Nothing amazing ever happens in this sequel. Every second we spend watching it is like a whole lifetime of dying slowly.
Hyperbole aside, I'll just be upfront: I didn't want this to happen. For years I was happy and confident that FLCL was seemingly sequel-proof. It's a perfect little character piece that crystallizes its particular time and place, celebrates all the excess and id-groping of the anime medium, and does it with heart and literacy. Nothing about it needed any elaboration. You can just ignore bad sequels, yeah, but they somehow make the original less "special." I wanted FLCL to stay special. Leave it alone.
Naturally, they
...
didn't. I worked up some extremely cautious optimism and gave it a shot, anyway.
You can count me among the disappointed. Maybe Progressive isn't FOR us--the original was for older millennials who inherited the sensibilities of gen X, this one is apparently for younger millennials/gen Z. Re-using the throwback 90s alt-rock of The Pillows doesn't exactly scream "2010s zeitgeist," but ok, let's go with that. Well, Progressive does at least perfectly capture the soullessness and creative bankruptcy of this decade.
It's important to note that Studio I.G stated they planned to use young, somewhat inexperienced animators in order to capture the same kind of creative spontaneity as the first FLCL. Basically, trying to recapture lightning in a bottle--because that always works out, right? In the original, the approach was similarly improvisational, but it served a purpose: testing out then-new digital animation methods. Here though, it's just amateur-fetishism. The result is complete inconsistency--one episode looks like it could be any generic sterile looking moe SoL from this year, the next episode's brimming with off-the-wall animation and nice, hand-drawn looking linework. You can't really say Progressive looks good or bad, because it looks good and bad in about equal measure.
Working on a FLCL sequel should be an artist's dream--you can come up with all kinds of fucked up, evocative imagery and find crazy ways to work it into the plot and make it thematically relevant. The original nailed "magic realism with sci-fi overtones," maybe play around with some new genre combinations in this one. There's infinite possibilities besides just having robots come out of people's heads, right?
Nah. We get more robots coming out of people's heads, more phallic imagery, and more blabbing about "overflowing." Mamimi used that word at one point in the original to express how she felt in a dramatic scene with her limited vocabulary, but sure, let's have everyone use it now. Because ideas are hard. It's kinda sad seeing a show that gave so little of a fuck about what anyone expected being reduced to some kind of rote brand recognition checklist.
This might be contentious, but FLCL was never weird for the sake of it. It annihilated any border between highbrow and lowbrow, it was anarchistic, freewheeling, and almost felt like a 3 hour music video--but, it made sense as a story on an intuitive level because the creators grasped the basics of visual storytelling. The weirdness was there to give a visual logic to the convoluted web of sci-fi meta-narrative floating over the more central coming-of-age story, not to obfuscate things. There was always an emotional throughline in the craziness that kept you invested in the confusion.
Here, the pittance of novel ideas that weren't just stolen from the original take the opposite approach: the weirdness is weird for the sake of it in that generic "duuuude, LSD" sort of way that dumb people tend to falsely attribute to the first FLCL. In the original, you might have had a hard time explaining to a friend why Mamimi was walking a giant car-eating robot-dog like a pet in that one scene, but it made sense in the context of things. In Progressive, when that one side character is spinning around on the viking boat ride and some mechanical thing comes out of another mechanical thing and starts shooting missiles on a green vine thing, you're just as confused as your friend. The crazy shit is no longer there to accentuate the intimate character moments, it's there to REPLACE the character moments and to distract you from the fact you don't care about anything that's happening.
I remember all the theories about this sequel floating around online based on concept art and some animation snippets, and the interesting thing is nobody really got anything right. Not because Progressive defies expectations, but because it completely falls in line with them. Does that make any sense? It's the kind of stuff you'd never successfully predict because it's just too stupid and too obvious. You can imagine the writers sitting around in a boardroom coming up with this stuff a week before deadline, it's so on-the-nose.
"The original had a vintage vespa, so this one..."
