Kara no Kyoukai Movie 4: Garan no Dou

Kara no Kyoukai review Part 4

One of the hallmarks of a good story is the ease with which it can suspend the disbelief of the reader or viewer, and in that respect the Kara no Kyoukai franchise has been good, but not truly great. That said, the fourth installment, Garan no Dou (The Hollow Shrine), is a tad more introspective than previous outings, and it may signify a shift into a higher gear for the series.

The story begins directly after the end of the second movie, with the unconscious Ryougi Shiki being transported to hospital in an ambulance accompanied by Kokutou Mikiya. When she finally ... awakens from her coma, Shiki discovers that she has somehow gained the ability to “see” strangely distorted patterns on everything and everyone, and also that she has been asleep for two years. During that time Kokutou has graduated from highschool and is now working for Aozaki Touko.

Unlike the first three movies Garan no Dou is surprisingly straightforward in that the focus is solely on Shiki, and while there are some plot twists, these are pretty easy to follow. The story flows at a pace that allows the viewer to absorb the relevant information with a degree of ease, and this makes a nice change of pace from previous episodes. Unfortunately, the simplistic nature of the plot means that the show is a tad predictable, and viewers may find themselves wishing for a little of the slightly demented nature of previous outings.

That said, the main goal of Garan no Dou is to offer viewers an insight into one of the franchise’s most enigmatic characters, and in that respect one might fairly say that this movie is a job well done. The simpler approach to storytelling offers the ability to develop specific characters or scenarios in a way that more complex plots simply aren’t capable of as they lack the “free time” that is required. The movie does dip into some complex themes though, but rather than use them as a means to drive the story forward these dalliances with conceptualisation serve to offer insight into the mind and heart of Shiki, something which has been missing for quite a while.

Ufotable have once again done an excellent job with the artwork and animation, however there are some small areas where the quality drops a little. The hospital environs have an appropriately clinical feel to them which are surprisingly adaptive as when the story takes a darker turn, these surroundings and backdrops adopt a far more ominous feel. Then again, they’re really nothing more than spartan rooms and corridors (which in anime terms is just above a blank canvas), so one has to wonder how much effort went into the environmental design.

The characters are depicted at quite a unique stage given that Garan no Dou covers the two year period between the second and third movies, and the audience is given the rather rare and welcome opportunity of seeing them physically age over the course of one episode (admittedly there is an accelerated sense of time but that’s by-the-by). The slight changes in the design of Kokutou and Shiki (especially facially), are subtle, but they are noticeable (something which Ufotable should be applauded for).

As for the animation, the action sequences are well executed and Garan no Dou features some very fluid natural and unnatural motions (you’ll understand what I mean when you watch the movie). In addition to this the visual effects are suitably ephemeral when necessary, and the incorporated CG fits in to the whole rather nicely. That said, some viewers may find the more physical aspects of the various supernatural phenomenon to be a tad mundane, but it should be pointed out that the main reason for this is simply because of the limitations imposed by “reality”.

To put it simply, there’s only so much that can be done with the “real” world and human beings in a movie like this as taking the more fantastic elements too far would only destroy the storyline.

In addition to some excellent visuals, Garan no Dou also features some highly atmospheric background music, with the tracks on offer ranging from hauntingly melancholy to chorally dramatic. The audio effects are sharp and clean, and it’s nice to see that efforts have been made to rectify the the overwhelming nature of the various sounds that sometimes marred the previous episodes.

One of the strengths of the franchise since the very first movie has been the quality of the acting, and in that respect this film has several things to offer. After much waiting and several fairly mundane appearances in the series so far, Honda Takako is finally able to add some character to the role of Aozaki Touko, and she does it very well. Additionally, viewers are able to see a new and different side to Shiki, and Sakamoto Maaya really manages to capture the feelings of fear and confusion in an otherwise stoic (and psychotic), lead character.

Now many people believe that the second movie, Satsujin Kousatsu Part 1, features the best development thus far in the series, and while the characters do receive a good degree of definition in that episode, Garan no Dou is at least equal, but from a completely different angle. This installment offers viewers the chance to see a far more complex side of Shiki than any of the previous outings, and allows some of her true potential as a character to shine through. That said, Kokutou is relegated to bit parts, but this is counterbalanced by the fact that much needed characterisation is given to Touko.

