Goblin Slayer

Goblins are known for their ferocity, cunning, and rapid reproduction, but their reputation as the lowliest of monsters causes their threat to be overlooked. Raiding rural civilizations to kidnap females of other species for breeding, these vile creatures are free to continue their onslaught as adventurers turn a blind eye in favor of more rewarding assignments with larger bounties.

To commemorate her first day as a Porcelain-ranked adventurer, the 15-year-old Priestess joins a band of young, enthusiastic rookies to investigate a tribe of goblins responsible for the disappearance of several village women. Unprepared and inexperienced, the group soon faces its inevitable demise from an ambush while exploring a cave. With no one else left standing, the terrified Priestess accepts her fate—until the Goblin Slayer unexpectedly appears to not only rescue her with little effort, but destroy the entire goblin nest.

As a holder of the prestigious Silver rank, the Goblin Slayer allows her to accompany him as he assists the Adventurer's Guild in all goblin-related matters. Together with the Priestess, High Elf, Dwarf, and Lizardman, the armored warrior will not rest until every single goblin in the frontier lands has been eradicated for good.

[Written by MAL Rewrite]

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Background

Goblin Slayer adapts the first two volumes of the original light novel series.

Episode Videos

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Adaptation:	Goblin Slayer
Summary:	Goblin Slayer: Bouken Kiroku Youshi - Adventure Sheet
Sequel:	Goblin Slayer: Goblin's Crown

Matsuoka, Yoshitsugu
Japanese

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Cook, Justin

Producer

Isogai, Noritomo

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Ogura, Mitsutoshi

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Yoshikawa, Tsunaki

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Opening Theme

"Rightfully" by Mili (eps 2-12)

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Ending Theme

	1: "Gin no Kisei (銀の祈誓)" by Soraru (eps 2-6, 8-11)
	2: "Though Our Paths May Diverge" by Mili (eps 7)
	3: "Within" by Mili (eps 12)

Reviews

Dec 29, 2018

Krunchyman

Recommended

“I don’t know if I’ll be able to save it, but let’s kill some Goblins.” — Goblin Slayer

<ahem> “So, where are the goblins?” — Goblin Slayer

The genius of Goblin Slayer comes from its uninhibited objective to underscore the savagery of the goblins; thereby, forcing the audience to immediately empathize with the lowly adventurers who’s virginities will be forever lost to those disgusting green chodes. The first episode may have been a bit overwhelming, but it was necessary to highlight the evil nature of the goblins. And boy, were they ever evil. But when all hope seemed lost, the vigilante known as Goblin ... Slayer entered the proverbial arena, to lay-the-smack-down on all their candy asses. And layeth-the-smack-down he did. Essentially, if you think about, he’s the Japanese equivalent of Batman — mother f—king BATMAN, people — set in a medieval world. It’s f—king awesome! But instead of breaking bones and scaring his foes psychologically, the Goblin Slayer just straight up murders those little dick-wads.

Along with his ruthless nature, the Goblin Slayer utilizes a myriad of techniques to kill goblins and keep the viewer entertained, including: curb-stomping goblin teeth against jagged rocks; rearranging goblin face’s with his knuckles; splattering goblin brain matter across cave walls; shooting arrows through goblin eyeballs; and performing a mass genocide of all goblins, including the young-lins (NOT THE YOUNG-lins!). Also, the Goblin Slayer’s battle armor looks amazing, and his sturdy resolve to remain a “goblin-slayer,” despite the ridicule of his fellow (ASSHOLES!) Compatriots was admirable. His heart is filled with a deep hatred for those vile creatures, and people calling him an “edge-lord” simply don’t understand how traumatizing of an experience he went through. If the anime community had any inkling of what empathy was, then they would know what time it is. But the Goblin Slayer knows: it’s f—king goblin-slaying time! Amirite.

The genius of Goblin Slayer comes from the formation of a great coalition of diversified talents and people to accelerate the slaying of even more goblins. Simply put, they paired the Goblin Slayer with a lizard-dude, a flat-chested elf, a geriatric dwarf, and Onna the high “priestess” to go on a super-cool adventure to destroy an enormous goblin nest. When the elf-girl used her magic to guide the single arrow through the two goblins and a wolf, I was straight up marking out. Woooooooooooooooooooooooooooo!!!!! (Ric Flair style). But the episode wasn’t over quite yet, because just as my erection was at its limit, they started playing epic rock music as the main crew walked towards the Goblin den with bad intentions, enough weapons to terrify the whole country of France, and a whole lot of awesomeness. Schwing!!!!!! Party time, bitches!

