Fate/kaleid liner Prisma☆Illya 2wei Herz!

I can't believe this show is my favourite anime of the past few years, this season of the anime is my favourite. If you haven't saw the earlier seasons then why are you reading this review? Anyway this anime is an adaptation of the second half of the 2wei manga.


Story 8/10

This season is pretty much the slice of life season, the first half made up of episodes such as trips to the beach, festivals and amusement parks. Each character has their own comedic 'role' to play, whether it's Miyu's deadpan humour, Illya's WTF reactions, or even Tatsuko's hyper-energy style of living. There's plenty ... of different personalities, mostly relevant to otaku cliches, with an extra special surprise building on one of the side-characters 'confusion' outlined in earlier series (which I found particularly crazy).

All of these different styles of character add up, and allow for a diverse range of awkward, almost shamelessly otaku-pandering style of humour to sate any thirsts you may have for this kind of comedy. I really can appreciate the ridiculousness of it, and it's nice that they bring side-characters such as Bazett into a more 'normal' manner, away from the chaos of fighting. It's more similar to the ova extras (without as much of an yuri vibe, which while it can get comedic I'm glad they don't push it since its a bit cringey, which in itself is kind of funny).

The plot of Herz! only actually picks up towards the end of the season, with a few references made in what little build up there is. But, if you could call the 2wei anime the 'Kuro' arc, then this one surely should be the 'Miyu' arc as it builds on her backstory and character development more than any other (this continues into the next season too), while making good preparations for the next season. I can appreciate the serious stuff, but they don't overdo it and the theme of friendship still rules supreme.

Art 9

I suppose I really like the art too, they get the expressions pretty great on reaction, and it's definitely fitting for the anime. It's not overbearing like some other shows can be.

Sound 9

I'm just rating this for Prisma Illya overall, but since I regularly listen to the ost of all the Fate series, and I like the magical girl adventure vibe of this sound track (and Unlimited Blade Works themes) I believe it gets a 9.

Character 9

I basically already covered this in the story paragraphs, but for the slice-of-life episodes, the rest of the 'normal schoolgirl' cast act less as background characters, and are focused on way more, making them somewhere above the typical side character but obviously not quite as prominent as the main cast. I really enjoyed the focus on their interactions together, and even interactions with even less prominent side characters such as Issei, Shirou and Suzuka's sister add a lot to this season. The more normalised aspect of the characters is a welcome change.

Enjoyment/Overall 8

While my review might seem overwhelmingly positive for me to only give it an 8 overall, unfortunately I tend to not be deeply absorbed into anime, tv and whatever else in my current state of life. This is why the show was a HUGE surprise to me, and one genre I definitely would have avoided if it wasn't tied into Fate. That said, I've not actually tried any similar shows, excluding the more serious (which for someone who struggles to become engaged in a story gets boring) magical girl shows like Madoka, which I kinda found boring.

I think season two onwards of Prisma Iilya really ups the quality dramatically compared to season 1 (which on its own was an average-okay series). I've not really felt anything has been worthy of an 8 for years in terms of enjoyment, for me, the dumb, simple humour built on character progression rather than gags somehow done the trick. As if to cement my failure as an adult male, it's a real guilty pleasure* I never expected to enjoy so much.

*I feel the somewhat unnecessary yuri (not prominent in this season) adds to the awkwardness and humour, but it also causes the show to become stereotyped so I'm thankful they've seemed to have toned it down a bit. I'm not sure if I really got the point across, but if you enjoy awkward humour, based sometimes on deadpan, misunderstanding and obsession, then maybe you should watch the series. I hope they have another slice of life arc one day.

Reviewer's note: This is my 8th entry into the Fate/Kaled spin-off works (Ilya>Specials>Sekka no Chikai>Undoukai de Dance!>2wei>Specials>Mahou Shoujo in Onsen Ryokou).


