Ex-convict turned Rakugo apprentice Yotarou has finally taken the name of Yurakutei Sukeroku III, and with his master Yakumo's permission has attained the lofty rank of shin'uchi. He assumes the name at a critical time for Rakugo, with audiences fewer than ever. At the same time he has started acting as a husband to Konatsu, who is now a single mother. Yotarou thus begins the struggle to fill the role of Sukeroku, both as the future of Rakugo and as a part of Yakumo's and Konatsu's lives.
This show hands down one of the godtier series in the history of anime. When it comes to drama, Shouwa Genroku Rakugo Shinjuu as a whole is insanely topnotch / masterpiece. Not being biased here, I mean the show is just that good, flawless + with insane direction and editing by Studio Deen.
Story 10/10 Simple and boring you might say but the narration of the series is topnotch, with thoughtful editing + with masterful direction, the show just climbed up the rankings easily, surpassing its 1st season. Overall flawless storyline. It is just that good and you might know the show had those insane plottwist
on the 2nd half of the series :)
Art 9/10 Nothing special when it comes to frame by frame animation but when it comes to cinematography the show just stands out. With good camera angles and with very realism type of editing, the show proved that animation is not only just the key to make a topnotch quality series.
Sound 10/10 Hell yes, from the shounen type of opening from both seasons to the one of the emotional endings i've seen. The 2nd Ending just hits you so hard with its mellow type of sound and then partnered with a very stimulating visuals that helps both art and sound to be one of the selling point of the series.
Characters 10/10 Oh boy, did just everybody got all their fokin character development? From Sukeroku to Yakumo upto Yotaro and Konatsu and even Shinnosuke. I mean every characters are well fleshed out with great interactions with the help of the great voice actors of the series. It is insanely overwhelming to watch.
One of masterpieces of modern anime. Studio Deen is just so good at making this one. Surpassing the 1st season and even the Manga. Shouwa Genroku Rakugo Shinjuu is a flawless - godtier - topnotch - moving - stellar - " m a s t e r p i e c e " on drama genre. "Never" anything came closely to this series from all Anime of 2016 and Anime of Winter 2017
Rakugo is one of the only anime to make a strong emotional connection with me. It's hard for me to believe that such an excellent show has flown this far under the radar, so let me try to do it some justice in this review.
I had come into the first season expecting nothing but being intrigued by the premise and the positive reviews for a show about… performance art? Needless to say I was thoroughly blown away and touched by the story of this show. I thought the conclusion to Yakumo’s story was one of the best endings to a show I had ever seen,
so I was worried about the continuation of the series in the present with an old Yakumo and Yotaro being the main character. My worries were unfounded, however, as the second season proved to be just as good as the first.
Undoubtedly the best part of this show is the story. It’s complex without being confusing and is always interesting. I was never bored while watching. If you combine both seasons into one story, I think the structure of an introduction to the present, backstory, then jump back to present to continue the story and see how the events from the past have changed the present and continue to affect characters really made the show what it is. And then a beauty of this show is that the conclusion to this story is the conclusion to Yakumo’s story. Very satisfying and appropriate to how I think the show should’ve ended. The combination of all of these decisions that change the tone and flow of the story make it something to behold.
It wasn’t perfect though. One of the main problems I had with this series was that the story focused too much on the past. I think that while this focus on the past demonstrated Yakumo’s inability to move on well, there comes a point when it reaches a point where it becomes frustrating to watch the same decisions being made for the same reasons over and over. We all know that Sukeroku and Miyokichi’s death affected Yakumo’s life forever after, but sometimes his obsession over it in the most trivial of situations seemed unrealistic and just overemphasized. I very much liked the scenes of hallucination that put Yakumo in the hospital both times, and his journey in the afterlife and reuniting with the two, but the day-to-day trauma he’s experiencing 20+ years after their death seems just a bit extra to me.
I had a sort of crisis while watching the show due to the nature of episode 7’s reveal that the ending Yakumo told to us in the first season was a lie and that Konatsu was partly responsible for her parents’ deaths. I was shook when I found this out due to the profound effect the original ending had on me. I was more than a bit disappointed initially, but after much reflection on how this changes Yakumo’s character and his relationship to Kontasu, I decided that I also think this was a great plot twist that adds to the story. I still like the original better because it was more tragic, but I think that’s the point and I just fell for a story trap. Oh well.
