Shinichi Chiaki conquers his fear of flying, and Megumi "Nodame" Noda's exceptional performance at a piano competition earns her an invitation to study at the prestigious Conservatoire de Paris. The pair go to Paris together to take the next step in their careers: Chiaki as a new rising conductor under the wing of the great maestro Franz von Stresemann, and Nodame as a pupil of the esteemed piano professor Charles Auclair.
But, of course, the music world is much bigger than the two of them could have ever imagined. Chiaki and Nodame, alongside old friends and new rivals, must fight and persevere to reach the dazzling musical heights that await them while never losing sight of what matters most.
Sequels are always a bit of a problem when it comes to matters of continuity, depth of story, character development, and sometimes even the look and feel of a show. All too often will the viewing public find the first season of a given franchise to be very good, only to be served a huge helping of mediocrity when the sequel comes around.
There is hope though, as while there are plenty of shows that let the viewer down in this way, there are a growing number that actually manage to equal, if not better, the original series, and one such example is Nodame Cantabile: Paris
Now as fans of the franchise will already know, the story is about the eccentric (or slightly mad, whichever takes your fancy), and thoroughly otaku musical genius known as Noda Megumi (Nodame is her nickname), and her reluctant, long suffering love interest Chiaki Shinichi. As the title of the series suggests, this time the pair have moved to Paris to continue their studies. Nodame will attend the music conservatory under the tutelage of the reknowned Charles Auclair, while Chiaki will continue to his apprenticeship under the erstwhile maestro Franz von Stresseman.
Unlike the original series, the plot is far less derived in Paris Chapter. The main reason for this is because a good portion of the original was spent setting the scene and introducing the characters, so by the time Paris Chapter came around much of the hard work had already been done. The story is thus able to continue from where it left off at the end of Nodame Cantabile, however the second series is also reliant on firsthand knowledge of the original as there is very little time spent on pointless flashbacks scenes. While there is a degree of scene setting and character introduction, this is handled in an expedient manner that helps to maintain the flow of the plot.
As far as looks go, Paris Chapter is actually a little better than the original series. While both retain the same atmosphere, the second series has a far more continental look due to the location, which is also reflected in style of clothing. Both Nodame and Chiaki look much the same as they did at the end of the original anime, while the new characters (Tanya, Frank, Yunlong, etc), follow the style of the series to a tee (i.e. highly expressive yet slightly "cartoony" features). The animation is a step up from Nodame Cantabile in that the strange CG used during the musical set pieces is actually smoother and more fluid than before. That said, much of the remaining character animation is pretty much what one would expect from the franchise, and many of the visual gags are well timed and choreographed.
Once again though, the areas where the series really excels are with the sound and music. The voice acting is as good as before (if not better), especially in the roles that continue on from the first series. The newcomers manage to fit in to the cast rather well, and while their performances are loaded with expression, they manage to capture that quirky, eccentric atmosphere that is a hallmark of the franchise.
In terms of music, Paris Chapter is far more focused on delivering set pieces than the original series, and the difference is palpable. This show literally oozes classical music from every pore, so much so in fact, the variety of tracks on offer in Paris Chapter easily rivals that of the first season.
As before though, this is very much a character driven show, and while season one managed a good degree of development for both Nodame and Chiaki, Paris Chapter takes it to a whole new level. In addition to this, the show spends a fair amount of time developing the supporting characters in much the same way as the original. The downside though, is that where the first series had 23 episodes to play with, Paris Chapter only has 11. Now one would think that there is no way to provide any meaningful growth to new characters in such a short time, however this is not the case as the nature of series two is to follow directly on from the original. The benefit of this is that both leads only need to build on their development from the first season, so more time can be spent refining the characters and strengthening their presence in the story, as well as focusing more on the supporting cast. Ironically, this is also the main reason why it is essential to have watched the first season beforehand as much of Nodame and Chiaki's characterisation in Paris Chapter is dependent on the viewer knowing their history.
Now it should be fairly obvious that I enjoyed Paris Chapter, and to be honest I found it to be as good as the original series. While the show continues to develop the plot and characters, it also manages to retain the eccentric charm of the original without miring itself in melodrama. The new characters are a boon to the series as they complement the story in some novel ways that may not be obvious at first. One example of this is Frank, a music student and European "otaku", who learns firsthand what otaku power is really capable of (thanks to Nodame and an episode of PuriGorota).
What I've always liked about the Nodame Cantabile franchise are the lengths the anime goes to in order to stay true to the manga, and Paris Chapter only serves to reinforce this. The plot is literally taken straight from the pages its paper based counterpart, and while there are some differences due to time constraints (amongst other things), anyone who has read the manga should find themselves on very familiar ground.
As far as sequels go, Nodame Cantabile: Paris Chapter is pretty much everything fans of the original could hope for.