Which brings up an interesting thought. There’s an argument that the Kara no Kyoukai franchise would have been better off being released as a standard anime series of 26 episodes as this would allow all of the important characters the chance to get some much needed airtime. The current format seems limited in that respect as each episode can only focus on specific characters, with the rest appearing in minor supporting roles no matter how important they are in the overall storyline.

On the other hand, there is something to be said for the current approach as it has the benefit of really focusing attention on the important characters and events in that episode, and the fact that the series jumps around in time means that there is less for viewers to make educated guesses about, and this helps to keep future episodes fresh.

Whatever one thinks of the Kara no Kyoukai franchise, one of the nice things about the series is that it takes the the main theme of Lunar Legend Tsukihime, tears it apart, and rebuilds it as something new, and Garan no Dou signifies the difference between the two shows far more than any other episode thus far. Granted there are overarching plot points that still need explanation, themes that could have been explored in a bit more detail (the whole concept of The Void is just one example of this), and a degree of predictability to the story, but these can be forgiven in the face of some solid character definition and development. One should also remember that this is simply the midway point in the series, so questions will undoubtedly remain about certain aspects of the story, and it remains to be seen if they will be answered in future installments.

The fifth episode awaits….

I really like many of the TYPE MOON series and one of them is Kara no Kyoukai. And this chapter is very interesting and fascinating.

First at all, I was delighted with the graphics. They are very cool, and well done. The animation is very clear, many scenes were dark but this just add more mystery and thrill, just what this anime is. There are many abstrac obscure scenes and in this time, you're not going to see many bloody scenes, however, routine scenes are intriguing, too. I like the character design but I think is kind of little cliche, both of the main characters ... remind of the main characters of Tsukihime, although the personality of the main female characters are really different.

Another thing I liked was the soundtracks. They are really nice and they complement the scenes and mix with them very well. They just give you more occult and mystery senses and a little bit of sadness and doubt of many things. Well, I really like Yuki Kajiura songs and this anime is perfect for her songs.

About the story, this chapter explain a lot than the others chapters. As I said, there aren't many bloody scenes or too much action as the third one, but this complement the other three previous chapters and you are going to understand a lot of things, but obviously, not everything (If you understand everything, then this anime would have never been classify as mystery). I like this anime doesn't follow the traditional linear chronological order, maybe it is a little confusing, but this chapter is going to clear up many concepts and ideas.

To conclude, if you like mystery, thriller, psichological plots and obscure gore things, also you like supernatural things like ghost and souls and you had seen the other chapter and you don't understand it very much, I really recommend you to watch this anime.

In the chronological of kara no kyoukai this should be the second episode to watch..continued from kara no kyoukai 2:Satsujin Kōsatsu from this episode it will answered most of the question that involved to other episode,its answered why Shiki got the eyes and what the eyes ability was and also introduction or why Touko want to involved to Shiki and this movies also how Shiki want to work or to used his ability by working under Touko and the last credit its show who was the person that responsibility for all the case that Touka involved to..
As for the char and the background there's nothing ... particular change the art is still excellent as usual how ever the fight scene were less than the previous movies maybe this movies only focus to Shiki character develop only...but the action scene still good neither that bad also..
For BGM nothing change alot still the same...
Overall for me this movies was kinda disappointment abit maybe of focus on the character building only that make it less action but still its was a enjoyed to watch,coz most question part was answered for this movies...

This is part 4 of the KnK movie series
This movie is basically one big character development but I still enjoyed this movie.

(There will be some SPOILERS in my review)