"A vintage car."
"So we all know Haruko was this unpredictable manic pixie girl who used her sexuality as weapon to get what she wants. How do we quickly re-establish that here?"
"Uhh... I dunno... maybe, she can force high school students to watch porn on a laptop like some kind of escaped sex offender."
I'm serious, that happens. It's so dumb. Then she spends the next couple episodes barely connected to the plot, standing around and making the Dreamworks face as if to say "I'M HARUKO! Remember my memorable personality from the surprise hit OVA FLCL 15 years ago? I'll be relevant to the story by the 4th episode, I promise!"
In the original, Haruko was an awful, manipulative person, but she was oddly endearing, and you understood Naota's attachment to her. Conversely, you eventually got the sense she started feeling guilty over how she was using him. Not guilty enough to stop using him, but still, it felt like an actual human relationship, full of conflicting motives and ambiguity. There's nothing like that here. Watching Progressive, you just scratch your head and wonder "why are these kids still hanging around this creepy rapey hag who just ends up molesting and/or attacking them every episode?" Way to take one of the most alluring, dangerous, ALIVE characters in anime history and make her boring and washed up. Fuck.
I'd be fine with Haruko being recast as more of a typical antagonist if they remembered to fill that void with something, but the new characters have no soul. I know, "soul" is one of those buzzwords, it's hard to explain, but if you've seen the original you know what I mean. Naota and Mamimi had chemistry and felt like real people. They had flaws, but they weren't defined by those flaws; Naota was an angsty little ball of self-consciousness listlessly drifting through adolescence, but had a range of expression beyond just ennui. Mamimi was probably meant to either be slightly mentally retarded or somewhere on the spectrum, but I don't mean that in a derogatory way--she was like some weird wayward girl on the fringes of society you might have actually known at some point in your life. She had serious issues that the show convincingly sold to the audience--unlike a certain someone I'll get to in a moment--but again, there was more to her character than just brooding. She had an emotional range, and in the middle of that range she had her own unique "normal."
In Progressive, we're stuck with a fanfic.net self-insert "quirky" sadgirl protagonist with no apparent motivations, interests, goals or ability to make facial expressions. She has no genuine problems and looks like she could be a fashion model, but for some reason she's apparently drowning in nondescript existential malaise. The obligatory thematic undercurrent of her budding sexuality is wrapped up in miscellaneous gore/mallgoth imagery--she grins in her sleep as she dreams of zombies and dismembered corpses, etc. Because she's so QUIRKY and LITERALLY ME IRL XD :3. If you were worried that adult swim money might pressure the staff into pandering to Western sensibilities, your fears were 100% justified. This is the exact sort of fashionable fake depression bullshit that has no place anywhere outside tumblr.
I'm not saying you can't have a compelling character arc about depression or working through teen angst, I'm just saying it's all about execution. Again, just look at Mamimi in the original--her thousand yard stare, the way she tried to fill the holes in her life with countercultural debris and occult hocus-pocus, her freudian transference obsession with the name "Takkun"... She felt real. Hidomi is no Mamimi. Hell, Hidomi isn't even as interesting as Ninamori, and Ninamori was a side character who had one episode devoted to her before sinking into the background.
The less said about Jinyu, the better. She has zero personality and she looks like someone hit the randomizer in some shitty fighting game character create mode. Her voice actress stinks up the dub with the most hammy, melodramatic delivery in the show, but I can't really blame her because she didn't have much to work with voicing this bland cipher of a character. I can imagine the English audio director trying to explain Jinyu's personality to the VA in the recording booth: "she's, um... cool? And strong? And she's, uhh... uh... she wears pointy anime glasses?"
No good characters = no good character dynamics. That all-important adolescent romance angle falls flat because late in the plot, you still don't really get what Hidomi and Ide see in each other. They're both boring alphas (as much as Hidomi tries to pass herself off as some sort of maladjusted loner), they never really crack each other's shells, and they just don't have any "moments." I guess he likes her cuz she's a hot chick, and I guess she likes him cuz he's a hot guy...? Compelling stuff, right?
