In the year 2199, Earth faces its greatest crisis. Due to unrelenting bombings by the alien race known as "Gamilas," the planet can no longer sustain its inhabitants. In exactly one year, humanity is set to become extinct.
In desperation, the people of Earth establish the Earth Defense Force, their last defense against the power-hungry Gamilas Empire. However, humanity finds a glimmer of hope after receiving a message from the mysterious planet Iscandar, which offers them a device that would restore Earth to its former glory. With salvation in sight, the Earth Defense Force calls on the prolific Space Battleship Yamato and swiftly assembles a crew to make the 148,000 light-year trek to Iscandar and receive their aid.
Among the crew are young officers Susumu Kodai and Daisuke Shima, along with several other newly promoted leaders, all under the command of the distinguished Captain Juuzou Okita. Forced to learn how to handle the ship's innovative technology while dealing with the onslaught of Gamilas fleets, the inexperienced cast of Uchuu Senkan Yamato 2199 must summon every inch of their resolve to survive the many hardships aboard the Yamato and complete their mission: to save humanity before it's too late.
The series will be sold in the same theaters that show the Yamato movies on the same days, i.e. a simultaneous release.
The first two episodes of the TV series (which is the same as the OVA series) were pre-aired on the Family Gekijou able and satellite channel on 6th and 7th of April, 2012. The rest of the episodes will be aired on MBS & TBS beginning April 7, 2013.
#1: "Hoshi ga Eien wo Terashiteru (星が永遠を照らしてる)" by Aira Yuuki (eps 1-2) #2: "Utsukushii Chikyuu wo Shiru Mono yo (美しい地球を知る者よ)" by Aki Misato (eps 3-6) #3: "Makka na Scarf (真赤なスカーフ)" by Isao Sasaki (eps 7-10) #4: "Kioku no Hikari (記憶の光)" by KOKIA (eps 11-14) #5: "Yosoro ~Hoshi no Umi wo Koete~ (ヨーソロー ～星の海を越えて～)" by Hironobu Kageyama (eps 15-18) #6: "R.I.P~Tomo yo Shizuka ni Nemure~ (R.I.P～友よ静かに眠れ～)" by JAM Project (eps 19-22) #7: "Ai no Hoshi (愛の星)" by Nana Mizuki #R1: "Ai Kotoba (愛詞)" by Mika Nakashima (TV) #R2: "Best of my Love" by Rei Yasuda (安田レイ) (TV) #R3: "Distance" by JUJU (TV)
Most of you may know that Space Battleship Yamato 2199 is a remake of the 1970's space opera by the same name (bar the 2199). If one were to make a comparison of its significance to its importance of the genre, it is basically the Star Wars of Japan - the series that one would point to as a culturally significant moment in entertainment and the rise of the genre itself.
In recent times, one becomes wary when they hear the word 'remake' or 'reboot'. Audiences have reluctantly witnessed so many beloved series, stories and characters get butchered in misguided and unnecessary attempts to be recreated.
Thankfully, I am happy to say that Yamato's 21st century rebirth is done faithfully, respectfully, and masterfully.
First, there is the story (9/10). Yamato's story is timeless - the people of Earth are fighting back against an alien threat to bring their planet to slavery or extinction. Humanity's last hope lies in the battleship Yamato, its crew, and a mysterious technology brought to mankind from a distant alien race of people called Iscandarians. Their destination - lightyears away, on the planet of Iscandar. In their path lie many obstacles, and every one a piece of the story and the puzzle. In this respect, Yamato's story is not difficult to understand, and is something you can appreciate at any age in any time. There are many developments and nuances that shape the story beyond its simple premise as the show develops, however. For the most part, it faithfully follows the original plot, and while I can't comment on specifics, I know enough to say that with confidence. It is not overly complicated or complex - there are also many things that are left to the imagination for the sake of not boring the audience. If you accept them for what they are and don't complicate them, it is, for the most part, flawless. This is, after all, a fictional universe.
Now for the art (10/10). There has been some fuss over the stylistic changes from the original Leiji style of Yamato to the remake. However, I find them to be a perfect blend of the retro style and modern style - which still brings an incredibly refreshing artistic flair to Yamato that isn't seen anywhere today. Even if one were to miss the original style, I think it would be impossible to truly recreate it exactly unless you had all the original animation staff, and that is too much to ask for a 40-year old series. Nobuteru did an excellent job of revisiting the style of Leiji and bringing it to a modern audience.
