Mononoke Hime (Princess Mononoke)

When an Emishi village is attacked by a fierce demon boar, the young prince Ashitaka puts his life at stake to defend his tribe. With its dying breath, the beast curses the prince's arm, granting him demonic powers while gradually siphoning his life away. Instructed by the village elders to travel westward for a cure, Ashitaka arrives at Tatara, the Iron Town, where he finds himself embroiled in a fierce conflict: Lady Eboshi of Tatara, promoting constant deforestation, stands against Princess San and the sacred spirits of the forest, who are furious at the destruction brought by the humans. As the opposing forces of nature and mankind begin to clash in a desperate struggle for survival, Ashitaka attempts to seek harmony between the two, all the while battling the latent demon inside of him. Princess Mononoke is a tale depicting the connection of technology and nature, while showing the path to harmony that could be achieved by mutual acceptance.

[Written by MAL Rewrite]

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Background

In 1997 the film won Best Japanese Movie, Best Animation and Japanese Movie Fans' Choice awards during the 52nd Mainichi Film Awards. In 1998 the film won the Best Picture award during the 21st Japan Academy Awards.

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Adaptation:

Mononoke Hime

More characters

Characters & Voice Actors

San

Main

Ishida, Yuriko
Japanese

Ashitaka

Main

Matsuda, Youji
Japanese

Gozen, Eboshi

Supporting

Tanaka, Yuko
Japanese

Kodama

Supporting

Yakul

Supporting

Moro

Supporting

Miwa, Akihiro
Japanese

The Forest Spirit

Supporting

Iinuma, Kei
Japanese

Jiko, Bou

Supporting

Kobayashi, Kaoru
Japanese

Okkoto

Supporting

Morishige, Hisaya
Japanese

Toki

Supporting

Shimamoto, Sumi
Japanese

More staff

Staff

Suzuki, Toshio

Producer

Miyazaki, Hayao

Director, Theme Song Lyrics, Screenplay, Creator

Gaiman, Neil

Script

Pannetier, Jean-Marc

Script, ADR Director

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Opening Theme

"Ashitaka Sekki (アシタカせっき; The Legend of Ashitaka)" by Joe Hisaishi

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Ending Theme

"Mononoke Hime" by Joe Hisaishi

Reviews

Mar 12, 2008

Phill-z

Recommended

Let me start by saying that I am not a Miyazaki-disciple. I do not view him as the "grandmaster of everything anime." When I say "yeah...Miyazaki is ok" I say it not out of ignorance (I've almost every one of his films) but because I personally find him to be incredibly overrated. However I find that when he has all of his stuff together, Miyazaki can destroy practically any other director out there, the man is incredibly talented, but his problem is consistency.

When I say that Princess Mononoke is his masterpiece, I mean it. It was the first film where ... he finally got everything together and made a perfect anime film. Some will say that Spirited Away is better, but Mononoke is so much more powerful than that.

Story: Miyazaki does not like civilization. He stated once that he would prefer it if we went back to living in the fields, he wants to get rid of all technology. In Mononoke we see the evils of industralization and how humans are killing the earth. Humans can coexist. But many purposefully try to make themselves better and stronger. Miyazaki does an absolutely amazing job of showing that industralization, if handled the wrong way, is an incredible evil, but that it is in the hands of humans..of real people. I didn't really care all too much for the story, but I found his use of spirits to be incredible. I wasn't a huge fan of the story itself, it was a country boy goes to the city vibe...but I was a huge fan of all the political jabbings that Miyazaki was throwing. I will admit that I didn't notice it the first time around, I was told this as I watched it the second or third time, by my friend who is a Miyazaki acolyte. The beauty of the story really comes after you watch it the second or third time, as the whole movie experience is very overwhelming.

Art: I give it a 7. I am not a fan at all of Ghibli. I absolutely cannot stand their use of recycling their characters. I hate how all the women look exactly the same, and the men have the same annoying mustaches and beard combos that obscure almost their entire face. I find it lazy and incredibly detracting. I found that Ashitaka was.....boring, his design was so lacklustre that I have now just googled him to figure out exactly what he looked like. Where the art shines in this is in the spirits (gods), the creatures, and San. The designs of those characters alone redeemed the art for me. Also worth noting that in the beginning all those "snakes" were done digitally, which was, for me, impressive.

Sound: Eh....what can I say. Miyazaki films ALWAYS have great music and soundtracks. I have never found an instance in watching any of his films where I've gone "hey, the music doesn't really feel right." The music in his films are absolutely superb.

Character: I felt that the characters weren't really people so much as symbols. I felt that Ashitaka, in a certain way, was innocence. When his arm is cursed he is given a power that he cannot wield and he struggles to find a way to cure it, to get rid of the curse that now stains his arm and will kill him. Eboshi was industralization, but she was also compassion. I felt that she was the most human of all the characters, even though many people view her as an antagonist or slap her with the label of "oh..she's the evil lady." The thing I appreciate about this film is that there are only a handful of truly bad people. Everyone else is human. San is humans living with nature, but at the same time she is a beast herself. She lives in harmony with nature and has absolutely no qualms about killing to defend her land. Every character is multifaced, however if you only view the movie once you might not see the different characteristics of each character.