The first FLCL could convey so much more than that with visuals alone. Remember that part near the end when Naota and Haruko are riding on the vespa, smiling and talking about nothing in particular? No dialogue, just some song by The Pillows jangling away as their mouths flap--it's a casual but intimate conversation that we're not invited into, emphasizing how close they became. Remember Ninamori silently judging them the next day as she notices them slumming in a cardboard box? You can't have a great show that's only 6 episodes long without this kind of natural synthesis of visuals and story; everything from framing to body language communicating story and characterization.
To give you an idea of how Progressive stacks up, as soon as Jinyu first appears, she shoves the symbolic value of Hidomi's headphones down our throats in a clunky monologue. Later on, Ide--initially portrayed as this carefree class clown type character--has his "sad" backstory infodumped on us by a side character in about 10 seconds. At first I wasn't sure if it was for real or some kind of parody/meta-commentary, it was so badly done. The storytelling doesn't get much less mechanical and prosaic as it goes on.
The pacing is just baffling. How do you make a 6 episode absurdist comedy action sci-fi boring? Notice how every episode's structure is the same: we get a dream sequence intro to fill the "experimental" animation quota, then 90% of the episode is just there to set up climax. Then after the big explodey climax, we're left to assume that our questions will be answered in the next episode (they usually aren't). Rinse and repeat until ep 6.
I gotta touch on the visuals. The first FLCL was an early digital production that proved you can capture the expressiveness of well done cel animation in a digital medium. Even its color palette is more tasteful than anything coming out these days. Early digital resolution quibbles aside, it looked amazing--I didn't expect a post-Gainax "FLCL" to look as good, but I didn't expect it to be a total mess either. The female character designs could be cribbed from any interchangeable slice-of-life anime from the past few years. Everything in the first half of the show lacks shading and looks cheap. Besides a few animation bumps here and there, the action is floaty and stiff with no sense of weight or kinetic energy, thanks to a combination of poor directing and a surprising amount of studio outsourcing. The characters frequently jerk around with no in-between frames during serious action scenes, almost like those intentionally bad looking comedy budget-saving scenes in Kill La Kill--except it's not stylized or meant to be funny here. It's just bad.
The original FLCL was crammed full of fluid, stylish animation the whole way through and hidden single frame gags that served no practical purpose other than the animators having fun, since you have to pause to see them... and most of the time, this new one can't even be bothered to animate facial expressions and basic movement.
Admittedly halfway through the show, after the nth visual director switch, something happens: it starts looking... kinda good! The animation suddenly recaptures some of that sketchy, dynamic bounciness that was glaringly absent in the first three episodes; characters actually move around for the sake of it like actual humans in expository scenes; the action scenes are suddenly fluid and full of lovingly rendered mechanical gore; even the character designs are massively improved as the artists jump off those hideous early episodes' models and start imitating that classy old Gainax look. Hidomi gets an actual nose that's not just a thin line (for god sake Japan, give your fucking character designs noses again), Haruko starts looking like Haruko again, etc. It doesn't last long--they cheap out on the last episode--but give whoever directed that 5th ep a raise.
To reiterate, Progressive is a mess, and not in some inspired jam session sort of way--it seems to be a victim of budgeting and the production grind. It's like the full first half the show had to be sacrificed to make a couple episodes look good.
Anyway, a brief upswing in visuals can't make up for terrible writing and extremely formulaic episode structures. Progressive just doesn't have the humanity of the original, and you can't hide that with emotionally manipulative tactics like recycling "Runner's High" and "The Last Dinosaur." In fact, it just highlights how empty this show is when those familiar chords that used to make you feel like you were breathing sunshine suddenly evoke absolutely nothing.
