Shoujo Shuumatsu Ryokou (Girls' Last Tour)

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Alternative Titles

Synonyms: The End Girl Trip

Japanese: 少女終末旅行

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Information

Type: TV

Episodes: 12

Status: Finished Airing

Aired: Oct 6, 2017 to Dec 22, 2017

Premiered: Fall 2017

Broadcast: Fridays at 21:30 (JST)

Producers: AT-X, Shinchosha, Kadokawa Media House, Kadokawa

Licensors: Sentai Filmworks

Studios: White Fox

Source: Web manga

Genres: Adventure, Mystery, Sci-Fi, Slice of Life

Themes: CGDCT, Iyashikei

Duration: 23 min. per ep.

Rating: PG-13 - Teens 13 or older

Statistics

Score: 8.21¹ (scored by 130,111 users)

¹ indicates a weighted score.

Ranked: #362²

² based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.

Popularity: #682

Members: 343,503

Favorites: 7,062

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@girls_last_tour

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HIDIVE

8.21

Ranked #362Popularity #682Members 343,503

Episodes: /12

Synopsis

Amid the desolate remains of a once-thriving city, only the rumbling of a motorbike breaks the cold winter silence. Its riders, Chito and Yuuri, are the last survivors in the war-torn city. Scavenging old military sites for food and parts, the two girls explore the wastelands and speculate about the old world to pass the time. Chito and Yuuri each occasionally struggle with the looming solitude, but when they have each other, sharing the weight of being two of the last humans becomes a bit more bearable. Between Yuuri's clumsy excitement and Chito's calm composure, their dark days get a little brighter with shooting practice, new books, and snowball fights on the frozen battlefield.

Among a scenery of barren landscapes and deserted buildings, Shoujo Shuumatsu Ryokou tells the uplifting tale of two girls and their quest to find hope in a bleak and dying world.

[Written by MAL Rewrite]

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Related Anime

Adaptation:	Shoujo Shuumatsu Ryokou
Other:	Shoujo Shuumatsu Jugyou

More characters

Characters & Voice Actors

Chito

Main

Minase, Inori
Japanese

Yuuri

Main

Kubo, Yurika
Japanese

Nuko

Supporting

Hanazawa, Kana
Japanese

Ishii

Supporting

Mitsuishi, Kotono
Japanese

Automaton

Supporting

Kaji, Yuuki
Japanese

Kanazawa

Supporting

Ishida, Akira
Japanese

More staff

Staff

Tanaka, Shou

Producer

Ogata, Mitsuhiro

Producer

Isogai, Noritomo

Producer

Yoshikawa, Tsunaki

Producer

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Opening Theme

"Ugoku, Ugoku (動く、動く)" by Chito (Inori Minase) & Yuuri (Yurika Kubo)

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Ending Theme

	1: "Seijaku no Tabiji" by Kenichiro Suehiro (eps 1)
	2: "More One Night" by Chito (Inori Minase) & Yuuri (Yurika Kubo) (eps 2-4,6-7,10-11)
	3: "Amadare no Uta" by Chito (Inori Minase) & Yuuri (Yurika Kubo) (eps 5,12)
	4: "Hitomi ni Utsuru Keshiki ~alternative version~" by Kenichiro Suehiro (eps 9)

Reviews

Dec 22, 2017

Pitzer

Recommended

Strolling through a grey and barren wasteland, two girls are on a journey. Rations are their only food, each other's company their only comfort and a Kettenkrad motorbike and a protect rifle their only partners. This is a story about a post-apocalyptic future, cultures lost in war and appreciating the little things in life.

Few future settings display the thoughtfulness present in Girl’s Last Tour: war has, multiple times, left its mark on Earth and humanity. The numerous layers of the forsaken and metallic city tell tales of many civilizations long gone; their technology gradually grows more sophisticated and the cityscape more complex by the layer. ... Their different religious beliefs, or lack thereof, as well as their different perceptions of beauty are ingrained in them: some show idealistic symmetry spread evenly throughout, others are dominated by religious symbols resembling a progressed Christianity. However, their god seems more like an alien creature possibly playing a central role in mankind’s long history of war…

The themes and background of the show allow for contemplation and its war-ridden lands give ground for cynical criticism of war, but Girl’s Last Tour is not at all about nihilism, the cruelty of war or the dangers of technological advancement. With overpowering optimism and gratitude for life, it avoids dwelling on many of its philosophically potent and open-ended questions through the sheer simplicity of its appreciation for the here and now; there is solace in solitude and beauty in company.

It’s hard not to get swept up in the show’s pensive mood, but it is near impossible not to fall in love with the protagonists' fun antics: Yuuri and Chito have amazing chemistry and partaking in their intimacy is a truly soothing experience. The two share a heartwarming bond of love and trust and remind one of simpler days; to take the role of an onlooker is to embrace a heartwarming nostalgia.

Chito is the duo’s brain: she is literate and reliable. Over the years, she has learned to work around Yuuri’s shortcomings and deal with her eccentricities. At times, her diplomatic mindset clashes with Yuuri’s air-headedness. However, she has no issue striking back should it get overbearing, for she knows it’s the only way to get through to her dense companion.

