Kobayashi-san Chi no Maid Dragon (Miss Kobayashi's Dragon Maid)

As Kobayashi sets off for another day at work, she opens her apartment door only to be met by an unusually frightening sight—the head of a dragon, staring at her from across the balcony. The dragon immediately transforms into a cute, busty, and energetic young girl dressed in a maid outfit, introducing herself as Tooru.

It turns out that the stoic programmer had come across the dragon the previous night on a drunken excursion to the mountains, and since the mythical beast had nowhere else to go, she had offered the creature a place to stay in her home. Thus, Tooru had arrived to cash in on the offer, ready to repay her savior's kindness by working as her personal maidservant. Though deeply regretful of her words and hesitant to follow through on her promise, a mix of guilt and Tooru's incredible dragon abilities convinces Kobayashi to take the girl in.

Despite being extremely efficient at her job, the maid's unorthodox methods of housekeeping often end up horrifying Kobayashi and at times bring more trouble than help. Furthermore, the circumstances behind the dragon's arrival on Earth seem to be much more complicated than at first glance, as Tooru bears some heavy emotions and painful memories. To top it all off, Tooru's presence ends up attracting several other mythical beings to her new home, bringing in a host of eccentric personalities. Although Kobayashi makes her best effort to handle the crazy situation that she has found herself in, nothing has prepared her for this new life with a dragon maid.

[Written by MAL Rewrite]

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Adaptation:	Kobayashi-san Chi no Maid Dragon
Other:	Kobayashi-san Chi no OO Dragon
Sequel:	Kobayashi-san Chi no Maid Dragon: Valentine, Soshite Onsen! - Amari Kitai Shinaide Kudasai

More characters

Characters & Voice Actors

Kamui, Kanna

Main

Naganawa, Maria
Japanese

Tooru

Main

Kuwahara, Yuuki
Japanese

Kobayashi

Main

Tamura, Mutsumi
Japanese

Quetzalcoatl

Supporting

Takahashi, Minami
Japanese

Elma

Supporting

Takada, Yuuki
Japanese

Fafnir

Supporting

Ono, Daisuke
Japanese

Saikawa, Riko

Supporting

Katou, Emiri
Japanese

Magatsuchi, Shouta

Supporting

Ishihara, Kaori
Japanese

Takiya, Makoto

Supporting

Nakamura, Yuuichi
Japanese

Saikawa, Georgie

Supporting

Gotou, Yuuko
Japanese

More staff

Staff

Takemoto, Yasuhiro

Director, Episode Director, Script, Storyboard

Tsuruoka, Youta

Sound Director

Yamada, Naoko

Episode Director, Storyboard

Fujita, Haruka

Episode Director

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Opening Theme

"Aozora no Rhapsody (青空のラプソディ)" by fhána

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Ending Theme

"Ishukan Communication (イシュカン・コミュニケーション)" by Chorogonzu (ちょろゴンず) [Tooru (Yuuki Kuwahara), Kanna (Maria Naganawa), Elma (Yuuki Takada) & Lucoa (Minami Takahashi)] (eps 2-12)

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Apr 5, 2017

13 of 13 episodes seen

Overall Rating: 8

Veronin (All reviews)

568 people found this review helpful

Kyoto Animation has been something of a lost soul, struggling to find its identity in a post-Haruhi and K-ON world. It is through flipping back the dial and returning to their roots that their newest title, Maid Dragon, is able to find its footing. It feels like something that might have been animated once upon a time in 2005, and that is precisely what makes it so special in the modern climate of harem and superpower.

And unlike many of their more recent titles, it knows what it wishes to be and never compromises its vision in a futile attempt to appease everyone and anyone. It doesn't play around with drama, and it never centres on action and explosions despite its cast of malevolent dragons. It's silly. It's relaxing. And it can even be a bit heartwarming when it tries, too. Have I also mentioned that Tohru is cute as all hell?

Some may immediately wince and groan upon reading the series' synopsis. Maids plus dragons does not make for a very promising setting, nor does it seem like a combination that required much more than two or three seconds of thought. Everything that could possibly exist has, or inevitably will, receive some sort of series with cute girls indiscriminately slapped onto it. Modern anime has trained people to be cynical.

But to treat Maid Dragon as just another silly comedy with moe characters wouldn't be entirely fair, as there are a number of things it does quite differently. Kobayashi, the show's title character and languid protagonist, is a working adult rather than the conventional teenager. Whereas most anime of its nature would choose instead to play a teenager as some pseudo-adult ("my parents are conveniently away on a business trip, so, hey, I have this house and this maid lady all to myself"), Maid Dragon chooses instead to portray real adults with real issues. Kobayashi is so bored with the office-lady routine that she will choose to drink herself halfway to death after a long day's work. Such is life in much of Japan.

By portraying adult characters, the sense of family between Kobayashi, Tohru, and Kamui feels genuine. Kobayashi is the mother of the household, and she will snap back at her dragon friends whenever they do something unreasonable. She is strict, yet also caring, and tries her best to understand their difficulties with getting used to the human world. Even little things such as peeling oranges for the two on their kotatsu makes it clear that she appreciates their company, even if she may not always be clear and forthright about it. Maid Dragon is true slice-of-life.