When has American money getting mixed up in anime production ever led to anything you can praise without a dozen asterisks attached? By all accounts, adult swim brute forced this thing into existence, and the joylessness of much of the production process is palpable. Those Japanese tweets by some animators floating around complaining about having to deal with "stupid foreign companies" gave me a bad feeling from the getgo.
There's a resentment toward the audience permeating the whole thing. Occasionally they break the fourth wall and patronize the viewer with not-so-subtle lines about how you eventually have to "throw away your old junk" (read: "we're gonna shit all over this beloved intellectual property and you better not whine about it, you manchildren"). Art is a process of constant creative renewal--if something disappoints you, go create something yourself and do it better. That's the healthy approach, I know. But it's not the job of a mediocre cashgrab sequel to tell us that.
The first stage of grief is denial, so expect lots of faint praise for a while. Disappointment takes a while to sink in, I think. Maybe it's a kind of light Stockholm syndrome, like, we know this is what we're permanently stuck with, so we better try to enjoy it, right? I'll just be honest and say it: FLCL Progressive is bad. It could have been worse, and there's about half a decent show's worth of ideas floating around in the ether, but it just doesn't come together. It probably won't be remembered as some kind of legendary blunder, but on the other hand, it probably won't be remembered at all.
Alternative Titles
Synonyms: FLCL 2, Fooly Cooly Progressive, Furi Kuri Progressive
Japanese: フリクリ プログレ
More titlesInformation
Type:
Movie
Episodes:
1
Status:
Finished Airing
Aired:
Sep 28, 2018
Producers:
TOHO
Licensors:
None found, add some
Source:
Original
Duration:
2 hr. 16 min.
Rating:
PG-13 - Teens 13 or older
Statistics
Ranked:
#78332
2
based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Popularity:
#1679
Members:
132,836
Favorites:
237
Available AtResourcesStreaming Platforms | Reviews
Filtered Results: 39 / 39
Sort
Your Feelings Categories Jul 8, 2018
Nothing amazing ever happens in this sequel. Every second we spend watching it is like a whole lifetime of dying slowly.
Hyperbole aside, I'll just be upfront: I didn't want this to happen. For years I was happy and confident that FLCL was seemingly sequel-proof. It's a perfect little character piece that crystallizes its particular time and place, celebrates all the excess and id-groping of the anime medium, and does it with heart and literacy. Nothing about it needed any elaboration. You can just ignore bad sequels, yeah, but they somehow make the original less "special." I wanted FLCL to stay special. Leave it alone. Naturally, they ... Jul 8, 2018
Matrix 3 was a masterpiece so why won't we give FLCL also a sequel it deserves.
- The team behind nu-FLCL, probably. Our "sequel" is such an amazing piece that even its main character's personality is in contradiction with the point of the series. Naota wanted to be something somewhere else. He had several hard subject to deal with from love interests to his brother. His story was not only about coming-of-age, but a trip where he learnt to cope with himself and the world. In this nu-FLCL, Girl-whose-name-I-forgot is the epitome of emptiness. Person whose greatest merit is how little she cares about anything that ... Jul 8, 2018
Have you ever had that moment when you are in utter awe with how animation flows past your eyes with an interesting story? That's what I got in this wacky adventure. There has been a lot of complaints, but I will only address one of them right away. Its animation is creative and imaginative and it has the pacing like Gainax shows in the past. Where it falls, however, is that this animation is not consistent. What I mean by consistency is that at the start of every episode there is a dream sequence done by a new animator. SO I DO NOT SEE ANIMATION
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Jul 24, 2018
Ah, the tragedy as old as time. A popular piece of media comes out and proves to be a hit, both critically, and financially. Some odd years later, a sequel is made that exists solely because the first one was popular, rather than because there was something to add. It gets panned, financial success or no.
FLCL Progressive is yet another example of this tale. It’s what would happen if they tried to make FLCL in the current day -as of writing, of course- without any of the charm or passion that went into the original. Love it or hate it, FLCL is a distinct ... Jun 29, 2018
I have been a fan of FLCL for about five years now, so I was understandably very excited when I heard about this coming out. I thought, even if it’s disappointing, I’ll still like it because the music will be great.