✪ Genre: action (swordplay), contemporary fantasy, comedy (facial distortion, funny expressions), magic (circles, spellcasting, magic weapons), mahou shoujo, school life, seinen, superpower (emotions awaken superpowers) with some loli, yuri, and harem elements


✔Positive Aspects✔

◧ Animation: adequately distinct characters, based on colors of moderate to low saturation/medium to high lumination, with the urban environment and the urban landscapes being a little more muted in comparison. The fact that the studio is improving its animation quality is evident from its crisper action scenes (see below).

◧ Comedic sequences: following ... the 1st and the 2nd seasons, this is the most enjoyable of this series. This time, they consistently revolve around a broader cast of characters that includes the protagonists, their families, and the group of their closest classmates. Also, they are taking place on even more physical locations, ranging from each other's homes to the beach, to theme parks, and to festivals.

◧ Fan service: from the Illya special episodes (1st season) and onwards, the studio has been making a consistently solid effort to provide quality fan service, usually containing a lot of loli yuri and ecchi-based interactions (e.g. lingerie, sexually suggestive clothing, skirt flipping, pantsu, breast fondling).

✘Negative Aspects✘

◧ Action scenes: from the Sekka no Chikai movie onwards, Silver Link has been consistently putting out more polished and stylish action sequences, clearly chasing after Ufotable's remarkable work in UBW & F/Z. Specifically, it does a good job using various camera perspectives (first-person, second-person, third-person) coupled with different camera 'heights' and quick zoom-ins/outs. Unfortunately, even though the end result is visually similar, it nevertheless gives off a sloppy, shounen-ish vibe. Also, they are strikingly few in number - 2 major fights spread out over 3,5 episodes.

◧ Plot: this season suffers from the exact same issue that previous season does, that there's not much of a plot to speak of. Particularly, there are only hints throughout the first 5 episodes, with the 6th episode functioning as an "informational filler". The narrative unfolds during the last 4 episodes, virtually in the midst of consecutive fighting. Absolutely terrible decision.

◧ Soundtrack: from silly-sounding tracks to electronic music during the comedic sequences, new age piano/new age orchestral tracks during the more dramatic scenes, and, mostly, electronic music during the action scenes. Nothing really popped, most felt very generic and low-key for my taste.


Overall: Even though the series consistently provides hilarious comedic sequences and generous fan service, it has a tremendously hard time combining the dramatic, comedic, and action elements into a balanced whole.


P.S. For further reviews of the Fate franchise, please take a look at my profile.

(This review has been adapted from my blog/reddit thread. Spoilers ahead!)

My favorite card game is called “Texas Hold ‘Em.” In this gambling game, the dealer deals two cards to every player. Then the flop (three community cards), the turn (one community card), and the river (one final community card) are dealt by the dealer. Betting occurs in-between each of these rounds.

The objective of the game is to make the best set of cards possible – three-of-a-kind, a straight, and so on – with the two cards you own and the community cards. The catch is that each player can only see their own cards. What ... this means is that the winning hand is not always the winner; a player can and often does bluff their way to victory. And so the saying goes: “you gotta’ know when to hold ‘em and know when to fold ‘em.”

I am talking about cards because I am talking about Fate/kaleid liner Prisma☆Illya 2wei Herz!, which is somehow even more ridiculous of a title than Fate/kaleid liner Prisma☆Illya 2wei!. Herz (as it will be called from here on out for sanity purposes) is about finding a final card that Illya and the gang need to acquire. Alongside the secrecy of the plot, the show sort of (read: barely) becomes a game of Texas Hold ‘Em, but this show’s poker face is easily seen through.

STORY

On a narrative level, Herz takes a different direction compared to its previous two seasons. Rather than intertwining the slice-of-life and action halves – like it has always done – the anime almost completely separates the two.

The first half (technically the first three-fifths) is all slice-of-life. Illya, Miyu, and Kuro live the lives of everyday girls: a trip to the beach, going on all the rides in an amusement park, and visiting a nighttime festival are just some of the ways that the girls have fun together. There are scenes that allude to the more dramatic content, but these are very small and irrelevant until later in the anime. In fact, the show focuses so much on the slice-of-life aspect that the series more or less deviates from its magical-girl-parody roots; very rarely, the anime uses its magical-girl motif. This is not a negative so much as it is a clear indication that Herz was looking to take the series in a new direction.