[Story]: (8/10)
The story of KnK 4 now takes place 2 months before the events of the 1st KnK and immediately after the events of the 2nd movie. I was actually hoping for the 4th movie to take place after the events of the 1st KnK but I'm glad they didn't.
After Shiki got involved in a traffic accident, she spent 2 years in a coma and what's worse is she now has an amnesia. She is visited ... by a redheaded girl named Aozaki, a magus and works for a company called Garan no Dou.
Like I said above, I was hoping for the 4th KnK to move on past KnK 1 but I'm glad they didn't. This pretty much shows what happened to Shiki after she woke up from a coma after being involved in an accident 2 years ago. They showed us at the end of KnK 2 that she was being transported to the hospital but we didn't really know what exactly happened to her. The story tells us why and how Shiki got hurt. Not only that, it also shows us how and why Mikiya is working for Touko. In short, the story just tells us more about the main characters and why they are at that situation now which is not a bad thing.
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[Art/Animation]: (10/10)
The Animation is exactly the same as the previous 3 movies which is already a perfect and visually stunning animation.
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[Sound]: (9/10)
If my ears aren't broken, the soundtrack is exactly the same as the previous 3 movies. They were already great to begin with so I'm not going to complain that they re-used background themes. Another new ED theme song is used for this movie called "Aria" by Kalafina. In my opinion, it's a good song but not better than the ED used in 1st and 2nd movie.
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[Characters]: (9/10) (SPOILERS)
No new characters were introduced as the focus of this movie is the development of the main characters. The movie shows us that Mikiya has been visiting Shiki for the past 2 years, non-stop. He truly has feelings for Shiki and still does. Hell, even the nurses know him by now because he kept visiting the hospital. We also get to learn more about Mikiya, Shiki and Touko. I want to focus first on Mikiya. We learn that Mikiya didn't graduate college, had a fight with his parents and now lives alone and works for a dead end job (looks like a dead end job to me). Now focusing on Shiki, we learn that she now has an amnesia after waking up from an accident which means she doesn't remember mostly everything including the day of the accident. She somehow remembers the face of Mikiya but not his name though. We also learn more about her magic eye and how her second personality is now gone. Finally, focusing on Touko. The movie didn't really tell us anything about her that much in the previous 3 movies so I didn't find her an interesting character. Now, she seems like an interesting character to me. The movie shows us that she's a freaking Magus. That explains why she has knowledge to mysterious things that's going on around her. It also shows us what Touko is really capable of after they showed us the battle scene at the near-end of the movie. I'm starting to like these main characters.
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[Enjoyment]: (8/10)
This movie is just a big character development for 3 of the main characters but I still enjoyed it. It's giving us more reasons on why I should give a crap about these characters. That last battle scene was quite rewarding, showing us what Touko is capable of.
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[OVERALL]: (8.5/10)
The 4th movie didn't really go past the events of KnK 1 but this was still a great movie to watch. Learning more about the main characters is quite interesting. People tell me that the 5th movie will be a lot better than the previous 4 so I guess I'll be watching the 5th movie soon.

And we're back to Kara no Kyoukai this week. For those of you who missed or don't remember my reviews for the first three films, here's a quick recap. The first one was terrible. The story didn't make any sense, the characters were wooden, the horror elements were laughably bad and it was chock full of idiotic moments, such as the infamous “leave the comatose guy on the couch without bothering with any type of medical assistance because his body doesn't need to take in nutrients or anything” plot point. I normally wouldn't have delved into the series further, but it turns out that KnK ... has quite possibly the most articulate and courteous fanbase that's ever contacted me en masse. So I watched the second film which was actually pretty good. It still had a few issues, but it had an interesting plot, the main characters got some nice development atmosphere was built up pretty strongly. The third wasn't quite as strong, but it was still okay. It had all of the positives of the second with the only downside being that it had some deeply disturbing elements that were not handled as well as they could have been, although they weren't handled badly. The final scores for the three were 2, 7 and 6. Let's take a look at Kara no Kyoukai 4 and see how it compares to the others.

The story takes place shortly after the second film, but before the first or third because the first four are out of order for no apparent reason. It opens with Shiki being taken to hospital, hopefully they don't forget about that protocol at some future point and leave someone lying on a couch in a comatose state for several days because that would be stupid, unconscious and bleeding. She spends two years in a coma before waking up, but something has changed within her and she can never go back to the way she was. The main narrative focuses on Shiki's own existential crisis. It uses both imagery and dialogue to make the struggle as poignant as they can. And it is incredibly effective. The build up is strong, the conflict is powerful, in spite of the first and third films giving away how it's going to ultimately turn out, and the climax is really strong. I will also give the film credit for having excellent, albeit short, build up for future films.

This film is really carried by its characters, particularly Shiki since she's the one going through an identity crisis. The film does an excellent job of showing you all of her inner turmoil, much of which it illustrates without dialogue, and just putting the viewer in a position where they can understand her on a pretty deep level. This is also the first film that really develops Touko's character and she is freaking awesome. She's both funny and badass. The interactions between her and Shiki are amazingly written and very effective at both developing their characters and keeping the audience engrossed. Kokutou takes a minor role in this one but his personality still manages to shine through in his scenes.

The art is excellent. This is especially true for the scenes that delve into Shiki's mind and the supernatural elements, but it also holds true for the regular scenes. The scenery looks good, the backgrounds and characters look good. The film just looks very pretty in general.

