Let me start by saying that I am not a Miyazaki-disciple. I do not view him as the "grandmaster of everything anime." When I say "yeah...Miyazaki is ok" I say it not out of ignorance (I've almost every one of his films) but because I personally find him to be incredibly overrated. However I find that when he has all of his stuff together, Miyazaki can destroy practically any other director out there, the man is incredibly talented, but his problem is consistency.
When I say that Princess Mononoke is his masterpiece, I mean it. It was the first film where
he finally got everything together and made a perfect anime film. Some will say that Spirited Away is better, but Mononoke is so much more powerful than that.
Story: Miyazaki does not like civilization. He stated once that he would prefer it if we went back to living in the fields, he wants to get rid of all technology. In Mononoke we see the evils of industralization and how humans are killing the earth. Humans can coexist. But many purposefully try to make themselves better and stronger. Miyazaki does an absolutely amazing job of showing that industralization, if handled the wrong way, is an incredible evil, but that it is in the hands of humans..of real people. I didn't really care all too much for the story, but I found his use of spirits to be incredible. I wasn't a huge fan of the story itself, it was a country boy goes to the city vibe...but I was a huge fan of all the political jabbings that Miyazaki was throwing. I will admit that I didn't notice it the first time around, I was told this as I watched it the second or third time, by my friend who is a Miyazaki acolyte. The beauty of the story really comes after you watch it the second or third time, as the whole movie experience is very overwhelming.
Art: I give it a 7. I am not a fan at all of Ghibli. I absolutely cannot stand their use of recycling their characters. I hate how all the women look exactly the same, and the men have the same annoying mustaches and beard combos that obscure almost their entire face. I find it lazy and incredibly detracting. I found that Ashitaka was.....boring, his design was so lacklustre that I have now just googled him to figure out exactly what he looked like. Where the art shines in this is in the spirits (gods), the creatures, and San. The designs of those characters alone redeemed the art for me. Also worth noting that in the beginning all those "snakes" were done digitally, which was, for me, impressive.
Sound: Eh....what can I say. Miyazaki films ALWAYS have great music and soundtracks. I have never found an instance in watching any of his films where I've gone "hey, the music doesn't really feel right." The music in his films are absolutely superb.
Character: I felt that the characters weren't really people so much as symbols. I felt that Ashitaka, in a certain way, was innocence. When his arm is cursed he is given a power that he cannot wield and he struggles to find a way to cure it, to get rid of the curse that now stains his arm and will kill him. Eboshi was industralization, but she was also compassion. I felt that she was the most human of all the characters, even though many people view her as an antagonist or slap her with the label of "oh..she's the evil lady." The thing I appreciate about this film is that there are only a handful of truly bad people. Everyone else is human. San is humans living with nature, but at the same time she is a beast herself. She lives in harmony with nature and has absolutely no qualms about killing to defend her land. Every character is multifaced, however if you only view the movie once you might not see the different characteristics of each character.
Enjoyment: The perfect Miyazaki film. It is deep for people who are looking at it closely, but it is also just a fun film for people who are only looking for something fun to watch. The first time I watched this (the first Miyazaki film I'd ever seen) I wasn't impressed at all. Mind you, I was probably 10 at the time, this was the first exposure to REAL anime I'd ever had. But as I watched it again recently I realized just how great of a film it really is.
However it really is accessible. You talk to almost anyone about anime and they'll probably (99% likely) know about Princess Mononoke. I know that this turns a lot of people off. Personally when someone comes up to me and says "hey, I saw Samurai Champloo and it was great, can you recommend me anything else kind of like it?" It makes my skin crawl a little bit. However, Mononoke is a staple, and is really something that you should watch, if you haven't watched it, I would definitely put it at the top of your to-watch list.
First of all I'd like to say this is my favorite Miyazaki Film. Why you might ask? Its the most powerful and thought provoking of all his films. It also communicates a message very differently since it has much darker overtones than his other lighthearted films. While they may be enjoyable and powerful in their own way they can never be compared to the stature of this film. I hold this one higher than the quality of Spirited Away. Which in my opinion is then most overrated Miyazaki/anime film. This is the one film that Miyazaki completed perfectly because it gave you that feeling that
it couldn't get any better. The film has themes that even an adult could enjoy immensely.
The story is basically can be summed up as Man's conflict against the natural world. While this may be a good summarization it also could be misleading because with Mononoke we don't get a classic good vs evil plot. The fascination I have with this film stems from the many groups that are at conflict with one another and how no one is truly the evildoer. We have nature battling with human civilization while within itself there are humans trying to topple each other. The story revolves around how self-destructive we are as human beings and how we haven't realized we are innate in nature. The movie gives us parallels of the battles that the humans face with each other while still all congregating together for that one perceived enemy in the film, nature. All in all the film tries to communicate a deep message through the story and it leaves the viewer with a lasting impression.
The characters in this film are fascinating. Particularly Ashitaka and Princess Mononoke. We follow the story through Ashitaka's experiences with the different warring groups in the story. He always is the rational character in the movie and he openly tries to correct the irrationalities the other characters have. he serves as the medium which communicates the overall story and how meaningless the conflict can be found to be. He is extremely brave and he usually gets himself in dangerous situations in order to show the others their incorrect ways. Princess Mononoke is another intricately created character which is full of mystery. She seems to detest fellow humans for their selfish egotism and hostility towards earth and its inhabitants. Lady Eboshi is the a character some may mistakenly confuse for the villain of the movie. I think this would be more prevalent with western viewers like myself. The reason for this is they might seem to mistake her as another modern day oil baron except she is much more than that. Her main goal is to protect her people, particularly the other women who live in the city. She feels in order to do this She has to pursue the industrialization of her city in order to protect her people from the samurais and beasts of nature.
In the animation department this is a Studio Ghibli film so you obviously will get an amazing experience visually at least. With this film though I feel the animation captures the essence of nature. It does this with the various beasts and mystical characters Miyazaki created. There are even gods in this movie which helps bring about the feeling that nature is alive. You will enjoy the action sequences in this movie. Especially the battles between Lady Eboshi and Princess Mononoke. I also think the use of CGI in this film was done well and this is coming from someone who despises CGI.
The music in this movie is beautiful. Its the kind that can put you in a trance that you wouldn't want to ever wake up from. Especially the main theme song. A lot of the music puts you in the right mood for the film. Especially the more darker music which is used during scenes with the beasts of nature. The battle scenes also have plesant sounds and the sword fights don't contain the same sword clashing sound *cough Nausicaa cough*.
Anyways, I recommend this film because its Miyazaki's Masterpiece.
For each new Studio Ghibli film I watch, I just get more and more convinced that they are the best animation movie studio out there. Princess Mononoke is by no means an exception.
Ashitaka, the last prince of a people called the Enishi, gets cursed while fighting a demon, and sets out on a journey to get rid of the curse, which can be lethal. He soon hears rumors of a forest spirit that can give and take away life, and sets out to find it. However, he soon finds himself in the middle of a fight between humans and animals, and he soon gets to
know of a girl called Princess Mononoke, who has sided with the animals.
The way the story is presented makes it really enjoyable, as we get to see how various humans and animals view the ongoing fight. Different humans have different viewpoints, different animals have different viewpoints, and it makes it so that part of what they think is right, but they're also wrong about things. In the middle we have Ashitaka, who is the only one looking for a peaceful resolution to this struggle. It's mainly the theme of destroying nature that's mainly being touched upon, a theme I feel is something everyone should think about.
The small love story you that's presented is what some would call forced. At least I do. I didn't quite like the way in which it was presented, but different persons have different opinions. It was okay enough though, but nothing that really placed itself in my heart. Maybe they just didn't do enough with it. But it's okay, since the focus of this movie is other things than love.
As expected of Studio Ghibli, the visuals are stunning, especially when you think about the movie's age (8 years). With its massive budget of 2,4 billion yen, what else is there to expect anyway? The environments are drawn extremely beautifully, be it mountains, lakes, villages, trees or underbrush. Sometimes I just forgot the movie because of the stunning environments. Thank heavens for rewinding! The character motions are extremely fluid and lifelike, and with a total of 144 000 cels during the movie, you couldn't expect anything less (I even heard that Miyazaki re-drew quite a lot of them himself). I got quite surprised when I learned that they used CGI in the movie; I couldn't spot it at all. That again serves to prove the quality of it. The character designs are typical Studio Ghibli-ish, so you'll know what to expect in that department if you've watched a Studio Ghibli film.
The music is perfectly in tune with the movie, giving that calm, mysterious kind of feeling that you'll expect when in a forest where magical creatures are as normal as insects. But ti doesn't do anything more than that, really.
Overall, Princess Mononoke is a film that you might enjoy the most for its stunning natural environments; they almost overshadow the plot. But all the different factions, the different viewpoints in the fight, and last but definitely not least, the theme of destroying nature are all something that everyone should give a thought. Especially the latter.
Warning: This review may contain significant plot spoilers and is really more intended for the thought and entertainment of those who have already watched the movie.
For a while now I've been hearing rave reviews about Hayao Miyazaki's films. He certainly has an impressive track record, having created the three most popular animated movies in Japan. Apparently his anime work is greeted with positive reception everywhere, for this movie was placed in Roger Ebert's own top ten favorite movies for 1999. It's about time I finally watched it for myself, but it's left me with a strange aftertaste, and I'll tell you why.