Enjoyment: The perfect Miyazaki film. It is deep for people who are looking at it closely, but it is also just a fun film for people who are only looking for something fun to watch. The first time I watched this (the first Miyazaki film I'd ever seen) I wasn't impressed at all. Mind you, I was probably 10 at the time, this was the first exposure to REAL anime I'd ever had. But as I watched it again recently I realized just how great of a film it really is.

However it really is accessible. You talk to almost anyone about anime and they'll probably (99% likely) know about Princess Mononoke. I know that this turns a lot of people off. Personally when someone comes up to me and says "hey, I saw Samurai Champloo and it was great, can you recommend me anything else kind of like it?" It makes my skin crawl a little bit. However, Mononoke is a staple, and is really something that you should watch, if you haven't watched it, I would definitely put it at the top of your to-watch list.

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Mar 18, 2017

ItIsIDio

Mixed Feelings

• My grasp on why people consider Mononoke Hime great.

It is another Miyazaki masterpiece that showcases beautiful landscapes and the theme of preserving and protecting nature from of the oh so evil humanity, and how it will also pushback when it is demanded of it. It is one visually stunning tale which manages to capture visually the importance and beauty of our surroundings, as well as the ferocity and primality of nature. Striving to find the balance between us and nature is something we should seek for the benefit of every living being on the planet, so this also makes Mononoke Hime really forward thinking. ... The dedication to visual details, as well as its theme and the fact that it doesn't really pursue a moral echelon where the conflict revolves amongst the forces of good and evil, but rather on industry and nature, is what make this movie great, and worthwhile to watch.

• What I think of Mononoke Hime

Mononoke Hime made me cement in my values that I should always be skeptical of the praise something that gets critical acclaim from anyone. Not because the praise for the things it is praised for are a mute point, but because I might not hold these aspects at the same value as other people. Whenever I hear someone praising a Ghibli movie, I always hear that this made me >feel< in a certain positive way through its well directed visuals, but I usually hardly ever hear the thoughts on the story itself, the writing of the characters, general theme representation. It is usually a blend of three things, which are: how the person felt, how it will make me feel or simply how it should make me feel. The problem with how I should feel or how I will feel or how you felt, is that this is going to be my experience and I hold different values to you, as well as have my own feelings that are influenced by my own experience and thoughts. So rather I prefer to talk about what I thought, what you might think and what you might value when approaching the movie, because your experience simply won't be the same as mine, and you can reach a conclusion yourself based on the information you're given.

First of all, the reason most Ghibli movies are praised in this fashion is due to a huge merit that they completely deserve to be given. They pay a lot of attention to the details they put into the animation, to facial expressions, to realistical movements, to well executed SFX to match the visuals and so on and so forth. Due to this, Ghibli movies are undoubtfully gonna find some willing participant who is gonna love them. Because they have really well detailed visuals which will make you experience things visually no other movie will make you experience. The Ghibli studio have honed the visual department to such a huge degree, that I consider everything else past the presentation to often be really subpar or mediocre, simply because it focuses on every single visual detail it presents a little too much.

For instance, in this movie, the theme of the story is the presentation of industrialism against nature, but it starts by focusing on a character that doesn't really have any role in the story, besides being around. He doesn't really have any personal benefit from any events in the plot and he merely is an explorer, who was cursed by a boar upon the death of said boar. He then flees his village to find a cure. None of this really ties in with the goals of either faction of the movie, the animals and the industrial village. But unfortunately, he is the protagonist of this movie. I am serious when I say that this character truly did not have a purpose besides being around. He is not involved in the main conflict in a personal manner that would affect his life, or has any direct effect outside of making the outcome happen about 15 minutes faster. He doesn't really have a personality, and he is mostly presented as a stoic jesus protagonist that is capable of doing anything. The character has no flaws, no sides he is really on, and the movie isn't really truly about him. He is simply pointless, but he is dragged around everywhere, despite the fact that the movie might be simply be told better without the existence of this character, simply because the character itself doesn't really enrich the story's theme and progression in any way, and the characters would be the exact same way despite his interactions with them. He truly has no role or influence over anything. A good chunk of the start focuses on him getting the curse and him going on the journey, before introducing the actual elements that will actually matter.