Paris Chapter is a direct sequel to Nodame Cantabile and picks up where the previous anime left off - with Nodame and Chiaki journeying to Paris to continue their musical education. Besides our two main protagonists a whole slew of new secondary characters are introduced.
You'd have to have a heart of stone not to enjoy the development of the relationship between Nodame and Chiaki. Parts were truly hilarious (episode 5-6), some bits were sad and others were "aah" moments that let you reflect on just how much both of them have grown as people. Their music has also evolved throughout this arc.
said, there are several weaknesses in the Paris Chapter. First of all, the series is TOO short to fully tell the story in all its glory. Paris Chapter could have been 24 episodes and still we would have wanted more. Because of the shortened length a lot of stuff felt compressed and there wasn't nearly enough plot, or music (we need MORE music) to satisfy me or most Nodame fans. *sigh*
Secondly, none of the secondary characters (fun though they are) quite GRABS you the way the secondary characters did in the original Nodame Cantabile. For example, there is no comic relief that comes even close to Timpanist Masumi Okuyama - I miss him so much! Also the developing romances between any secondary characters in Paris Chapter pales in comparison to the Mine - Kiyora Miki Violin Romance. As for Rui Son - what a wasted opportunity, another plot thread started that just seemed to fizzle into ???
Basically with a little more running time I believe the plot and character development would have been perfect. It only scores as high as it does because Nodame/Chiaki are a truly brilliant pairing.
The art was very much in the style of Nodame Cantabile Season 1 so there is no incongruity. Paris is lovingly depicted - watching this anime brings me back to when I visited Paris, I could see some of the places I had been and it was easily recognizable. The animators got the "feel" of Paris close to perfect - I guess nothing can compare with the romance of actually being at the river side at night.
Great soundtrack and sound effects fitting with the anime - I doubt I'll be the only one wishing for more music. Episode 10 is definately the highlight music showcase wise. OP quite ordinary (disappointing really) but the ED is fantastic, one of the more catchy ones I've heard.
Loved loved loved it. I laughed, cried and anxiously awaited every new episode. Would have been a masterpiece if it were just a little bit longer, enough to make up for some of the "hanging" developments. Still, this did a great job of whetting my appetite for Season 3, I need more Nodame!
I usually don't expect much out of sequels, but slice-of-life stories seem like they should have an advantage in that department, don't they?
STORY - This Paris Chapter picks up pretty much right where the first season leaves off. Chiaki is still working to advance towards his goal of being a renowned conductor, and even Nodame seems to have something more concrete in mind for an end result. The general idea of the story is more or less the same, but unfortunately, I think a lot of the charm is lost in the overseas transition -- mostly because their dreams don't seem quite so distant anymore.
Chiaki is already fairly well known and well connected; as such, the things that stand between him and what he wants don't seem to be that big a deal anymore. We all know he's capable. This second season gives a little more spotlight to Nodame and her development, but even she seems to have made peace with herself for the most part, so the progression just doesn't seem as interesting.
Episode-to-episode, since it remains quite slice-of-life, the series is still pretty fun and entertaining, but the depth and relevance of the over-arching plot isn't nearly what it was in the first season. It feels more like a continuation of antics because the story had already matured to its height and there's no where else to go. I suppose that's a little disappointing, but at least it doesn't take away from the original series.
CHARACTER - Like the story, I feel like both Chiaki and Nodame had finished all their significant growth and development in the first season and that there wasn't much else to address in the second season. Despite having become an official couple somewhere along the way, there were only small differences in the way they interacted with each other. It was still ridiculously adorable for sure, and it could be said that we do gain some insight on Chiaki's regard of Nodame and their relationship, but I don't really feel much was explored beyond what we could have already figured out on our own. I suppose slow and gradual progression was part of what made their relationship so appealing in the first place though.
Sadly, most of the secondary cast from the first season stays in Japan, and we're greeted with a mostly fresh assortment of support characters in Paris (Kuroki the Oboeist is the only character that reappears). And they aren't nearly as interesting or entertaining as their predecessors. I don't really think there's a specific reason though, honestly; I just had a much harder time caring about them...maybe because they weren't featured as prominently and because none of them really seemed motivated? If they don't care about themselves, then why should I care about them? It also bugged me a little that almost all of them were pianists; variety is good!
ARTSTYLE & ANIMATION - At first glance, Paris-hen seems to have gotten a step-up in budget as far as animation goes. Where season one had still frame after still frame for musical performances, season two has none of that whatsoever. Instead, we're met with a lot of computer-generated music-playing that's fitted in rather awkwardly with the cel animation. Every single performance is animated in the Paris Chapter. Violins move! Fingers glide over piano keys! Chiaki's arms actually wave around when he's conducting! It's pretty neat; I was excited to see instruments move, but after a while, you really start to notice how awkward it looks.