The movie opens with
a dramatic scene that shows off the superior animation quality in the form of a worm-covered boar demon. The main character and hero of the movie, Ashitaka, is introduced. He makes short work of the beast as it advances on his home village, but not without being cursed himself. Afterwards the village leader explains to him that he must leave forever because the curse is going to agonizingly rip through his soul, eliminating every remnant of his being before killing him shortly after. In her own words he is now completely dead to all of them, and may god be with him as he leaves to the West on some hopeless quest for self justification. Ashitaka replies simply, showing no fear at all, leaving in what appears to be some kind of manly, stoic demeanor. He wouldn't have even said goodbye to his family if it weren't for his younger sister seeking him out as he rides away into the night.
Frankly, Ashitaka is one of the most brick-like characters I have ever watched. It takes well over half the movie for him to display any kind of feelings at all. Quiet, brooding, and mysterious characters are always great side additions to someone a little more exciting, but Ashitaka isn't there to complement anyone. He is the main character, and his empty lack of reflection on everything that happens in the story ended up encouraging my own empty lack of reflection. However, the problems don't end there. The other half of his personality is being Mr. Perfect. Mr. Perfect never explains what he's doing or why he's doing it, but he always resolves every situation without any sort of doubt or difficulty. He is the walking antithesis of conflict. In fact all his presence ever really does is delay some sort of inevitable action. This character doesn't feel like he should be the focus of anything. He's flawless and emotionless and what's left is this feeling that the story might have been better off without him. The main events of the movie are set in motion and concluded without his significant involvement. The only thing that's changed by his presence is that two characters who are destined to kill each other are forced to wait a little longer.
This movie could have been a lot more enjoyable if the focus was on someone else. It's like every character besides Ashitaka is interesting and has some kind of inner conflict or apparent goal. Granted, all of the characters are as flat as a slab of concrete, but at least some of them could drive the story somewhere. Perhaps the story could have followed San, the savage human girl raised by monstrous, intelligent wolves. Or maybe it could have focused on Lady Eboshi, a woman hell bent on destroying an entire magical forest to advance her manufacturing of advanced guns designed by lepers, all so she can conquer Japan and, presumably, the rest of the world. Even Jigo could make a more interesting story as an undercover agent posing as a monk who, ironically, is tasked with killing gods.
Unfortunately, despite these exciting events, this leads into my other complaint: This story is random and full of holes. I'm picky about plot. When someone tells me that a movie is great I expect some kind of reasoning for the events that take place within. As the movie progressed I found everything increasingly less believable. No, I don't mean believable as in magic and gods; I mean believable as in characters and actions are motivated by some kind of evidence. Early in the movie Mr. Perfect pays for a bag of rice with a gold nugget, impressing everyone in the town he's passing through. Why would someone from a tiny village that was exiled from the Japanese empire be sporting gold, and why wasn't it ever mentioned later on? Is it just a stab to emphasize Ashitaka's flawlessness? The lying monk whose job is to kill the forest spirit, a powerful and benevolent god, was asked to do so by the emperor. Why? To kill the forest? Why does everyone want to destroy the forest to begin with? For natural resources? While that does make a little bit of sense, it's never clearly confirmed or denied. Instead you're left with this epic battle between Iron Town and nature in which everything is destroyed.
The entire movie is comprised of seemingly random events that were all designed for the purpose of making it to the end and looking really dramatic along the way. I mean really, LEPERS are designing Lady Eboshi's guns? One second Ashitaka displays freakish demonic strength and the next he's out cold for days. The very climax of the movie came from absolutely nowhere! Upon being beheaded, the benevolent holy forest spirit god whatever who disapproves of war turns into a giant raging blob of doom that indiscriminately kills everything in it's path. Mr. Perfect returns its head so it can become normal again, but it would have happened about thirty seconds later without his help anyways. Iron Town and the forest are both leveled, but that's O.K. because the revival of the forest spirit plants new seedlings so it can all grow again. San leaves Ashitaka because she can “never forgive the humans for what they have done,” and Lady Eboshi vows to rebuild Iron Town “even better than before.”
Basically what I'm trying to say is that after everything that happens its all back to square one. Perhaps in the future Ashitaka convinces everyone to live in harmonious peace, but it doesn't matter because it didn't happen in this movie. I was left with a feeling that the story's net change was zero, and I hate watching anime that ends this way. Sure, people died and stuff got trashed, but there is no PLOT ADVANCEMENT! Every time I see a story that ends this way (like Trigun, for example) it makes me want to smash my head into my computer monitor until I faint. But I guess the visuals were great, and the music too: top notch for this medium! Great really, it's so great! If you like Naruto or Inuyasha or Death Note or whatever then this movie is probably some kind of godsend. Really, I think you should watch it and then you should watch everything else created by Miyazaki and demand more and more and more and more and more and more! There's nothing like endless waves of mediocrity constantly pumping out of the studios to keep us all entertained. Who cares about little details when we can just keep getting more of it?!?! We say screw quality because that takes TOO LONG. Quick somebody get me more anime that I can inject into my veins and get high on big shiny eyes, impossibly attractive characters, and cool demons and shit FUCK YEAH!
-You can read all my non anime related reviews at my blog: alexanderzero.wordpress.com
“What exactly are you here for? – To see with eyes unclouded by hate.”
Effectively conveying a message through any sort of fictional medium can be quite a handful, however a handful of directors/screenwriters/authors etc. managed to carve their names in stone, understanding and mastering the art of storytelling in the medium they so choose to work with. Stanley Kubrick, Alfred Hitchcock, Stephen Spielberg and J.R.R. Tolkien are some names you’ll become tired of hearing after a bit of time, but the fact that their names alone are so prevalently mentioned when talking about “all time classics” speaks for one important aspect: They understood human
nature and their conflicts, they created something outstandingly unique, that even within an ever-changing society and environment, these titles managed to hold out strong over many years and probably will for many years to come.
When talking about the Anime and Manga medium, there are lots of outstanding directors mostly unknown in the west, but still manage to claim a place in the everlasting hall of legends: Osamu Tezuka as the “creator of all”, Hideaki Anno with the controversial Neon Genesis Evangelion, Mamoru Oshii with works as Ghost in the Shell, Shinichiro Watanabe with Cowboy Bebop, Satoshi Kon with Millennium Actress/Perfect Blue and Masaaki Yuasa with his most recent works, which inevitably claim cult status after more time passes. The creator of Mononoke Hime and the person most frequently associated with Studio Ghibli, Hayao Miyazaki, gains respect not only in Japan, but his works are also well-known all around the world, practically making him the “godfather” of Anime as seen by a broad spectrum of people. Even though his general reputation seems to fade away slowly, partly because the losing presence of Ghibli in general and partly because of Animemestars circle-jerking a troll and misattributed quote to Miyazaki, Mononoke Hime definitely stands the test of time, providing extra material and to understand him as a person, his philosophy and beliefs in general. Mononoke Hime is both a blockbuster (family) movie and a profound work of art at the same time, built-upon the foundations of Ghibli’s style itself and advancing its qualities even further.
Major Spoilers ahead.
Right from the get go we get introduced to a much darker premise than we have been accustomed by Studio Ghibli. Prince Ashitaka gets bitten by a boar possessed by a demon, carving his teeth into his right arm, corrupting it. The hatred that spawned within the boar now got transmitted onto Ashitaka, granting him superhuman strength in his limb on one hand but works as a deadly poison infesting him to the marrow of his bones, causing death eventually. Guided by the elder of his village in the East, he receives prophecy to go to the estates of the east, the lands where the infested boar seemingly came from, and act as an impartial observer and possible peacemaker with “eyes unclouded by hate”, a statement that holds incredible substance in its entire runtime. Ashitaka takes on what seems like his final act and allows us, the viewers, to dive into the lands of West, with all their beauty and their dangers alongside with him.
Ashitaka advances deeper into foreign territory, seeing both the ravages of war and active battles to be fought. With Mononoke Hime we get to see probably the most violent entry from Ghibli until now, with beheaded soldiers from Ashitaka’s arrows, cut-off limbs and imagery of active fighting, which were toned down by the refraining usage of blood and the not simplistic, but still cartoon-ish depiction of human stature.
The general artistry of Mononoke Hime is absolutely stunning, ranging from beautiful and mystic shots of landscapes and their inhabitants of both spiritual and carnal nature, to the writhing and corrupted skin of the boar initially attacking Ashitaka, the lurking and chilling shadows of apes in the background to the perfected gracefulness of the while wolves, not stylized to be harmful, but to show that their fangs still pack the punch to kill if necessary. The Animation is as fluent as the pond within the forest itself, ranging from top-tier Animation during fighting sequences, cramped markets in towns, to lively depictions of the forest life with insane attention to detail in both artwork and sense of movement, virtually making you feel the same exact breeze the characters are surrounded by.
With Ashitaka’s notice of a deranged balance the farther he dives into the lands of the West, we finally get introduced it to the main actors of this conflict. On the “human” side of things, we have Lady Eboshi with her troops and bunch of very tough ladies, defending their homemade fortress and iron ore mine against the animals from the forest, while also destroying it little by little. On the opposite side of things we find the San, her two siblings and her mother, who all happen to be wolves, the first one mentally, the other three physically. Those are of course not the only beings inhabiting these threatened lands, as other species such as the tribe of apes and the later-introduced tribe of boars, with them and their leader having travelled from far distant lands, joining forces in this conflict and become thus important as well.