TBH, it wasn’t that good. FLCL progressive is like FLCL with all the best things about it removed. The Pillows don’t even sound as good. In FLCL, the character design was AMAZING (NINAMORI!) but in this reboot, they managed to make even Haruko more boring. The art is consistent, although some people might like that, and plain. The animation is just painfully average. The shot ... Jul 9, 2018
It’s useless to discuss what FLCL “was about” and what Progressive “should have been” as this is an exercise in fanboyism and nostalgia. The majority of the fans in the West watched FLCL at an age where FLCL’s messages hit the most, and given the near two decade gap between the original and the sequel, there was no way Progressive was going to have the same effect. This much is obvious. Nor is it worth comparing the production (in terms of art and animation) between the two. They were made in different eras of anime by different staffs for different reasons (the original being a
...
Jun 27, 2018
I am one of those, I am the one who is always praising FLCL for the energy, for the characters and for the immense fun instilled by that dementia atmosphere. I am also one that didn't think FLCL needed a sequel but I was glad nonetheless it got one.
I think that it was impossible to recreate what the original had since the original was more about experimentation than about creating a coherent story. Watching the new series is like watching a mirror being held close to the original. It lacks character. The action is slower, the insanity is tamed and the focus seems to ... Jul 9, 2018
FLCL Progressive sits in an awkward position. It was an unexpected sequel to an anime that aired 18 years earlier. The original FLCL was a zany visual affair that still holds up today and helped define what anime is to a generation of Western fans who grew up on Toonami. FLCL is genuinely great and benefits from a tremendous amount of nostalgia. There is no way that FLCL Progressive was ever going to be better than the original, especially considering how anime production has changed dramatically since then. That said, FLCL Progress is a very good anime that I found more interesting and entertaining than
...
Jul 9, 2018
Ah yes, the sequel that no one thought was necessary but we felt blessed to get... I wish I had something more to say about it but the process of eventually watching I can only describe as being akin to fanfic. They loved the original. They wanted to build on it. They didn't get how it worked.
I'm going to try to lay out some positives first before jumping in with the more frustrating aspects. * The Pillows are back and provide the soundtrack. The main theme for Progressive, "Thank you, my twilight", with all it's silly Engrish, is great and I ... Jul 8, 2018
Set an unknown number of years following FLCL, FLCL Progressive focuses on middle-school student Hidomi dealing with growing pains, while becoming entangled in a conflict between Haruko and a new alien named Jinyu as the two seek out the great power coming from Hidomi for their own differing reasons.
Being connected to the original FLCL, Progressive certainly had some big shoes to fill in trying to make as much of a strong impression as the classic series did in mixing up manic comedy with exploring coming-of-age themes. I was initially cautious hearing news of the series having new seasons made as I felt the original series ... Jul 8, 2018
I just want to start this with a disclaimer that this review was written after one viewing. I feel like FLCL is the sort of show that requires two or three viewings minimum to fully digest, so consider this tentative:
While (in my current opinion) Progressive didn't outshine the original FLCL I still feel as though it was a decent successor. I respect that the team behind it decided to create something different rather than just re-skinning Naota's story. Progressive definitely has some interesting characters and relationships, but I feel like some of them are a little bit understated/one note. Fuyumi was easily the best character ... Jul 19, 2018
The beloved bastard child of anime industry from 2001 finally got a sequel and there is nothing progressive about. If anything, it has regressed and become a creative desert. Progressive is boring and forgetful.
