Glass no Kamen (2005) (Glass Mask)

Two Girls. One Dream. And the entire world for a stage.

At 13 years old, Maya Kitajima seems destined to spend the rest of her life toiling in a crowded restaurant alongside her bitter and unstable mother. But when her incredible acting talent is discovered by the legendary diva Chigusa Tsukikage, Maya finds a new future filled with both golden opportunities and terrifying risks.

For Ayumi Himekawa, success has always been assured, yet she longs to be recognized for her own talents and skills, not her famous parents' connections.

For both, the ultimate prize is the role of The Crimson Goddess in the play of the same name, a part created by Chigusa. To achieve this goal, both Maya and Ayumi must seek out and conquer every acting challenge, pushing the limits of their talent and endurance to the utmost, until they are worthy of the part…

But for one to win, the other must fail!

(Source: Sentai Filmworks)

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Adaptation:	Glass no Kamen
Alternative version:	Glass no Kamen, Glass no Kamen: Sen no Kamen wo Motsu Shoujo
Other:	Glass no Kamen desu ga, 3-Nen D-Gumi Glass no Kamen, 3-nen D-gumi Glass no Kamen: Tobidase! Watashitachi no Victory Road

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Characters & Voice Actors

Kitajima, Maya

Main

Kobayashi, Sanae
Japanese

Hayami, Masumi

Main

Morikawa, Toshiyuki
Japanese

Himekawa, Ayumi

Main

Yajima, Akiko
Japanese

Tsukikage, Chigusa

Supporting

Fujita, Toshiko
Japanese

Sakurakouji, Yuu

Supporting

Fukuyama, Jun
Japanese

Mizuki, Saeko

Supporting

Sakuma, Rei
Japanese

Onodera, Hajime

Supporting

Himekawa, Utako

Supporting

Katsuki, Masako
Japanese

Hijiri, Karato

Supporting

Sasaki, Nozomu
Japanese

Minomiya, Keiko

Supporting

Tsunematsu, Ayumi
Japanese

More staff

Staff

Hamatsu, Mamoru

Director

Nogami, Kazuo

Episode Director

Mihara, Takenori

Episode Director, Storyboard

Miuchi, Suzue

Original Creator

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Opening Theme

	1: "Promise" by Candy (eps 1-26)
	2: "zero" by Ikuta Aiko (eps 27-51)

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Ending Theme

	1: "Yasashii Sayonara" by Aina (eps 1-13)
	2: "Step One" by Sister Q (eps 14-26)
	3: "Sunao ni Narenakute (I Couldn't Become True)" by Splash Candy (eps 17-39)
	4: "Hello Hello ～another star～" by CORE OF SOUL (eps 40-51)

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Reviews

Apr 18, 2008

nosfertauman

Recommended

I know this is grave digging, but After having discovered the Glass Mask manga, and then this anime, I was suprised how superb they were. The newest version updates the style of the characters, but it still follows the manga fairley closely.

THIS is the kind of shoujo I want to watch, much, much better than the typical shoujo we get these days. The characters are all engrossing and interesting, even all the supporting characters are well fleshed out and with an interesting and realistic story. If anyone hasn't seen this I strongly reccomend watching the manga, and then watching the anime.

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Jun 24, 2015

ktulu007

Recommended

Glass no Kamen is a shoujo manga written by Miuchi Suzue starting in the mid 70s and still going. The series has had two anime adaptations. The first was done by Eiken in 1984 the second was done by TMS Entertainment and ran from April of 2005 to March of 2006. We're going to be looking at the TMS Entertainment version because I was specifically asked to look at that one. The Gent in question provided a link and everything.

Story:

Kitajima Maya has always been a normal girl. She works after school to help pay for her and her mother's room and board. She ... also happens to have a bad habit of getting distracted by dramas. While re-enacting a scene for some children she comes to the attention of Tsukikage Chigusa, a former actress who had to retire when an accident left her scarred. Tsukikage sees a vast potential for acting in Maya and becomes determined to help her develop those talents so that Maya can eventually take the coveted Crimson Goddess role. A role that hasn't been seen on stage since Tukikage's retirement. This gets the attention of Hayami Masumi, the young heir to the expansive Daito entertainment. Maya's skills also quickly draw the attention of the young genius actress, Himekawa Ayumi. A girl who desires the Crimson Goddess role.

