Jun 22, 2008
While I enjoyed watching “Sisters Of Wellber” I can not label it as good since it has some flaws that can come over as quite disappointing to the viewer.
“Sisters Of Wellber” starts off with an epic instrumental opening track that gives the impression of a adventure game's opening melody where you expect an epic tale of grand proportions in a medieval fantasy setting with suspense, action and drama will unfold before you.
The basic plot of “Sisters Of Wellber” is standard fare but has proved its worth in different incarnations in many series and movies before. Rita Sior, the princess of the kingdom of Wellber,
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is forcefully betrothed to Gernia, the prince of Sangatras in a marital alliance designed to prevent war between both countries. Tina, a female burglar that broke into the royal palace that same day blunders into Rita's bedroom only to discover that princess Rita has stabbed prince Gernia. As the guards of both parties arrive on scene, Rita is forced to flee with Tina.
The kingdom of Sangatras declares that if princess Rita is not captured and executed within two weeks, they will declare war and invade Wellber. Not willing to sacrifice his daughter, the king of Wellber sends Rita a message to travel to Greedom, where she can seek an alliance to stop the war between Wellber and Sangatras.
As Tina's motive for robbery was gathering funds to travel to Greedom, where she intends to find a man with a wasp tattoo she claims to be responsible for murdering her family, she willingly accepts an offer to escort Rita.
So far so good, a plot that could lead to an excellent tale and with potential good character bond between Rita, the inexperienced but idealistic princess, and Tina, the savvy but less moral cat burglar.
It is in fact Rita and Tina's character interaction and development that makes watching the series enjoyable, surely their chemistry is not of stellar proportions but it works well.
“Sisters Of Wellber” does go out of its way to emphasize the dramatic and grand implications of its story, by constantly reminding the viewer that if Rita and Tina's mission fails, many lives will be lost in the ensuing war. To add suspense and a feeling of urgency to their quest, every episode closes off with a counter of how many days are left for the girls to stop the outbreak of the war.
But this attempt fails as it stands opposite to the episodic adventures the girls encounter and how they are often sidetracked from their main journey. Also, at first the audience is told that Rita and Tina must travel by land circumventing the quick sea route to Greedom, as it is Sangatras that controls the seas. However, at the end they do take a ship to Greedom and it even lays anchor in Sangatras.
Surely many anime series encounter poorly constructed plots with unbelievable evolutions, but on such a short episode run, this really sticks out as a sore eye.
Another related problem is quite appalling chronological integrity. On two occasions Tina is injured, once in the arm and once in the leg, both wounds are shown as severe but the next episode they seem to be miraculously healed. While for the arm wound she does receive treatment, her leg wound which is a deep gash above the knee making her limp, is completely gone the next episode which chronologically takes place but a few hours later.
The same is true for events surrounding Galahad and Jamille. One moment Galahad is seen pursuing Rita and Tina, and by the next episode he' sin an entirely different country and setting. Worse, in that same episode Jamille is shown in Sangatras, and but a few scenes later on the very same day she appears in another rcountry, having even crossed the sea.
This first season alas only wraps up one of the plots and Tina's search for the man with the wasp tattoo has not been elaborated on in any way, for that one has to watch the second season.
The series was animated by Trans Arts and produced by Production IG, perhaps due to production IG's involvement, animation quality is quite good. Especially character art is outstanding, background paintings and scenery are very atmospheric and succeed in pulling you in medieval fantasy environment. There are a few 3D animations mixed in between the regular 2D animation and while they are recognizable as 3D insertions, they are nonetheless blended in sufficiently well to not stand out too much.
The soundtrack is good, it fits a fantasy adventure series perfectly, and the opening theme certainly creates that very atmosphere.
The lesser elements I mentioned above did leave a me a bit disappointed, luckily I still was able to enjoy the series as a whole. So if you are able to look past or forgive those inconsistencies, then you too might enjoy “Sisters Of Wellber”.
Reviewer’s Rating: 6
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