Kemonozume

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Alternative Titles

Synonyms: The Beast Claw

Japanese: ケモノヅメ

Information

Type: TV

Episodes: 13

Status: Finished Airing

Aired: Aug 6, 2006 to Nov 5, 2006

Premiered: Summer 2006

Broadcast: Sundays at 00:30 (JST)

Producers: WOWOW, Imagine

Licensors: None found, add some

Studios: Madhouse

Source: Original

Genres: Action, Avant Garde, Horror, Romance, Supernatural

Themes: Adult Cast, Gore, Mythology

Duration: 23 min. per ep.

Rating: R+ - Mild Nudity

Statistics

Score: 7.36¹ (scored by 19,909 users)

¹ indicates a weighted score.

Ranked: #2425²

² based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.

Popularity: #2466

Members: 75,303

Favorites: 482

Resources

AniDB

ANN

Synopsis

Creatures known as Shokujinki have been secretly living alongside humans for hundreds of years. Though they may look like humans, Shokujinki are able to transform into uncontrollable beasts with gigantic claws and consume humans to survive. The equally secretive Kifuuken dojo specializes in killing Shokujinki by cutting off their arms, and is the only force preventing unchecked Shokujinki domination.

Toshihiko Momota, the son of the leader of the Kifuuken, is instantly charmed by a mysterious woman named Yuka Kamitsuki. Their relationship is complicated, however, because unbeknownst to them both, Yuka is a Shokujinki and Toshihiko is sworn to kill her. Meanwhile, the Kifuuken is having a crisis of confidence as Toshihiko's brother Kazuma pushes against tradition and tries to modernize the Kifuuken. As emotions are strained and the secrets of both the past and present are revealed, who will live, and who will be eaten?

[Written by MAL Rewrite]

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Background

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More characters

Characters & Voice Actors

Kamitsuki, Yuka

Main

Shiina, Hekiru
Japanese

Momota, Toshihiko

Main

Kiuchi, Hidenobu
Japanese

Saru

Supporting

Ooba, Kyuutarou

Supporting

Utsumi, Kenji
Japanese

Ooba, Saiji

Supporting

Gouri, Daisuke
Japanese

Kakinoki, Rie

Supporting

Kakinuma, Shino
Japanese

Momota, Kazuma

Supporting

Yoshino, Hiroyuki
Japanese

Momota, Juzo

Supporting

Hazumi, Jun
Japanese

Hoozuki, Shin

Supporting

Katsu, Anri
Japanese

Hoobari, Gakuto

Supporting

Yanada, Kiyoyuki
Japanese

More staff

Staff

Ogisu, Hirotsugu

Producer

Yuasa, Masaaki

Director, Episode Director, Script, Storyboard, Key Animation, Series Composition

Nakajima, Toshihiko

Sound Director

Yamamoto, Sayo

Episode Director, Assistant Director

Edit

Opening Theme

"Auvers Blue" by Katteni Shiyagare

Edit

Ending Theme

"Suki" by Santara

Reviews

Nov 30, 2023

bergars

Recommended

I'm always intimidated by anything Yuasa directs.

It's weird. Everybody complains about this being Romeo and Juliet with a new coat of cannibal demon paint. That's absolutely why it's so great to begin with. The concepts of impossible love are those which explore the limits of human emotion. What would you do? Happiness is beyond a threshold that requires a sacrifice. No going back, and it's all for another person who's doing the same. Accelerating, passionate, brutal, bloody, filled with comedy, mess-ups, mistakes, and most of all, the horror of leaving life behind for somebody you're just getting to know.

First thing I gotta acknowledge, holy ...

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Jan 27, 2024

MxS7HGS

Mixed Feelings

Kemonozume serves as a grand experiment in both animation and narrative. The storyline initially establishes a firm foundation, evolving into a suspenseful romance with a rapid influx of plot twists soon after the introduction. Yet, it is akin to a perplexing mind-bender, albeit in reverse, once it undergoes a narrative whirlwind. Allow me to elaborate. A compelling mind-bending show usually starts with a relatively comprehensible premise, gradually intensifying the mystery and dropping subtle clues, possibly enhancing the viewer's confusion, until everything clicks into place at the climax. However, this show resembles a fusion of FLCL, Saikano, and Higurashi: commencing as incredibly bizarre yet comprehensible, it ...

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Aug 3, 2023

CaptainKenshiro

Not Recommended

Although rare, Masaaki Yuasa has some misses among his works, and Kemonozume is one of them. It was the only important show of his left for me to watch and I was surprised with how bad it was, considering he made it between Mind Game and Kaiba.

The premise isn’t very captivating, it’s Romeo and Juliet with human swordsmen and monsters, that’s it, and I couldn’t even buy the way it’s presented, I don’t believe in love at first sight, attraction? Sure, but love? Nah, which is why I never bought it in fiction either. It’s even harder to accept it in here because the ... two main characters just find the other in the beach and the next day they are already fucking, and that’s what the relationship between them is mostly about, having sex. Other than that, other forms of interaction between them are quite short or cut off by an action scene, no letting the viewer to really buy or be invested by this relationship. It’s even worse when you consider that the main character was a diligent man dedicated to his duty his whole life and left it all because of a woman he just met. It’s even worse when you consider that the main couple left their families and even betrayed their species as a whole for someone they didn’t even really know about for just a few days at most.

