Alternative TitlesEnglish: Nausicaä of the Valley of the Wind Synonyms: Kaze no Tani no Naushika Japanese: 風の谷のナウシカ
Information
Type: Manga
Volumes: 7
Chapters: 59
Status: Finished
Published: Feb 1982 to Mar 1994 Serialization:
None
StatisticsScore: 8.961 (scored by 3479 users)
Ranked: #72
Popularity: #245
Members: 8,289
Favorites: 755 1 indicates a weighted score
My Info
Popular Tags
action adventure drama fantasy |
SynopsisA millennium has passed since "Seven Days of Fire," an apocalyptic war that almost wiped out human civilization. Since then, the earth is covered with an ever-growing "Sea of Corruption," a vast forest of fungi that secretes poisonous miasma and invasive spores, along with large and deadly insects inhabit within.
In order to fight for more habitable lands unpolluted by the Sea of Corruption, the Kingdom of Torumekia has declared war against the Dorok Empire. Nausicaä, princess and heir of a small city-state named "Valley of the Wind" which pledged alliance with Torumekia, is now forced to join Torumekian to invade Dorok Empire. This war will change her life and the fate of human race forever. (Source: ANN) |
Related MangaAdaptation: Kaze no Tani no Nausicaa
Reviews
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MelonSama
63 of 78 people found this review helpful
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59 of 59 chapters read
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| Overall |
10 |
| Story |
10 |
| Art |
10 |
| Character |
10 |
| Enjoyment |
9 |
Nausicaä of the Valley of the Wind is not a very popular manga, and it is a shame at that. For those of you who enjoyed the movie (the film only barley skims the surface of the first and second volume), I highly suggest taking the time to finding the series and reading it, 7 volumes in all.
Nausicaä was written and illustrated by who may be one of the best filmakers of all time, Hayao Miyazaki. That alone should be an incentive enough, but the series itself is monumental.
Taking place thousands of years in the future after all industrial life has come to an end, humanity is desperately trying to cling to life in a dying world where poisonous spores fall from trees daily and most are forced to wear masks. Different countries are always at war with each other, trying to scavenge the last of all resources. People turn to worship of bizarre and diverse gods all over the planet, not knowing where else to turn. A princess of one small village, the Valley of the Wind, fight's for her people's survival among invaders and gigantic, monstrous insects. Over the course of the story, the main character, Nausicaä, grows from an innocent, nature loving girl, one who has been hardened by death and loss, yet still manages to keep her peaceful persona and optimistic view. The story itself, besides the characters, is an adventure. The characters never stop to take a breath, always striving to keep humanity safe (sometimes from itself) and all the creatures of the world. All of this, paired with breath-taking artwork which defies the average manga style, makes Nausicaä of the Valley of the Wind one of the most fantastic and epic mangas ever created. read more
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roriconfan
59 of 113 people found this review helpful
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59 of 59 chapters read
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| Overall |
10 |
| Story |
8 |
| Art |
10 |
| Character |
9 |
| Enjoyment |
9 |
ANIME MOVIE DEPOT, PART 12
Preceded by: Barefoot Gen (1983)
Followed by: Birth (1984)
NAUSICAA OF THE VALLEY OF THE WIND (1984)
Nausicaa was one of the most engaging films of my childhood. It managed to transmit a lot of messages and feelings within two hours, something that not so many movies can achieve. I knew it was based on a manga made by Miyazaki himself but for many years I didn’t bother looking into it. When I finally did, I came face to face with a work that is indeed ageless. Not something many manga can achieve as well.
For starters, anyone familiar with the movie must be warned that most of the themes found there are present in the manga and only towards the last third does the story have something more to add to the lot by making it a lot more Buddhistic in nature. So if you are not patient with it, you may feel like it’s an unnecessary dragged out version of the movie.
For those who will be willing to follow it to the end, I will inform you that the characters are way more fleshed out and triple in numbers, without even accounting the tens of thousands of stunts. Yes, it’s that epic.
Art: 10
So for the manga itself now, the art is damn good as it both gives the feeling of a fairy tale (a dark one) and still looks artistic and original in a way. The attention he gives to clothes, buildings, and rural areas is indeed wonderful as it manages to absorb you in an alien world in just minutes. For a story this long, the style of animation remains unchanged, without changes in quality or background detail, as it usually happens with manga that took many years to be made and the mangaka was changing style as he went on. That proves how Miyazaki had solidified his style and was sure and consistent with what he wanted to make. A big applause to the man.
Although most sci-fi manga of the 80’s and before had the tendency to make all technological stuff to look like bones or insects, in this case their looks are actually excused since the world really is post-apocalyptic and people make a big part of their equipment out of bones and insect carcasses; thus for once it is excused to look as such.
Facial details are generally low and thus most characters are usually set apart for their clothes. Being black and white does not help either. But this is a rather minor problem most mangaka face so I will not deduct points from it. He still makes up for it by giving them a wonderful body language and lively grimaces. A thing to notice is how characters are most of the time clothed in thick armors or fabrics and that makes them look chubby when in fact they are not. It is a nice way to avoy all those pitfalls of body anatomy. And it still is excused to be as such as the air is polluted and people need to protect their bodies to the fullest. Another thing is how Miyazaki does not go for bijin looks to win impressions. Although most characters look cute, none is given that moe fad of today, which unfortunately ends up making characters look like bag accessories instead of living, breathing people. Also there is no attempt to sexualize females as nude is practically non-present and basically people find it uneasy even when someone is showing bare feet. There is only one page of nude in the whole manga and even that is given so innocently that you can’t have bad ideas about it. They don’t make them like this anymore!