The animation is absolutely stunning. It's quite obvious there was a high budget for the series, and they use it in all the right places. Let's be honest - in the 70's, many of the technical challenges that came with animating epic, large-scale space battles were difficult to tackle with the technology of the time. While many are impressive, it's easy to see where they struggled to achieve their true vision. In 2199, the ships are 3D models, and CGI comes heavily into play during battle scenes. There was a time that this spelled bad news for mixing with 2D animation, when CGI suffered from a "video game cutscene" syndrome. But with today's technology, 2199's CGI is absolutely stunning, and blends beautifully with the show and the backgrounds. Every ship is masterfully crafted and detailed, and every nuance of the ships and the weaponry is nothing short of perfection. The excitement of every battle scene leaves you speechless. Fans of spaceships, fighter jets and miscellaneous mechanical things will be filled with nothing but glee.
The character and 2D animation is equally as important, and is treated that way. There's a lot of expressiveness in every character, and it shows. There's a bit of fanservice and moe here and there, but nothing overdone. Yamato takes itself seriously when it has to, but it also has a bit of fun when it's appropriate.
The music and sfx (10/10) adds another layer of immersion to the world of Yamato. The soundtrack is a lot of re-recordings of original Yamato tracks, with that 1970's sci-fi trumpets and backing vocals that many may remember fondly. If not, it's something that you hear very rarely these days, and is absolutely perfect for this series. It's enough that the opening is one of those songs you just can't skip - the rest of the soundtrack is equally inspiring.
The sound effects, voices and ambiance is also well done. My favorite bits are definitely the sounds of the ships and the weapons during battle. There's nothing quite like hearing a flurry of lasers, rockets and explosions - and of course, the awe-inspiring Wave Motion Gun.
The characters (9/10) of Yamato are stunning examples of common archetypes. There are brave heroes, loyal comrades, tragic villains, and everything in between. There is a very large cast of Yamato, so I won't dive into every character, but while many characters may seem stereotypical at first glance, Yamato never attempts to clearly define the difference between good and evil - at times, you will sympathize with the enemy, and you will question the motives of the heroes. It's one of those important aspects that helps separate the wheat from the chaff in this aspect. Still, there is a very classical story at hand, and with it come classic characters. But they are not as hollow and predictable as one more cynical may come to believe.
Overall, there is not much more to say. I gave enjoyment a 10/10 because I always found myself looking forward to the next episode of Yamato - and when they came (the waits were quite long for those following the series release), they were over so soon because I enjoyed every moment.
It is quite clear that the creators of Yamato 2199 had great respect for the source material and made every effort to craft a remake worthy of the name Uchuu Senkan Yamato. And in every aspect I would say they succeeded, and brought a story that deserves to be retold to a new era, taking advantage of the tools they have today that its original creators did not to remake Yamato in its full glory. And although the eye-candy visuals of space warfare are a spectacle in their own right, Yamato 2199 never loses sight of the story it is trying to tell and the cast that we want to root for, which is where many remakes of this era falter.
This is a very rare and important piece of animation history - one that I believe deserves to be viewed and appreciated by everyone. I would recommend this series to absolutely anyone, even if they are not fans of sci-fi. If you want an example of a remake done right - this is it.read more
Note: This is a remake of the classic Battle Ship Yamato by Leiji Matsumoto which is one of the most revolutionary anime.
Space Operas are very rare now a days in the anime industry. Just as the quality of mecha anime and it's audience has been downgrading and declining in favor of slice-of-life, ecchi and harem genres, space operas were always being overlooked at. After almost at least 40 years, one of the space opera classic during the 70's was given a chance to have a remake in order to introduce the series and gain a wider audience in today's anime community. But does the show itself succeed? Let's check it out:
Just as the title implies, the show is set during year 2199 and the once blue, green and thriving with life planet earth has been reduced to a radioactive wasteland because of the Garmillas aliens which forced the remaining population to hide underground. However, a friendly alien race from the planet Iscandar contacts the human race and gives them blue prints to build a powerful space battleship capable of retrieving a device to clean planet earth before humanity disappears. As they resurrect the long sunken ship yamato, they then applies the alien technology that they got from a messenger that came from Iscandar, transforming it into one of the most epic and greatest ship that will venture through the sea of stars to save their home planet. Enter Space Battle Ship Yamato.