Another part of the first season I found to be refreshing and captivating was Yakumo and Miyokichi’s relationship. Usually in romance anime, relationships are either lovey-dovey or they’re both unbelievably awkward around each other. Rakugo makes their relationship compelling, mature, and quiet, yet ever-present. I loved the handling of this aspect of the show. This kind of continued with this season. The same dynamic was kept in place, but Yotaro was just a more loud character who wears his emotions on his sleeve, so it’s natural that it would be different, but I’d say of the 2, I prefer the former.
This also brings me to my only other main complaint of the show. In the first season, I just liked the characters more. Not necessarily how they’re written, I love the aspects of them all, but my views are best reflected in the Rakugo they perform. Sukeroku’s was informal, fast, yet strong and clear, while Yakumo’s is dignified, deliberate, and refined. To me, Yotaro’s personality and his Rakugo seemed loud, a bit goofy, and sometimes unpleasant to listen to. This was only rarely, but I sometimes would just wish he would stop talking. That being said, Kontasu is one of my favorite characters in the show and I thought old Yakumo is just as good as young Yakumo. Also, the story of Yotaro’s past interfering with his career was a good conflict of the show.
Rakugo is a show about art, so it’s only natural that its art direction be some of the best I’ve ever seen. Perfectly set the mood in every scene, managed to blend traditional traditions in a modern world in a clean, appealing way. My desktop background is even a screenshot I took from the show, that’s how impressed I was. On a similar note, I am continuously impressed with the OP and EDs in this show. They’re perfectly reflective of the show. I feel like the video itself for the OP in the second season reveals a lot about the plot, so if you’re trying to go in blind, consider skipping watching the OP.
Overall, I can’t recommend this series enough. If you think you will like the show, I can guarantee that you will. I’m not here to tell you that this is a perfect show (it’s not), and I’m also not here to tell you that if you don’t enjoy it you have shit taste and there’s something wrong with you, but I can say this: In my opinion, Rakugo is the best series to come out in the last couple of years and it will be one of those “hidden classics” 5-10 years into the future, due to how under-the-radar it was, yet how profoundly excellent it is.
Thank you for reading my review! Feel free to leave any kind of feedback on my profile if you feel the need to, I appreciate everything.
You know, nostalgia is a powerful thing. Happiness is essential, for when death comes, we want to look back fondly at our lives. It's only natural, really. It's only natural that we feel this way, and it's only natural that this is the conclusion to such a wonderful work of art. With that sentimental tangent, back on track, though expect that to be the tone of this review. Death, or rather, actually dying and no longer being able to experience anything for all of eternity is something that legitimately frightens me, and it has since childhood. Leaving a legacy that you won't see, possibly not
even knowing what kind of legacy you leave or if you leave one at all. All of this has toiled in my mind for quite some time now, and this second season really sparked that back into by psyche, for better and for worse. Since, it's been a struggle to keep myself from getting horrified by the unknown of it all, since it was inevitable that this would be a recurring thought in my head. Then again, it might've started before then; I'm not sure. All I know is that I am glad to have been alive to see this masterpiece.
*This review assumes that you have seen both seasons of Showa Genroku Rakugo Shinjuu. If that is not the case, leave, watch both seasons (or if you've seen season 1, continue on), and head right back. I will spoil both seasons for the bulk of this review*
Showa Genroku Rakugo Shinjuu is an impeccable tale about two young men’s careers and how their ways of dealing with their passions for their beloved art form affected the lives of themselves and others. It serves as a prequel to the events of this season, and are filled with such foreshadowing through the symbolic Rakugo performances that their effects can still be felt in this second season, but I'll get there.
The sequel, Sukeroku Futatabi-hen, is a masterful tale of an apprentice surpassing his master while not only trying to not only carry the art in which he promised and now is challenged to protect, but also learning even more of just what happened before while his master comes to terms with everything, from his past to his legacy. Well, that's only at the start, since there are new things added in each episode that make each one vibrant, dramatic, and thrilling. The follow-up to the undisputed best anime of 2016, is every bit as rich as its predecessor and then some. With that said, let’s alter my usual segue, and jump right in, shall we?
We begin with this hilarious meta performance by Yotarou, aka the 3rd Generation Sukeroku, telling us that it has been a year since the last season and that he had been putting his head to his feet in anticipation of telling us the second season’s events since the beginning of the Spring 2016 anime season, which is gold. Not to mention how the directing encapsulates his disorientation from that whole wait. With this, we begin the series on a hilarious, upbeat, and creative note, which is fitting for this masterpiece.
