FLCL Alternative

Life seems to drift by for Kana Koumoto and her friends in their small Japanese town. Every day is just like the last, and it feels like every new day will be the same. Kana goes to school, hangs out with her friends, and likes to paint her nails and listen to music, but it feels like nothing special is ever going to happen.

As a change of pace, Kana and her friends decide to design a bottle rocket and launch it into space, even though it might not get there at all. However, just when the rocket is completed, a robot suddenly crashes into and destroys it, shortly followed by a pink-haired woman claiming to be a "Galactic Investigator." Kana's life quickly becomes more exciting than she ever imagined, dealing with new feelings, changing friends, and even boy troubles. It turns out life can go by in the blink of an eye, fast enough to even miss it, so what's with these weird robots that seem to show up at the worst times?!

[Written by MAL Rewrite]

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Background

FLCL Alternative aired in the United States as a six-episode television series as part of the Toonami line-up on the Adult Swim programming block of Cartoon Network.

Episode Videos

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Related Anime

Prequel:

FLCL Progressive

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Characters & Voice Actors

Haruhara, Haruko

Main

Shintani, Mayumi
Japanese

Koumoto, Kana

Main

Miyama, Karen
Japanese

Hetada, Tomomi

Supporting

Yoshida, Yuuri
Japanese

Yajima, Hijiri

Supporting

Iida, Riho
Japanese

Motoyama, Man

Supporting

Tamura, Mutsumi
Japanese

Aida, Ben

Supporting

Suzuki, Ryouta
Japanese

Koumoto, Bunta

Supporting

Masaka, Miho
Japanese

Sudou, Kan

Supporting

Konishi, Katsuyuki
Japanese

Koumoto, Shizuka

Supporting

Itou, Miki
Japanese

Hetada, Mimi

Supporting

Matsuoka, Yuki
Japanese

More staff

Staff

Terashima-Furuta, Maki

Producer

Kawaguchi, Tooru

Producer

Uemura, Yutaka

Director, Episode Director, Storyboard

Motohiro, Katsuyuki

Director

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Opening Theme

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Ending Theme

"Star overhead" by the pillows

Reviews

Oct 14, 2018

CodeBlazeFate

Recommended

FLCL Alternative is an interesting show. Accidentally brought early for April Fool’s day, FLCL’s lax cousin was forced to bear the burden Progressive was supposed to have, that being the weight of being the sequel to a legendary piece of animated passion. It was stuck with that again after Progressive turned out the way it did and paid the piper for it in terms of reception. For bearing such a Herculean task, this show was oddly calm, even nostalgic in some ways. It’s a miracle it worked at all given its approach.

One obvious point in this show’s favor is that it actually tries to tackle ... something different from the original. Progressive focused more on adding intrusive lore elements to Haruko while providing unnecessary and flawed critique for the sake of a character arc. It sidelined its own protagonist’s role, leaving its core messages and delivery half-baked. Alternative takes a new angle entirely, focusing on a group of four teenage girls on the verge of adulthood rather than the beginning of adolescence. From there, it begins studying our main leads one by one in the first half, while sandwiching them with the style and structure of FLCL.

What makes this work is the sense of chemistry our main leads have. Each interaction feels as lovey and genuine as these girls’ distinct personalities. This makes studying them individually and what makes them a part of this group so rewarding. It shows off all their jobs, passions, and struggles, which make each girl feel almost real. Adding onto this genuine feeling is how organically the show taps into teenage culture. These girls hang out at restaurants and malls, text each other, and visit each other’s houses to learn about each other and hang out more. Kana, Hijiri, and Mossan are particularly fun to watch and explore, and even Tomomi -the character who often just blends in while making humorous jabs- gets her time to feel like a true member of this lively cast. Seeing Mossan’s little siblings draw food to “pretend feed” her, and how tired she is while she works, tells us more about her than the exposition her mom gives to Kana. Kana’s bookbag charms and cracked phone screen tell us about her character better than any thankfully non-existent exposition dump does. Hijiri’s forlorn sigh after her break up tells more than any exposition dump does. Most refreshingly, some of the scenes of characters talking about each other reveal more about themselves and their dynamic than the people they’re referring to. It all melds together to forge this small community of girls to get attached to.