Now i know most of you will think that the premise is pretty similar to Macross but the latter was aired during the 80's specifically after the success of an another behemoth called Gundam while the original Yamato was aired during the 70's. So therefore Yamato was the one who influence Macross. As i already said from the synopsis, this is a light years journey to Iscandar from planet earth and it will take a year in order to get through Iscandar and they also must retrieve the device in immediately before planet earth is forever doomed. As such we will encounter many kinds of phenomenon and typical issues from this long journeys such as trust issues, food shortage and of course battling their enemies, the Garmillans as they opposed the ship to reach Iscandar. Tactics to fend off enemies were heavily used and while the tactics many not be that good as LoGH, it still managed to give the feeling of unpredictability of the battles, plausibility of the tactics that were used and you will always be in the edge of your seat with the epic space batles that were occurring in your screen and backing it by great animation and intense old school soundtrack. The series also dealt with mature themes such as racism, genocide and politics. There is also fanservice in this series. Oh, i didn't mention that? But don't worry the fanservice in this series is not like in your ecchi show where it's distracting. The fanservice actually have some subtility. For the most part.
The characters were no slouch either. They were interesting and likable for the most part and the character interactions were well-written and probably the main forte of the characterization of the show. The way the Yamato crew interact is just fun to watch. Oh sure there are some characters like our main protagonist, Susumu Kodai who sometimes acts like an angsty teen and some characters do too but they don't exaggerate to the point that it become annoying. They still act accordingly to the situation and maturely to many situations. Many of the stuff that happens throughout their journey have challenged the Yamato's crew beliefs about the war and this anime is also not entirely black and white where humans are automatically good, and the garmillians are automatically bad. There are both good and bad people from each side and some good and bad decisions and deeds that both the Humans and Garmillians have made. Okay, maybe i'm saying the obvious but it's still worth pointing that out. The female cast are also strong individuals for the most part so don't worry about some very useless ass female characters that you mostly see.
Overall, the story is great and the characters were interesting, likable and fun to watch to. If there are criticisms that i would give is that there are some more potential that the series overlooked. With a good world building that the show created, that show could have last in more than just 26 episodes and that is why some scenes in the series felt rushed, some characters are really lacking for being fleshed out and development, and there are some very questionable decisions during the end BUT it didn't really detract for my own personal enjoyment. The original Yamato is also only 26 episodes and most people would rage quit to a series which is over 30+ episodes anyway so 26 episodes is still fine as it's still be able to tell a great story in a series which the scale and world building is pretty big.
The studios that brought to us the animation are studio Xebec and AIC. The animation, the crisp of the characters and design, heck even the CGI are just fucking stunning and beautiful. Although some might say differ about the CGI but i didn't really find any problem with it as it really works perfectly to the scenery of the series and the CGI only made the battles more epic and engaging. The director is Yutaka Izubuchi who is known for directing and creating RahXephon. He was also responsible for the character designs of Gundam Wing. Hideaki Anno worked on the story board. If you didn't know who he is then you're probably living in a cave. Akihiro Enomoto whom have worked as the key animator in Char's counterattack also worked on this anime. Anybody here whom have watched Char's counterattack knows that the battles there were simply one of the best mecha battle and the animation was just absolutely gorgeous. Akihiro also brought his forte into this series as the key animator in most episodes so therefore the battle scenes, as i mentioned before, were engaging, terrific and epic like Char's counterattack. It feels like real space ships are really battling it out. As most of the budget were used in the CGI and the battles, the character movements felt really poor in many episodes but you know what? Most of the episodes they spend were sitting in the ship anyway. Just trying to point that out.
Catchy and old school. Seriously, the opening song and the first ending song were retro songs during anime of 70's but it really fits perfectly well during the series(There are several different versions of the opening. The first opening is the classic version while the other version is still the same only much more modernized). I really appreciate how they decided to bring a retro song as an opening to a modern remake now it's stuck to my head and i can't stop humming it whenever i'm taking a shit or taking a shower. The OSTs that was used were also very catchy and old school but still felt intense during the battle scenes. The voice acting is also very well done. Ono Daisuke as the voice of Susumu Kodai who also voiced Sebastian from Black Butler, Kuwashima Houko as the main heroine, Mori Yuki who also voiced Tomoyo Sakagami(Clannad) and Clare(Claymore), Yamadera Kouchi as the main antagonist, Lord Desler who also voiced Spike Spiegel from Cowboy bebop, Otsuka Houchuu as Shiro Sanda who also voiced Jiraiya from Naruto and other famous VA's. Aside from the the opening songs, the OST's while catchy doesn't really warrant to be listen on it's own which kinda of a shame.