The anime wastes no time in revealing the symbolism behind Yakumo frequently telling the story “Shinigami” in season 2, as we learn that Yakumo insists on haunt Rakugo die with him, saying this directly to Yotarou, effectively challenging him to fulfill the promise he made to him 10 years ago about keeping the art alive even after the master’s death, hence what I just alluded to literally 2 paragraphs ago.
After a delightful and magnificent first episode, the second episode really delves into showing how the media is a bunch of horrible mofos that will use Yotarou’s past against him, especially Amaken, the fucking prick. We get to see how certain upstart audience members will insult Yotarou and anyone who likes his work, sort of like an accidental allegory for an elitist punk that mocks us for liking a show we genuinely like. We get to see just how badly this affects him as he makes his first bombing performance, and everything really crumbles for him. At the same time, Eisuke (who met up with him in episode 1 and piqued his interest about Sukeroku) talks with Yakumo, wanting to know everything about the past of Rakugo, the masters, and, even Miyokichi for some reason.
Her name comes up a lot, and it disturbs Yakumo and especially Konatsu, for we know what she did in season 1 and how Konatsu felt about her; her awful, love-depraved mother. Miyokichi’s negative impact is lasting, which is akin to how in real life, someone can leave an negative impact on so many people’s lives even after he/she is gone, to the point of using that person as negative comparison and contrast. Not only that, but, as I said, the whole gang thing becomes notably relevant as well at around the same time.
Each episode brings something crazy and new to the table, which is not what I expected. I mean, this show brings a lot of originality to the table, but I didn't expect it to start delving into some of the stuff it did with each new episode adding a new subject to the pile that relates to the characters’ personal lives. From the yakuza stuff, to Miyokichi, to a time skip where we get to see the new Shinnosuke that was born from Konatsu, to the lovely performance Konatsu gives to and with the kindergarteners, and even more amounts of great moments and revelations, this show never gets old. It's a treat to see just what amazing new thing will pop up, much like opening a bunch of presents on Christmas or your birthday.
While, yes, the amount of time skips is potentially bothersome, even to me, the show never dwells at all on these time skips and it just wants us to have a reasonable gage on them, particularly with the second one, as they later spell out the first one. It's not like the time skipped was even necessary or something that would really flesh out the characters or develop either the characters or the plot. It would be nice to know more or if they resolved the gang issue from episodes 2 and 3 thoroughly, but they would merely be interfering with things if that were heavily included. Some people will complain about the lack of symbolism or foreshadowing behind the Rakugo performances this time around, but that's because the ones in season 1 were meant to do what season 1 was all about: foreshadowing, since it is effectively a prequel to the present day story, with season 2 being that story that is really about bringing everything from the past to light and to a close, which is why this doesn't bother me much.
The Inokori performance that was hyped up for episodes 3, 4, and 5, was entertaining like the rest of them, but ultimately, the crux of episode 6 was how the final moment of episode 5 jacked up his health, part of that moment involved him seeing a hallucination of Miyokichi before being part of a hallucination of Sukeroku shoving him down for unknown reasons in a room full of candles. This leads into the fact that he hasn't truly forgotten about either of the two, and it also leads into the big truth: Yakumo lied to us. Not only to us, but to Konatsu and Yotarou.
Specifically, he lied about the circumstances of Moyokichi’s and Sukeroku’s deaths, or, as they are known by real name, Yurie and Shin. In reality, due to an emotional outburst, Yurie stabbed Shin and panicked, but the wound wasn't horrible. Konatsu came into the room and thought Bon (Yakumo) did it but Yurie told her that she was the one who did it, only for her to hit Yurie and pus her out of the room in an emotional outburst, only for Shin to try to save her, only to die with her. Since then, he let it seem as if he did it in an act of permanent guilt, especially since her memories contorted around the fabricated idea that he was the one who did it. This moment was insane, not just due to it being a harsh and dramatic circumstance happening so fast, as life tends to do with moments like this, but mainly because it showed that part from season 1, from Yakumo’s story to be a lie, which was an interesting and epic thing to do.