Let's begin by looking at the negatives of the series. The biggest one is the romance. Fortunately, it's a somewhat downplayed element since the main focus is on Maya's journey to be an actress and on her rivalry with Ayumi, but it still bears talking about. Glass no Kamen has a creepy obsession with young girls getting involved with creepily older men who possess quite a bit of power over them. To the point where Miuchi would fit in with Clamp. In all fairness, Maya does get a couple of disposable love interests who are her own age and peers of hers. I'll just call them Something and Whatever. You might wonder why I'm not taking ten seconds to look up their actual names and that's because her relationships with them are dull and largely pointless. First you have Something, a young actor who appears early on and has a crush on Maya only to disappear for most of the middle and reappear at the end to take a role in a play and basically just exist. Then we have Whatever. A bloke who appears for a few episodes in the middle and go on a date with Maya before being banished from the series. The only other real issue is the ending. Again, to be fair there are some good aspects to the ending but there's also a lot of stupidity in it and the whole thing feels pretty rushed. Like they only learned it was going to be the last episode after finishing the episode before it and they scrambled like mad to try and resolve things.

Let's move to the positive aspects. Final episode aside, the pacing is really excellent. The series is really good at building up tension and giving resolutions that really work. The narrative flows really naturally and seeing Maya's ups and downs is really compelling. I also like that she experiences legitimate setbacks instead of ultimately overcoming every obstacle that comes up. It really makes the drama stronger when you aren't sure whether this is going to be a case where everything turns out all right or if it's going to be a situation that ends badly, forcing her to pick herself up.

Characters:

Most of the characters in this are well fleshed out, have realistic flaws and verisimilitude. The big differences are Something & Whatever, who both have a generic nice guy schtick and a girl who comes across as kind of cartoonishly evil in the way she tries to destroy Maya's career. I do really love the rivalry between Maya and Ayumi. It's all too common for series like this to have rival characters who are obscenely petty but Glass no Kamen plays up their mutual respect and even has Ayumi stand up for Maya, in one case in a really badass moment. It portrays their rivalry as being based more on envy than anything else but the two still manage to get along pretty well. Which isn't just refreshing, but leads to a more interesting dynamic.

Art:

The artwork is really well done. The theatrical stage designs and costumes look like the types you'd actually get in a real theatre. The whole series is really well detailed and has an authentic feel to it. The animation is always nice and fluid and gets really interesting during the scenes where they're actually putting on some kind of production.

Sound:

In terms of acting, Kobayashi Sanae and Yajima Akiko are absolutely brilliant in this. Not only do they play our main heroines, Maya and Ayumi, but they have to convincingly portray the various roles that both girls get, or convincingly fail to give a good performance in some cases. They both rise to the challenge and are just spectacular. The other various actors all do well in their roles too. Even the people voicing the weaker characters manage to give passable performances. The music is pretty good as well.

Ho-yay:

There's not much. There's a girl named Rei who attracts some fangirls but they're shown as thinking she's a guy and she doesn't get romantically involved with any of them. There are also some moments between Maya and Ayumi that give you pause to question whether they're using Greta's definition of “rival” but there aren't many. Actually, this is strangely lacking ho-yay given that it takes place in the world of theatre. Although I suppose it's just as well considering what passes for romance in the series.

Final Thoughts:

Glass no Kamen suffers a bit from the romance, the ending and from some generic characters. However, it is a really strong series overall replete with tension, drama, a lot of strong characters, excellent voice work and epic artwork. My final rating is a solid 8/10. Next week I'll look at Kigurumikku V3.

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Apr 14, 2018

Karhu

Recommended

Glass Mask is not the best anime ever, but it holds beauty and content that are some of the best ever seen in anime.

The series is a biography of a child actress. It captures the whole life of its main character from childhood to adulthood, from complete beginner to professional. The series is similar to the sports genre where stories completely and utterly rely on character development.

The series selling point is the acting itself. The training for these plays as well as the plays itself are content that is simply not available anywhere else, and they are polished beyond belief. My favorite act was ...

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Poll: Glass no Kamen (2005) Episode 50 Discussion greentutu - Jun 29, 2013	7 replies	by 2000MPHGirl »» Nov 19, 2022 8:59 PM
Poll: Glass no Kamen (2005) Episode 35 Discussion skreyola - Jun 23, 2013	6 replies	by CataOrShane »» Oct 8, 2022 5:09 AM
Poll: Glass Mask (2005) Episode 30 Discussion jacobpaige - Mar 11, 2011	5 replies	by CataOrShane »» Oct 5, 2022 10:16 AM
Poll: Glass no Kamen (2005) Episode 28 Discussion skreyola - Jun 21, 2013	7 replies	by CataOrShane »» Oct 4, 2022 8:33 AM
Poll: Glass Mask (2005) Episode 24 Discussion Ston3_FreeN7 - Jul 3, 2009	10 replies	by CataOrShane »» Sep 28, 2022 9:24 AM

Glass no Kamen (2005)

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Kitajima, Maya

Hayami, Masumi

Himekawa, Ayumi

Tsukikage, Chigusa

Sakurakouji, Yuu

Mizuki, Saeko

Onodera, Hajime

Himekawa, Utako

Hijiri, Karato

Minomiya, Keiko

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Glass no Kamen (2005)

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