not mutually exclusive, but mixing them requires the audience facing human struggle with lightheartedness. Slice of Life and Comedy are incompatible by definition.
• Drama - Plot-driven stories focused on realistic characters experiencing human struggle. Because drama stories ask the question of what it means to be human, the conflict and emotions will be relatable, even if the settings or characters themselves are not. Here, you will see humanity at its worst, its best, and everything in between. Simply having a serious tone, dramatic moments, or evoking tears does not equal Drama. If the narrative focuses on eliciting emotional reactions rather than on characterization, then it is melodrama and not Drama. Slice of Life and Drama are incompatible by definition.
• Fantasy - Magical powers and/or fantastical creatures are prevalent in the world and necessary for the story's narrative. These fantastical elements cannot be explained by modern science and are commonplace or normal to much of the main cast. Fantasy stories can take place in imaginary worlds, in alternate universes of Earth/Japan, or on Earth as we know it. Modern-day fantasies set on Earth include stories where: many of the main plot points take place in a self-contained and/or fantastical area only accessible to the main cast; RPG-like elements are enforced on our world after a large-scale event; or many characters use magic or have imaginary powers which manifest/manipulate elements akin to magic. If all fantastical elements fall within the Super Power or Mahou Shoujo themes, then Fantasy will not be double-tagged. Similarly, if all fantastical elements are isolated to one type of event (e.g. Time Travel, Reincarnation, Isekai) then Fantasy will not be tagged. When searching for High Fantasy stories, excluding Urban Fantasy can help refine your search.
• Girls Love - Same-sex romantic/sexual relationships between women are the focus of these stories. In Japan, the term Yuri is commonly used to refer this media. Girls Love and its abbreviation GL are also used, but to a lesser extent. These stories vary in their explicit content levels, with some focusing mainly on relationship development and others incorporating more sexual content. In the West, the terms Shoujo Ai and Yuri were often used to refer to non-sexual and sexual GL stories, respectively. However, while the term Shoujo Ai sounds like it comes from Japanese, it has a very different meaning in Japan, which can create confusion. To avoid this, we depreciated these Western terms on MAL, and now use the term "Girls Love" instead. This was chosen over the term Yuri to match Boys Love and avoid confusion from the Western usage. This means that if you want to search for what the West calls Shoujo Ai stories, you should look for Girls Love titles without an explicit genre; if you want to search for Yuri, then you should look for Girls Love titles tagged Erotica.
• Gourmet - Preparation and consumption of food or drink take focus in gourmet stories and the narrative is designed to feature numerous different dishes or beverages. Characters are often chefs or food connoisseurs, and special attention is given to all steps in the cooking process, ranging from detailed descriptions of recipes to the characters' often over-the-top reactions when tasting the finished product. Gourmet should only be double-tagged with Workplace when the social interactions between multiple employees in the same work environment are equal in focus to the food/drink.
• Horror - Creating—and maintaining—a sense of dread in the audience takes priority, eliciting shock, fear, or disgust through atmosphere and frightening scenarios. Mood must be of equal or greater importance than setting and characterization in horror stories. Almost always, the main cast will be under constant threat of danger. Many stories can incorporate elements of horror as a plot device to unnerve the audience, but the overarching narrative must be focused on evoking and maintaining apprehension to be Horror. Contrast with Suspense where the audience craves to know what will happen next rather than fearing it.
• Mystery - Whether its solving a crime or finding an explanation for a puzzling circumstance, the main cast willingly or reluctantly become investigators who must work to answer the who, what, why, and/or how of the current dilemma. The narrative of mystery stories is always on collecting evidence, identifying suspects, and theorizing possible scenarios for the unexplainable, before finally capturing the perpetrator or resolving the current situation. Almost always, the audience has the same information as the main characters and anticipation is directed towards discovering the explanation, not what will transpire after the answer is found. Contrast with Suspense or Horror where often the audience has more information than the cast, which heightens the tension or fear of what will happen next.