After watching LoGH and this, i am now craving for more space operas. This anime has many things that i could hope for. Engaging story, fun and interesting characters, beautiful ladies, epic and compelling space battles with great animation and a satisfying ending. It's really a shame that despite being a remake of a classic with great animation, anime like these is still being overlooked at the anime community today. Hopefully in the future, more anime fans would be able to watch this series and this is one of the primary reasons why i'm doing this review right now. Whether you think this anime is great or not is still up to you of course but if you find this review helpful(which i doubt) and decided to watch the anime and think the anime is good, then please do recommend this to your friends. Then maybe there is hope for more space operas in the anime industry and for this sub-genre to completely not die in the anime realm. Well, it really won't because of LoGH(Although there is also only a handful of people who have watched this) but you get my point anyway.
Story: 9/10 - Epic and engaging journey to save planet earth.
Characters: 8/10 - A great cast and fun characters to watch to. Character development is there but lacking a bit due to the length of the show but characterization is solid.
Animation: 9/10 - It's Fluid in the battles and the CGI is good.
Sound: 8/10 - Nostalgic old school music and soundtrack.
Enjoyment: 10/10 - Never failed to entertain me and didn't make me bored while marathoning the whole thing.
Final Verdict: 9/10 - Amazing anime and a great space opera.read more
Space Battleship Yamato was an anime that defined the 70s, attaining the status of “The Star Wars of Japan”. However, the fact that it was from the 70s also means a lot of people wouldn’t have the chance to watch it, as many would put it aside because of its aged artwork and animation. This is why Space Battleship Yamato 2199 was extremely hyped by both new fans and old fans, as it’d remake the first season of the series with good animation, giving the new generations a chance to watch it. In the end, how did it hold up? I haven’t watched the original anime, so I will refrain from judging 2199 as a remake.
The story takes place in the far future, where aliens called Gamilas are trying to invade Earth by bombarding the planet with meteors. All hope seemed lost for humanity, until two young officers managed to get a transmission from a planet faraway called Iscandar. In this transmission, it was said that there was still hope for the planet, and if humanity managed to reach Iscandar, they’d be given a device that could restore the Earth to its previous state. With this new ray of hope, humans leave it up to their newest spaceship: Space Battleship Yamato and its crew, to make an epic journey of over 160.000 light years and retrieve this device. It will be a journey full of hope for humans, and also full of despair. Along the way, Yamato will have to face countless enemies from the invading alien empire that wants to destroy humanity’s only hope.
The plot is simple and straightforward, and allows for the themes to be explored quite nicely. The first thing that many people would think is that all the focus would be on the human’s side, and that the aliens would just be an evil invading group, but that’s not how it worked: not only were the aliens very well developed and fleshed out, the possibility of befriending said aliens instead of necessarily becoming enemies with them is explored in a really interesting fashion. While I wouldn’t call their morality necessarily “gray”, it allows for the audience to at least understand their point-of-view, and not just consider it a random enemy that humans have to defeat. The conflict is indeed very well explored, as both sides have enough screen time for the audience to understand where they come from, though that won’t stop you from rooting for humanity. Besides the enemy aliens, the Yamato crew also has to deal with problems from the inside, humans who aren’t completely convinced about the existence of Iscandar, and thus would rather find a new planet for humanity to live.
The structure of the anime is very good for the most part, as it is linear and doesn’t mess around, though some episodes did feel a bit “filler”. These episodes did develop some characters though, and they did contribute to the story with themes of their own, so they aren’t useless by any means. The confrontations with the Gamilas are very well done, and Yamato shows not only spaceships exploding, but also what’s happening inside, as well as the commanders ordering the crew around. This gives us an insight about how their battle strategies work, and what they’re thinking. The story feels focused, and is not only entertaining, but also extremely interesting, because of how slowly it delivers information throughout its duration, making you question several things. The final thing worth mentioning is how “nostalgic” it feels when some characters speak of the Earth from years before it was attacked. They want to save the Earth not only for themselves, but for future generations to be able to feel how they did in the past, and this goal is very nicely explored throughout the show.
The artwork and animation are extremely good, they feel recent and fresh, though I do have a complaint when it comes to this: the CGI in a certain episode looked REALLY awful, I don’t even know how that happened… besides that, there were few problems in this regard, and the character designs were really varied and appealing. The spaceship models were kinda generic, with the exception of the Yamato, which looks FANTASTIC. During the battles, you’ll be awed at how great they look, as the animation is especially good in those. The opening theme is epic and describes the journey very well in its lyrics, being extremely appropriate for Yamato. The ending song isn’t as memorable, but is still good in its own right. The rest of the soundtrack consists of very memorable tracks that still play in my mind once in a while, and they’re good both in and outside the anime. The sound effects are also really good, from the spaceships shooting to the explosions, everything sounds right. Overall, the production values were really good, and I feel like this really made an impact about my appreciation of the show.
