Shounen Kenya

Shounen Kenya, or "Kenya Boy", is certainly different when placed alongside other things anime. However, one thing should be made clear before going in to view this. Kenya Boy is not a culturally-accurate representation of the country Kenya, and the story doesn't really revolve around surviving in the country. What the story really is, is actually a bit similar to anime with a unique coat of paint. It's a fantasy, action adventure while also not only a shounen by its title, but also by the story. It was a bit of a shame that the story elements made the experience feel less genuine and more ... like a mess, but the experience Kenya Boy gave was still interesting and worth the watch.

When it starts, Kenya Boy seems like it's a movie that would've been more effective if it was live-action. However, the art is what's getting Kenya Boy attention for a reason. The art direction is quite impressive in that it will take on unpredictable styles at will. One thing it will commonly do is merge colored animation into line-art sketch-work. It would also, at times, build up scenery or randomly play around with the scenery. This kind of creativity makes the fact Kenya Boy is an anime, at the start, feel more justified. The design-work is also fairly good in making the elements that could potentially be in Kenya a bit believable. The art isn't perfect though. As it starts with this sensation that the scenery could fluctuate at any time, there are some instances that feel a bit unjustified in the lacking details present and more that they're in place to save on the budget. There is also a good deal of animation present here, but a good deal of it feels a bit unstable, and there is also a fair amount of reused frames. The art style will also likely be loved and hated by many. I found the art style for the characters to be alright, but there were many times where the movement or stances they made felt robotic or a tad lifeless. This does seem to be a televised movie, however, from the random gaps that exist throughout. There's some pretty good animation in here, but the majority is moderately less than those smaller parts.

The sound has some orchestrations that do a fair job and sound like something one might hear in a family, adventure film from older Hollywood. As the movie is two hours long, however, repetition deters the soundtracks charm, and makes it not too enjoyable when mixed with the lacking audio quality. The voices are fine, and this would be the first Japanese dub I've listened to that had some British (sounding at least) voice-actors that spoke english. The sound design isn't too impressive as it treats the movie too much like a typical anime at the time with somewhat generic sound-effects. The atmosphere never really felt properly treated, but the sound worked good enough with the music to not bother me too much.

The story is the disappointing part as it could've been something far more impressive than it is. The movie starts in a relatively similar way that live-action, family, adventure movies would start, and the characters feel as though they have some potential to have good interaction later on. After going to Kenya, survival comes into play after a while. The creative visuals in this part work greatly to make the landscape feel deadly and other-worldly. However, soon after the tone spins around rapidly, and it becomes a light-comedic shounen. There isn't really any comedy and I never laughed, but sometimes characters would act a bit too cartooney for the setting. That isn't too much of an issue though, in this case, as the setting is demolished by the first third's completion. This isn't about culture, understanding, or survival, but action and adventure with a manly child leading the way. There is also some interesting treatment to the Japanese in this vision of Kenya that acts as if all of Kenya treats their race with the highest respect. It didn't bother me, but I found that interesting considering how unlikely it would be for that to ever occur. That was another issue I had for a while in that there was so many unrealistic situations and ways in which the characters would get through them. That became less of an issue when it became clear what direction this film wished to go in though.

It was hard to enjoy the generic twist this movie decided to take, and the characters also became less interesting in the process. The characters all had virtually no personality, their actions being driven by not wanting to be alone or by what's required to reach their goal. The dialogue wasn't particularly interesting, and much of the side characters were either clones in a mob or generic and childish villains. Things improved at the last fifth of the movie, however, as more mature characters came to light with villains that felt more justified and reasonable. It still wasn't too enthralling of a story, but it was a relief to have something sensible for a short while.

Kenya Boy is a bit of a mess when considering all of it's elements. It's art direction had potential and works very well at the start, but it becomes less relevant shortly after when the setting and story loses all forms of consistency and rationality. In a way, Kenya Boy reminded me of those old, green-screen, television series. Everything about Kenya Boy felt like an extended version of those types of live-action programs. Kenya Boy isn't smart, and it isn't too creative or original beyond its setting, but there is some worth in its art direction. The ending really knocked things around and it even reminded me of "2001: A Space Odyssey" in one scene. Overall, though, Kenya Boy is lost potential, but serves as a nice peculiar experience that's siting in wait for anyone with a bit of tolerance for what's to come. I should also mention that the Bluefixer subs for this are spectacular in replicating the Japanese font hard-coded in the video. The best subbing job I've seen visually in terms of honoring the source material.

There's this concept of a show that is "So Bad It's Good" - as in, it is recognized to be a terrible movie/show, but its terrible-ness is so over the top that it is actually entertaining to watch. In fact, MST3K was founded on this principle.