The difference between the CG animation and everything else is too obvious. Chiaki's arms are too stiff. The pianists' fingers are look strange when they move; they're robotic. It isn't terrible, but it's noticeable, and it becomes a little distracting. I think the general character animation took a hit because of it, even in scenes that didn't involve performances. More proportions were off than usual, etc. The animation was never amazing to begin with, so those small things stand out. I'm not really sure whether the still frame panning is better or worse than the awkward CG, but at least they're trying.
MUSIC - You know, for a music anime, Nodame Cantabile Paris Chapter has a pretty terrible opening theme. The animation is uninspired, and the song is just... not good. Thankfully, the ending theme is much cuter, and I really enjoyed the multilingualism of it all. We don't see as much variety in musical selections throughout this season as in the first, but that's probably because it's half the length. Almost all of the performance scenes are also markedly shorter, which may bode well for those that got a little bored before, but I was actually kind of disappointed. Even though most of them had been still pans, it took these shortened pieces to make me realize I did really enjoy all those long performances in the first season. I think there's just something cool about seeing characters perform. It's inspiring. In all though, there really isn't much to complain about.
VOICE ACTING - Tomokazu and Kawasumi are still doing a great job with their leads. Chiaki's noise of disbelief is just priceless every time, as is Nodame's "gyabo!" It really impresses me that they manage to find that perfect middle where she says it just enough times to be endearing, but not enough times to be annoying. The rest of the cast's voice acting was pretty average.
One thing I really wish they addressed better was the bilingual nature of the story though. Sure, they're Japanese characters and thus speak Japanese, and obviously, a show airing in Japan will be in Japanese, but still. The way the series starts off is actually really neat as far as this goes -- Nodame is learning French through dubbed anime and it's really hilarious. There are captions indicating when conversations are actually taking place in French but are being "dubbed" in Japanese. But after a while, these indications disappear, and I get confused, especially when random sniplets of French get woven in to the spoken Japanese. Especially when French characters speaking in Japanese weave French into their Japanese!
I have to admit that it was pretty fun hearing the Japanese butcher another language besides English though. XD
OVERALL - Nodame Cantabile Paris-hen was enjoyable. It didn't quite live up to the standards set by the first season, but it was far from being a straight-up failure. As I haven't read the manga or seen the drama, I'm not quite sure how all this matches up with the events there, but it is a smooth follow-up to the original anime. The story doesn't move much, but the characters are still fun and their interactions cute. The visual aspects could stand a bit more improvement, but the sound is still pretty damn solid (excepting the opening theme).
I'm pretty excited for the third season, anyway. Slice-of-life could conceivably go on forever, and I know I said that both the story and characters feel like they've matured to some kind of climax... but despite that, I'm still having fun with them. There's always room to grow. Maybe there wasn't much movement in this season, but who knows what the third season could bring? I have faith. For sequels, that's a pretty rare thing.
I remember being very hesitant to dip my toes into the josei genre due to a silly chemical called testosterone. This all changed when I watched H&C. Finally, I could watch romantic comedies where moe, fanservice, unrealistic sexual situations, and cliches were absent. By the end of H&C I was thoroughly convinced that I would never find another josei of a similar caliber. This is where Nodame Cantabile comes in. Nodame Cantabile has far exceeded my expectations and has captivated me from episode 1.
I will to the best of my abilities review the Paris Chapter in a way that will hopefully prove helpful
to any interested readers.
Note: Many References to Season 1 will be made. If you haven’t watched it… well why are you watching Paris Chapter? >.>
Story~ N/A Pacing~ 7.5
The story takes place right after episode 23 of season 1. As the title of the anime may suggest our two beloved MCs will explore the extravagant land of Paris as they struggle with their musical careers ... and quite honestly there's really nothing more to it than that, its simply a slice of life. I don't believe in judging a slice of life anime on story, especially when we're considering a sequel that has already had a majority of its core development taken care of in the previous season so I will now talk about the pacing.
Now from multiple perspectives the pacing was good and bad. Good in the sense that they fit a surprising amount of character development into a mere 11 episodes and bad in the sense that the season was … well 11 episodes. The runtime does not do the sequel justice and it just does not feel the same as season 1. Characters are very abruptly introduced, months go by within minutes, and so on. It is good to mention that for the little time the producers did have they displayed a very good amount of development between Chiaki and Nodame. In the end the producers did the best they could with what they were given and the short run time is only one of the sequel’s few flaws.
