Story and Characters
If you are by any chance sick to death of the high school setting (I’m not) you can relax with this one, because Nodame Cantabile takes place at a music College, where the characters are adult enough to be thinking about meaningful aspects of life, like the pursuit of a career or marriage, and not be obnoxiously shy around the idea of sex, but still enrolled in a setting that requires them to go through a similar routine to that of a high school anime. Except the playing at orchestras part, obviously. There’s frankly not much I can comment about the progression without addressing it as it relates to the characters, so let’s get to them.
Chiaki is the main and best character of the series. He’s focused, hardworking and dedicated to his dream of becoming a conductor, which reflects on his skills as a musician, that make him widely respected among his college mates. Only these attributes, however, could make him an unbearable Mary Sue, so he also features quite pertinent flaws that are obvious even to those who admire him. He’s impatient, has a slight superiority complex and, at the beginning, is quite persistent about interpreting music strictly the way it’s written. His character arc is focused first of all in understanding the human aspect of playing a song, taking into consideration when to be bossy and when to let loose and understand the impetus of the musician, as well as the heart of the song. Perhaps the only misstep of his development would be when, halfway through the story, the series brings more of his life outside of music, expanding his relationship with his family, an aspect which, unfortunately, is cut short and not given the depth it deserves, when the rest of his arc is so competently conducted.
Noda Megumi, or Nodame, as she is commonly called, is the main female lead and a complete air-head. She is a talented pianist, but unlike Chiaki, displays a carefree play style and attitude. Being blunt, Nodame is the weaker end of the character line-up of the series. She seems to have barely any agency or meaning to Chiaki’s character in the first arc, with a clearly one sided dynamic in regards to the romance for most of the duration of the anime. After witnessing Chiaki play on a College event is that she realizes the difference in skill between them and the plot hints at a possible development to her character, just to quickly revert her back to normal, an event that seems to be fairly recurrent until the conclusion, when she finally takes measures into improving as a musician. She is actually a character that would benefit from being placed in high school, as in this instance her immaturity and behavior would be coherent with the setting. Nearing the conclusion, more of her past is laid out to the viewer, although lacking the depth and sense of weight that would give it stronger impact.
Next in line is Stresemann, an experienced and reputed conductor with a womanizing habit, very loose work ethics and irresponsible behavior. Right after his introduction, Stresemann gives barely any reason to support why he would be a competent conductor, let alone a renowned one, up until the second quarter, when he takes a stronger role as an agent of the story, by taking Chiaki under his guidance, bringing more attention to his talent, as well as helping him take the stick off his ass and open up as a musician. Through his influence is that Chiaki first notices the importance of not simply being an authoritarian leader and taking into consideration the state of the musicians working under his baton.
Following up on the characters that mean something, there’s Mine, a violinist and Chiaki’s friend. He is a very proactive character, responsible for the idea of forming an orchestra under Chiaki’s leadership after several students graduate and is incredibly passionate about keeping that orchestra alive, taking decisions for that matter that highlight the quality of his character. His influence over the plot and Chiaki’s character is not overbearing, but easily noticeable, being for the most part stronger than that of Nodame herself.
The remaining figures have varying degrees of depth to them, but generally light effect in the plot besides being placeholders for meaningful contextual positions within the narrative. This may sound like a criticism, but it isn’t, their job is to help move the story in small pieces according to their purpose within the orchestra and their personalities have meaning defined by what they extract from the main characters or in how they perceive the dynamic among them, and, frankly, being restricted to those positions is just fine, as attempting to delve deeper into their lives could potentially derail the story from its main focus. Speaking of which: the anime keeps itself steadily centered around Chiaki’s growth as a musician as he sediments his name as a talented conductor in the eyes of the more experienced and famous figures of the industry. His path is portrayed in believable manner, as his connections to people who can bring him attention help spread his name, but it’s his talent that wins them over. Near the end, once he has enough ground to make riskier decisions for his future, the anime shifts its gaze to Nodame. It’s at this point that the romance actually develops to a conclusive end, although it lacks more of the nuance that would make the transition to a full romantic relationship warranted.
Presentation
When it comes to the visuals, Nodame Cantabile is generally weak. Taking aside the purposefully bland color pallet, character designs tend to be very samey in the overall structure (long faces, small eyes, wide and expressive mouths, etc) and the level of detail applied to them is decent, effective in giving them personality and making them distinguishable, but overall far from impressive. For the portions where they play any instrument, the series makes use of CGI, which is surprisingly well-implemented. It’s used to give the characters fluid movement, syncing really well with the music, and it’s colored in fairly seamless fashion, in order to avoid making such scenes disconnected from the rest of the show.
The highlights of the presentation, as expected, reside on the sequences where the music is center-frame. Originally, the performance bits center more of the physical aspect of playing or in the character’s small growth at that instant, so the relation between the music and the visuals is treated in very bland fashion. After a bunch of people start to fall in love the presentation develops to show a bit more care into enriching the musical performances, inserting more personality between the song and visuals. The flare added by this integration helps to better hide the technical shortcomings of the series in these scenes specifically, although the usage of still frames continues to be a blatant and frequent annoyance.
Giving the main theme of Nodame Cantabile, it’s to be expected that the series would feature some striking classical pieces from composers like Brahms, Mozart and Schubert. The pieces are, off course, celebrated works, so the only possibility that might derail your enjoyment is if you happen to dislike classical music. This does, however, create a disconnect in the case the audience is not versed in music of this variety: many scenes have characters asserting about the quality of the performance or making criticism to the musicians, frequently using terminology related to music so if you don’t have knowledge of the art to that degree, discerning how exactly one performance is better than the other is unlikely to happen. These sequences are clearly meant to be enjoyed by people to are knowledgeable of classical music, as the average viewer will have the minutia fly over their heads. Like me.
Personal Ramblings
Now let’s go back a bit to the subject I talked about in the intro and ask: how to define what is to “watch something the wrong way”? I believe that is a simple issue of approach. It’s hard to define, previously to watching or reading any given work, what is the appropriate mindset to be in, which can lead to disappointing first impressions. The bigger issue, though, is if the viewer refuses to accept that the work is something different and stays in that mindset throughout the work, leading to an unfair judgement of its qualities and flaws.. In the case of Nodame Cantabile, though, it wasn’t hard to realise early on that I was approaching the series through the wrong angle and then change it, so I believe my judgement for the remainder of the series was in line with what it was trying to convey.
While the ending result was a really good show I can’t shake off the feeling that the prototype for something even better was there, but the series misses opportunities to achieve that level and rise to a truly great or excellent work. In many occasions it felt like there were much better characters in need of some spotlight, but those characters were overshadowed by Nodame’s quirks, which could be fairly entertaining in their own right, but that time could be better spent in legitimate character growth, either for Nodame or the sidecast. Don’t get me wrong, I surely believe the show is a good recommendation, but one can benefit from being mindful of what they are going to find. Being eclectic doesn’t hurt anyway!
