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In a world plunged into an immoral wasteland, it is often difficult to find friends and comrades that you can believe in. The cold brutality of the situation may be that you simply can’t. But sometimes a slight glimmer of hope remains amid the tumult and chaos, that maybe perhaps you really do have a partner out there, a comrade that will stick with you and care for you to the very end.

The world depicted in “Michiko to Hatchin” is this wasteland, a setting fraught with greed and death amid the indigent and the impoverished. This is South America (Brazil), or rather a variation of ... it. From the gritty alleys, to the squalid shanties and the lush and viridescent landscapes, Manglobe doesn’t disappoint. The setting is not only a beauty to look at but is also something unique and rare that allows the show to take wing and travel regions that are distinctive yet still within the realms of what was initially established. Through this director Yamamoto is able to channel the genius of Watanabe and the result is something unlike any other that challenges and perhaps even surpasses works such as Cowboy Bebop and Samurai Champloo.

The story chronicles the lives of mainly Michiko Malandro, an escaped convict on a desperate hunt to find a supposedly dead man that was once her everything and Hana Morenas nicknamed Hatchin, the apparent daughter of this man and who Michiko initially thinks is the ultimate clue to helping her achieve her goal. The premise is set, but the main plot is less prominent than what many would expect. In this show it is merely used as a device to tie in many self-contained stories together and give the show a satisfactory conclusion because ultimately this show isn’t about the goal, it never was. The show is about the journey and the bonds that are broken and healed along the way. And the stubborn, immature Michiko along with the self-righteous, mature Hatchin are characters real and charming enough to carry you through this journey and not let you go.

The show also has an astounding soundtrack that lives and breathes nearly as much as the characters do. The energetic soundtrack fits every beat and every pulse of this high-powered train ride, yet also smoothly transitions towards a more melancholy nature when the situation calls for it. Through this the music is able to create remarkable scenes of raw emotion and immeasurable charisma that echo and persist long after you have finished the show. The animation is no slouch in its department either. One of the reasons why Michiko and Hatchin feel so startlingly real is that they look and move like real people as well and while there are times where the animation quality may drop, it still stays very consistent throughout and lends to an experience that is both aesthetically pleasing and emotionally stimulating.

Ultimately this is a series that as well as examining the lengths in which people would go to accomplish their goals, more importantly looks at the bonds that are formed during that time. Michiko and Hatchin go on a dangerous adventure together as a tornado of a tag team, and through this are able to form a relationship that overcomes the trials and tribulations that come their way and even the long and arduous chasm created by time. It is a bond both honest and deep that lies in juxtaposition with the superficial and vapid bonds congesting the streets of Brazil, a strong bond of indomitable love and unending trust. And though there are many instances throughout the series where the two characters pull each other down with their flawed personas to the extent that you would think they are better off without each other, it becomes evident later on how much they need one another, how much more they are able to accomplish with each other as their platforms. The show does well to depict two sides of a relationship, one of anger and disarray during quarrels and also one of a serene and resonant beauty during the rare moments of an embrace and while the show is far from deep or a riddled literary piece of work, it does well to show the power of friendship and love in a realistic manner and the way in which it is able to travel the void of time and always be there right when you need it, proving that love is far from a burden, but rather a privilege. The privilege of being responsible for another.

Sayo Yamamoto’s first work is by no means perfect, but through its unique setting, remarkable soundtrack and captivating characters, she is able to construct a show filled with raw emotions and a flaring style constituting to a heartening, disturbing and riveting journey that in my book is nothing less than a masterpiece.