Their close friends from school – Tatsuko, Nanaki, and so on – also come with them on these various outings. This gives them a lot more presence than they have had in the past. In fact, an entire episode is dedicated to Mimi, one of these side characters, where she enters the world of “boy’s love” material. By focusing on their friends more so than usual, Herz once again puts emphasis on the slice-of-life portions of the show.

Whether or not this new direction worked, however, is another matter entirely. On the one hand, framing the narrative as solely slice-of-life followed by solely action puts Miyu’s plight into perspective. Watching her interact with her friends and having the time of her life before everything starts to fall apart is meant to make it clear that where she belongs is not within a place of despair but right next to Illya and the others who hold her dear. On the other hand, doing nothing but slice-of-life for so long makes the transition from cutesy fun to brutal reality a bit too jarring. The previous seasons did not have this problem because the two halves were mixed.

Separating the slice-of-life and the action so much does incur a penalty. Putting everything at the front that is not the main conflict has the inherent problem of lacking direction, intentional or not. The previous season already made it apparent that there was another problem to solve – finding an eighth card – so when the anime essentially brushes off the problem for so long, the problem does not feel as dire, the problem does not feel as important. Again, Herz does reference the main conflict occasionally, such as at the beach with the giant drill and at the amusement park with the presence of their school’s “nurse.” But since these small asides are not at the forefront, the conflict is also not at the forefront, thus causing a loss of importance.

If nothing else, the second half has the issue of being unclear. Like the second season, the show has a hard time fully explaining why the events are proceeding as they are. Parallel dimensions and unknown summoning rituals are presumably the cause for the drama, but these explanations are cloaked behind information dumping and assumptions. The massive amount of slice-of-life segments further makes the second half unclear. Spending time on Illya and her family inside a much-too-small swimming pool provides less time for the anime to explain what is actually happening.

While the narrative itself might be unclear, it is very clear that the narrative is the weakest part of the show.

ANIMATION

For a spin-off series, Herz has some surprisingly strong art and animation.

While the background art and location details are nothing impressive – Illya’s home is a common location, and the battles take place in open, plain environments – it is the other artistic choices that are. The positioning of the camera. The choreography of the fight scenes. The lighting and the shadow details. A lot goes into making the scenes as spruced up as possible, more so than an anime of this caliber normally gets.

Herz also loves its reaction faces that add to the comedy of the show. Mimi flabbergasted at what Shirou and Illya are about to do or Illya getting a giant head with a dumbfounded expression are exaggerations that compound the hilarity of the scenes.

The actual animation is likewise high in execution. Characters regularly see hair and body movements that add realism to the scenes. Other effects, like glowing trails, sparkling eyes, and the motion of roller coasters further make the anime as dynamic as it is. And the fight scenes are just as noteworthy. Lots of jumping, flying, and gem-throwing, as well as slow-motion segments and fist-fighting. While there is not as much battling in this season as there were in previous seasons, the battles are as visually impressive as they always have been.

Herz also uses CG, usually for the more intense sequences. Episode seven has a lot of examples, like the swirling black clouds of the enemy or Rin’s “Thor’s Hammer” battery ability. For these extra, special effects, the CG is not off-putting, but it is off-putting for the antagonists. Both the eighth card villain and the final, giant demon are CG, which makes some of their movements a bit too rigid and therefore out-of-place among the rest of the normally animated sequences.

Lastly, the character designs are well-done. The eyes of the characters, especially Illya, Miyu, and Kuro, are glistening fonts of color. Their hair, too, is stylized without feeling overbearing. And they also constantly change their appearances, from casual clothes to yukatas to their magical girl outfits. Even the rest of the cast see the same attention to detail in their designs and attire, as well as having quirks of their own.

CHARACTERS

Herz makes a lot of odd choices with its characters this time around. Choices that ultimately reduce the execution of the show significantly.