And then we have the character cast. Now, the cast is really huge in Yamato, as there are a lot of humans in the Yamato, plus all of the enemy alien commanders. These characters felt real, despite some of them lacking development, and most of them got fleshed out enough for the audience to care about them. Kodai Susumu was one of the young officers who detected the first transmission of Iscandar, he saw most of his family die in a bombardment that the aliens did several years ago, making him despise the Gamilas. He also lost his brother when he went on a mission to Pluto and never returned. The other officer is Shima Daisuke, who also went through a similar situation and lost his father on the first contact with the aliens. Commanding the Yamato is Juuzou Okita, a veteran with a rather peculiar battle style. He teaches the young officers a lot of things, including how a soldier sometimes has to go against orders if he feels he’s doing the right thing. The interactions between the characters are also very well done, and through dialogue we get to know their insecurities and problems, including the traumas some of them have due to the Gamila’s attacks.
Another thing that makes the characters much more humane is how they constantly think about the loved ones they left on Earth. Either because they look at pictures of them or because they still have fond memories, they want to see them again, they want to be with them, and that further gives them motivation to return in one piece. These moments not only help fleshing out the characters, but it also improves immersion, as you’ll see the Yamato crew as more than just “actors on a stage”. On the alien’s side, some enemies are really bland and predictable, especially in the first episodes, but that changes in the second half, where enemy commanders have honor and respect for the Yamato and their accomplishments. There’s also the leader of the empire, Aberdt Desler, who seems like a dictator who rules with an iron fist at first, but is later much better fleshed out, as well as his reasons and goals. It’s a really strong character cast in the end, and even though it wasn’t possible to flesh out everyone in 26 episodes, the director did a great job with the screen time available.
I’d say I had a really great time with Yamato. The first episodes felt a bit slow, but after the story started to develop, I got addicted to the show and watched 16 episodes in a row, as I really wanted to know what’d happen next. Whether it was the epic battles, the sad moments, the cheerful moments, I felt what the characters were feeling, and felt happy when they succeeded. Yamato definitely has a very high entertainment value, not only because of its epic premise, but also because of how it develops; how it doesn’t treat the audience as stupid and manages to be subtle in character development, and heck even the small amounts of fan service it has are subtle. It’s a really great anime, and I want to express my thanks to the staff, as I probably wouldn’t have ever enjoyed this amazing story without the remake, since I hadn’t heard of it before. I’m also extremely hyped for the movie that aired back in December of last year, which has yet to receive a translation. If you’re a sucker for shows where humanity is put to the test at every corner, this is definitely the anime for you, as it uses this premise very well and takes it beyond what one would normally expect. However, I wouldn’t recommend it if you’re expecting a really deep and complex anime, because Yamato isn’t any of that. It’s an epic journey among the stars, full of hope and dreams for mankind. read more
Overall this show was an enjoying watch, and one can sense that a lot of love and care was put into it. For those reasons, this is a very painful and disappointing review to write, but I feel it might be necessary to "warn" potential viewers about some elements of this series that are problematic. Specifically, the plot.
I understand that this is an extremely popular and influential franchise, especially in Japan, and I also do agree that this is a very well-done remake.
However - there are SEVERE issues with the plot of this series, issues that I feel are glossed over because of its "sacred cow" status in anime circles.
SPOILERS BEGIN HERE - do not continue reading unless you're fine with that.
- We are expected to believe, and major elements of the plot revolve around, the fact that Yuki, a human born on earth, looks virtually identical to the royal princesses of Iscandar, a planet more than 100,000 light years away, to the point of being mistaken IN PERSON by those familiar with the princesses, to be one of them; that she coincidentally was involved in an accident one year ago that wiped her memory, and coincidentally makes it appear that she may be an alien that appeared one year ago on Earth; and that there is no proof that she is an Earthling because both her parents are dead and there are apparently no individuals who knew her on Earth well enough, except her parents, to confirm that she was in fact living on Earth for more than a year. This entire subplot, which groan-inducingly becomes a MAJOR plot device later in the show, is one of the most suspension of disbelief shattering things I've ever seen. I am at a complete loss as to how anybody can swallow this and call this particular subplot anything more than contrived.