What could’ve been watered down to another classic “Men vs. Nature” type of story, where the good and the evil side has been decided from minute one onwards, Miyazaki’s implementation of grey morality, while still incorporating environmental themes to their fullest is definitely a work to be admired. The way how the wolves attack Lady Eboshi’s troops almost viciously the moment they’re introduced is simultaneously the first attempt, in blurring the lines between good and evil, much in contrast to the clear mentioning of how the wound induced by a man-made “bolt of iron” was the cause for the corruption of the boar right at the start. This attempt of straining the idea of good and evil gets even more support, by San’s and the Wolves’ apathetic and adverse behaviour upon first sight, as Ashitaka carries two wounded soldiers from their attack. As one of them suffered serious injuries and the ordinary way up the hill would cost too much time for his critical condition, Ashitaka decides to take the path straight through the cursed woods, as the citizens of Eboshi’s city call it, but much to their surprise there are no dangers to be found, instead the spirits which reside in the forest happen to guide Ashitaka the way. Those spirits, yet to be touched by the on-going war, function as beings whose eyes have not been clouded by the spreading hate between animals and humans yet and accept Ashitaka and the wounded men as who they are: living beings solely passing the forest.
Ashitaka arrives at Lady Eboshi’s city and receives an appreciative welcome by Eboshi, the men and women of the village themselves. He gets introduced to a functioning society, where the citizens work hard and discrimination seems to have grown obsolete, due to the strong hand of Eboshi and the mutual respect and belief for each other. It almost resembles a kind of utopia, especially considering the time-period we’re in and the regressive impression we’ve gotten from the lands under Samurai leadership and their ravaged areas. Eboshi herself freed women from brothels, gave immedicable invalids the chance to actively contribute in society and made incredible progress to strengthen and defend her idea against foes from of both, human and animalistic nature. On the other hand the resemblance of industrial revolution and craftsmanship are taking the materials they need by force, developing even more effective weapons to both expand by force and defend with resolve, much to the disliking of the residents of the forest. While this might seem like a harmless act of expansion, Lady Eboshi’s goal behind all of this is to slowly take down the god of the forest, not by an active act of killing, but more of a mere try to eject him over time. Her mind-set drastically changes after political influence reigns down on her later in the movie though, making an active act of killing preferable.
On the other side of things, the motivations of the San, her “mother” and her siblings are far from gratuitous as well, wanting to bring down Lady Eboshi for her steady expand in their territory and the rising imminence for the different inhabitants and the god of the forest himself. It’s a conflict of ideals about the urgent question of coexistence, a question often raised in the history of mankind, where an inherently true is impossible to find, since an individual’s philosophy and ideas are overly prominent while crafting one’s opinion about that matter and Miyazaki is here to give us his.
Ashitaka learns that his efforts of procuring peace between both abhorrent parties remain futile, since both Lady Eboshi and her loyal following and San and the wolves have fully grown seeds of hatred planted in both of them, seeming like they are both floating in an individual bubble, both unable and unwilling to understand the other party. These “bubbles of philosophy” resemble industrialism on one hand and environmentalism on the other, both having lost the common sense of negotiation and willing to take their philosophy to their graves. The state of unwillingness to give in becomes even more apparent during Ashitaka’s talk with San’s wolfmother, as she was already foreseeing the upcoming end of the forest and hers (“I’m lying here and listen to the deceasing forest and like the forest, I’m gonna die soon as well”), but even then she mentions that her last goal and omnipresent dream still is to “bash this baneful woman inside her fangs”, leaving her gained wisdom over the ages for the sole purpose of executing redemption. Miyazaki’s ability to blur the lines of good and evil so effortlessly and ultimately not criticizing each side for their philosophy being wrong in its entirety, much more the unwillingness to adapt and cut short, especially on the side of industrialism. He doesn’t portray or believe that the idea of industrialism and technological advancement is inherently bad in its core, as a lot of people tend to see this movie; it more than anything criticizes the lack of understanding for nature itself in contrast to the sole faith in man-made technology. Lady Eboshi and her followers, spoiled by the desirable advancements and wealth caused by the those technical advancements, have to learn what the highly growing ignorance towards nature itself eventually causes, when the seemingly killed forest god, who is able to decide between upon life and death itself, goes rampage in his spirit form in a desperate attempt to get his carnal head back.
“You cannot alter your fate. However, you can rise to meet it.” – Elder, talking to Ashitaka.
While Mononoke Hime’s strength lies in its densely packed narrative with its superb exploration of environmental themes, the characterization takes the backseat to it, not claiming that it is generally lacking in any way. Ashitaka’s borderline naïve but still unbreakable resolve, partly induced by the elder’s encouraging parting words, willing to negotiate with both parties of the conflict and the sensation he finds with San upon first sight are very engrossing in their own right, serving as the perfect “medium” for the viewer to dive into the conflict in the Western lands unbiased. With San I would’ve wished for a little more insight in her backstory, other than her disdain for humans I might’ve wanted to see or hear more about the progress and the steady loss of identification of hers as a human, be it in form of a flashback or San actively telling Ashitaka. Lady Eboshi and the wolfmother serve as the key-figures on how Miyazaki wants to implement the clash of the philosophies, but also manages to not view them as such during its runtime, an achievement most writers fail to implement not nearly as good. Of course complaints about lacking character-development for these two characters are rendered obsolete, since it would strictly go against Miyazaki’s message to develop them before the eventual climax. Other characters don’t get explored nearly as much as the ones already mentioned and are not nearly as memorable, but serve their purpose as e.g. Jigo threads the plot of killing the forest god actively on orders from the emperor of Japan.
As I’ve already talked about how the atmosphere and artistry created by the gorgeous and lively visuals alone are one of Mononoke Hime’s greatest strength, I’ve yet to touch upon the quality of the soundtrack and let me get this straight: the score of Joe Hisahi is nothing short of being the work of a genius, having managed to place itself into my top 10 favourite OSTs of all time. Being my favourite soundtrack of Hisahi as stand-alone as well as being incredibly fitting to a story like Princess Mononoke itself, the orchestral sounds ranging from soothing to utterly intense do add to the impeccable sense of scale the movie manages to build up right from the start. Probably the most memorable moment of the whole film for me has to be Ashitaka’s dialogue with the wolfmother right in front of the beautiful scenery of the forest at nighttime and the vocals of Mononoke’s main theme kicking in, once again showing how well Ghibli can bring certain moments to life by perfect interaction of dialogue, scenery and music.
Mononoke Hime sucks you in from minute one and manages to execute virtually everything it is trying to with utmost competency. Starting with the clear lack of manipulation to a specific side, we get a deep view into polar opposites in philosophy, exposing flaws in narrow-minded and ignorant thinking on both sides, but with a clear message being conveyed by the credits are rolling in. Miyazaki has allowed us to dive deeper into his way of thinking, but never was telling us to feel the same way, much rather showing us two philosophies clashing together with direful ignorance towards one another and with eyes clouded by hate, making understanding impossible until it’s too late. While I might’ve had some minor problems with San’s character, would’ve wished for more exposition regarding Jigo and the emperor of Japan and the ending coming a little too fast for its own good, they really don’t matter much in the grand scheme of things. Miyazaki only topped this one with his first and simultaneously last big Manga project he ever worked on, named “Kaze no Tani no Nausicaä”, covering and advancing the story of the correspondent movie.
Art (10/10), Animation (10/10)
First off, I LOVE Hayao Miyazaki and a lot of his movies. I fell in love with Studio Ghibli’s artwork, music, and pretty much anything about them. This is one of my all time favorite movies in fact. Just the story line is so beautiful about how man and nature are supposed to live side by side but when one fights against the other, there can be both misunderstandings and consequences. The story is open to interpretation but it feels like a timeless tale. A lot of times, I found myself believing that he could have made the story in this time frame and it
would have had the same meaning behind the story. I’m going to sort of talk about what I consider part of this Psychology of this show, and this is only what I feel is part of this. What you take from it may be different.
The story is set in the Muromachi period of Japan when there were few Emishi people. The Emishi were actually a real people in Japan much like the Native Americans were to America. They lived in harmony with the land and had different tribes slightly different cultures and so on. Not much is actually known of the Emishi like where they came from and from what I have read, there are very few groups left.
The story of this movie follows the ‘last prince’ Ashitaka. I looked around but I couldn't find much on if this was a real person or not. I don’t believe he is a real character and was more symbolic of how that tribe was dieing out. Anyway, in order to protect his village, he kills a demon that was rampaging nearby and is cursed by the demon as he died. It turns out the demon was actually a boar god who was driven crazy by an iron ball that was shot into his body. In order to save himself and protect his village further, he leaves his people and travels west never to return to his people. I see this sort of a symbolic image, the idea of the young leaving their native land, the land they were born into and the culture they were born into, and being integrated into the Japanese basic ideas. It’s similar to the way Native Americans turned away from their culture to become part of the ‘white man’s world’ here in America. Not being able to return pretty much is the same where once you learn something different, you’re never really the same person as you once were.
As Ashitaka leaves, he sees the world outside his home as different and we get to see it through his eyes as bandits sort of rampage through another village he runs into. The places we see and the world we see outside his village just ends up looking like a rather cruel and selfish place. I think that was done on purpose as it again shows everything through the eyes of a boy who grew up in a place where everyone took care of everyone else. He goes farther from his village and the areas seem to get harsher until he finds Irontown which in many ways could be like Tokyo or New York in our age. It is a place with ‘futuristic machines’, guns, iron working and so on. Actually, I think the better thought of this place would probably be Pittsburgh, Pennsylvania. Pittsburgh was pretty much known for their Steel work.
And here in lies a problem. In order to get iron sand for making their weapons and machines, they must clear down the forest near them. Unfortunately, the forest spirits don't like this, which leads to the war between nature and humans. I consider San as like the ‘hippie’ or hard core nature lovers who think they are fighting for natures rights. Without giving away the ending, the whole feel of this movie seems to be about trying to find a balance between humans destructive nature and of nature itself. And that’s what I love about this movie. It’s something that a lot of people are trying to do now as well with all the new eco friendly things we have been doing lately to protect the earth.