The art is more or less the same as season 1. JC Staff still provides the very warm, plain, simple animations that drew me into the first season. Something great about the art in this season is the difference in setting. The Paris backgrounds look beautiful through the Nodame Cantabile art style. It makes the watcher truly feel that Chiaki and Nodame are far from home, in a distant fairy-tale. The one major difference I saw between the seasons is the usage of CGI animation. Having well rendered CGI animations would have been a huge step up from the still shots of orchestras playing but unfortunately the CGI was very stiff and poorly executed. Rather than enhancing the experience of watching the orchestra perform the CGI made the performers seem very robotic and unnatural and ultimately became a distraction rather than an improvement. Other than the CGI flaw, the art of Paris Chapter stays true to its roots and is well done and strong throughout the whole show.
Now how did an anime so heavily based on classical music not receive a 10 in sound? Don't get me wrong the pieces chosen for Paris Chapter were beautiful and an absolute joy to listen to but I felt like the time devoted to music paled in comparison to season 1. I kept in mind that this is most likely accountable due to the air time being less than half of season 1. The producers were likely trying to keep the music feel of the show while having enough time for character development. Unfortunately, the lack of devotion to the musical segments do hamper the joy when Chiaki and Nodame perform. Putting aside the fact that the pieces are played for short time segments, Paris Chapter’s choice of classical pieces is still very varied and diverse. Being a complete stranger to classical music, Nodame Cantabile gave me a new appreciation for this genre of music and Paris Chapter did it again.
The voice acting is still very strong. The trademark “Gyabo!” and “Myuka!”s are well timed and done in a hilarious fashion. Chiaki and Nodame still stay true to their personalities in season 1. A large amount of new supporting characters were introduced but each of their voice actors did a very good job. None of them seemed out of place and the warm, cozy, Nodame Cantabile atmosphere was left undisturbed. All in all, the voice acting was great with the flaws being largely unnoticeable.
Now for the OP. The OP for the whole season is Sky High by The Gospellers. To be frank, I didn’t really care for the OP. The song was average and the animations were a bit boring. I found myself skipping it almost every single time. The ED (Tokyo et Paris by Solita and Emiri Miyamoto) on the other hand was great. A gorgeous violin piece was played with the soft touching voice of Solita. The whole song is in French and so it just adds to the overall Paris feel of the anime. Listening to it after every episode was joy as you saw the credits rolling accompanied by still shots of our beloved characters.
Now THIS is where a slice of life truly shines. Chiaki and Nodame’s relationship take a very sudden change in direction from the first season. Gone are the subtle developments and the ever so slow realization of love that were present in the first season. Chiaki and Nodame’s relationship is no longer one sided and is portrayed in a way that convinces the audience the long 23+ episode wait was more than worth it. Although this change in approach to their relationship is great I felt as if sometimes certain things were rushed and just completely out of no where due to the short air time. Other then that, the romantic scenes in Paris Chapter are well done and numerous. A huge step with Nodame is her increasing independency. She no longer clings to Chiaki as he mercilessly whacks her away. This in turn causes both individuals to become jealous, uncertain, and worried about each other. In other words, finally being an acknowledged couple, we get to see development in ways that could never be addressed in the first season. This only greater strengthens their bonds with each other and the audience.
Now a huge minus to Paris Chapter was the complete disappearance of the supporting cast from the first season. The only characters that were still around were Kuroki and Stresemann although Kuroki was one of the more boring characters while Stresemann appeared very infrequently. This results in most of the screen time for supporting characters being directed at the new cast. In no way is this bad, but like almost everything else in the show, the new supporting cast suffers greatly due to the short air time. No real development really happens with any of them which is completely fine because most of the emphasis is put on Chiaki and Nodame anyways. The new supporting cast does a great job in providing an authentic college atmosphere but don’t get expected to feel attached to any of them.
In the end, Nodame Cantabile Paris Chapter was a great watch. Although it did pale in comparison to the first season in many fields, it also had its strengths. A relatively short run time causes the anime to suffer as a whole but should not be a reason Nodame Cantabile lovers shouldn’t give it a try. We get to see a new side of Chiaki and Nodame as they explore the musical wonderland called Paris. Each episode was filled to the brim with events, sometimes too much. But it keeps the audience busy and the absence of pointless fillers is always a plus.
As far as sequels go, Paris Chapter did a great job. Honestly, if there’s 11 more episodes where I get to experience Chiaki and Nodame I’m going to watch it regardless.
The humour was great.
The characters were great.
The romance was great.
A well done sequel to Nodame Cantabile. Now onto the finale~
Your harem or reverse harem anime isn't worth the time of day if it doesn't have a tsundere in it. But what is a tsundere, where did the term originate, and why are they everywhere? Read on to find out!
Growing up is often rife with events that end up shaping who you become. Sure, most people's formative years aren't as exciting as how they're portrayed in these Coming-of-Age anime, but check these ones out and you might (momentarily) forget about how much you missed out on! Hooray for anime!