• Romance - Falling in love and struggling to progress towards—or maintain—a romantic relationship take priority, while other subplots either take backseat or are designed to develop the main love story. The narrative focuses on the thoughts and emotions of the characters, illustrating the connections between them and explaining their reactions to events or conflict. Almost always, the story ends happily and the couple is rewarded for their efforts with lasting love. Romance stories require significant romantic development leading to some kind of conclusion: either to begin the relationship, continue it, or end it. Open-ended romantic endings are only acceptable when the work is an incomplete adaptation of a Romance source. "Teasing" stories which do not narrate significant romantic development but have a conclusion should be tagged Romantic Subplot. A story can be simply Romance. Since they are plot-driven stories showing humans experiencing romantic struggle, most Romance has some Drama inherently. For both tags, the drama should be focused not only on the relationship but also on the side storylines; for example, one character overcoming the death of a loved one or a drug addiction. Comedy requires Romance narratives to be focused on eliciting laughter, not only using comedy for lightheartedness. Slice of Life and Romance are incompatible by definition.
• Sci-Fi - Imagined technological advancements or natural settings which are currently unreal in the present day but could be invented, caused, or explained by science in the future. The narrative of science fiction (Sci-Fi or SF) stories focuses on the societal or individual reprecussions caused by the imagined technology or natural phenomenon, and are frequently dystopian in nature. Sufficient world-building is required for a work to be Sci-Fi; an alien simply visiting from outer space and living on Earth with unusual powers would be Supernatural. Characters in Sci-Fi stories can have unnatural powers without a Fantasy/Supernatural tag, but there should be a plausible scientific reason for these powers described by the creator. A futuristic setting with impossible, unexplained powers (e.g. humans randomly evolved to control the weather via thought) would be Fantasy.
• Slice of Life - Slice of Life stories are focused on a seemingly random and mundane period of the main characters' lives. The absence of a central plot to carry the story towards a charted destination means Slice of Life stories frequently lack overarching conflict and resolution. While life is not without conflict and Slice of Life neither, here conflict appears and dissipates seemingly at will, without a specific narrative to enforce it. Slow story pacing or episodic storytelling does not equal Slice of Life. Drama/Romance stories can be slow and soft while maintaining a central plot of human/relationship struggle. Comedy stories may lack progress and have mundane settings, but they have narratives focused on eliciting laughter rather than amusing moments happening naturally. Thus, Slice of Life is incompatible with Comedy, Drama, and Romance by definition.
• Sports - Training for and participating in a sport take priority, with the goal of furthering one's athletic abilities—either to win a competition or achieve some social standing. While the featured sport may be individual or team, the main cast will always overcome conflict through discussion and insights gained from other athletes or coaches. This creates a general sense of collective support and achievement that is always present in Sports stories. Contrast with Action where the narrative is on resolving conflict with one's physical power. While both Action and Sports may focus on exciting action sequencies, the two genres are mutually exclusive.
• Supernatural - Taking place on Earth as we know it, supernatural stories incorporate elements or attributes that are unnatural and unexplainable by science. These supernatural elements may be rumored, but a rational person would be shocked to discover they actually exist. Creatures common in folklore, urban legends, or superstition are often featured. Humans may also be granted supernatural powers, either by an inhuman being or through a paranormal concept that is defined by the "hidden" society. Character traits alone do not determine if a story is Supernatural; the unreal elements should be prevalent throughout the story and necessary for the main narrative. Furthermore, supernatural elements in the story should occur within the normal world, and not within a self-contained and/or fantastical area only accessible to the main cast (e.g. the underworld). Unnatural abilities or afflictions should be within the realm of superstition and not be akin to magic. If the only supernatural aspect in the story are these powers and they are not based on a shared concept (e.g. manipulating one's blood), then check Super Power. When searching for stories featuring creatures, spirits, or gods from folklore, the Mythology and Vampire themes can help refine your search.
• Suspense - Instilling a sense of anticipation and excitement takes priority, and is accomplished with a narrative that is rife with twists, turns, and red herrings. Uncertainty is present every step of the way, often drawn out for maximum effect. A variety of tools are used to keep the audience on the edge of their seats, such as withholding important information, intentional misdirection, or even outright subversion of expectations. Suspenseful moments do not mean a work is Suspense; the feeling of anticipation or anxiety must be maintained throughout the story. Contrast with Horror where the audience is in a constant state of apprehension and dreads the next event, rather than craving it. While Mystery also instills anticipation, the tension is focused on discovering the solution to a puzzle, rather than knowing what the characters will do next. Sometimes a story can mix Suspense with Horror or Mystery, but this is rare.