The artwork is astounding and that’s saying a lot since it was all cel done. Each background, character, and lighting had to be hand drawn over and over again. In fact, according to the wiki, there were over 144,000 cels and Miyazaki personally oversaw each and every one of them, including redrawing parts of 80,000 of them. That is dedication to his work guys and that is why I love his work so much. They even give them a lot of detail down to small crust near the boar’s eyes and the almost realistic backgrounds that seemed to capture your eyes with every detail. There was very little computer animation used in the show, parts like the demon flesh on Ashitaka but I never noticed. They perfectly made it seamless. In fact, I had no clue it was computer animated in those parts until I did a little research for this review and that is what surprised me more.
I only watched this show in English, and I was not sorry. I fell in love with the voices; each person did a wonderful job trying to give the characters a realistic way of talking that worked well with that character. I do have some little nit picks though that I have to do. I might have praised this show up and down but I can also see some of the ‘mistakes’ that were done in it. Billy Crudup was the voice of Ashitaka and he played the character a bit too bland I think. I understand the character is not a wild and brave guy, he is just an average guy who left his family but he just sounds a bit to shy at times. Also, even though Billy Bob Thornton was the rather good voice of an old monk named Jiko-bo, he just never really grabbed me as much as I think that character should of. I don’t know exactly if this was intended but Jiko-bo just felt like he didn't know what he wanted to be. I could never tell if he was a good guy, a bad guy, or even what he was. You would think him being a monk would mean he would be one with the spiritual side of things but then on the other hand, he seems to be against them as well. He was a very confusing character for me and though Billy did a good job conveying that confusion in what he was, I wish he would of leaned a little more to one side instead of being so in the middle.
I fell in love with this movie so much, and it is definitely a must see for anyone who loves Studio Ghibli or movies with deep meaning behind them. That’s why this gets a very high rating from me.
Ah, Princess Mononoke. It was one of the most earlier films, and anime in general, that I watched, and was captivated at first sight.
The thing I love about this movie is that I've seen so many different takes on what people viewed as the purpose behind the plot. I've read in a few different places that Miyazaki is not a fan of industrialization (or what it has evolved into) and clearly that is represented in the overarching plot in this movie. Whether or not that was the true meaning Miyazaki was trying to portray, he nevertheless sends a powerful message of the side effects
of industrialization and not respecting the natural Earth and its resources. I've also read opinions where people were a little disappointed in the movie's plot because "its one big ad for environmentalism." I obviously view that as an extremist point of view and while I can see where people who say that are coming from, I feel they did not watch the movie with an open mind or already had some preconceptions about the movie. And of course, first impressions are everything, so once you come away with that mentality, its hard to adjust. Yes, the whole environmentalism aspect does play a part, but its so much more than that. It's about the struggle of man to find a niche in the world all the while trying to find a right balance in respecting it.
Miyazaki also decides to throw in a little romance as a secondary plot and I thought it worked well. It was not the main focus of the story and there really wasn't a point in the movie where they forced it down your throat. It was there, for the people who wanted to see something develop between Ashitaka and San, but for the people who could care less about it, it easily could have been pushed aside for the main view the movie was portraying.
I loved how in this movie, we never had any good or evil. Just two completely different points of view of what the sides viewed as "right" or "correct." Miyazaki included the right cast of characters to represent each side of the struggle. First you have the animal gods, who obviously are the victims of human industrialism and simply want to live in their forest of peace. He also included San, our Wolf Princess, to give us a human's point of view from that side too. On the other spectrum, we have Eboshi, who cared for her tribes people, evident in the way she took care of the wounded and only wanted to best for her people. And finally Ashitaka. A lot of people have mixed feelings of him because he never really seemed interesting and just "was there." In my eyes, that's exactly what his character was meant to be. He was an outsider to this war between human and nature. Coming from a small village where villagers already respected the Earth, he was more of a witness to all of the events, and simply wanted to find a way where both parties could be appeased and eventually, everyone live in harmony. I thought in that aspect, he played his role exceptionally well.
It's a Miyazaki film, and sound is usually top-notch, and that's definitely the case with Mononoke. The music was peaceful when in the countryside, fierce when in battle and soothing during the more emotional moments of the film. The main theme song is still one of my all-time favorites to this day.
I've watched this film only in the original Japanese cast, so I can't comment on the English VAs, but I felt the Japanese VAs did a pretty good job with their respective roles. The animal gods voices were rough, yet understandable and unique to each species. They fit rather well. Though in some of the more "inspired" moments of the movie, I remember being quite disappointed with a view of the voiced lines. But nothing too big.
Background art was beautiful. I have a friend who is an art major and he once commented to me on how amazing some of the scenery is done in Princess Mononoke. I guess I kind of took that comment to heart as I also believe that 100%. Animation holds up to today's standards, and in some instances, I feel it even outshines some of the stuff production companies do today. I feel Princess Mononoke is Studio Ghibli at its finest. Everything feels fluid, body movements move realistically and believably for the world that the movie is casted in.
I guess because this is one of my earlier experiences with anime, this movie holds a special place in my heart and no matter what other people may say about this, nothing can convince me otherwise. I will admit that there are some scenes in the movie which drag on a little too much for one's liking and I felt they could have handled the Deer god's head thing a little better than what was seen in the final outcome. However, those are just small pet peeves I had about a movie in which I thoroughly enjoyed from start to finish.
The best part about this movie, in my opinion, is that it has something for everyone. Whether you're looking for something thought provoking, or simply something to watch without having to think too much into the situation, Princess Mononoke can be seen in both lights. Action events are done exquisitely as is the touching romance between San and Ashitaka.
Princess Mononoke. Another classic from Hayao Miyazaki.
Before watching this, the only other Miyazaki film I had seen was Spirited Away. That was my favorite anime at the time. After watching Mononoke, I found a new favorite.
I think the english dub of the film is one of the better ones out there. Their choices for voice actors and actresses were good for the film.
The animation was superb, as was the music. The strength of Mononoke lies in the story. I really felt connected to the characters. When Ashitaka was searching for San, I felt the sense of urgency with which he was running. I was practically
jumping up and down while rooting for him to reach her.
The ending was definitely different from Miyazaki's other films, but then again, I feel that you have to look at this film differently. It was something you would not expect and I feel it is a good thing.
Princess Mononoke is definitely one of my top anime of all time, and my favorite anime film. If only they can give it a Disney release like they did Miyazaki's other film.
Script - Some dude is infected by a monster, goes on a journey and finds a quite problematic place where humans, animals and magical beings are fighting to see who's going to rule the land. The lore is quite basic, even though the subtle references to feudal Japan are more than present. So you have monsters who want to protect the magical forest, villagers who want to stay alive and work hard to get resources and habitation from nature and some samurai warlord who wants the head of a mythological god or something to become immortal and also some iron from the village. The atmosphere
built is serious and there's a lot of blood and violence going on. Action scenes are kind of realistic since the physics is not deformed and despite having a lot of magic, you can't say the show is innocent or childish. The movie purpose seems to be showing that every side has its interests and that nothing is easily resolved, there are always negative consequences. While that works on a superficial level though, the resolution is actually pretty easy. Yes, a lot of people die, but none of them matter unless you care about the wolves. Both female leaders live and the protagonist also is cured of his problem, you know, so he can meet the girl someday and have children or whatever. There's not too much of infodump and people are not stupid to progress the plot forward. It's overall well written, but it doesn't have that single moment of actual impact in my opinion. Its message is pretty clear, its conclusion felt as magical as the god on the story and well, that's it. Rounded, objective and very well produced. The three protagonists are idealized, mostly the guy that's the male version of Mary Sue. This guy can do whatever he wants due to his illness and is also good and right all the time. Typical from Miyazaki, he never creates a great protagonist, but he makes some decent foils, like Kushana 2.0, aka, Eboshi, that along with San are the only interesting characters in the show. They feel human and real because of their flawed moral. You can sympathize with the old creepy guy, but that's just because he knows some moves. In sum, convenient but effective in the long run. Good as a whole, but didn't hit hard enough at one specific point.
Cinematography - It's very good. The action scenes are among the best I've ever seen. For some reason, the character design of female characters is rather generic while male ones are quite well done. They do a great job at portraying Japan's style and culture through visuals, it's not that easy. Ghibli being Ghibli, I don't see any reason to go further on that. Be sure it's good enough.
Sound - Voices are kind of normal when not forced. I understand monsters gotta have a hell of a different voice, but some men talk forced for no reason. It's cultural I guess. About the silent moments, I appreciate them a lot. Not really silent since there's background music playing, but no one says a word. When the protagonist meets San at the river and they just look at each other, the scene was perfect. He screamed right after but, apparently, he had to. The sound effects are top-notch and the soundtrack is good, but not impressive or special.
1234 - The guy had his arm bitten by a monster and while marked to die developed super strength. That served of course for him to do a lot of stuff that would be simply impossible to make through another method and honestly, that sucks. I don't like magic when it serves to solve problems and when in the end the payoff is convenient af. The guy dodges every arrow in existence from any angle imaginable whenever he wants to. The protagonists survive to a lot of shit that's impossible of going through. Of course, they have to live, so why putting them in such a dangerous situation to begin with? A lot of people die, the village is destroyed but the two main characters are safe and even healed because the forest's god said so. Quite convenient in my opinion. Important characters are beautiful, non-important are not. Quite common in Miyazaki's works, you already know who's the perfect snowflake by looking at him. You already know he's not going to die and will survive to whatever shit he faces. Kind of annoying to be honest, why does everything have to be so pretty when important and/or good? Perfect Blue has a reason to make some things pretty due to its social criticism, but this here is just for the sake of appeal. If the boy were as 'handsome' as the other men in the show I would be surprised, but it's way better than having such a scarecrow boring face.