But, alas….it’ not all good, dear friends (friends only include people who have Goblin Slayer in their favorites list). Episode five deviated from the norm, omitting the Goblin Slayer’s main objective in lieu of a silly side quest by some arbitrary character’s. EXCUSE ME! Are we watching “Goblin Slayer” or “Pummel a Rat With a Giant Club Because You’re Too Incompetent to Pull Your Sword From a Dead Rat Carcass…Slayer?” The show, obviously, lost its focus, leaving the viewer in a deep pit of despair, wondering if the Goblin Slayer would ever resume his normal duties of goblin slaying (#depressed). This sort of blunder would have been unforgivable, if not for the following episode when the MOTHER F—KING Goblin Slayer lit those goblins up like a Christmas tree…….wi-with his sword (it makes SENSE!).

The genius of Goblin Slayer comes from the application of Sun Tzu’s, “The Art of War,” via the Goblin Slayer’s willingness to think like a goblin (i.e. “To know your enemy, you must become your enemy”); hence, why the Goblin Slayer used goblin blood to conceal his own scent and displayed an indifferent, callousness during his various killing-sprees. In addition, his level of perception to distinguish between goblins and non-goblins was especially on point, rarely finding himself in a situation where he cannot fulfill his goblin killing responsibilities. Developments throughout the series highlight the contemplative side of the Goblin Slayer, as it’s revealed that the internal goblins inside his head haunt him — “Bullshit.” — inspire him to become enraged and go on the greatest goblin slaying spree of all time.

The genius of Goblin Slayer comes from its beautiful blend of “happy,” vibrant colors of the real world, juxtaposed with the dark, bloodcurdling atmosphere of the real-er world. The contrast exemplifies the duality of life itself and how transient bliss can be supplanted by life long despair, due to circumstances that are beyond our control. The Goblin Slayer experienced a fate worse than death, having witnessed the gang rape and eventual death of his sister. Instead of acquiescing to his own fears, the Goblin Slayer hardened his resolve, choosing to never forgive the creatures that robbed him of his remaining family and his innocence. The Goblin Slayer, himself, is not an exceptionally powerful warrior, nor is he blessed with unique gifts/powers that elevate him to the status of being “one of a kind” (perpetuating the Stock Shōnen Hero archetype). What makes the Goblin Slayer “special,” is his devotion — some may call it, insanity — to exterminate every last goblin in existence and make no apologies about it. Just as Michael Jordan etched his name in history as the G.O.A.T with his unmatched competitive fervor, the Goblin Slayer’s inexorable zeal to eradicate his mortal enemy, is an unparalleled intensity that instills fear in his adversaries and certitude in his comrades.

The genius of Goblin Slayer comes from the tactical vision and strategic planning of the Goblin Slayer. His ability to foresee goblin battle plans and construct effective countermeasures, validates his meticulous nature and his profound cognitive capacity. While other adventurers were caught off-guard by the goblin riders and the goblin champions, the Goblin Slayer, in all his clairvoyant glory, ensnared the repulsive creatures with his superior traps and delegation of responsibility; thus, paving the way for his final showdown with the Goblin Lord. A showdown, in which the Goblin Slayer harnessed all his rage and pent-up frustration to fuel his fighting spirit to its absolute maximum.

So why, you may ask, does the community hate the Goblin Slayer? Detractors have argued that the Goblin Slayer’s combative fury embodies the worst aspects of the “Unstoppable Rage” archetype. You know, the same “Unstoppable Rage” every Shōnen hero experiences when they lose their shit and unlock a dormant power they never realized they had, until that very moment when they needed it most. In addition, they claim that the excessive amount of fan-service has been rather excessive. Excessive or not, the fan-service has been a point, with a plethora of great camera angles and side boob action to boot. Lastly, they assert that none of the characters exhibit a genuine personality, or display any growth throughout the series.

Because Goblin Slayer is the hero the MAL community deserves, but not the one it needs right now, so we’ll ridicule him. Because he can bear it, because he’s not a hero. He’s a stoic defender, a warrior-savant, an ardent gladiator, a competitive eccentric, an iron-clad inspiration….

a GOBLIN SLAAAAAAAAAAAAYYYYYYYYYYEERRRRRRRRRR!!!!!