Kenya Boy is definitely one of those "So Bad It's Good" movies.

As it started, I thought I was in for a standard Coming Of Age story, as a young boy is separated from his father in the heart of Africa at the start of war, and has to fend ... for himself. Well, okay, I can go along with that.

And then, it starts to go off the rails. Just a little bit at first, with things like giant animals and such. But then it just goes absolutely nuts.

I won't go into all details because spoilers, but soon he (along with his father-mentor-figure) are fighting off literally hundreds of swarming tribesmen with nothing but a single spear. Giant frog! Giant snake! Which they ride! Giant lizard! The Lizard King! Blond jungle woman!

By the end of the movie it gets so crazy they add in actual Nazis,fighting dinosaurs and an atomic explosion.

Don't you dare go into this, expecting to take any of this seriously. It's a bad movie, sure, but it is damn entertaining. Especially if you want to watch it with a bunch of friends that like to one-up each other with snarky comments.

An odd film based on a manga by Yamakawa Souji, Shonen Kenya (or, "Kenya Boy"), tells the story of 11-year old Wataru Murakami, who gets separated from his father as they are travelling through Kenya. He must then survive the perils that he encounters, with the help of a few allies he meets along the way.

The story is pretty standard when it comes to adventure films, and it seems to have taken much inspiration from classic black & white jungle adventure films of the 30s and 40s such as King Kong, Gunga Din, or the many others that were released during that era. However, the ... plot here doesn't have much of a structure to it, jumping from one scene to the next without much of any reason or purpose other than to showcase some action or animation. Much of the middle of the film is spent in action scenes that exist for little to no reason, where many of the characters' goals and motivations aren't resolved or moved forward in any way. This tends to make things drag quite a bit. There's also a plothole here and there that will introduce questions that never get resolved, and were seemingly overlooked by the directors. I will say, however, that that main story at both the beginning and the end of the film are well executed, but still aren't anything other than average in terms of content.

The characters tend to be somewhat enjoyable, but also aren't anything special, and the biggest problem I have is with the lead character, Wataru, who tends to change his tone and behavior from scene to scene. In the beginning he starts off as timid and shy, then once he's separated from his father he runs for his life. After a day or two has passed, he suddenly becomes able to do acrobatics and fight off animals as though he's lived in the wilderness all his life. He also occasionally has outbursts of cockiness that seem entirely out of character for him, then he goes back to being kind-hearted. It seems like the writers just didn't really know what to do with him and so they just wrote his character as what it needed to be for the scene without giving things much thought. The odd part is that many of the supporting cast don't suffer from this kind of multiple-personality writing, only the lead.

The animation is a mixed bag. The film opens with some experimental animation using flat colors without any lines, and then switches to a two-tone black & white animation style for the opening credits. After the credits are over, we then switch to the main look of the film, which is fairly standard looking 1980s CEL animation that tends to look only marginally better than TV animation of the era, not being able to stand up to other animated films from that time period in terms of quality.
However, the experimental animation doesn't take a backseat for long, and aside from the other two styles I mentioned, we get a bunch more. For instance, there was a scene where the animation consisted entirely of blue linework on a black background, and you could see the film reel around the edges of the screen. There was another scene where one native tribesman was completely uncolored so you could see the background through him. You might assume this was simply in error, but all of the other tribesmen around him were colored in, and he was uncolored for TWO consecutive shots, which made it seem bizarrely intentional. These different animation styles tend to range from "unique" and "interesting" to "baffling" and "bizarre", but no matter how they come across they really don't tend to add much of anything to the film's overall style, leaving it feeling like the art director just slapped these elements together for no reason at all.

The soundtrack is executed well enough, and sets the tone well. The main theme also sets a nice tone, and was pretty catchy, but nothing that's going to get stuck in my head for hours. The voice actors all played their roles well, and had good delivery on their lines, but there wasn't any breakout performances that would be super memorable. Overall, the audio side of things is well executed, above average, but nothing remarkable.

Overall, Shonen Kenya is an odd film, which seems to try to do too much and, as a result, this ends up being it's downside. There's a decent story buried in here, but all of the stuff around it feels like it was just jumbled together without much thought or care going into any of it, leaving us with a slapdash film that feels bizarre in it's execution and confusing in it's presentation. The main story isn't interesting enough on it's own to warrant such a complicated production, and these bizarre elements only bring it down further and make the bland story more difficult to enjoy... so I'd really only recommend it to people who are simply curious about seeing the bizarre side of the film, anybody else could easily just skip this one.