It's very well-made and offers more than just 'good nature, bad humans'. There's good action, good moments and good characters doing exciting stuff and running for their lives. It's not so impactful or thought-provoking, but it surely deserves to be watched. The End.
Mononoke Hime is a wonderful piece of animation, not only because of its visual beauty or atmospheric seriousness, but because of its ability to connect both grey morality and magical optimistic ambiance. While Ghibli’s other works focus too much on either being shallowly pretty or pro-environment aesopish, this one is the fusion of straight themes and charming epicness. After all, if it is animation then animate. Use your visual creativity to convey messages that otherwise wouldn’t be able of being conveyed.
The story follows a protagonist who’s searching for solutions to some sort of illness he happened to acquire while fighting against a giant hatred-possessed boar.
Among the people he encountered is a warlord whose purpose is to provide shelter and work to the unfortunate who happens to be in conflict with the Princess Mononoke herself, a wolf-raised girl that fights against the humans’ advance towards the forest along with a lot of other entities. Entities that are not very fond of humanity and their greed and disrespect and who’re willing to fight back. However, the conflict extends to not only two sides, but three when another warlord decides to request abusive part of profits from the first one and also wants to achieve immortality by obtaining the head of a certain deity, the Great Forest Spirit. So you have this clash between various sides that are in search for their place in a newly established order. Obviously, not your classical and overused ‘bad humans, poor forest’ since humanity is in fact struggling and at least concerning the Iron City, people are indeed just surviving and trying to fix their problems. Not a mischievous cynical expansion for the evulz, but rather a natural and believable approach on the society, both of humans and animals, that are above everything seeking for their own. Things don’t get better with time and by the end a near-apocalipse happens to kill many, destroying the city and all because of irrational hatred and inability of proper communication. The big message of the movie is about the consequences of a conflict rather than its causes, since as it is obvious we never come to know why and how exactly the problems began. By the end, a massive restoration occurs and while I’m not really a fan of this specific way of ending something, it was foreshadowed that the Forest Spirit’s healing capacities were enough to solve several human conditions, including the aforementioned protagonist’s illness.
As always, you can’t expect from Miyazaki characters below the line of grey personality, at least not the main ones. However, I also cannot expect a not idealized protagonist from him either. Even the flaws of said characters serve only to emphasize their perfection and sense of justice. Mononoke Hime’s protagonist, who’s not Mononoke Hime by the way, is a very skilled, just, kind and smart being who always, always do the right thing. While you can see Nausicaa’s berserk mode revealing her dark side, this one is just too idealized for me. He’s searching for the truth, he gets angry by unfairness and fights back against those who attempt to impede his journey, you know, the basic. You also have the other perfect girl who isn’t that perfect and whose moral code is basically ‘I hate humans, but I don’t kill humans, with exception of that miserable bitch’. She’s a very concerned daughter of a giant wolf and isn’t afraid of doing some parkour within the city where literally every citizen is ready and loaded to blow her brains out with some “high-tech” machinery. However, as always, my favorite is the anti-ideal and usually only understood through time characters, also known in this series as Eboshi or Mononke’s Kushana, call at your will. She’s a strong, independent, smart and confident woman that despite appearing at first, mainly due to her naughty glance and suspicious quási-wicked laugh, your new villainous lady, it is, in reality, the most humane leader of this show. Only a bold charismatic mistress can lead with such success and raise so much loyalty from her commoners. She’s the cause of several deaths and immense destruction, but I doubt you can hate her or merely disregard her reasons to do so. Ignorance is something lady Eboshi easily shares with the other sides of this war, but she’s maybe the only one you can really relate yourself with, since your alternatives are basically animals who blatantly hate humans, some bland samurais whose only purpose was to attack the Iron City and two protagonists who are just an idealized couple of wild kids that’ll not date afterwards. I wouldn’t go as far as saying the show is story-driven, but the characters are just and simple what they were supposed to be in order to carry the plot forward, so there’s no need for extending on this subject.
The animation is beyond just fluid, it’s challenging. Situations not commonly seen, like ghost burning worms growing from a boar’s skin, curving due sunlight and their interaction when characters met their edges. The combat between peasants and samurais, full of blood and maiming, heads floating, arrows flying, hitting and ripping limbs. Violent, but realistic. Best animated parkour I’ve seen, weight calculated and balanced by the show’s own rules of physics and ingenious choreography that makes sense and whose speed resembles reality. So, as you can see, both through fantastical unimaginable or extremely loyal to reality’s situations, the show establishes of seriousness not commonly seen in anime. It’s not the only atmosphere they want to establish though. This is a japanese movie that does justice to its origins and represents well enough the environment of a feudal setting from early Japan, the guns are faithful to reality since there were indeed machines just like those at the time of 15th and 16th centuries and even the furnace is perfectly depicted within the boundaries of reality, since it’s almost exactly like a real furnace of its time. I’m amazed by their capacity of joining such a realistic approach upon magical phenomenons without losing grasp or charm throughout the entire film.
While the soundtrack may not outstand itself that much, it’s cool, I gotta praise the sound effects utilized, they’re simply gorgeous. I don’t think most people are used to the natural sound of an arrow cutting the air and entering gently inside a piece of wood or even the ground, but those who are will notice how faithful and varied is the usage of it in this movie. I don’t know if every arrow has its distinct sound effect, but it seems that way. Also, steps on the roof of houses, cannon shots, blades colliding, the furnace in operation, every small thing contains a specific fitting sound and that only demonstrates the amount of effort that was put into this. I honestly liked more the silent moments where everything you can hear are the sounds of nature or heavy machinery or whatever, than the soundtrack. The latter is very good, but the good you are already used to. Nothing earworming like Nausicaa for example, just the classic Ghibli composed tracks of piano and violin, maybe a flute, I don’t really remember since I wasn’t that captivated by it.
So, besides the aforementioned idealization of characters and I must add, the fact Miyazaki really likes beautiful characters and by their beauty you already assume they’re or aren’t going to die, this movie is enough on its own to easily surpass mediocrity and strides towards the top of animated movies with its clever usage of animation, imaginative and at the same time faithful setting and scenarios, and serious grey story where things are not easily dealt with. As a matter of fact, there’re some annoying plot-armor moments and god, the protagonist will dodge every arrow imaginable from whichever angle possible. Also, the goo at the end is apparently simply unable of reaching them unlike everyone else, which is funny. Its conclusion is similar to Nausicaa movie’s one in many ways, and that’s not actually good since things get easily resolved after all. It’s not like Nausicaa’s manga for example, where Miyzaki was super inspired and represented so many things in a short amount of time with so much success and whose conclusion is beyond thought-provoking. So overall, great movie and very recommendable.
Throughout the months and days that I have been reviewing animes, I have been reviewing anime shows and OVA's, and I just previously reviewed one movie which would be Resident Evil: Degeneration. I will say that I was not originally planning on reviewing this movie this time around. I was actually hoping to do a series of reviews of Studio Ghibli films someday. This review was actually requested by a good friend of mine and today just so happens to be her birthday. She did not request the
Resident Evil: Degeneration review, I threw that review in as a little "Tribute" review since she just started getting into the Resident Evil series and encouraging me to cosplay as Albert Wesker at Aki-con which is an anime convention in Bellevue, Washington which isn't too far from where I live. She did not suggest the Wesker cosplay, it was one of my other friends. My trip in that convention was 20% badass. Yeah, I just used the 20% Cooler meme from My Little Pony: Friendship is Magic except I twisted it around, and yes...I'm a Brony, deal with it. Just so you know, I am not one of those super-obsessed fans of the show but I actually enjoy the show because of its humor. I consider myself a "Brony" because I will admit that I am a fan of the show, I'm what you could call a "Normal Brony". I think enough has been said for this intro of mine, my friend wanted me to review this movie on her birthday and I shall begin the review of Hayao Miyazaki's epic masterpiece...Princess Mononoke!
Somewhere in Japan, a rampaging boar-god is heading towards a villiage and the confident young warrior and prince Ashitaka defends and protects his village. In the process, he is hit with a deadly curse and is told to leave his village. To save his life, he has to journey to the forests in the west. Once he arrives there, he gets involved in a fierce conflict that humans are waging on the forest. The ambitious Lady Eboshi and her loyal group use their guns against the gods of the forest and a brave young woman, Princess Mononoke who was raised by a wolf-god. Ashitaka sees the good in both sides and attempts to stem the flood of blood. This ends up with both sides showing animosity towards Ashitaka as he supports both sides. An epic battle that the humans will never forget ensues and the fate of the world rests on the courage of one warrior.