Kobayashi being female also helps to keep the show away from any unnecessary sexual undertones. If she were male, the show would no doubt be a harem, and it would be all the worse for it. It is hard to care about a cast when the only thing characterising them is accidental breast fondling (yay) and walking in on (and screaming at) each other in the bathroom. Yawn. While Tohru's feelings for Kobayashi are humorously exaggerated as being romantic, that is not Tohru's actual intentions, and indeed, her reactions come more from gratitude and a desire to protect her guardian, rather than anything genuinely romantic or sexual. The one exception is that, yes, there is a compulsory beach scene, although I suppose I can't fault it too much as it was relatively short and harmless (and because Tohru's body is a lovely sight indeed).

Maid Dragon can occasionally be funny-- Tohru visiting Kobayashi's workplace and repeatedly tripping her crabby boss, or challenging one of the other dragons to a fight in another dimension only to close it on them-- but it isn't an anime that is particularly defined by laughs. It is meant more to be relaxing, and, undoubtedly thanks to Kamui's presence, cute, at times adorable. I just wish it didn't have to repeat the same joke about Tohru cooking her tail a million and one times over.

The anime is at its strongest when it focuses on these main three, which makes the scenes with the other three dragons and Kobayashi's otaku friend, Takiya, significantly less appealing. Takiya's split personality is so jarring and exaggerated that he is often more obnoxious than anything, and Quetzalcoatl is pretty much a non-character whose only defining traits are that her boobs are large and that she likes to dress in scantily-clad clothing. If they were taken out altogether, I don't think anyone would find much reason to complain. More time should instead have been spent developing Kobayashi's cynical worldview, and Tohru's newfound interest in human society, the show's two most compelling themes. It would be nice for Kamui to also have something else to her besides simply being cute and snugly, but then I suppose it would be difficult to develop a character who is essentially the equivalent of a six or seven-year-old child. I sure as heck did not have anything else defining me at that age besides a love for candy and temper tantrums.

Kyoto Animation's artwork is generally excellent, but it certainly stands out in Maid Dragon's case. While there are few scenes that draw particular attention for their animation, the cute and humorous expressions the characters make (notably Tohru and Kamui) make the anime a ripe for grabbin' screenshots. Tohru's eyes are especially detailed, and draw attention to her nature as a dragon while never seeming overtly inhuman. Bright colours and soft edges also do well to enhance the fluffy, relaxing atmosphere the anime strives for. Part of the problem I had with some of KyoAni's other titles, such as Hibike Euphonium, is that they just looked so bland and dreary all the time. It's always welcome to see them return to a more traditional style, as traditional, it seems, is the very thing that KyoAni is skilled at.

To label Maid Dragon as something stellar or ground-breaking may be giving it a bit too much credit, but there is little doubt that it is at least a return to form for a studio that has been losing its way for many a year. It is as well a fun time in its own right, an almost nostalgic recollection of what slice-of-life anime used to be, and could, can be once more.

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Apr 5, 2017

13 of 13 episodes seen

Overall Rating: 9

Vene (All reviews)

305 people found this review helpful

~Multilingual review, English & Español: Miss Kobayashi's Dragon Maid~

In the Japanese culture there are two really heartwarming greetings that represent the core of the family bonds: 'Tadaima' (ただいま) and 'Okaeri' (おかえり), respectively meaning 'I'm home' and 'welcome home'. The exchange between these greetings happen when one person arrives home, and there is another one to welcome them back. While not strictly restricted to family members alone, and can be used colloquially between friends and acquaintances, even in workplace and school, these greetings carry a deep and strong meaning behind them, which is no other that 'this is the place I belong to'.

Although there are many read more

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Apr 5, 2017

13 of 13 episodes seen

Overall Rating: 8

themegamancave (All reviews)

152 people found this review helpful

Miss Kobayashi’s Dragon Maid- Making Anime Fun Again

Remember when anime was pure, unadulterated fun? Racing home as if on a quest to save a dying loved one, plopping your giddy ass on the sofa and turning on your favorite after-school cartoon? Nowadays, myself included, people get ignorantly pretentious and critical when it comes to anime… most likely due to the accessibility of other’s opinions on the internet (you’re guilty MAL!). But what happened to the days when you could share a bond with another over some good, old fashioned Chinese cartoons? God forbid you meet some dragon t-shirted, fedora wearing pleb that only cares for read more

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Apr 5, 2017

13 of 13 episodes seen

Overall Rating: 8

HaXXspetten (All reviews)

122 people found this review helpful

"Ravioli, ravioli, don't lewd the dragon loli." Easier said than done when the anime is basically doing it for you already.

I must admit that I have been rather critical of Kyoto Animation in the last few years. Such a talented studio who used to work wonders back in the day with titles such as Clannad, Haruhi, Lucky Star and K-On, but over the course of the last four years or so I have been rather disappointed with their series, with shows such as Kyoukai no Kanata and Musaigen no Phantom World really failing to live up to their previous standards. But Kobayashi-san Chi no Maid read more

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Kobayashi-san Chi no Maid Dragon

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