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Dec 29, 2018

Veronin

Mixed Feelings

Another fun little romp through fantasy-land, quests to be ventured and gold to be reaped... or maybe not quite.

Welcome to 2018's most controversial anime, Goblin Slayer. Little known by western anime fans, it came much out of nowhere, with a first episode that made viewers aghast and the social medias ablaze. And why, you may ask. I will have to leave that unanswered for a moment, as you should not yet be reading this review if you are unfamiliar with what scene I am referring to. But I will leave a word of caution: you should probably not watch Goblin Slayer if you are ...

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Dec 29, 2018

AndoCommando

Not Recommended

“Anyone who likes/dislikes this show is a Nazi/Libtard.” – The state of the anime community after episode 1.

I think it is fair to say that no other anime has caused such controversy and overwhelming divide amongst anime fans after a single episode like Goblin Slayer has. The pilot almost effortlessly setting a spark across the community that would act as ignition to countless flame wars lasting for weeks on end. A scene lasting around fifteen seconds receiving more vitriol and condemnation than arguably every other anime airing this year. On the surface, the divide seems clear: on one side lies those vocal to their displeasure ... of even the sheer existence of this series, labelling it as edgy, repugnant and pornographic. Some going even so far as comparing the anime to Nazi propaganda decades ago. And on the opposing side lies the fandom, constantly upset by criticism their beloved show receives and reverting to insults and name-calling them with popular phrases such as the dreaded “SJW” for example. But these are simply gross generalisations of both the series and its viewers, centring upon a small group of outspoken individuals that unfortunately leads any attempt of discourse astray. Instead my aim here is to hopefully bring a more critical view on Goblin Slayer to the discussion; of the series’ perceived intent, as well as numerous faults and issues prevalent throughout its first season.

“The gods of light, order and fate, and the gods of darkness, chaos and coincidence decided to throw dice in order to determine which side would rule the world. The gods threw the dice over and over and over again, until they began to feel faint.”

Goblin Slayer is a dark fantasy anime adapted from both the manga and light novels of the same name, highly inspired by tabletop role-playing games. Initially the story follows a young woman known as “Priestess” that has recently become an adventurer and joins an upstart party on her first quest. Their naivety and inexperience ultimately lead to their grim demise, ravaged by goblins who commit heinous acts such as rape and dismemberment depicted in much more graphic fashion compared to other fantasy anime of recent years. Before the Priestess can be dispatched however, the actual protagonist appears from the shadows, intent of massacring every goblin in sight. From this point, the series is predominantly focused on this mysterious adventurer commonly referred to as “Goblin Slayer” and his efforts to exterminate the entire goblin species.

The beginning to this story gives what I believe to be a clear sense of what Goblin Slayer strives to be. Simplistic, cheerful dialogue to elucidate fundamentals of the adventurer system, a light-hearted tone able to create a strong optimistic mood, even the visuals and audio utilizing light colours for character designs coupled with an upbeat tune all try and convey a presentation akin to the typical fantasy anime of recent memory. The group of upstart adventurers each can be seen representing archetypes one would expect to be present in such a series: tsundere, loli character, main character for a harem, etc. Numerous times before a goblin appears on screen, subtle signs are revealed about the party’s lack of preparation and expectation to indicate this quest will not be as successful as they hope, and then what follows is a shocking realization of what the world of Goblin Slayer truly entails. Essentially these characters were tools for the series to subvert people’s initial expectations of the story, with the tragic events that entail further emphasizing this point. The sickening portrayal and detail of these actions going to further lengths than most anime fans have probably ever experienced previously in the medium. Disgusting to watch even for the short time shown, and from the reception this anime received, it looks to have garnered the initial reaction staff had intended. From this perspective, while many can find these scenes crass and tactless in their depiction, I find it difficult to call this part of Goblin Slayer lazy writing.