To be technical, this is a Studio Ghibli production and stating the obvious could not be avoided here. This film shares quite a history that I will love to dive deep into. Princess Mononoke is a film that was 4 years in the making, it was also the most expensive Japanese animated film at the time which was more expensive than the 1988 landmark anime film Akira. This was also the final Studio Ghibli film to have hand-painted animation cels. It was also the highest grossing film in Japan before being surpassed by Titanic. It also won Best Picture in Japan while being the first animated film to ever win Best Picture in Japan. Princess Mononoke was declared by Miyazaki-san that it would be his final film before he went into retireme...Oh wait, he never retired yet. I guess Miyazaki-san changed his mind at the time. Princess Mononoke has been highly regarded as Miyazaki-san's masterpiece and magnum opus and I can obviously see why. This is the pinnacle of Miyazaki-san's career and by far the most environmental film that he has ever made. His other films have some environmental themes thrown in but not as heavy as Princess Mononoke. This is the film that we can assume that he always wanted to create and the film that is closer to his heart. This is the only Miyazaki movie that is not really meant for a younger audience. Sure, there's violence in the movie as well as some blood and gore. Not only that, there is also some mature themes that are thrown into the movie as well. Even if parents are okay with the idea of having their children watch Princess Mononoke, there are a lot of things in this movie that kids wouldn't respond or understand too well. It has a complex story that has mature concepts that are mixed in a blender with a big weight on subtext and has great depth in writing that is made by the same man that gave us the cutesy magically charmed animated beloved classics such as My Neighbor Totoro and Kiki's Delivery Service. This is a man who happens to be an environmentalist, a pacifist, and a feminist. I think us otakus know full well that this is present in all of his films. Princess Mononoke is obviously an environmental film that might as well be called an environmental epic. The reason I consider it to be an environmental epic is because the atmosphere in Princess Mononoke (in a metaphorical sense) brings a lot of wonder and mysticism as well as having a vast landscape with vivid imagery that I think all people that watch movies can appreciate the extremely detailed animation in all its beauty. I think we can all agree that all the Studio Ghibli films are gorgeous. Princess Mononoke is so well detailed with a sense of realism in the ancient fantasy world that is shown in this film. The production value somehow bolsters and supports the writing (strangely enough). Even though the setting is in an ancient fantasy world, the realistic aspect is that it has a conflict in a world that could reflect on our own. With all the background info on the animation said, Here's what I think of the animation. It is beyond gorgeous, It is the most majestic and breathtaking film that Hayao Miyazaki has ever produced. Every scene from beginning to end is a visual tour de force and a Thanksgiving Dinner to the eye. It is so well-detailed which it comes to no surprise as to why this is considered Miyazaki-san's masterpiece and magnum opus. This is a real treat to animation lovers and otakus alike.
The music by Joe Hisaishi compliments every scene in Princess Mononoke and is a great listen without the movie. If Miyazaki-san is compared to Walt Disney, I guess it could be fair to say that Joe Hisaishi could be compared to John Williams. Walt Disney was a wonderful animator in the U.S. and Hayao Miyazaki is still a wonderful animator in Japan. Joe Hisaishi and John Williams are also wonderful music composers as well in their respective countries. The music is beautiful and always makes the worlds that Miyazaki-san creates feel magical and wonderful. Joe Hisaishi is a very talented composer and is easily one of my favorite composers in anime alongside Yoko Kanno, Shiro Sagisu, and Taku Iwasaki. Princess Mononoke is one of his more recognized film scores but the music Princess Mononoke has adds up to the "majestic" quality that this film has.
The Japanese cast performs quite well in this movie and I should point out that you'll get a better understanding in cultural settings as well as Japanese mythology (possibly religion too) if you watch this film in subtitled form. The Japanese cast is well casted in this film. Yoji Matsuda is terrific as Prince Ashitaka, Yuriko Ishida has a believable voice as San, Yuko Tanaka is great as Lady Eboshi. I think I know what you're thinking. You are probably wondering what I think of the English Dub of Princess Mononoke. Before I tell you that, I will share some background info on the dub which is somewhat relevant to what I think of it. Back at the time that this movie was picked up in the U.S. Disney had a thing where all the Studio Ghibli films would be licensed and distributed stateside by Disney. Disney decided not to pick this movie up because of its content and everyone knows that Disney is known for its family-friendly flicks and most of the crappy TV shows they have on their channel. Instead, we have Miramax Films which is a subsidiary to The Walt Disney Company that picked up Princess Mononoke and the English Dub is often the most debated in all the dubbed Ghibli films. While Princess Mononoke was picked up, Harvey Weinstein who was the chairman for Miramax at the time (or still is) gave the ADR voice directing role to Neil Gaiman, for those who are literary buffs out there, it's that Neil Gaiman. I've never read any of his books but he has written some fantasy books in the past and even wrote with Terry Pratchett on the book Good Omens, If you don't know who Terry Pratchett is, he is a fantasy writer best known for the Discworld books. Anyway, Since Neil Gaiman wrote some fantasy stories, it's probably safe to say that he knew what he was doing while writing the adaptive English script of Princess Mononoke. The end result leads to Princess Mononoke being one of the best dubs for a Studio Ghibli film and probably the best of the Ghibli dubs. Before you go all angry on me, let me me explain. First of all, the dialogue in the English script is spoken well because Neil Gaiman really appreciates the beauty of the English language. Secondly, the dub is performed extremely well. I know that Princess Mononoke has the most debated dub in the Ghibli films so let me explain right here and now. I think most people agree that Billy Crudup is an excellent Ashitaka and you can tell because he sounds like he's extremely invested in the role too. Claire Danes as San is one of those performances that people debate over and I understand that but her performance was great. What I think people don't like is how her voice sounds, I think what people tend to see towards San is that she is some kind of brave leader and she didn't sound like that at all. Claire Danes' portrayal of San is angry, immature, and upset and that's San's character. I honestly can say that I got used to Claire Danes' performance in the dub. Minnie Driver is terrific as Lady Eboshi because she has that confident sounding voice which she pulled off quite nicely. She sounds like someone you could trust. Another debatable role would be Moro which is voiced by Gillian Anderson in the dub while Akihiro Miwa voices her in the subtitled version. The reason this role is debated sometimes is because the voices sound different from one to the other. That is because Moro's seiyu is male and Moro has a male voice. The reasoning for this is because according to Japanese Mythology or Spirituality, Wolves are considered one of the most divine animals and would always speak in a male voice typically. This is why Moro has a male voice in the Japanese version. This is not the case for the dub because it might have not made any sense to us Americans but Gillian Anderson is also terrific as Moro. No one has said a bad thing about Keith David as Okkoto and I guess that's somewhat good because Keith David was also great as Okkoto. The last debatable dub role that I haven't mentioned yet is Billy Bob Thornton which he really is a great actor, but I completely understand where people are getting at with Billy Bob Thornton as Jigo (Jiko-bo in the Japanese version). I will admit that he was great as Jigo but he sounds a bit different than Jigo's seiyu. Some say that Billy Bob Thornton does not fit the Japanese intent of Jigo's character. Jigo is a well-written character that even though he is a bit of a corrupt monk but some other characters trust him and Billy Bob Thornton has that kind of voice that sounds like you could trust him, that is until later in the movie. There are some nice extras in both versions. So here's what I think of the dub, even though it's the most debated dub of the Ghibli films, I think it is performed extremely well even if some characters sound a bit off. I really like the dub to Princess Mononoke, I also like the Subtitled version as well so this is a movie that I like both versions to.
As far as characters go, there are quite some interesting ones. Prince Ashitaka is a young confident warrior that is trying to save his own life while trying to simmer down the hatred between the humans and the beings of the forest (which includes San). San is portrayed nicely because even though she's human, she is raised by wolves and she is obviously trying to defend the forest because it is technically her home. She does have a hatred towards humans even though she's human herself and that made her quite a fascinating character. Lady Eboshi on the other hand is kind of a villain-ish character but she is not completely evil, she's actually compassionate towards people who are defenseless, which is ironic to say that least since because she brings ruin to parts of the forest. Jigo is a well-written character and there's really not much I have to say about him except for that I thought he was nice until he ended up being a bit of a corrupt monk unless I've spoken wrong about the whole "corrupt monk" thing. Moro is interesting to watch since she's one of the spirits of the forest (Wolf-God, Wolf-Goddess, whatever she is.) Okkoto was another character I thought was interesting because he's sort of a key character later in the movie. If Toki was the comic relief character in the movie, her character was good enough for that.
When it comes to the story, this has to be the hardest thing for me to discuss because there is so much to talk about when it comes up to the story of Princess Mononoke, it is such a complex tale. I've said earlier that this movie is a visual tour de force and a Thanksgiving Dinner to the eye, that does not mean that you need to turn your brain off at the same time, OH, no, no, no, no, NO! You need to pay attention while watching this film because it is a bit complex and for good reasons. There is a lot going on. What is portrayed well is nature itself. Not only is environmental nature portrayed well, human nature is also portrayed quite well. What really is quite effective is that there are no villians in this movie, Lady Eboshi is not a villian in Princess Mononoke. She is doing a little bad just so she can help her own people. This is the kind of movie you can really sympathize with the characters for whatever society or some people think is "Bad" because this movie really wants you to think that they deserve to exist as we do. That is probably the strongest element in the movie and it is enough to get the message of the movie across because nature isn't pure good and we are not pure evil and not taking over the defenselessness of nature and we are not being at fault for doing the wrong thing by nature either because nature isn't completely defenseless but neither is in a position of moral superiority. It just exists, like all of us. If there are any flaws that some people address that I really don't see a flaw to would be Prince Ashitaka from beginning to end. I've read some comments somewhere that Prince Ashitaka sort of comes out of nowhere and has no character traits except for the fact that he falls in love with San while being the bridge that will bring the two worlds together since San is from the world of the Forest Spirits (in a metaphorical sense) while Ashitaka is in the human world. To be honest, there is a bridge between the two. Ashitaka is not necessarily from the human world either. He's not a force of pure good at all and there is not force of pure good or pure evil in this movie at all. Everything Ashitaka does is just so he can survive. He is the last of his people and he is also the hero because he has to be the one to save his own life. If this still hasn't convinced you yet, let me make it clear then. If he didn't have that curse in his arm, he would've been a boring chararacter. He has valid motivations, he has desires to kill, he can get angry, he does fall in love. He is a believable character if you pay attention. He also brings an interesting weight to the story thematically. There are these two polar forces that are going at eachother which we already know is Lady Eboshi's group and the beings of the Forest. Both are not sides of pure good or pure evil and you have these bridges that are between them. Ashitaka is that bridge, so is San. It is sort of brilliant in a thematic way. San is the brave warrior of the Forest Gods but she's not really one of them, that is why she's the bridge. Ashitaka is a warrior for the human side but sort of isn't one of them either. The Japanese people portrayed in this story aren't really his people because he's the last of the Emishi people and he is trying to survive on his own by associating with these people that drove his tribe out and they eventually went extinct (what I'm saying is a part of Japanese history) Ashitaka does not have a direct reason to help the human side although he sort of does, the same goes for San as well, she's human, so she shouldn't really be trying to kill one of her own kind, but it's not hers. When it comes to both sides, they are the last of their kind or maybe even the only of their kind and they are trying to survive and exist. There is an extension of a pure force on either force that cannot link together and cannot reconcile as well as a force that can't achieve balance. The key to balance in both of them is an impartial member from both sides that come together to solve the issue. All out of the need to survive from the individual, to the group, and to the force at large which really can be the essence of balance which is kind of the need to push forward and continue to exist. Ashitaka was a fascinating character to me. Now that may be a complex subject to swallow but this does all add up to a fascinating story that can make you root for both sides which is one hell of an accomplishment. It also touches on the human condition in such a unique way. As a humanist myself, I think it's safe to say that human nature has some part in all that which Princess Mononoke does portray. There's so much more to this movie than meets the eye and that's the one thing I truly admire in this movie. I tip my hat to Miyazaki-san for being blessed with such talent and showcasing his masterpiece which is this film.