One failed suicide attempt later, and Yakumo gets to see Yotarou perform one of his old colleague, Sukeroku’s most famous works, and after his daughter is so moved and the finally gets the chance to perform, the gang boss, Kido Isao is arrested and Yakumo gives a performance surprisingly relatable to him. Then, after being disappointed by Yota’s performance, he does Shinigami, only to see Sukeroku and nearly die in a fire; a truly harrowing and tense scene, in no small thanks to the directing. With the sheer impact of that flame, we eventually get more news: Konatsu is pregnant once again. After that, we learn even more of what Yakumo did for her, and after a nice performance by Yota and some unnecessarily adorable backup by Shinnosuke, it seems like Yakumo is finally dead.
The afterlife is very interesting there. It's a more vibrant and more poetic version than real life, and is a truly lively take on the afterlife, though nothing can beat the “Land of the Remembered” from Book of Life. It's a beautiful thing to see our trio reunite, and even more precious to not only see our two original leads perform Rakugo once again, but to do it with Konatsu and Shinnosuke by their side for a bit. Sure, this raises questions, but we, like Yakumo, can't really be allowed to truly understand this afterlife. It's also a shame that Matsuda died as well, but at least he sees his master off in a beautiful river in a breathtaking ending sequence that leads to a golden new frontier that is just...heavenly…
The finale is one of the most peaceful, loving, and nostalgic finales in existence. We get to see Shinnosuke and the new child Koyuki, and they're pretty nice, and do really take after their role-models, Yakumo and Yotarou respectively. It's nostalgic to see how everyone we are left with to care about has aged, and the Rakugo performances of Shinnosuke and Yotarou are really nice, with the added bonus of Yotarou going what Yakumo went through earlier in the season with seeing someone he cares about being the Shinigami. The final scene really sells the nostalgia everyone has at this point, and made me both nostalgic and teary-eyed.
You never know what to expect with this show, and it's rare that we can say that in a positive manner. It's told impeccably, and it keeps things exciting with rest new twists and turns around every corner. Honestly, the finale was perfect, and the road leading up to it was beyond stellar.
Yotarou is the same as ever, even with the 10 year gap between the beginning of season one and the beginning of this season, but he has still grown in terms of a performer and a student. Still brash, outlandish, loud, goofy, and earnest, this loveable fool, and, just like with some of his audience members, he will always be Yotaro to me. Plus, he makes a great dad and a really good partner to Konatsu, like in episode 4 when he got her to perform in front of her son and his class, or when in episode 7, he still decided to shield her from the truth about the Sukeroku death incident despite it taking an emotional toll over him and the fact that he now knows the truth. He’s a real treat to get to listen to, even when he becomes old.
Bon, our old master from the beginning of the series and our interesting young lad from the entirety of season 1, is still as strict, stingy, and as much of an ass as before, but with more of a reluctant tendency to just let his two younger ones (Konatsu and Yotarou). After all, he’s gonna die soon, not them, they still have full lives to live. It's also interesting that he actually wanted Konatsu to kill him all this time like she said she would, but it not only disappointed that she hadn't, but is not disappointed that the only reason she keeps him alive now is because her baby likes his rakugo. Worst of all, he doesn't enjoy doing it anymore, as it relates to his guilt of Sukeroku’s death, which we learn wasn't even his fault. He continues to lie about the situation to make himself as guilty to Konatsu as possible, since, as I stated in my season 1 review, he feels genuinely horrible about this whole thing, and all of this affected his art and his view on everything. Putting everything into perspective with the ultimate twist, which I have to commend this show for, since I hate the Unreliable Narrator, yet this show used that in order to allow us to have a thrilling prequel that sets up such context for the truth of it.
Konatsu is as stubborn, angry, and hot-headed as ever, even after knowing the truth about everything and finally raising a kid. Even still, she is still very likeable and a worthwhile partner for Yotarou. Still, there is good reason, since she’s been that way pretty much all her life, starting from the moment she effectively killed her mother and contorted the memories of that event to Yotarou killing her. It's pretty tragic, honestly, since she really hasn't grown out of that angry, overly emotional, and vengeful state, at least until motherhood in which she is still somber, but at least she mellows our in old age.
Even other characters like Matsuda, Eisuke, Mangetsu, and Yotarou’s former boss, who play mostly minor roles here with one exception (all 4 of which also played minor roles previously, like Eisuke being that one man that was rejected by Yakumo near the end of season 1) remain or become really fun and likeable, and that's a treat in its own right. The only exception is the intentionally awful cunt known as Amaken, a total SOB who actively ruins Yotarou’s gig by rubbing his past in his face and acting like an asshole during Yotarou’s performance.