The voice acting is strong. Honda Takako gives a very powerful performance Sakamoto Maaya is also at her best in this. The only weakness is Suzumura Kenichi's musical number. Basically there's a scene where he sings “singing in the rain” and it's not the least bit good. Not because his English isn't great, but because he constantly emphasises the wrong syllables and the song just sounds disjointed and stilted. Even giving the film the benefit of the doubt and assuming that Kokutou is supposed to be tone-deaf, it sounds like he's trying to sing a song he's never heard before from a sheet with the lyrics written down. Aside from that, he does a good job and the music is excellent.

The ho-yay factor is a 3/10. Touko does flirt with Shiki a little bit.

That was Kara no Kyoukai 4. How does it compare to the rest? Really bloody well, actually. The story is interesting and really well executed, the characters are great, the art is amazing and the sound, aside from that one scene, is top-notch. This is definitely the best film in the series thus far. My final rating is a 9.5/10. That's going to be the last February review. The request queue going into March is: Ginga Eiyuu Densetsu, Shinsekai Yori, One Outs, Doki Doki Precure, Sword Art online, Shingeki no Kyojin, & Zettai Bouei Leviathan. Next week I'll take a look at the only one short enough to finish in a week, Zettai Bouei Leviathan.

First off, this is my first review. Comments and criticism alike are appreciated.
*warning* this review may contain spoilers of the previous movies.
Till this point, the anime has revolved around fight scenes and battles. This changes slightly in this movie. The anime goes more into character development and the unanswered questions the rest of the movies had left us with, answering them, but leaving different ones in their place. The haze of haphazard events in the last movies finally begin to make a linear sequence. This episode is based mostly around character development, rather than advancement of plot. If you liked the ending and ... insert songs in the previous movies, you will like this one too, same goes for art. I for one love the development of characters, so I enjoyed this movie slightly more than the others. It really boils down to this tough. If you liked the other movies, you will probably like this one.

Everyone desires to be destroyed and remade from scratch.''... I'm not sure how I'm supposed to feel about such generalisations. I mean I know it's a character's opinion, but it feels more like writer just putting the idea forward, an idea I find a bit ridiculous. Or am I just taking this stuff too literally? Is it supposed to be deep and relevant on levels I can't understand yet? Or is it just writer sharing his negative view of the world, or trying to appeal to depressed in the audience? Or just stringing together words in a way that might appear deep and thoughtful? Is ... it an inaccurate translation? Damned if know... but I can't help not finding it slightly annoying.

27:18 KnK really has these moments where overly serious scene is so seriously serious that it just becomes ridiculously funny for all the wrong reasons. As much as it's case of so-bad-it's-good, it also breaks the atmosphere and immersion that this show tries so damn hard to create. I mean there's a big percentage of scenes that only have the purpose of illustrating the atmosphere and environment to set the specific mood. Though the mood doesn't change much, but they keep doing it to reinforce it, to keep up the consistency of the overall artistic experience. Though as I've said before, I'm pretty sure it's possible to do that while also moving the plot forward, but that's not something KnK directors/writers seem interested in doing.

Overall, the 4th part is quite short (40 min) and hence doesn't feel like a movie at all, it feels like one regular anime episode just dragged out to twice the size. That's not to say it's boringly slow, as it's audio visually beautiful enough for it not to be the case. But really, whole ''movie'' is just Shiki healing up, dealing with her mental state, and being discharged. There's hardly anything to talk about. It doesn't just feel like a small episode of a larger set of events, it actually is, which is why I find it silly this is officially a ''movie''. Anyways, this makes it difficult to grade it. I don't understand why they chose to tell this story in a non chronological order, but I can't say I appreciate it at all. I think I'd prefer this story told chronologically. This is just making it more difficult to follow.

Like the other films, this film emphasize heavily on character development while filling in questions for the viewers who had already seen the previous films. This film focuses mainly on Shiki and her abilities' origin, etc.

As usual, the visuals are amazing as always. The music and sounds use are mostly used before by the previous films but since they are suiting I am personally not going to complain about it.

As mentioned, this film focuses on character development, and it excels at portraying out the details of each character. Though most of the time it showcases character development on Shiki, Mikiya and Touko isn't left out ... either too.

Honestly I was disappointed in the lack of action involved but I still personally enjoyed this film since it filled up the questions.