Princess Mononoke is available from Miramax Films
With all that said, Princess Mononoke is a film that has a fascinating story with well-written characters, spellbinding music, and majestic animation. This is undeniably one of Hayao Miyazaki's best films since it has been critically acclaimed that even films critics such as Roger Ebert gave praise towards Princess Mononoke. I consider myself an unofficial critic and I've already gave enough praise towards this film. This is a movie that I can watch over and over again and not really get tired of it. There's always something new that I learn with repeated viewing. This is a movie that I really don't see anything at fault. It's for environmentalists, animation buffs, and otakus alike. I have almost seen all of Hayao Miyazaki's films and out of all of them, Princess Mononoke is my favorite Miyazaki film. If you haven't seen this movie, you must see it. Some will tell you that it is incredible, some will say it's gorgeous. What I can tell you is that it is an unforgettable experience
I give Princess Mononoke a 10 out of 10, it is a MASTERPIECE!
Feel free to leave a comment and try to live your life to the fullest.
Mononoke Hime is a 1997 Studio Ghibli film written and directed by the legendary Miyazaki Hayao. It's also frequently brought up alongside Nausicaä & Spirited Away as one of Ghibli's classics. Does it hold up as well as those two films? Let's take a look.
We open in a small village coming under attack by a demon God, which looks kind of like a boar covered in small, squat tendrils. In order to protect his people, Prince Ashitaka rides into action. He manages to stop the rampaging beast, but its tendrils grasp his arm, leaving a scar that won't abate and continues to increase in
size. He's told that it's curse and will eventually claim his life. So, his people send him out into the world to try and find a cure while examining things with unveiled eyes. It doesn't take him long to encounter a situation where the people of a prosperous little town seem to be at war with the creatures of the forest, including a girl who lives with the wolves as one of their own.
I can't really criticise anything about the narrative in this film. The pacing is perfect, using slow and atmospheric scenes as well as more tense action scenes effectively while striking a good balance betwixt the two. The major theme concerning humanity and how we interact with the environment is superbly handled, aided by the fact that the opposing sides are both portrayed as sympathetic and as having some validity to their viewpoints. While our main protagonist tries to encourage a balanced approach. The scope itself is also really grandiose, in spite of most of the action occurring in one city and the adjacent forest. The climax is excellent, with a pressing problem and our heroes being very much on a timer, which helps make it a very intense experience. I also appreciate that not everything gets wrapped up. We're ultimately shown a situation that's going to require more work but it still ends on a satisfying note in spite of that.
The characters are about as expertly done as you can get. While it is true that the side characters are less developed, they still have verisimilitude. You can very much look at them and see them like actual people. I also do like that all the major characters have sympathetic aspects to them,. They all have things at stake that they don't want to surrender and there are compelling reasons for them to not just sit down and come to a compromise even though it would ultimately be to their benefit to do so. Having an outsider like Ashitaka as the main focus character allows the film to examine both sides of the conflict and see that balance in a way that the characters involved in it can't. I also do love San and her lupine family. A lot of works centring around a “feral” child raised by animals will focus on the more beastly aspects but this one shows a lot of the tenderness and love that you see from actual wolves when they interact with their cubs. Which also, in an odd way, lends a very human element to it.
The artwork and animation are fantastic. The world the film creates is lively, vivid and even sublime. The backgrounds are really well detailed. The fantastic creatures of various varieties are fascinating and just have amazing designs. The animals and people are nicely detailed. The action sequences are awesome. It's just an excellent looking film. Which isn't all that surprising given that Studio Ghibli is known for their superb artwork. Even the films of theirs that I wasn't fond of have had amazing animation.
The vocal work was really well done. Ishida Yuriko, Matsuda Youji & Miwa Akihiro in particular just gave outstanding performances. The music composition was handled by Hisaishi Joe, who also worked on the music in Ponyo, Howl's Moving Castle & Spirited Away. His work in those was all very well done and pleasant, but this film might have the best I've heard from him. The compositions are stupendous and really add to the atmosphere.
There isn't any. What little romance we get is het.
Mononoke Hime is just fantastic. The atmosphere, story, characters, artwork, music and acting are all excellent. It absolutely deserves a spot among Ghibli's finest films. My final rating for it is going to be a 10/10. If you want to see a fantasy film with some amazing action & a nuanced approach when it comes to its environmental themes, I highly recommend it. So, that's it for film festival week. Next Wednesday I'll return to my weekly schedule with a look at Terra Formars: Revenge.
I feel as if i wasted 2 hour of my life watching this but I will try to review it fairly...
Ok, it wasn't too slow moving and it wasn't too quick, bonus points for rating. It had a nice sort of nature vs ironforge vs empire sort of story. It wasn't simply good vs evil, nature and ironforge both had their fair points to war, bonus points. The princes adventure... fair story... But I think the biggest let down was my expectations of the whole..."The Star Wars of animated features" and besides that the cool action sort of action style cover...yea...I can no't recall more
than 30 seconsd (out of 2 hours 14 minutes) of decent action footage, nothing worth remembering except when he was first cursed and his first fight scene. Being generous because it was a decent fantasy adventure anime... 7 out of 10. Oh and for the record, my opinion, this was more like lord of the rings without as much action.
The art was nice and a few nice scenes, animated well but could've been better 9 out of 10.
The sound went well with the movie although I feel the music could've been mor emotive it was a slight let down...compared to some anime i've seen this anime made me feel emotionless except for the kawaii wolf girlie <3
Ok well I think this is the one section that shines out on the anime as a whole, the character development seemed well done and they came along way to become slightly different people by the end of the anime. Yet again for a fantasy adventure i think this should've been a little more emotive...there was a possible love relationship going on too which could've added a little more depth to the characters overall effect on the anime.
I enjoyed what was happenning but when it ended it all hit me like...wtf did i just watch? That was meant to be an animated star wars equivilent? NO WAY!!!
Looking for a good action flick? Go to TOKKO, FF Advent children, or Sword of the stranger because you will be greatly dissapointed here.
Fantasy Adventure fans? I don't think you should miss this providing you don't expect it to be any comparison to star wars...on the whole ill give it a 7 out of 10.
I believe Princess Mononoke can be underrated as one of studio ghibli's films. Although movies like Spirited Away and Howl's Moving Castle are great, Princess Mononoke gives a different vibe that deals with the battle between man and nature. I really fell in love with the characters; San who tries to protect the forest along with her wolf tribe-family, and Ashitaka who takes no sides and wishes for peace. There's definitely scenes that I found scary as a child, but even now I'd get goosebumps when the movie takes a darker turn. I think the music fits well with the movie as it should, rich
and full as it should. I watched it dub my first time, which I honestly think isn't bad and I still watch it dub to this day, depends on your taste though. Overall, Ashitaka's journey is definitely one to follow!
Princess Mononoke was the second Ghibli Studio I ever saw, and to this day remains one of my most favourite works of all times and styles.
A cross-story of love and hate, nature and humanity cohabiting or failing to do so. The story of the wolves and the spirits of the forest is halting; their determination to fight, each of their respective personalities and their respective decisions as to HOW they will fight, were halting. The Mother Wolf fighting to protect her young ones, her forest, her home, despising the humans and then finally handing her only daughter over to one of them, handing her home
and thousands of lives over into the hands of one boy...
And a human's struggle, far away from home, with the thing that consumes him, while never fully designating the thing consuming him as 'bad' or 'evil', because he wants, desperately, to understand the suffering that his world is going through. His compassion, his insight, his aspirations, his views on justice...
Flawless pacing, haunting sound effects and music choices, perfect character development, outstanding art...
A spiritual journey, a beautiful trail to follow. In my mind, a work of perfection.
Princess Mononoke is going to be difficult for me to talk about because it is such a perfect film. Probably Miyazaki’s magnum opus.
This is not to say that I favor Princess Mononoke over the film that would follow, Spirited Away. That film is Miyazaki’s other magnum opus. What I mean is that in looking at Hayao Miyazaki’s work, his ability and interests range from grand-scale, mature, fantasy epics in which the theme of man versus nature is the centerpiece to wonderland through the eyes of a child in which the child learns to grow and mature and come into their own
as a result of their journey. The latter is fully realized by Spirited Away, while the former attains perfection in Princess Mononoke; they’re two completely different but equally wonderful movies. Honestly, I really do consider these to be his best films-- they’re my two favorites-- and it’s hard to see how he could possibly outdo either of them, especially given the more lenient work schedule he’s allowed himself as he gets on in age.
