Reviews

Nov 17, 2015
"Things are a mess for Yusojusunku, time and space are objective things. Fact is, time is simply a creation of your human consciousness. Now, what if there ain't no human beings anywhere in the world? Wouldn't clocks and calendars be a waste? Maybe there ain't no such thing as time that flows in one direction..."



Ah, the Urusei Yatsura series--one of the flagstones of the 'Rumik' empire, and probably Takahashi's very first legitimate hit series. The last thing someone would expect to go well with Rumiko Takahashi's slapstick wild style of character writing and gag jokes would be Mamoru Oshii, the man best known for directing Ghost in the Shell. But here, in the second Urusei Yatsura movie, it was decided that the film should be helmed by Oshii himself. It results in a fun, wild, surreal journey of the mind that never fails to enchant.

Story: 8
This is a very simple storyline under a very complex guise. You ever see the movie Groundhog Day? That's the basic idea of how the movie starts out--the same day seems to be repeating itself over and over again, that is, the last day of preparation before the school festival. But as the days repeat, the world itself seems to see some impact of this 'Groundhog Day' as the people around them start to disappear and the world itself seems to crumble into decay. That is, aside from specific places needed to cater to the needs and desires of those trapped within.

All in all there are technically a lot of unneeded scenes that are just there for the surreality factor but in all honesty it all comes out looking pretty good story-wise. The viewer does understand by the end exactly what is going on in this strange situation. The only part that I personally didn't get is why Ataru seems to be getting blamed for it, when it seems more like the creation of this world is the fault of Lum. But this was the 70s, I suppose, and blaming pretty girls wasn't in vogue at the time.


Art: 7
This is a difficult one because, well, to be fair...the animation has a lot of fun stylistic choices and tends towards being very inventively surreal. But I won't lie: this isn't exactly high budget animation. It seems like a lot of money was cut out of the character animation to make absolute sure that the more trippy scenes hit harder, resulting in some pretty inconsistent character faces and movements. It's worth watching for those surreal scenes (I'm particularly fond of their flyover of the Tomobiki turtle), but the rest of the animation is mostly just serviceable at best.

This is Takahashi in her earliest days so the actual style itself is still kinda goofy. It isn't yet the more refined style of Inuyasha, nor the goofy-but-consistent style of Ranma 1/2 in its earlier runs. If that isn't your thing, especially in combination with surreality, then this may not be your kind of movie. To me I feel that the stylistic choices mix together surprisingly well.

Sound: 6
Let's start out with the music--it's a combination of atmospheric creepy tones and 80s synth. And lemme tell you, the 80s synth gets really hilarious really quickly. Its hard to contain your chuckles when the movie goes from a serious moment of contemplating the situation...to what looks like an 80s music video for a resort. It mostly all balances out, and I suppose the 80s synth fits the scenes in their own chuckle-worthy way, but it can still get a bit intrusive. It probably seemed less so when the movie was actually released.

Now on to the dub. The voice work here is fairly over-the-top to match the exaggerated personalities of the characters, and for the most part I feel like a lot of the voices DO fit in their own ridiculous way. But it is hard to call this a 'good' dub as it falls into almost every classic pitfall of a bad dub job: mispronouncing names (Mendo as MenDOW, Sakura as the classic SaKOOra), switching character genders (an overall issue of the Urusei Yatsura dub is that Ten, Lum's little brother, is referred to as female for some reason), and flapping lips that don't quite line up with what's being said (though to be fair, this may just be the animation).

Most laughable of all is the voice actor for Mujaki--this guy cannot act. He has an opening appearance with a lot of promise in its foreboding tone but it immediately gets shot to hell the second he reappears. None of his lines seem to match up with his lip movements or even the emotion he's trying to display. I personally feel nostalgic value for the dub, but otherwise, I'm not sure if it would sit well with your average viewer.

Character: 9
Rumiko Takahashi wackiness at its best. Ataru the thoughtless lecher (probably one of the few anime perverts who DOES deserve what's coming to him), the serious Miss Sakura, the naive and childish (but aggressive) Lum, the uptight and 'sophisticated' (read: up his own ass) Mendo, and the four off-beat but somehow charming friends of Ataru....all of them are inherently flawed as people because its just funnier that way, and it tends towards making most of them likeable.

Even Lum, who fills a character slot I don't usually like, is charming in her naivety and childish views on the world. In a situation where she would normally seem selfish and vain for what is going on, she instead comes off as more of a well intentioned but misguided individual. Even the person acting on her whims, Mujeki, again comes off as simply well intentioned but misguided. They're all pleasant to watch for the most part, because while they're overexaggerations of personality traits there is a certain realness to how they react. Accompanied by silly Takahashi facial expressions, of course.

Enjoyment: 10
Now I may have talked down to a few elements of this story, but the fact is that a whole group of simply okay aspects can come together to make a solid and enjoyable movie. Beautiful Dreamer does just that. The characters never keep you in a state of being uninvested, and the story has a certain weight to it that truly lends itself to some of the heavier dialogue. Despite some obvious cutting corners in the animation, a good amount of it actually does keep the viewer attention with some of the more elaborate and surreal scenes.

I personally enjoy this film every time I sit down and watch it, flawed or not. So my personal enjoyment for this just happens to be very high. Your buck may vary, I suppose, but I would have to say that it is something of a visual classic that is definitely worth a watch if you have the time.

Overall: 9/10
Reviewer’s Rating: 9
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