Shortly followed by the introduction of the titular protagonist reveals a change that strongly contrast to events that just transpired earlier. Compared to the almost wilfully ignorant upstart adventurers that end up decimated to the lowest mob type in the world, Goblin Slayer’s approach to killing goblins is much more tactical. Shown to analyse nearly every time he murders a single goblin, often determining the most effective method for slaughtering the mob step-by-step before executing his strategy in cold, calculated fashion. Through this he not only personifies the kind of badass main character one would expect for a darker fantasy story, but also provides a solid understanding of how a high-level adventurer would be expected to act in battle. Armed with various weapons and antidotes whilst always on the lookout for signs, Goblin Slayer has enough tools at his disposal to face any goblin he would come across. A clear juxtaposition to how many inexperienced adventurers would conduct themselves. Him slaughtering the horde also raises an intriguing question of Goblin Slayer’s morality when intending to murder the child goblins. While the protagonist remains steadfast of his opinion on the species, the Priestess brings forth the possibility of a “good goblin”. Despite going through with eliminating them, he does admit there could be one out there. From this, viewers have a grasp on how this tale could further develop this idea with having both character’s ethics challenged as Goblin Slayer’s quest continues. There is potential in this tale to be more than just the fun schlock of the season. Unfortunately, that potential slowly gets squandered every episode following, and personally even loses the series’ initial appeal.

One of the more detrimental choices I find a story can make is following an attempt to create a purposeful, serious tone, and then reverting to what it tried to distance itself from initially. After Goblin Slayer’s shocking start that firmly established the story as a dark fantasy that supposedly takes itself seriously, the anime takes an odd change in tone that is rather baffling to understand. Numerous quests later in the series showcase characters in a way you would never have expected in Goblin Slayer, with an array of playful, trifling scenes one would more commonly associate with a slice-of-life anime than this show. Somehow the series decided to skip on possibly showing some of the effects trauma experienced from death, sexual assault or even just being an adventure can have on a person, instead these scenes barely contribute to the characters on a notable level. The change in tone can lead to breaks in one’s immersion of the story and the protagonist it follows, with transitions feeling awkward and out of place more often than not. A notorious example can be found in episode 2 where the episode cuts to a well-endowed redhead girl waking out of bed and stretching, followed by some of the most prominent jiggle physics to be found this season. I thought this was meant to be a serious tale. For a dark fantasy to work, usually it requires the atmosphere of a series to remain constant enough to a degree where the earnestness and consequences of actions can still be felt through the more cheerful scenes. Berserk, Attack on Titan and Fullmetal Alchemist 2003 are just some examples of dark fantasy anime that constantly have a sombre air about them, constantly felt when witnessing the actions of their characters. Goblin Slayer lacks this air that breezes alongside the narrative and whilst continuing to lack a strong sense of identity in a genre already spoiled by an abundance of generic fantasy, it is more inclined to leave a stale taste in the mouths of those hoping for Goblin Slayer to distance itself further from its contemporaries.

This lack of an identity also permeates the narrative and overarching worldbuilding to a degree that I have to address. When a series attempts to be subversive or even hold deconstructive elements to its genre, normally this involves acknowledging the well-established tropes typically associated to its genre, before supplanting their intentions. Goblin Slayer, at least in its first season, does not do this. Alongside the series constantly switching its tone between dark and nonchalant, the anime seems to never want to take its world too seriously despite the premise. Goblin Slayer is a man who has an unrelenting obsession to kill goblins as they are a species that lingers on as a problem for innocent people. They are weak creature with childlike intelligence individually, but as a mob are a destructive force which can lead to the devastation of entire towns. An interesting yet believable problem in this world. So then, how is it believable to think that there is only one person that acts in response to this problem? Because the anime has mainly taken place around a small town there is a possibility for other adventurers similar to Goblin Slayer to be primarily hunting goblins in their own areas of the world. But thinking on a large scale, if goblin mobs can and already have been a significant cause of wiping out various towns, would someone not think that their effect to agriculture and the overall economy poses a severe threat on a national scale, to where even adventurers seeking glory and fame would end up losing money? I would have at least expected some form of intervention – here is an idea: have some adventurers hired as a form of security for farmers against a potential goblin attack. Or at least have the guild girl not allow novices to take these jobs when it is made apparent how many novices and kidnapped and killed off by goblin mobs! If so many are dying because of this fact, maybe it would be best to intervene, even if with just a simple warning about how dangerous they are, and how prevalent this is. If only Goblin Slayer had more consistency in its world that more people could admire, instead of trying to subvert common fantasy anime tropes and then as if almost contradictory to itself maintaining a level of unbelievability behind how these aspects work in its story.