But how did I find the theme executed outside of this character? Somewhat shallowly, because it relies on your preconceived notion of nature and industry, and your awareness of the fact that we are hurting nature by simply having technology. I don't find that either side is strongly displayed. One side, the human industrial village, simply seem to want to improve their technological advances throughout the movie and be dominant, but there isn't really any strong motivating factors to drive them to do that, other than greed. But greed doesn't simply come out of nowhere, and the message of "nature should be preserved" comes across as "eating your own shit is bad" in terms of how eloquent is portrayed. Because, yes, everybody has ambition and ambition can be detrimental to your surroundings. But understanding the ambition itself would give far more depth to the character and it wouldn't make the humans feel as onedimensional and antagonistical to the nature, simply due to the fact that they exist. Their leader simply wants power for the sake of it, and that simply makes them seem shallow and far too simple of a character.

And the other side that is relevant is nature itself, which are the animals. The animals rely even more on our preconceived notions and knowledge, and are mostly portrayed as territorial. Their existence is threatened by humans and the movie then uses the nature to create one big metaphor about us exploiting the habitat we live in for shallow benefits. But it doesn't really seem to be understanding enough to get that animals, just like humans, with humans also being animals, seek the most efficient way to get the comfort and resources that will make them live the most prosperous life they could. Just like them, we are territorial, and want to prosper. What makes us different is that we are capable of understanding how our actions impacts everyone else. The movie doesn't really appear to our rationality, and simply boils down to conclude that, hurting nature is bad, because we are selfish. It doesn't really try to understand the root of the selfishness, which is a very animalistic need of being better.

The movie pretty much makes the argument that we are greedy, and we should stop, because nature will push back, and we will feel sorry we were ambitious. It pretty much goes full 5 year old and presents people who just want to use nature for their own ambitions without concern for others while fueled by greed. It doesn't really display any more complex motivations past I want this so I am gonna get it. So it simply sways in the direction of its argument simply by making a lot of metaphors and presenting you an argument you probably have plenty of reasons personally to back up. But it doesn't really build on it and merely presents it, and used that as a basis of creating visuals on the screen. This is the way most Ghibli movies are presented, with them usually picking an idea and developing interesting visuals without really wrapping everything neatly or presenting a story, which makes me dislike them. It might work on children, but Ghibli movies simply don't carry themselves in a way that I would deem thoughtful, because it doesn't try to create depth between what it wants to present. Mononoke Hime, just like every other Ghibli movie, shows you things, amongst which it is centered around.

But what I can appreciate about this movie comparative to the others is that it at least has an argument. The actions in it aren't pointless and the characters to have their own personal goals to which we can relate. They're not meant to be fairy tale like to which were you should marvel at, and their actions can be understood, despite the fact it is a really superficial understanding and presentation. And well, the fact that I agree with it helps. Yes, human ambition will hurt their environment and therefore them afterwards. But the movie is too expressive of its own ideals and too dismissive of the ideals that drive the people it would deem antagonistical forward. I could see a clear divide on how the humans are treat for their ambition in terms of their thinking and logic, and how the animals and the forest is seen as, despite there being clear parallels to be drawn between the animals being territorial and seeking more territory and benefits, just like the humans.

Ultimately, while I've enjoyed the message of the movie due to reasons unrelated to the movie, and the way it looked visually, I cannot consider it a truly good movie, due to how onedimensionally it portrayed everything and how it sometimes presented details irrelevant to its theme. I still deem it guilty of relying too much on feeling and too little on portraying a sound narrative, but I did see the barebones of a narrative in this movie, and there's more thought to be put behind any character's action, than any other Ghibli movie I have had watched.

• Who I would recommend Mononoke Hime to and who I would tell to avoid the series.

What I've personally enjoyed it for is the classic Ghibli eye for detail put in each frame of the animation, and the fact that I could at least appreciate the fact that I felt that Mononoke Hime is the Ghibli movie that I actually think isn't formulaic and actually tries to be different from other movies produced by the studio. In the situation that I had to recommend this to someone that has never seen a Ghibli movie, I'd recommend this because it felt the most ambitious and it actually had the most to say, rather than seem like its purpose was to entertain and marvel children. It is still in the same vein, without putting much thought in the motivations of the characters and how they think, but rather dragging them in a direction, but it does display a message that gets very little presentation.

So it depends if you're looking for a simple movie, that conveys the message that mankind should preserve nature, and leave aside their ambition or not. If you are, Mononoke Hime gets the job done. But note that I didn't really particularly find it thoughtful in the execution of what it tried to carry through, so if you don't mind its ideas simply being presented, you probably won't have a problem with how the events of the story are presented. At heart it is a very nice looking movie, that is also just as simple.

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Sep 22, 2018

goodachari001

Not Recommended

***Warning: This review may contain significant plot spoilers***

Let's start with the title - 'Mononoke Hime'. After watching the movie, one can easily concur that the title is a mismatch.

The movie starts off great. Immediately we are introduced to the main character taking down a demon god and was cursed in the process. He sets out on a journey to find a way to lift his curse. At this point i was greatly engrossed & was really looking forward. Man!! It was a big let down.

Characters:

We have a main character 'ashitaka' who is so lame and useless that if you remove him from ...

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Synopsis

Background

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