At least the show bothers to show some internal problems between the main couple later on, but even those are resolved in shitty ways. The dude cheats on her and when is found out we have the two women insulting each other with a harem or straight up hentai doujinshi level of dialogue.

And it’s not just them really. Almost every male character in this show is driven by sex, they become traitors because they want to have sex, and are even fooled and killed off because of their lust. Meanwhile every woman in this series is limited to a source of problems and just…a bitch, they are all bitches.

The only exception I found are the father and step mother of the protagonist, because although their relationship is a bit silly as well, there is a buildup and consequences because of it, and was thus easier to buy and more interesting to watch.

Leaving that aside, the setting doesn’t really make sense when you think about it, how can the world be almost the same as ours when monsters have been around it forever? And how can they stay mostly hidden and underground? Some of them do try to remain unnoticed but some just kill off humans constantly to feast on them whenever they want, they should be commonly known by everyone and society as a whole should be completely different as it’s presented.

And let’s not even waste much time in talking about the villain, he was so goofy and overpowered and even pretentious near the end of the show, and the way he was taken down was so stupid, he threw whatever little bit of sense and logic was left in the script out the window.

Also, as much as Kemonozume wants to present itself as a tragedy because of all the deaths in it, the tone is mostly silly, feeling more like a comedy than anything else, that monkey that would later on become a regular in Yuasa’s works and even own studio was the absolute worst aspect in the series.

The resolution was completely open and unsatisfactory, it can only counts as a conclusion for the action and main couple but it still does not mean anything for the rest of the world and not even assures what the main couple is going to be like going forward, who says they won’t have the exact same issues they had throughout the show just because they took down the big baddie?

The only saving grace I found in the script is everything revolving the character Kazuma, although also wanting to bone a girl throughout the whole show, he was the most proactive and conflicted character in the whole series. Also diligent, always in the shadow of his brother, wanting to prove himself the whole time, with an identity crisis and mental and physical deterioration as he finds out more about himself and how different he is from what he thought his whole life. He also tries to modernize the swordsmen with technology and way of functioning and funding, so Kemonozume at least follows all the issues he and the Kifuuken as a whole goes through with that, too bad he is incapable of anything at the end because the script had to have him being completely fooled by an overpowered antagonist and the main character being the one to solve everything. Except he doesn’t because as I said, he only cares about a monster pussy and once he assures that, he just sends everything else to fuck off.

Visually the series looks like what you would expect something from Yuasa to look like, except very very sloppy and low budget. Yes, it’s done deliberately to look that way, but that still doesn’t mean it’s a good job. The characters constantly look like deformed doodles, the backgrounds look mostly unfinished, the motions are usually weak, the whole artwork seems cheap, the coloring is rather unpolished and goes psychedelic at times for no reason, and sometimes traced live action footage is used for some reason. Which is a shame because thanks to the rare but powerful very few very well animated bits in the series, and the usual great directing you can expect from Yuasa, you can tell that they could have presented a visually quirky but still neat show. Other than that, there’s nothing here that wasn’t done way better both before and after in the other main series and movies from the director.

As for the sound, it’s only ok as well. The voice acting is ok, the sound effects and music are also just ok, nothing much to say here, the ending was the best part of it. I’m not very fond of the opening, you can find way better jazzy openings out there, this one is musically uninspired, the vocals suck, and half the lyrics are the title of the song being repeated over and over. It ends up being catchy if you don’t skip it while you are watching the show, but it’s still a pretty bad song all things considered.

As a whole, it was a big disappointment coming from Masaaki Yuasa, the script is stupid, almost all the characters are beasts in heat regardless of their species or gender, and visually it looks like the makers weren’t even trying most of the time. Kazuma elevates the whole show to be above Crybaby, and it’s definitely way better than JAPAN STINKS, but it’s still, like, the worst Yuasa Yuasa show, you know what I mean? He only directed Crybaby, and was only a co-director in Japan Sinks 2020, over here he had control of many aspects in the show, and practically none of all of them worked well. It feels more like a demo of what his filmography and directing for Crybaby would be like moving forward, only worthy to check out for someone who want to complete everything from the director, and nothing else.

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Poll: Kemonozume Episode 7 Discussion WinterNightsFall - Sep 28, 2009	36 replies	by oooo3333 »» Mar 29, 4:01 PM
Poll: Kemonozume Episode 13 Discussion ( 1 2 ) Naruleach - Mar 23, 2009	60 replies	by tomdelasker22 »» Dec 20, 2023 7:38 PM
Poll: Kemonozume Episode 4 Discussion KillthisAccount - Jun 23, 2010	32 replies	by TitanInsane »» Sep 25, 2023 2:27 AM
Poll: Kemonozume Episode 1 Discussion tainteddonut - Jul 20, 2008	46 replies	by TitanInsane »» Sep 25, 2023 1:09 AM
Poll: Kemonozume Episode 12 Discussion botch - Jun 10, 2010	22 replies	by Ashhk »» Mar 5, 2023 4:42 AM

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Kemonozume

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Characters & Voice Actors

Kamitsuki, Yuka

Momota, Toshihiko

Saru

Ooba, Kyuutarou

Ooba, Saiji

Kakinoki, Rie

Momota, Kazuma

Momota, Juzo

Hoozuki, Shin

Hoobari, Gakuto

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