Gunslinger Girl

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Gunslinger Girl is a flawed masterpiece. There are plenty of things about this manga that rub me the wrong way. Ultimately, though, it's one of the deeper stories I've read, and it's stuck as one of my favorites. Oh! And I want to say right at the beginning: if you're thinking this is one of those stories where a bunch of older creepy guys have inappropriate relationships with children - it's not at all! So don't let that turn you off.

I'm going to start with the bad.

-The ending is AWFUL. It's weird and it comes out of nowhere.
- Why are at least two ... volumes dedicated to the story of Petrushka, the least interesting cyborg in the series? Any of the other cyborgs would have been better suited to an in-depth focus.
- Jose goes through a bizarre art shift for a couple volumes where he is briefly transformed from an intimidating military man to a slight, cute fluffball. Needless to say, the new look is jarring and it doesn't align with his personality at all. Luckily it seems the author realized that, as it's a temporary makeover. :)
- There's the trope of a villian (just one, luckily!) who fits the "I'm a bad guy just because I want the world to burn, and I'm insane" mold.
- There's the trope of the annoying haunt who plagues a certain character's mind. Ugh.

With that out of the way, I can focus on why I love this series so much! To be honest, I find the plot a little hard to follow in places. But I very much enjoyed the story's focus on politics and terrorism, and some of the nuanced reasons behind terrorrism. I haven't read a lot of series that have a focus on such themes, and I feel that these topics were well integrated into the plotline. Generally, the terrorist factions and the terrorists we meet in the series are understated and their reasons for what they do make sense personally and as part of a larger national issue.

The portrayal of human emotions and longing blew me away. Those of you that have even read the first volume know that the cyborgs are all chosen because they have no other options. Some of them are suicidal. Some of them have terminal illness. Some of them have been in trafficking rings. Whatever the reason, they are chosen because they have a vulnerability. Well, with this dynamic (even though the memories of such events have been erased, sort of), it's no wonder they would seek solace in those around them - who are not equipped at all to fulfill those voids. This particular aspect of the relationship between handlers and cyborgs made the story for me. Maybe I'm a sadist, but the state of wanting affection from someone so much even though they can't or won't deliver it - and vice versa - is an aspect of people that I like exploring. If any of you have read this series, there's a certain scene where a character lights up a cigarette that gives me chills. They don't even need to say anything - the shift in feelings and the relationship is apparent just with that one action. Ah! It's moments like that that make this series what it is. Without giving the plot away too much, everyone in this story is "trapped" somehow. Whether it's the handlers or the cyborgs, everyone has their own trauma that they can't really deal with, and the means they seek out to comfort themselves due to that trauma ultimately leave them hollow. It's not uplifting, but it's realistic, and I feel it makes the story much more relateable.

The story's interpretation of cyborgs is unique. Usually, cyborgs are very machine-like and super-human. You wouldn't even be able to tell that the cyborgs in this story are different from people, and they get injured all the time. Yes, they're faster, stronger, and all that good stuff, but not so much so that they're ridiculous. One of them even goes through special training because she can't take down a target. They also very much have their human heart, feelings, and vulnerabilities intact. (Some people might argue with me on this point because of the drugs the cyborgs are all on, but as a side-note I thought that didn't detract from their emotions. It made them even more compelling, because through this fog of brainwashing and drugs, they still recalled things from the past now and then and they still had obvious emotional voids they tried to fill with various means.) Rather than being long-lived and invincible, the cyborgs lead short, compressed lives, and their mental abilities decrease with their time out in the field. Watching them break down is a bit like watching someone with Dementia deteriorate. It's so sad, but there's nothing you can do about it. In other words - it's perfect.

Finally, I loved the art style. The style of characters in particular appealed to me, as they are a bit more....box-y? than one would typically find in manga. They had weight and impact, they weren't airy with magically flowing hair and ridiculously long limbs. Even the ladies looked realistic and not over-accentuated. No one's drop-dead gorgeous or a bombshell, male or female. They all look like children, former police, or former military personnel - which they are.

In essence, if you like stories with a more nuanced plot and special attention to inner human struggles, you might enjoy this one. But if you're the type that doesn't like depressing stories, I'd avoid this like the plague. There's not a lot of personal triumphs, just a lot of setbacks. Oh, and for all of you that have read it, I'm just going to gush and say that Triela and Hilshire are the best! They're the adorable bright spot in this series both together and individually - y'all know what I'm talking about. :)

Triela is best girl, best cyborg, with Hillshire best fratello and best character of the series

Beatrice underrated af should've gotten more screentime

Rico became likeable halfway through the series, she was my least favorite in the first half

Petrushka - great couple, honestly ship them but I call BS when they met, Sandro didn't picked up on her suicidal behavior when he's supposed to be amazing in cold reading

Angelica - the feels bro, I didn't expect to cry, damn you Marco

... Claes - everyone dead muh garden

Henrietta never liked her idk, i get why ppl like her she indeed adorable, og P90 user not that pink bootleg but she boring added when I found out Jose is not genuine in his kindess towards her after I went for the manga coz season 2 of the anime went total moe crap, was surprised he's a fake, regardless they're boring and the least interesting fratello, and that double suicide was dumb af, Henrietta could've for at least another year making her latest conditioning that made her emotionless a waste, Jose needn't take Henrietta with him there's no enemy anymore

Would've gave it a 7/10 but that damn cop out, ass pull, seriously all it takes was the Pope's statement? Calling massive BS

6/10

I spend a lot of time reading manga at a local Barns & Noble. After reading what I wanted to read, then reading what I didn't think I would hate, then reading what they had just because they had the whole series, I started reading Gunslinger Girl. I admit, I did not have high hopes for it, having flipped through the pages often and always putting it back on the shelf, but today I decided to read it.

The first thing that drew me in was the art. With a lot of works having pretty shoddy graphics, even after being serialized into a ... manga, I was relieved that the mangaka for Gunslinger Girl was pretty good. Often, in battle manga, scenes can have chaotic effect drawings, making it hard to distinguish whats going on, but I never lost track of what was happening. The characters are all drawn similar, but not clones of each other, nor do they fall into obvious stereotypes. However, even characters from different countries seem to look like they came from the same basic mold, and it gets old pretty quickly. What also doesn't help is that none of the characters have unique personalities. What I mean is, try reading a chapter of GG imagining that every line is coming from the same character. Nothing would be out of place. No one on screen seems to have any characteristics that differentiate them from anybody else.

As far as the plot, I can't help but think the story focuses on the bad guys. We see things from their perspective, but that doesn't seem to justify their actions in my mind. Without giving away too much, Gunslinger Girls is about a section of the Italian government that takes elementary-school-aged girls who've suffered fatal wounds and makes them into cyborgs, who're trained assassins. There are a few different teams the story follows around, and all they do it kill different factions of "terrorists" that oppose the current regimen. I don't think I've seen them yet spare an innocent, and in fact, for whatever reason, one of the first kills is an innocent boy who was shot just because he's spoken to one of the Girls in an earlier panel. By contrast, some of the "terrorists" were put into the exact same situation and let their child live. With so many (at least six) different "terrorist groups" trying to take down the current government, and the lack of demonstrated morals by the protagonists, one wonders who is the oppressor.

I'll probably keep reading it, until new volumes for the manga I'd prefer to read come in, but it just seems to drone on and on, a bunch of boring handlers telling lifeless dolls to kill enemies of the state chapter after chapter. In order for GG to be serialized, I know that more of a plot has to show up eventually, but for now, it's just plain.