For example, in the first 4 minutes of FLCL, we are introduced to the main characters. Their dynamic, their behaviour, they show enough to catch our interest to see what will happen to this ordinary pair, Haruhara shows up pretty quickly. In Progressive, we are introduced to a walking corpse of a character, one that does not even say good morning to her mother when she meets her for the first time. Which ... Aug 30, 2018
A blank wall is more interesting than the main character. In the original Naota at least had goals and a interesting personality, he actually wanted to do something. Meanwhile this girl (whose name I'm already glad I've forgotten) doesn't have 1 personality trait whatsoever. She has weird personality shifts, yet most of the time seems like she's remembering Vietnam flashbacks or some shit. The only tangible thing she had going for her was that she wanted to fuck the glasses guy (and btw that relationship felt as forced as the new Battlefield V trailer). Other characters are mostly uninteresting too. They even managed to
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Jul 10, 2018
Unfortunately, this sequel of a personally beloved work has met my negative expectations. I find it hard to interpret the validity of the critiques I have with FLCL Progressive due to measuring it up to the original series in my mind. With that said, I really don't see much value to this franchise installment that makes it stand out on its own. Where FLCL Progressive stands out is on some of the animation sequences and its quirky personality; unfortunately, I can't say either of these qualities are outstanding enough to outright recommend it.
While some sequences of animation were spectacular, the animation typically ranged from ... Sep 4, 2018
Lol. All the haters on this thread failing to realize the original FLCL made as little sense as this. Never forget the goal of the original was an animation team blowing off steam with the combination of a dope soundtrack.
That's exactly what you're going to get here. The pillows + weird animation that shifts randomly and makes it exactly what I expected it to be. If you like something that's absurdist, has a cool rock soundtrack and is fun to watch but doesn't make too much sense you've definitely come to the right place. If you're looking for something deep and meaningful I suggest you ... Nov 8, 2018
Watching FLCL Progressive is like going to see a band you loved in high school on their reunion tour. They play some of the hits you remember, but a lot of the concert is new songs from their comeback album, and yeah, the songs definitely sound like they’re by the same band, but they’re missing that magic from back in the day. At its worst the new stuff sounds like the band was on autopilot, like music created for the sole purpose of having something to sell on tour.
The singer, bald now, struggling to fit into those tight leather pants from his youth, can’t ... Jul 23, 2018
This is not the original FLCL. That seems like an obvious statement, does it not? Yet it would seem that many viewers were expecting a complete imitation of FLCL in FLCL: Progressive. So the fact that Progressive is tonally distinct from the original FLCL has been viewed as a failure to imitate the original. What this viewpoint fails to realize is that Progressive is a vastly different show than FLCL for a reason. Why bother merely imitating one of the best OVAs in anime history when you can work with the established world to create a new kind of show?
Story: 6 That said, the story is ... Mar 28, 2020
Like many other fans of the cult classic OVA, I was very worried when I first heard there would be a direct sequel to FLCL, so much so that I put off watching it for a while. Well, I am happy to report that I enjoyed FLCL Progressive! To make a Star Wars comparison, I'd say Progressive is "the Force Awakens of FLCL projects," because it is a sequel and sort of reboot that very closely imitates the story of the original almost beat for beat. So yeah it gets no points for originality (more on that in a bit) but I'd say fans of
...
Jan 5, 2019
I'll be honest, I came into this with fairly low expectations. If there is any series that basically is the definition of a one-shot, it's FLCL. The combination of talent, circumstance, writing, acting, all of it, were so perfect and really only could have come about at that one time. So when I heard there was going to be a sequel series, I was highly dubious. Honestly, I was somewhat disinterested. Sure, there were plenty of unresolved threads, like who really is Atomsk, what's the real deal with Haruko and what about Medical Mechanica? But like many great works
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Sep 16, 2018
There's plain stupidly clueless, and there is FLCL clueless, those two very different sides of the same coin called cluelessness become very distinguishable when one first experiences FLCL and gets to enjoy it, but not necessarily fully understand the meaning behind it. That was probably the biggest aspect that made the original FLCL the loved piece of work that we've come to know. Although called a sequel, “FLCL Progressive” is a yet blunt and abstract on the surface piece of art made by kindergarten children that you'd expect from the hipsters of the era who have no sense of fashion (ironic) to call a revolutionary
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