It is upsetting how a show essentially fails at fleshing out the more complex issues the world of Goblin Slayer encompasses, especially when most of the defence for this anime in regards to certain actions and events is derived from insular logic. A common complaint for the series initially was based around why goblins rape, and while it certainly is specified that rape is their only option for reproduction, that does not cover details about their creation. Goblins here are force-of-nature villains that embody evil and chaos, thus not requiring distinct personalities and from this the rape shown can be considered a further way of emphasizing that point thus bringing them to where they can be considered irredeemable, but this only works on a narrative level. All works of fiction are made with intentions from their creator/s and by peeling down the layers of in-universe context is one able to search for the purpose and intentions behind specific scenes, actions, etc. Often termed the Thermian Argument, it claims that pointing to a show’s logic in response to criticism of the subject matter is inherently fallacious. It supports a difference between what is being depicted and why such is being depicted at all; a metanarrative point of view. I stated what I believed to be the main intention behind such shocking acts in the first episode as a way for the show to subvert the audience for what kind of anime they were in store for, but after witnessing the series make that idea almost completely irrelevant through poor direction, tonal dissonance and having such actions repeated onscreen later with similarly crude framing for reasons even I am unsure of, it is hard to defend the series for all these creative choices happening numerous times throughout the anime’s duration from a metanarrative point of view.

Characterization is one of Goblin Slayer’s focal points if even only applying to one individual so far. Goblin Slayer is the embodiment of a man who refuses to die before his purpose in life is seen through to the end. Driven by revenge after goblins took away the person most precious to him, he epitomizes the idea of how a badass protagonist should act. His character design is also impressive in certain scenes with a red eye theme glowing in the darkness that oozes a killer instinct rarely found in anime nowadays. Reminder that the in-universe creation of the series was founded on gods rolling dice and playing the game of chance, with all various races and species being birthed purely for their amusement. But with the way Goblin Slayer acts, he can be considered the one character in this world to defy the will and wishes of those who created him. And while there are numerous examples of him conveniently surviving so far due to plot armour, the intent remains – underneath his monotonous voice and implied social awkwardness lies the potential for a metaphorical figure of inspiration. Unfortunately, that is where most of the praise for characters ends at this point in the anime. Every character besides Goblin Slayer receives little attention in the anime, with minimal development bar the Priestess who acts as a rookie slowly growing and learning how to survive as an adventurer in this harsh world, however even this has made little progress this first season. Other characters sprinkled across the story range from other rookies slowly improving and gaining experience to dependable fighters often able to hold their own in battle, which is a striking difference compared to how most typically act away from any battlefield; childish and immature. Honestly, besides Priestess and Goblin Slayer the rest of the cast are easily expendable, but I guess that is to be expected when the supporting cast includes names such as “Cow Girl” and “Lizardman”. Hopefully if there is a sequel, they have a better opportunity to leave a lasting impression on the anime.

Much like these forgettable characters the production quality for Goblin Slayer also failed to leave a strong impact. The art is not very detailed, with most character designs and backgrounds often appearing plain and generic for most of the season. A mixture of 2D and 3D animation is used to jarring effect, with most action scenes and the occasional panning shot relying on CGI that look more like an eyesore that anything visually pleasing. In fact, most of the better-looking shots involve scenes lacking any sort of movement. Disappointing as the artwork is commonly seen as a key strength to the manga’s popularity. For a series where the most basic appeal comes from a guy mowing down goblins, the action was underwhelming and that kills a show like this. Wish I could say otherwise for the soundtrack, but that also failed to leave a strong impression on me. Voice acting was solid but effectively crippled with a lacklustre script treating half the characters as dense. The opening theme was melancholic but failed to ever have me personally want to listen to it more than once. The ending theme while I certainly enjoyed it more was accompanied by CGI Goblin Slayer with clunky animation. At least the ending track was fun.

Goblin Slayer is at its core, an anime about one man slaying goblins. Though it can tempt viewers with ideas of something greater at work, it still boils down to a mere schlocky action show with lacklustre presentation that by the end of its first season has its biggest strengths stemming from potential and a hope that a sequel can further flesh out characters and worldbuilding which at this point cannot hold up to scrutiny. But it does have its appealing qualities no matter how superficial they might be. If you are willing to take a chance on a simple action anime trying to break the trend of generic fantasy released this year, this might be worth your investment. My main hope is that now with the most controversial anime of the year finished, the community at large can learn from this experience. As the old saying goes: “That which does not kill us makes us stronger.”

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Goblin Slayer

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