Other more minor characters like Kido Isao and the geisha from season 1 are still rather good people, like, for example, the boss man (Kido) himself being charismatic and understanding, fascinated by rakugo, and not afraid to stand up for women, as shown when he throws Yotarou into rocky water for making Konatsu nervous for him due to his impudence, or remind us that he is still the boss and that he exerts massive authority. I also like Shinnosuke, the grandson of Sukeroku (who was also named Shin) for being such an adorable kid who happens to be a really nice boy, making me want him to grow up to be an amazing lad, as odd as it sounds given that he is merely an anime character. Turns out, both he and Koyuki were great as teenagers as well, and their dynamic is fun.
Honestly, as cheesy as it is for me to feel this easy about characters in fiction, I really feel like I know the whole family of these guys as a friend who somehow got to see everything they went through that really contributed to this story. I don't think any anime has been able to do that for me, and I'm sure many of you feel the same way. It's damn impressive for an anime to be capable of doing such a thing, and I adore this anime for it.
Studio DEEN is not known for having high quality art, rather it is known for the CGI Dragon, and the way it mishandled the Fate series. Even still, the art here is as impressive as ever, with great backgrounds and lively Rakugo performances to boot. Plus, if you thought the directing in season 1 was phenomenal, prepare to have your mind blown by the amazing moments of shot composition, lighting, and framing that shine amongst the best moments of season 1 and then some. Even with the occasional moments of bad CGI or the lack of notable fluidity overall, are unable to really bog down this series too much for its phenomenal directing and great art. Director Hidetoshi Namura did an excellent job with both seasons, and he deserves such credit as the animation director, and Studio DEEN deserves major credit for their work here.
The anime wastes no time showing us some new songs for the overall OST, which is admirable, as a sequel should always bring in some new music to mingle with the old. Each track is as lively as ever and there are even more great jazz compositions to spare. They are, once again, placed incredibly in the perfect scenes, such as the song for the final moment of episode 1.
The OP, “Imawa no Shinigami” by Megumi Hayashibara is both chilling and emotional, and with some of the best directing an OP can have, to the point that even the name carries meaning about one of the integral plot points of the show: Shinigami. Even outside of the masterful directing which is worth it's own video by someone who can break it down in perfect detail, it is still a wonderful song to listen to, starting off in a very chilling and somber tune with clocks ticking before Yakumo walks and then falls off a cliff, then it ramping up in an emotional flurry of him falling, to a slow emotional and chilling buildup from when he and Yotarou meet again and he purposely sinks back in and we see the death bell chime and a giant record-player stitching between different records of the different points of Miyokichi’s life, all the way to a true emotional payoff of everyone being there for him, including Sukeroku, who opens him up and brings the OP to a close, with the light already being out…
The ED, “Hikobayuru” by Kana Shibue is also a very nice and relaxing jazz piece that takes us on a magical journey. We get to see many amazing landscapes and environments within the whimsical ED, and it's honestly a treat. While it is certainly not as amazing as the OP, it is still nice to listen to, and it even beats the first season’s OP much in the same vein as with the OPs.
No matter what, Rakugo has never had an episode that didn't make me feel at least engaged and thoroughly entertained, with this season being no exception. The Rakugo performances, namely the ones played in full, are still quite a fun time, and I loved each episode. The scene in episode 1 with the duet of Yotarou and the geisha, the opening scene in episode 4 with Shin reciting Jugemu while walking, and the performance Konatsu gave with and in front of both Shin and the rest of the kindergarteners in episode 4, are some of the most endearing moments I've ever seen in an anime, with the latter moment also being one of the most heartwarming, thanks in no small part to the brilliant directing that really played up all of the emotions we were meant to be feeling. The stellar directing wowed me constantly, and the drama felt earned and properly done. I rarely found anything that even remotely made me not have a big grin on my face, which is a rarity, even among my favorites.
I know that I’ve basically been gushing this whole time and have provided only the most minor of criticisms, but it’s because it was so damn good that I hardly found much wrong with it. Besides, the finale and penultimate episodes were just magical and full of wonder and nostalgia. I can't believe I have to get nostalgic as a teenager of all things, but hey, this anime is that powerful. Imagine when I watch this as an older man; suddenly I will cry my eyes out at the relatability. But that's a long, long time away from now. With that, onto the conclusion of our journey, as we celebrate this final, glamorous performance.