• Ecchi -
• Erotica -
• Hentai -

• Adult Cast -
• Anthropomorphic -
• CGDCT -
• Childcare -
• Combat Sports - Individual sports which involve one-on-one physical confrontations. This theme includes sports such as boxing, wrestling, karate, judo etc. Since Combat Sports is a theme within the Sports genre, these stories must have matches held in a competitive or organized setting.
• Crossdressing - One or more main characters in these stories identify as their biological sex, but routinely dress in a way that results in them being mistaken for the opposite sex. Since the act of crossdressing must be a central theme, often the main character is trying to hide their identity or achieve some goal. If the character simply enjoys crossdressing, the narrative should be focused on how the important people in the character's life react to or come to accept it. One main character dressing as the opposite sex for reasons unrelated to the central plot is not Crossdressing.
• Delinquents -
• Detective - A theme within the Mystery genre, these stories feature either a detective or amateur investigator working to solve a crime or puzzling event. To classify as Detective, the character must either by employed as an investigator (e.g. police officer, private detective) or be sought out by enforcement/clients because of their case-solving reputation (e.g. Sherlock). If the character only seeks out mysteries as a hobby or becomes embroiled in them randomly, then the Detective theme does not apply. Anti-heroes being pursued by enforcement is not Detective.
• Educational -
• Gag Humor -
• Gore -
• Harem -
• High Stakes Game -
• Historical -
• Idols (Female) -
• Idols (Male) -
• Isekai -
• Iyashikei - The Japanese word "iyashi" (癒し) means healing, and the term "iyashikei" refers to anime and manga that "heal" the audience by instilling a calming feeling or evoking emotional catharsis. Almost always, Iyashikei stories have peaceful, somewhat mundane, and nostalgic atmospheres. The settings are idyllic with little or no conflict, and the narratives focus on personal reflection, heartwarming moments, a vague sense of melancholy, and/or an appreciation for the small things in life. Iyashikei is a theme within the Slice of Life genre, and thus the conditions for both defintions must be met for the tag. Pets-themed stories are a subcategory of Iyashikei, so they are not double-tagged.
• Love Polygon -
• Love Status Quo - A theme within the Romance genre, these stories feature a couple that experiences frequent cute, blushy, and/or fluffy moments in a daily-life setting, designed to make the reader go "aww" or experience butterflies in every chapter. Since the emphasis is on teasing a reaction from the audience, the cute interactions between the couple are prioritized over other story events that would otherwise deepen or develop the romantic relationship. Thus, the story starts with the characters already in a state of increased awareness of each other, and stays there in "status quo" for the majority of the story. Love Status Quo is most easily recognized by a higher than normal amount of blushing between the characters, a flirty/teasing protagonist, an episodic nature, and/or a lack of internal monologue or personal reflection that indicates to the audience that the characters' feelings are deepening or changing with each interaction. Note that relationship status is unrelated to Love Status Quo; in almost all cases, the couple will enter a relationship by the end of the story, and recently, the couple featured can also already be married. Not to be confused with slow-burn romance, where the story begins with no romantic interest between the main couple and grows slowly throughout the work as story events work to bring them together. Also not to be confused with lighthearted romance, where not much romantic drama exists, but starting and deepening the relationship is still the primary focus of the story, rather than teasing a reaction from the audience. Love Status Quo is incompatible with the Harem, Reverse Harem, and Love Polygon themes. While these stories may also feature frequent amounts of blushing and cute moments between the characters, their primary focus is on the main character deepening his/her relationships with multiple girls/boys, and ultimately developing feelings for one of them.
• Magical Sex Shift - One or more main characters in these stories identify as their biological sex, but their body is suddenly changed to the opposite sex through magical means. This Magical Sex Switch may be temporary, irreversible, or allow the character to change back and forth between the two. Since the character's original identity is not lost, coming to terms with the magical sex switch or finding a method to change back should play a central role in the plot. Trading bodies between opposite sexes is Body Swap themed. Dying or being killed, and then being reborn as the opposite sex, is Reincarnation.