The fact that even with this, Haruko trumps all, is easily the most astounding part. She is what ties everything together in the nicest of bows. Her absurd occupations are as glorious as the fact that as long as she gets her job done, she legally has jurisdiction —in universe— to do whatever the fuck she wants. As such, she can go from being a nurse and a food truck vendor to someone slaying Bumblebee while shouting “Michael Bay” in a 3D action sequence! She’s every bit the force of nature she once was, now with an entirely different purpose and even more insight. The monumental performance by Kari Wahlgren truly exemplifies what a joy this incarnation of Haruko is to watch. Her main redesign also reflects this wonderfully while being as great as her original design. Not every appearance feels necessary, but they are generally some of the highlights of any given episode.

This isn’t to say Alternative’s writing is perfect, even in terms of living up to its predecessor. The writing can be a bit too blunt, even if it doesn’t always spell out each episode’s message. It doesn’t have the sense of subtlety the original had. At times, some dramatic scenes can feel boilerplate, as if they did it just to have one. The same also applies to some of their attempts at incredibly weird and visually varied sequences that really drag on and feel more awkward than bombastic. Another, more important issue is that for 2/3 of the show, there’s no real sense of escalation or reason to care about the grander narrative. What makes matters worse is that the middle section feels more undercooked and wasteful than anything else, especially since a short 6-episode series should have no reason to buy time. On top of that, the main reasoning behind the conflict of episode 5 really doesn't add up when you think about it, which is criminal considering that episode 5 is the turning point for the show. Thankfully most of these writing issues aren’t deal-breakers, especially compared to the more damning flaws in Progressive. It does further solidify how the original was the most solid installment.

On the subjects of improving, let’s address the visuals. The animation feels livelier, more fluid than the often stiff and awkward-feeling animation presented in Progressive’s action sequences. It isn’t as fluid as the original, and there are some rough moments —both in the animation and CGI department-- but the visuals are far more vibrant and less awkwardly restrained as they were previously for the most part. Additionally, the character expressions are far more lively here to boot. Combine this with Haruko’s numerous hairstyles and clothes this time around, and some more interesting designs for the one-off enemies of each episode, and it’s not hard to see how this was a step above the previous entry.

Finally, we arrive at the audio improvements. The dubbing here was even better than before. This includes both the main and/or returning characters, and with the glorious additions of Steve Blum and Patrick Seitz. However, the biggest step up is in the music. Where Progressive only really had one track of note —that being “Thank You, My Twilight” by The Pillows— Alternative doubles that with two of the best tracks in the franchise. “White Summer and Green Bicycle, Red Hair and Black Guitar” is easily my favorite insert song in the franchise, with a wonderfully nostalgic feeling to it that makes reflecting on a walk or bus ride a marvelous experience. None of the other tracks match up, but they are at least serviceable. The absolute splendor of these two tracks by The Pillows is already enough to show how much more effective this show was than its predecessor.

FLCL Alternative may not match the original’s sheer passion, subtlety, skill, or visual splendor, but it keeps the spirit moving in a new direction. It switches gears organically, embracing itself as its own justified identity while keeping true to its roots, even if it isn’t always successful at that. This laidback alternative is as unnecessary as it is welcome, and welcome's all it ever needed to be.