With all that said, Princess Mononoke is the last of it’s kind for Ghibli-- the last to use hand painted cells; it was also the most expensive animated film in Japanese history, and won best picture in 1998 for Japan’s Academy Awards (this was a very big deal, in the same way Beauty and the Beast’s nomination for best picture in the US in 1991 was a big deal; animated features were just never considered to be contenders in this category, so it really speaks to the greatness of both films to even be nominated, much less win, when the notion was unheard of at the time).
Princess Mononoke is also the spiritual successor to one of Miyazaki’s earliest works, Nausicaa. Whereas I could never get behind the first film on this list because of flaws in both the characterization of the protagonists and the villains as well as the way it approaches the conflict of man versus nature, Princess Mononoke not only fixes all of those elements but also improves upon them in a way that propels it to ‘masterpiece-status’.
Musically, again, Joe Hisashi is a powerhouse composer. Aesthetically, like Spirited Away, I think a lot of the appeal comes not only from Ghibli-quality animation, but because the integration of Japanese elements and mythology just allows for spectacular visuals and characters. The wolves, the pigs, the forest deity-- all perf.
The other problem, the conflict of nature versus man. Instead of being an issue of extreme good v. evil, in which Man is bad just because they are and Nature is divinely just and good and victimized because Man is just so evil, Mononoke achieves the balance between the two. Man and Nature are two opposite but neutral entities which inhabit the same space, and as such, inevitably come into conflict. However, both are justified in their arguments against the other, so there is no ‘right’ answer. There isn’t an inherent victor or loser of the conflict; these are two forces of equal magnitude acting in opposite directions. Not only does this make Mononoke a less conventional story, but a more thought-provoking and mature film. This, more than any other Ghibli movie, breaks the stereotype in the West that animated films are meant exclusively for children; not just because it is violent, but the content is so elevated above good and evil, it’s not really suitable for children on any level.
This film just proves that Miyazaki is a master of his medium, can actually write a mature and subtle commentary on conservation and environmentalist themes, and possesses a profound understanding of everything that goes into good storytelling. All of Hayao Miyazaki’s movies are masterpieces, but this one is really is the crowning achievement.
Miyazaki has got be one of the greatest filmmakers of time. Not just anime, but films in general. Without a doubt, definitely in my top 5 directors of all time along with Scorsese, Kurosawa, Hitchcock, and Leone. Including Spirited Away, Princess Mononoke is one of his masterpieces. The plot here is about our main protagonist, Ashitaka, trying to find a cure for a curse given to him by a boar god, after an attack on his village. During his journey he meets a monk named Jigo, who tells him that his best chance to rid himself of the curse is to seek out
the Great Forest Spirit. Later on, Ashitaka eventually gets caught up with a conflict between a town and the guardians of the forest. Now this is one of the many great aspects of Princess Monoke; there are no good guys or bad guys. Both the forest gods and the towns people, have justifiable reasons for why they are involved in this whole situation. No character here is down right evil nor good; each one has their own faults and setbacks. The film very much explores the grey areas of morality(similar to Clint Eastwood’s Unforgiven). Through out the movie, you’ll question who here is right and who is wrong. Which perfectly adds a layer of depth and complexity to the plot; so yeah, this definitely isn’t your conventional narrative as expected from an innovator like Miyazaki. To top it off, the narrative is filled with fantastic action and stunning set pieces; so there isn’t a dull moment. Thematically, Princess Mononoke mainly delves into the theme of man vs. environment, a trademark of Miyazaki directorial style, and I got say that he handles it most effectively here. In regards to the score, it doesn’t disappoint. A lot of it is orchestrated which fits in perfectly with the epic scope and grandeur of the film, complementing the tone and atmosphere of the experience. In terms of production values, Studio Ghibli delivers some of the most breathtaking animation that you’ll ever see as always; seriously, this film is an orgasm for the eyes. With the art style included, from the beautiful panoramic shots of the landscape, to the well choreographed action sequences, to the character designs, it’s pretty much perfect. Oh, and I almost forgot to mention the CGI. Originally, when I first watched this film, I was shocked when I found out that it actually incorporated CGI. I mean, they did a magnificent job of blending both traditional hand drawn 2D animation and 3D CG. This, in my opinion, is how CGI should be done when it‘s put into anime. It shouldn’t stick out like a sore thumb. CGI should be smoothly incorporated when being used simultaneously along with 2D animation. Just pay close attention to the scene where Ashitaka took out those group of bandits after he had receive the curse, and you’ll see what I mean. Overall, this is a mandatory viewing for not only anime fans but film buffs as well. It’s a personal favorite of mine and I highly, highly, highly recommend it.
First off all, my FIRST Review ever and I would like to say: This was EPIC!
This Anime Movie is produced by Suzuki Toshio and directed by Miyazaki Hayao. Same couple that directed and produced the award-winning Spirited Away, and How's Moving Castle. This couple, have blessed us with the best and most known Anime Movies ever. And I'm personally very grateful for the experience I get from watching these.
The story was amazing, unique, exciting, warm and also, a little traditional.
It is Action, Adventure, Fantasy genres. I would say minor Romance as well.
Humans, spirits, demons, and conversations between them.
It's about a young prince (Ashitaka)
that haft to leave his village to save his own life from a curse.
On his journey, he meets a beautiful young lady that thinks she is a wolf (San) and lives with the wolf tribe. She wants to protect the forest and the forests spirit from being destroyed. And she hates Humans because of it.
By doing so she lives until the death of a Woman who runs an Iron-forge (Lady Eboshi), near the forest that destroys the forest for the need of Wood to make Iron so they as well can survive.
Story continues with battles of greed, love and survival. Ashitaka need to find the God of the Forest to cure his wound that threatens his life. San wants to kill the Lady Eboshi so she can save the Forest from dying. And it gets complicated because of Ashitakas pure and kind heart that makes him want to save simply everything and everyone.
Art: I give it a 10.
The Art is amazing for such an old movie that aired for the first time in 1997. It's well made and I like ghibli as they call it, I would say old school anime, because it looks so much more natural, no extreme colours or eyes or hair. It gives the environment and everything a more realistic feeling. Its very smooth looking and beautiful. The evil creatures look horrifying and as in the movie they call them Demons and it doesn't look anything but demonic. Great art.
Voice acting amazing. Its natural and smooth and nothing sounds fake or bad even when they are talking to animals. There is good emotions in this movie and I can very easily feel sympathy.
Music is amazing, it gives awesome atmospheres and fits so well to this. None the less from Joe Hisaishi that made made the music and theme for this. Aswell he did it for Spirited Away and Howl's Moving Castle.
Great characters. Ashitaka is compassionate, loving and caring. Even when his life is sure to end by a curse he got from defending his village, he lives on and tries his best to help others.
San, a human living in harmony with animals and nature. Something we can relate to in a few ways. She is assertive and asks no questions when it comes to the well being of the forest and her tribe. As shown by her will to kill Lady Eboshi.
And Lady Eboshi, takes leadership as a man and at the same time shows compassion. She helps those that everyone is afraid of to live a good life. She shows her bad sides when she wants to take her compassionate side to a whole new level. Which makes the forest and animals suffer. She cares for humans, but not the nature and animals.
Everyone else of the human characters are simply human. Doing their best to live a good life and cares for their loved ones.
It's a good balance with good and bad people. Though no one is truly evil in this movie.
This movie is superbly great for anyone who just want to watch something that will grab your attention. Or for anyone who wants to go deep in to the story and emotions which is displayed.
I personally love this movie a lot and I like the main male characters personality a lot It's very enjoyable to see such pure fighting hearts and it's wish able that such would exists more.
I saw this movie actually for the first time 2 weeks ago. And i've already seen it 5 times and can easily go watch it again.
Overall: 10. This is a masterpiece.
This is a great movie and I cannot find anything at fault with it. Great fantasy story with lovely emotions and story. It has a slight romance and comedy as well to just fill that little hole that made this a masterpiece.
Also, I didn't realise I had misunderstood a part of the ending until the third time watching it.
Since this is my first review people may think negative about this review. But I chose ofc my absolute favorite for my first review and it's bound to be 9-10 ratings. And this movie is already on top 10 list.
I'll make this review short and sweet. This is my favorite Ghibli film by a mile. I have only seen 2 others - Spirited Away and Howl's Moving Castle. This one is my favorite. It is the LOTR of anime for me.
The only thing not really 10/10. The story isn't really original. It is the same as Avatar (the "blue people" movie) or really any story about humans encroaching on nature. But that isn't to say it is well told. The fantasy elements bring a nice touch and the story never drags.
Not necessarily a 10/10 for today's standards, but this art does stand
up really well for its time. As with any Ghibli film, so much attention is put in the details. The characters were designed really well and the whole world put a spell on me.
THE. SOUNDTRACK. OMG. This is one of my all-time favorite soundtracks ever. From the beginning, it reminded me of playing Zelda (although I guess it should be the other way around). The music really makes this movie and it has not aged a bit.
You will see some other reviews point out how stoic the main character is. How he is heartless to the point of having no emotion. I love this. He is a strong character and a smart one too. As is the girl, San. There is no bigger turn off for me than a weak character and this movie has none of it.
I was in a trance from beginning to end. A state of euphoria, if you will. This is one of the most enjoyable movies of all time for me.
This is the LOTR of anime, please watch.