• Mahou Shoujo -
• Martial Arts -
• Mecha -
• Medical -
• Military -
• Music -
• Mythology -
• Organized Crime -
• Otaku Culture - Otaku is a term in used in modern Japan to refer to people with obsessive interests. Outside of Japan, it specifically denotes people who have a heavy interest in anime, manga, and other Japanese culture or entertainment. Otaku Culture themed stories have a plot which is related to the hobbies or occupation of a main cast who are heavily involved in anime-related media. Characters could be creating anime or manga (professionally or casually with friends), attending conventions or idol concerts, dressing up in cosplay, etc. Please note stories focusing on seiyuu (voice acting) fall under the Showbiz theme due to their celebrity status.
• Parody -
• Performing Arts - The main cast of these stories practice and perform live while using their body movements and/or voice as a form of artistic expression. Performing Arts are meant to capture attention with artistic beauty and deliver an unspoken message which evokes emotion in the audience. Often, characters will discuss the meanings behind classical sequences by renowned creators, or will strive to create their own. Primary examples of Performing Arts are dance, theater, and opera, but the theme also includes other forms of artistic expression such as choreographed circus sequences, folk music, or rakugo. Popular contemporary music (e.g. idols, rock bands) is not included in Performing Arts.
• Pets -
• Psychological -
• Racing -
• Reincarnation -
• Reverse Harem -
• Samurai -
• School -
• Showbiz - Show business, or Showbiz for short, describes the industry which produces popular entertainment media such as television shows, movies, radio programs, magazines, and mainstream contemporary music. One or main characters in Showbiz themed stories work in the entertainment industry, either as a performer (e.g. actress, model) or in business development (e.g. manager, producer). Their occupation should also be central to the main story's plotline. For example, simply dating a famous band member but never seeing that character perform or struggle with their profession is not Showbiz. Idols-themed stories are a subcategory of Showbiz, so they are not double-tagged with Idols (female) or Idols (male). Stories featuring a main cast of both female and male idols equally is rare, so those will be have the Showbiz theme.
• Space -
• Strategy Game -
• Super Power - One or more human characters have superhuman or supernatural "powers" which are specific to them, and directly used to progress the plot. This power should not be magic or akin to magic; individual expressions of the same paranormal foundation; or exist solely to fight other unnatural creators or elements in the story. Set in modern or futuristic, industrialized societies, the general public is often aware that these super powers exist (although this is not a requirement). If the super powers are limited to only one or two characters, then they should be outside the realm of superstition or plausibility, and uniquely defined to that story (e.g. not simply one character who is stronger than average).
• Survival -
• Team Sports - Sports which require multiple athletes on one team to compete against multiple athletes on another team, within same playing field and at the same time. Team Sports narratives focus on improving one team's collective performance, and frequently require its members to deepen their relationships with each other in order to bring out each member's strengths. This theme includes many ball games such as baseball, volleyball, basketball, rugby, hockey, etc.
• Time Travel -
• Urban Fantasy - These Fantasy stories are always set on Earth/Japan, either in an alternative timeline or as we know it now. When set in an alternative Earth, the era must be industrialized. In both cases, the fantastical elements in the story should occur within the normal world, and not within a self-contained and/or fantastical area only accessible to the main cast. Note that the word "urban" represents "modern, urban societies," and the theme isn't meant to apply exclusively to Fantasy stories set in densely-populated cities. A witch who lives in a small town and casts spells for the local townspeople in our present-day would still be tagged "urban fantasy." That said, these types of stories tend to be uncommon.
• Vampire -
• Video Game -
• Villainess -
• Visual Arts - The main cast of these stories practice and create physical objects for visual perception using tools and established art forms. Characters will study established techniques and/or strive to create new pieces of art work for designated projects or to sell professionally. Visual Arts includes artistic methods such as drawing, painting, photography, sculpture, ceramics, calligraphy, etc. Popular contemporary art forms (e.g. manga, anime) are not included in Visual Arts.
• Workplace -

• Josei -
• Kids -
• Seinen -
• Shoujo -
• Shounen -