Written and edited by: CodeBlazeFate
Proofread by: Peregrine

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Oct 14, 2018

Karhu

Mixed Feelings

"One of the hardest things in life is to be average."
- The MC who blushes a lot

Conveniently - or was it ironically - the easiest thing in the anime industry is to be average, but that is not what FLCL Alternative is. After the disaster that Progressive was, no one could have expected this, but Alternative manages to leave the common mediocrity level and surprise with its quality positively. As an FLCL sequel, this series is still a shameful and embarrassing piece, but when viewed as a franchise reboot / spinoff starred by Haruhara Haruko's downgraded clone, we can't complain too much. In fact, we ...

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Oct 17, 2018

Shrabster

Not Recommended

*Potential Spoilers

You know the one thing I wanted in an FLCL sequel? A Kardashian reference because that will surely age well.

FLCL Progressive and Alternative tell the familiar story of being a teen and the all the troubles that come along with it… except without any of the subtly or charm of the original.

Sequels are usually a bad idea to begin with, but sometimes they are tragedies with both Progressive and Alternative unsurprisingly falling head first into the latter. It is not so much because they are outright terrible, but how heartless they and mediocre they are as they go through the motions. I know it ... is not completely fair to judge things by comparison, but I’m about to do a lot of judgement by comparison. The original FLCL is truly one of a kind. It balanced over the top wackiness with heart felt drama making for an entertaining and surprisingly touching coming of age story. It shouldn’t have worked as well as it did but here we are with FLCL cemented as a cult classic which is impressive in its own right. It was unique and refreshing, even if flawed, and it’s hard to argue it didn’t stand out regardless of how one felt about it. FLCL Progressive(ly Shit) and Alternative(ly Shit) on the other hand soullessly copy certain aspects from the original in an attempt to recreate the magic and fail grandly, ending up with no identity or personality of their own and worse yet forgetting basic elements of storytelling in the process.

There are no interesting characters in either Progressive or Alternative. Hidomi, the main character of Progressive, seems to have the most interesting if not familiar story out of all the new cast yet this is blundered by lack of focus making for a less than satisfying ending. Instead, focus is shifted to Haruko who has now been reduced to nothing but a prop with her crazy antics taken to an obnoxious level as if that was what made her interesting in the original series and not her interactions with Naota. Worse is Kana, the main character of Alternative, who is so generic and uninspired in every way it makes one appreciate Progressive’s characters. While Hidomi’s story of an absent father at least had potential Kana’s story resorts to your typical power of friendship clichés which feel so forced I wanted to throw up.

The other issue Nu-FLCL suffers from is the terrible pacing. The original FLCL was quite effective at conveying a lot of information succinctly and by the end of the first episode we understand Naota’s troubles and motivations. By comparison Progressive opens with nonsensical dream sequences while Alternative opens with narrations similar to the original except without the nuance. From there both are so disjointed and poorly structured that only the last two episodes seem to matter. While Progressive’s ending is serviceable at best Alternative’s ending is so contrived and out of left field that it works against it.

If there is one thing Nu-FLCL is guilty of it is being absolutely forgettable, which despite its flaws, the original wasn’t. Equal in mediocrity I can’t say Progressive is ultimately better than Alternative or vice versa. I guess if I had to choose I would choose Progressive because it wasn't as on the nose as Alternative and Hidomi is cute, but neither cute hime cut grils nor The Pillows could save either of these two messes in the end. So, unsurprisingly, another unplanned sequel that never needed to exist to begin with flops and everyone moves on with their lives. I guess the only thing to do now is to wait for when they announce the timed Toonami exclusive sequel to Cowboy Bebop featuring a new multicultural cast of all female characters so I can finally hang myself.

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Poll: FLCL Alternative Episode 1 Discussion ( 1 2 ) TrishaCat - Mar 31, 2018	77 replies	by MxS7HGS »» May 16, 7:14 PM
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FLCL Alternative

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Haruhara, Haruko

Koumoto, Kana

Hetada, Tomomi

Yajima, Hijiri

Motoyama, Man

Aida, Ben

Koumoto, Bunta

Sudou, Kan

Koumoto, Shizuka

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FLCL Alternative

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