Bazett, the “Berserker woman,” is one of the more obvious. Before, Bazett was nothing short of a villain. She was the adversary to Illya and Miyu, going so far as to thwart their plans and steal their cards for herself and her own organization. In this season, however, she is no longer the antagonist but instead a comedic tool. Her previous escapades have put her in massive debt, so she is constantly forced into situations to make money: selling popsicles, working as a mascot, and running a game stall. To be fair, the contrast of seeing this juggernaut fighter in such pitiable roles is funny. The expense (pun intended) is that she loses the qualities she already had since she goes from an evil brawler to a debt-ridden woman. So it not so much that she changed her character, it is that she became somebody completely different.

Tatsuko does not have her character change but she does get time in the limelight. So much time, in fact, that she steals it from many of the other characters. For whatever reason, this season puts a lot of emphasis on the rambunctious kid. Her interactions with the rest of the cast, her crazy behavior, and even the rest of her family are shown. All of these details are done as jokes. For example, when her family is introduced, the characters note how Tatsuko has become the “main character,” to which Tatsuko responds with a philosophical statement that is unlike her. Again, like Bazett, using Tatsuko for comedy is fine, and giving so much on-screen time to Tasuko makes her more of a character than just a hyper little girl. But so much focus on her (and other side characters like Mimi) takes away from the ones who need it most, namely Kuro, Miyu, and Illya

Kuro especially has little presence within the season. Outside of her kissing scenes and her teasing of Shirou, she more or less sits on the sidelines. The biggest example is the conflict between Illya and Miyu. Rather than trying to mediate the two when she is aware of the disconnect, she just lets them figure it out on their own. It is not until the final fight that Kuro is motivated enough to take action, action she takes because Illya had finally decided to be the friend to Miyu she should have been all along. Kuro’s refusal to help until Illya decided to makes sense, but Kuro’s character is still a bit contradictory: she is being a good friend by not being a good friend. This is weird because not being a good friend is the main conflict between the characters. So in a way Kuro’s contradiction contradicts the anime’s theme on friendship.

The entire first half centralized this theme: the anime, with its slice-of-life events, highlighted the fun times and relationships the friends had together. Yet all of these happy times were avoiding the problem in a similar fashion to Kuro’s own active avoidance. The result is that Illya and Miyu avoided the problem as well. Illya did not pry into Miyu’s life since Miyu was unwilling to share more about herself, and Miyu did not divulge her past since that would have meant hurting the relationship she already had with Illya. In short, Illya and Miyu distract themselves to prevent confronting each other.

A lot of the trepidation is caused by Miyu’s social ineptitude. As the first half of the season shows, she does not have a firm grasp (still) on common activities such as hitting a beach ball in the ocean or how festival stalls are more about the fun than they are about the money. As such, she not only has difficulty expressing herself but she also has difficulty understanding Illya’s feelings. So when Miyu accepts her “destiny,” she does not do so to hurt Illya, she does so because she does not want to hurt her best friend anymore. The revelation of her origins is presented awkwardly as more information dumping, but in the end, Miyu learns that she is, as Illya puts it, “not alone.” She learns that friends are meant to be there for one another. She learns that friends are people to turn to when the going gets tough. And considering the magical girl motif, friendship saving the day is as fitting as can be.

After Kuro and Miyu comes llya, who is a lackluster protagonist if only because she, like Kuro, does not say or do too much. She is kind and plays the straight man for nearly every joke, so for the slice-of-life segments it works out fine. But her narrow range as a character does not transition well into the dramatic segments. It is not until the very end of the season – where she goes to extreme lengths to save Miyu – that she is finally tested and pushed out of her comfort zone. Yet even this ordeal does not amount to anything. Despite the characters clearly warning Illya of the danger she was putting herself in, she comes out of the situation unscathed. So while Illya is a competent character for the comedic segments, she is a failed character for the dramatic ones.

Collectively, the characters are a lot less than ideal, even given that the theme on friendship is fitting for the show.