And now we get to the action part of the manga, which in Miyazaki style is a very weird feeling. For starters, all his works seem to mix fairy tales and gore in the same package and the end result is a story where you see cute looking characters being wounded or sliced to pieces by unworldly insectoid freaks. There are also a lot of cute animals as well and as a rule of a thump, you’d expect them to stick around as comic reliefs throughout the story. But no, not even those are spared as most die a miserable and violent death. This is not the first time it has happened; the same treat was given to other works like Elfen Lied. Only thing, Elfen Lied did its best to oversexualize little girls while here it does its best to keep them pure in all cases. And I prefer the latter. Again, in this case Miyazaki makes sure to not implement such gore for piss poor shock effects but as means to show the tragedy of the state of the world the story takes place in. That is not an easy thing to do; believe me. Cheap shock value can easily be removed without damaging the story but here it is essential and a solid part of it. Great work again.
There are a lot of action scenes, as well parts of mass destruction of huge areas by explosions or a raid of freaks and they are all done wonderfully. At first I though Miyazaki was unable to do the same with human figures but I was wrong as there are many panels were hundreds of people are shown attacking or running away. None last too long to get a Lord of the Rings type of battle but they are still powerful enough to show the ability of the mangaka at portraying battles.
Story: 8, Characters: 9
It’s hard to see story and characters separately as this is a character driven story and so I lump them together. So, just like in the manga, it is a story of tragedy around a world ruined by humans a thousand years ago. The survivors still try to rebuild but the folly of war and greed are ever present even after the mistakes of the past. I must point out that many manga and anime have a backdrop story that usually is just fancy dressing of a totally irrelevant plot and characters. But not here as the setting is made and affected by the characters themselves. Every major event that happens is a result of a character doing something and not events that someone pulled out of thin air.
Another thing is the environmental issues of the story. There are many scenarios out there which try to enforce you with a certain politically correct ideology around ecology but here it is done in a most balanced and natural way. Nature punishes man for his errors, even those who are innocent. Plus, striving for balance to return is a process that requires for a lot of creatures to be sacrificed for the good of the whole. That is an image almost no enviromental story has the guts to show. It usually is about nature getting angry with the poachers and then resurrecting the good guys before having a nice party around a campfire. Well not here. If one man makes nature angry, everybody pays dearly for it. And it’s not even punishment, it’s the natural way of restoring the lost balance. Well done Miyazaki, you had the balls to tell things without morality BS getting in the way.
As for the characters themselves, although most feel like archetypes at first, along the way they all mature and change on some way or another. They literaly are not the same people as in the beginning of the story. Plus, as ideal as some of them look at first, all of them make mistakes that end up in the deaths or suffering of many others. And yet they learn for that and become wiser thereafter. Even the so called villains in the story all have understandable motivations and indeed show signs of emotions and gentleness at moments, while none leaves the story completely despicable. Takes a lot of guts and wisdom to do this right and Miyazaki is the one to achieve it.
Now the pacing of the story is a mixed bag. Although most of the events in it are essential to the plot, a lot more (especially the battles) give off the feeling that they could be left out entirely. That leaves you with dozens of pages around action sequences that don’t really offer anything to the story or even to character immersion and makes the manga to drag a bit.
Also, the major mistake of storytelling is present here as well. Most of the times the characters will be stating the obvious, as if the mangaka does not feel sure if the reader understood what is going on. So as much as I liked the maturity of the themes it deals with, I still found a lot of sloppy means to tell them. I could also bitch a bit at how most plot points are presented through rather convenient means, with the characters talking to animals or reading minds or doing long morality monologues just to get fast answers and resolutions. Maybe all that are done because the mangaka wanted to tell a message and not to tell a realistic story but I still found it too naïve at times and my enjoyment was affected by my orthological mind.
Enjoyment: 9, Overall: 10
Although some bits in the way the story unfolded restrained me from fully enjoying this manga, I do admit that in overall it’s amongst the greatest works of the medium and while the movie version does a fine job showing the bulk of its themes, the manga elevates everything to heights unimaginable. This work is suggested to all fans of adventure and drama as one of the best in the field. read more
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Both are fantasy storys about a world buit on the ruins of a ancient civilization destroyed by the ambitious of mankind. This past world keeps many secrets which can change the story of the world.
Both stories are located to very unique and mysterious world.
Protagonists are alike and their meaning to the story is also similar.
Both stories also shows how many sided love can be.
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I know, it may not seem similar but again looks may be deceiving. On a surface level, Akira and Nausicaa were the two momumental animes and mangas of the 1980's with their historical importence almost eclipsed only by the rise of Gegika, Osamu Tezuka, and Neon Genesis Evangelion.
On the story, both are layed with socialogical and political themes imbedded into the story. The themes are different, but that really doesn't matter sense since mangas with social commentary are few and far between. The scale of both of them are epic with headscratching ending that are surprisingly dense and the culmination of all of the subtext. On the actual stories, they are very well thoughout and crafted, so everything happens for a reason and nothing comes out of the blue.
Artistically, they are both almost unparralled yet share one very rare similarity that few mangas share. Both are profoundly influenced artistically by the french comic artist Moebius (the setting and world of Nausicaa is heavily influenced by Moebius' Arzach and that is where the her glider comes from (I have the picture that is on the cover of one of the editions on my profile page if you don't believe me)). From him, Otomo takes the staggering amount of detail and the emotional moments while Miyazaki takes the surreal world and atmosphere and what Moebius described as quality (see Moebius vol. 4).
Overall, both stand at the pinnacle of all of manga. It will be a long time before either of them are ever surpassed.
AKIRA and Nausicaä are both epics in every sense of the word, both were written in the '80s, and both are extremely influential manga. Whilst themes and setting may be very different, they both give off a similar feel, and had popular movie adaptations that only covered the manga up to a certain point. The two are masterpieces of graphic storytelling.
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