In comparison, Yuuri might at first seem like an unpleasant person. She is a glutton, unreliable and at parts overbearingly annoying - but actually a very caring individual. She keeps looking out for Chito and ensures her safety, she is sorry when Chito is hurt and does her best to express her guilt. It is not only her shortcomings that need to be worked around: her partner has serious fear and submits to panic at the blink of an eye. Fortunately, Yuuri always stays supportive of her.

Rusty pipe systems, snow-clad plains filled with weapons of war and desolate temples - the show’s landscape is empty and its designs range from simple to highly complex. The dark, barely saturized, grey color palette only changes during dreams and revelations. Unlike one might initially assume, the empty and wistful world radiates a romantic feeling. While it may be devoid of nature and has no ecosystem to speak of, the countless tales told by the cityscape itself more than make up for it. The bubbly moe character designs help alleviate the central juxtaposition of the cold world and the comforting company of the two protagonists (and whomever they might meet along the way).

Such sparse environment rarely allows for much movement to take place, but through dosated usage of CG the show enables engaging camerawork and alleviates the overall experience. The CG itself does unfortunately not hold up to the gorgeous and detailed look of the hand-drawn backgrounds but it in turn allows the explosive scenes to benefit from the momentum achievable through animation - and they look great!

The show’s solid visuals are accompanied by both upbeat and melancholic music. In insert songs, the vocalist creates a great feeling of departure encompassing an euphoric mood and a grieving goodbye. On the other hand, the Opening and Ending songs excel through their sheer musical simplicity. They embrace modern electronic music and pop culture (the moonwalk and even dabbing), depicting and enhancing the fun shenanigans of the two girls and their endless journey.

Due to its metallic landscape, the soundscape of the show mostly consists of industrial sounds: petrol engines, gunfire and cold, metallic echoes dominate, and their prevalence is only trumped by the two girls’ dialogue.

Girls’ Last Tour is lighthearted and emotionally poignant; it excels through simplicity and thoughtfulness, but never dwells on the latter. The juxtaposition of its thematically dense but desolate cityscape and the intimacy of the main duo create a melancholically wholesome experience and make it one of the best shows of the year.

Score: 85

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Dec 29, 2017

TheEdguy

Mixed Feelings

Wow this show is dull.. I thought this was gonna go a similar direction as Made in Abyss with misleadingly cute art and a slow paced start before the show gets more dramatic, but this show never does ANYTHING. There's no characters, no humor, no story, no motivations, no drama..

The only thing the show has going is that there's seemingly a rather rich backstory / lore to it, but it's never actually used for anything.

The art and sound is also very obviously cheap.

Maybe you'll enjoy this if you like slow paced shows about nothing like Mushishi or Flying Witch, but atleast those shows have ...

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Dec 23, 2017

Killbay_Kun

Not Recommended

Ok, so it seems like i am the only guy in this entire site that didn't like this show (at least in the review section), so i fell the need to write why this show is so terrible.

Also, this is my first review in the site and i'm not a native english speaker, so sorry if the structure of this review seems garbage to you.

Firstly, i want to say that i was very excited to see this show when it came in the seasonal chart, i didn't know how it whould be, but even if it was just a generic slice of life show, it ... would be interesting just by the premise, bonus it was made by White Fox, that is one of my favorite studios.

What i got was really dissapointing: a show about literelly nothing, most of the show is just these two girls walking and visiting some unisteressing place, and that is it, i wouldn't have a problem with that if the show had something interssing that could haddle it to be entertaining, but... what this show have of entertaining?

Story? None of it, most of the show is episodic and there is barely any worldbuilding. Good comedy? Nah, there is barely any comedy at all and the few jokes are just Chito punching Yuu. Cute girls suffering shit? Meh, the girls act like the fact that they are the last two humans in the entire earth are just normal business. Some philosophic and 2deep4u shit? Nope, none of the stories have any meaning at all.

Not saying that a anime MUST do some of these things to be good, these are just some ideas of things that Shuumatsu could do to be at least enterteining, but shuumatsu does none of it and does nothing that i didn't say too, it's just two girls living, nothing is fun, must of the stories barelly have a conflict, nothing has any purpose at all, everything is just a great piece of nothing.

And bonus, this show is slow as hell, it drags a in a lot of things just to fill that 23 minutes mark, like bake a loaf for entire 2 minutes or take 3 minutes with a montage that is pure filler, and all those facts combined result in to the most boring show in this entire year, i think i could not watch it all if i didn't watch it weekly, cause must of the time i was just waiting for the episode end so i could do something better.

Another thing that could have saved this show would have good characters to handle the boredom, but that brings in another problem that is the characters are more bland then a piece of paper, they're uncharismatic, boring and do not stand out, and this wouldn't be a problem in a normal show, but this are the ONLY 2 characters in the entire show, you can't just be this lazy and expect the viewer to give a shit about then in this way.

I could also talk why this ending is forced and totally garbage, but spoilers are agains't the Review Guidelines, so if you want to know, ask in my comments.

In conclusion, this show is just a waste of premise and it's a shame that such talented people did work in this, i hope WF give us a better work next time.

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Shoujo Shuumatsu Ryokou

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