SOUND

The opening theme for Herz is quite strange. It combines mellowness and adrenaline into one piece, matching the show’s own split story. The various instruments and hopeful feel of the track are nice, but it is the wonderful vocalist that steals the spotlight entirely. Despite this, the track is not that catchy, making it not worth listening to outside of the show itself.

The second ending theme chooses the feeling of the story’s second half, creating a track with a lot of emotion and heaviness. And once again, the vocalist does an impressive job of conveying these same feelings. Coincidentally, the second half of the track is incredibly powerful, but the first half is only marginally so, which is enough to make the track one that is only played while watching the anime.

The first ED, for balance purposes, chooses the feeling of the story’s first half. It is a ton of fun, with silly sound-effects and instruments, as well as a fast beat that befits the quick-natured pace of the comedy. This track matches the slice-of-life-ness of Herz extremely well, making it arguably the best part of the anime after its art and its animation.

The rest of the soundtrack follows the same theme as the story and the EDs: one half slice-of-life and one half drama. The lighter tracks include tropical tunes, fast country pieces, and guitar-heavy compositions. The heavier tracks include ominous tunes, depressing pieces, and violin-heavy compositions. The OST is nothing special, but it does, at the very least, fit the tones of the anime throughout the season.

Finally, voice acting performances are generally above average. Mai Kadowaki as Illya gives the young girl a unique-sounding voice. Kaori Nazuka as Miyu gives the “Holy Grail” girl as emotionless of a voice as possible. And Chiwa Saito as Kuro uses a childish, teasing voice that fits the carefree semi-twin nicely.

ENJOYMENT

My favorite characters in this series are Liz and Bazett. I like Liz because she is attractive and I like Bazett because seeing her running around and kicking major butt with just her fists and her feet is awesome to behold. Unfortunately for me, I did not get a lot of both. I did get to see Liz in a bathing suit (which was nice) and I did get to see Bazett throw a few punches (which was cool). Yet that was the extent to which I got to see my favorite characters.

Now, this is not to say that the anime was boring for me to watch when they were not around, which is hardly the case. As a comedy, the show is pretty solid. Illya’s reactions were funny, especially when Kuro teased her when Shirou was around. The other characters’ shenanigans were funny, too, like when Mimi’s ear was flapping while she was eavesdropping on Illya and Kuro “transferring mana.” The jokes could also be witty: Shirou commenting on why Rin dresses the way she does after being injected with truth serum is a meta joke on Rin’s way-too-short skirt. I just wish there was more of Liz and Bazett since I prefer them over the other characters.

The fewer amount of battles this time around was also disappointing, as were the antagonists. The group squaring off against a dark blob and a giant just did not have that same sense of evil, that same sense of urgency. Or this might just be me still perturbed that Bazett was not the villain this time around. Furthermore, I cannot say that I like Miyu a whole lot, meaning her plight did not emotionally move me. The result is that the second half, with its lame fights and its boring drama, is definitely not as fun or as entertaining as the first half.

Fate/kaleid liner Prisma☆Illya 2wei Herz! is more of the same but not quite so. The new direction of the narrative does not work, the characters are poorly handled, and the latter half of the show is not as powerful as it could have been. The art and parts of the music are well-executed, and the comedy of the first half works well-enough, so the anime is not a total wash. Even so, if the hand I was dealt in Texas Hold ‘Em was as weak as this show is, I would follow the mantra and fold immediately.

SUMMARY

Story: Bad, separating the slice-of-life and dramatic halves has purpose, but the jarring switch, the loss of conflict, and the unclear events hurt the narrative

Animation: Good, cool artistic direction, above average actual animation, nice character designs, shoddy CG

Characters: Bad, Miyu is okay at best, and the theme on friendship has merit, but the downgrade to Bazett, the over-focus on the side characters, Kuro’s contradictory characterization, and Illya being a poor main protagonist are too much to overlook

Sound: Fine, okay OP, good first ED, okay second ED, okay OST, above average VA performances

Enjoyment: Fine, the comedy was funny, but the latter half is boring, and there needed to be more Liz and Bazett

Final Score: 4/10