OVERALL: 10/10 RAW SCORE: 9.70/10
It seems almost ludicrous that this anime would be my first 10. It's crazy to think that this will only get better as I get older. This anime is a wonderful and poignant masterpiece, and a lovely conclusion to one of the best anime of the new century. Art is the perfect way to describe this show, as it really explores and encapsulates both the effects, and emotions of art. Nonetheless, it has come to a glorious end, and like the characters at the end of the series, we can look back fondly at all that happened here. Honestly, it's a pity that I've basically run or if things to say, and that there are people who can do this more justice than I ever could, for this wonderful work of art deserves more attention than it has gotten, and all of the praise it can get. Well, with that said, I bid you adieu.
Coming off the highly acclaimed and one of the best anime of 2016, Shouwa Genroku Rakugo Shinjuu, comes it's second season and it's... I don't really know to describe how good this is, but that's just how good it is..If that makes sense. It's light, It's beautiful, It's haunting, It's deep, It's dramatic. It's one of the most masterfully made anime there is.
One of the things this show does so well is that it presents itself in the form a Rakugo. It's leisurely paced but the genuine and detailed storytelling and flawless performances combined with just the necessary amount of soundtrack certainly makes it
seem so. This anime is not just a love letter to the art form and it's celebrated history but also serves as a medium to revitalize the art form for it's future and introduce it to new audiences from different places and cultures. I read an article about this show, the writer brings up something about western audiences asking a Rakugoka to perform classics from this anime. It's goes to show no matter how unpopular this is in the mainstream, it has made quite a significant Impact.
Another thing this anime does very well is that it brings out the cinematic elements of an anime that one would normally take for granted, such as Screenplay, Dialogue, Cinematography, Editing, Performances, Direction and makes it stand out incredibly well. The screenplay and dialogue especially are unbeatable, whoever wrote these scripts deserves a fucking award. The Rakugo scenes are the part of the anime that really highlight these things. Giving us that theatrical experience and helping the audience understand the story being told.
The characters in the show are fantastic, they're brilliantly written and almost everyone plays a very important role in the storytelling. The anime mainly shows 3 different generation of characters. So yeah, there are a lot of different range of characters. It's interesting to see how they view Rakugo and the different approaches that they take. Yakumo for example wants to take Rakugo with him to the grave, Yotarou wants to continue Yakumo's legacy and continue the art of Rakugo, You would think Yakumo is wrong but he has some pretty valid points that made me go like, "yeah bro, you know what? just take it with you". Yakumo is my favorite character, He is probably the MVP of the year honestly, It's very interesting how the flashback events of season 1 and the progression of time play a part in his character development. The relationships these characters have are very well written and how it all dramatically plays into effect is such a joy to watch. The character design is great too, it's very unique and appealing and there is a lot of detail in their actions that really tells who they are and gives them a real identity. I love it.
Coming to the animation and soundtrack, The animation is just amazing and consistent from start to finish. Hats off to the animators and also the production studio, studio Deen, they are restating themselves with this show. I haven't seen them do anything this good honestly, Great use of colors and like I mentioned before, there is a lot of detail and effort put into the characters and setting that I truly appreciate.
The soundtrack is refreshing. Very dramatic, theatrical and sometimes very unpredictable, A lot of times it's just traditional Japanese sounds. It's minimal and used only when necessary. It plays very well into the quiet atmosphere and genuine storytelling of this anime, making it seem like a Rakugo itself.
Overall I really enjoyed this anime, it truly is one of the few shows that are near perfect in the way that it is executed and presented to you, There isn't any major flaw or anything, even things like leisurely pacing and the fact that some people might find that boring is something the anime embraces itself. It is true that this anime is not for everyone, People who usually are into the more energetic and fast paced genres might not enjoy this but I would still recommend it to you, cause this anime really is just THAT GOOD, If you're someone who is into the craft and enjoys some great storytelling, there is a really good chance you will be blown away and enjoy it as much as I did.
I would give this anime a 9.5-10/10. I am extremely satisfied with what I got, Definitely a contender for Anime of the year and easily the anime of the current winter 2017 season. Highly recommend everyone to check this out!