- At one point, certain crew members stage a coup/mutiny in order to enact a plan to move humanity to a habitable planet that the Yamato finds. Not only is this illogical in the long-term - what prevents the Garmillans from simply subjugating that planet as well? - but they stage this insurrection before the planet is even scouted. Perhaps these crew members, one of whom is considered one of the more intelligent individuals on the ship, should've waited for more detailed reports on the feasibility of human habitation before initiating a violent mutiny. Bonus points: this plot point could've been interesting if the planet was indeed fit for habitation. It is not - it is apparently currently home to massive killer insects.
- Once the Yamato reaches Garmillas, the main antagonist, Desler, executes his secret plan: he flees the capital of Garmilas and then drops part of a colony on it. The problem with this plan is that there is no conceivable reason to do this. What POSSIBLE benefit does he gain from performing a colony drop and destroying the Garmillas capital? One could say "to destroy the Yamato" - is his plan then predicated on the Yamato deciding to dock at the Garmillas capital? In fact - *why* did the Yamato ram into the capital palace in the first place? Why not use the Wave Motion Gun to destroy Desler's Wave Motion Gun instead? Is Okita's plan to storm the center of a galactic empire with a strike team of, at most, a few dozen men led by Kodai, and somehow emerge victorious?
- Desler is killed when the Wave Motion Gun backfires and his space fortress is destroyed. However, he later turns up to ambush the Yamato in his flagship that is powered by another Wave Motion Gun. How did he survive the WMG's explosion? Where did his new flagship come from? Why did nobody notice it? How did it reach the Gate before the Yamato? None of this is ever explained. Bonus Points: Yuki, who was ejected from an airlock and is mere METERS away from the exploding fortress, survives - though the blast not only clearly destroys the fortress, but completely incinerates a nearby battleship that is presumably more than a few meters away. Never explained. Forget about these little details when Kodai and Yuki get a great, emotional, romantic reunion scene in space.
- The Yamato reaches Iscandar and discovers Mamoru had made it there after a ship carrying him back to Gramillas crash landed there instead. Again, there are too many plot contrivances to even discuss them all. Why Mamoru specifically? Why not a human presumably captured in the MANY skirmishes the Garmillans have already had with humans? In a journey of more than 150,000 light years, the ship happens to crash literally one planet over from Garmillas? Why did the Garmillans need human samples? Having transported those samples over such a vast distance, only to have them crash land one planet away, did they then respond by saying "Well, that's a bummer. No need to investigate and see if there were any survivors.
- The timeline for Mamoru, the core of the Cosmo Reverser, arriving at Iscandar is at most later than the Yamato setting sail. Meaning that Starsha was challenging the Yamato to make an unprecedented journey across galaxies for something that doesn't actually exist yet.
- Iscandar apparently has a population of three (one after the other two sisters leave for Earth). Why this advanced civilization of superior beings would expend 66% of their population on the off-chance that the planet Earth, which at that point was no different from the countless other planets subjugated by the Garmillans, could potentially reach them, is never explained. Having invested 66% of their population (No, I'm not going to get over that), Starsha is then unsure if she wants to give them the Cosmo Reverser. She then gives it to them though, despite the fact that those in power back on Earth are shown to be corrupt politicians who initiated conflict with the Garmillans, and will presumably abuse the godlike power they now possess because humanity as a whole has not improved in any significant way to warrant giving them this power. Oops.
- The infighting between the Garmillans is drummed up to eventually become a major plot element. Too bad we never hear anything about it again or get any kind of meaningful resolution.
There are more (unfortunately, *many* more) plot points/devices that could be discussed, but I think the overarching point is clear: this may be a remake of an anime legend, great animation, great soundtrack, but there are major issues with the plot that simply cannot be ignored or dismissed.
Is it a fun watch, and an interesting talking point for discussing the history of anime? Yes. But the illogical, contrived, and occasionally frustrating plot prevents it from being a great watching experience in its own right. Viewer beware.read more
It is easy to say that the most beautiful anime are those produced by Studio Ghibli. For sure, Ghibli’s films set the bar for what is anime art. However, although five of their films populate this list of the 20 most beautiful anime, other examples from the past four decades are just as impressive.
We've celebrated the great stories, wonderful characters, inspiring soundtracks and gripping plot twists in anime. Now it's time to celebrate something a little different: Anime butts, and who has the greatest appreciation for ass in this medium. Yes really, we're going there