Published: Sep 10, 1976 to Jan 25, 1978
Authors: Tezuka, Osamu (Story & Art)
Serialization: Big Comic
Score: 8.071 (scored by 680 users)
1 indicates a weighted score
2 based on the top manga page.
May 27, 2009
What I found wonderful about MW was its lack of preachy morality. Every character is as they are, and there are no tiresome monologues. Garai, the closest thing to a "hero" in the manga, lies to himself and seeks solace in a God that doesn't seem to care. Yuki seems charming and kind for pages at a time, before reminding you again of his true face. Is there a greater purpose behind the crimes he commits? Although not entirely surprising, the path he takes is interesting enough.
While an interesting character sketch, I cannot say much for the story itself. Machinations and dramatic events often seem forced and unrealistic, compared to the more carefully plotted mysteries of "Monster".
The art is obviously delicious, with the breathtaking hatching on cityscapes being my favourite. Although decades old, the style serves its purpose.
I would recommend this work chiefly to anyone interested in where Monster got its inspiration. I bought this manga for that reason, and enjoyed myself thoroughly. read more
Jan 27, 2008
So whats it all about? MW tells the story of Father Garai a catholic preist, and Yuki a serial murderer. Their fate was intertwined the day they first met. Both are the survivors of the MW incident. The time when an entire Island was wiped out by a poisinous gas.
After the incident Yuki was driven insane and soon becomes a murderer. Father Garai tries to cleanse Yuki of his sins. In doing so he eventually has homosexual relationship with him. And thats only the first 30 pages of a 600 page book. There's lots of charachters, like the brillaint detective who is investigating Yuki (and has alot of similarities to Death Note's L) As well as the reporter trying to spread the word of the MW incident.
Of all the Tezuka manga I've read this is the most polished. The charachters are, maybe with the exception of Yuki, all realistic and there motivations well stated. The art work, while not as experimental as Ode to Kirihito, neither are the backgrounds as lush as Buddha, is still nice and more realistic than the average Tezuka manga.
The story itself hits on alot of important isues of the time. The MW incident in which nation X spilled a poisinous gas on the island, is an obvious meaphor for the American millitary bases stationed at Japan. Also the protests against MW was probably inspired by the student protests at the time. Despite this however, I still think the story is just as relevant today, even if you don't know exactly what was going on at the time.
Despite occaional cartoonish art, and the fact this is written by the same man who wrote Astro Boy, MW is certianly not for children. The violence and sex scenes can get pretty graphic. Along with ode to Kirihito this is probably the darkest and and one of the best works of Tezuka's work you can find in english.
Still, despite how much I enjoyed this Manga I can't wholehaertedly reccomend this. Alot of the subject matter is bound to offend people, but if your fan of Tezuka and want to read something which will keep you guessing, makes you care about the charachters while giving you a satisfying beggining middle and end, MW is the manga for you. read more
Nov 6, 2010
Perhaps the Penultimate Prequel to Death Note.
The hallmark of a true heavyweight manga is to leave the reader out of breath before they finish it.
For MW to do this before hitting it's 3rd volume just speaks volumes for how good Tezuka really is.
Don't get me wrong, depending on what movie, book, synopsis, genre you associate with this book prior to reading the first panel will decide how high or low you consider this manga to be but considering how MW matches up to the above titles - it's safe to say that even modern day manga readers will find something that will shock them once they are done with this series.
Shock is the key word here.
I think it's hard to find someone who doesn't know the name Osamu Tezuka but I was one of those people.
Most of my Tezuka knowledge comes from Paul Gravett's Manga: 60 years of Japanese Comics.
The rest came from the more childish Astro Boy that is strongly associated with him and even then it could be said that I've learned more of Astro Boy because of the gba treasure game Astro Boy: The Omega Factor in which I have a first glimpse of Tezuka's ability to portray mature themes from the secret ending since I never followed any of the other Astro Boy anime/manga/merchandise.
Whether otakus consider this sacrilege or not, the reality is that Tezuka's art doesn't appeal to me very much and the fact that he is often highly praised gave me an impression that he was more of a "sweet" Hayao Miyazaki mature theme writer rather than the more vicious gekiga artists. (Where I had the assumption, Black Jack is the most mature themed manga he's ever made)
This is why it took spotting an omnibus of MW that got me to consider acquiring this manga and at the time it was mostly so that I can say to myself that I checked out the "classics". (The fact that I never knew Tezuka wrote a horror manga also helped and the other fact that I couldn't afford many manga series and this was 3 volume cemented my decision)
It is safe to say that from the way I'm writing this review that I've been humbled but let me just help better contextify my humility.
There are always the top names in any type of storytelling genre but they aren't always cut out from how they are hyped.
For every Citizen Kanes that may be "great" if the modern audience isn't bored by the premise, there will always be those certain over-hyped entities that do not "wow" a person either because it doesn't age well, it's too mainstream, it's just flashy, it's just lengthy...blah blah blah other reasons but nonetheless whether you approach it from lack of hype or approach it due to the hype...it's always at best "ok to great" but rarely shockingly "...wow" including the aforementioned Citizen Kane.
This was how I see many of Kubrick's movies, King's books, Miyazaki's animes...I just didn't really feel "impacted" by many of their works even if I try to come at them with lowered expectations. I'm not saying their works are "bad" - just not something I would rate highly of.
MW is an exception to that because in the context of many of the above series, it managed to exceed my expectations beyond what I consider the genre of thrillers or horrors in general can reach.
The closest analogy to any modern mainstream manga series that I can think of remains Death Note.
However where this manga separates itself from that series (going as far as being a series I wouldn't submit as a recommendation for Death Note despite it's structure being perfectly good enough to do so) is the lack of..."rule of cool". Obviously there's still elements of exaggerations in here and there's no convenient book murdering tool but the prime reason why this is more down to earth is because of the lack of "invincible bishounens" in it.
Don't get me wrong, there's a hard to beat antagonist/protagonist/anti-hero here but call it preachiness or some other flaw but the layers of the scenes are very society-connected rather than combat or institution competing. Think of it as more TinTin than Shonen.
If this were it's only qualities though, I would assume many would just claim this is textbook Tezuka but it's really when you consider it from a horror or thriller manga perspective that you may start to appreciate why this book is a 10. (and not a 10 because it's a masterpiece but a 10 because it's outstanding)
Here's another classic I feel is overrated: The Exorcist.
Again, don't get me wrong. I'm not one of those people who feel that the Exorcism of Emily Rose is way better just because the technology got better and is able to produce scarier effects.
Not aging well is but a part of why I consider The Exorcist overrated. The main reason though was that the height of it's "horror" was less due to how the film is made but how people feared "the devil" during those periods when it was first showing.
This is why I feel MW is a penultimate sequel. (Setting aside both the dates they were released since I never check those)
This manga didn't just become a worthy associate of that film - It managed to bring that dread back even if you're a modern reader who may not believe in Christianity or demonic possession.
...and in many ways, it brought that back while having events that are the lengths of a King novel.
...and having the premise and staying around the premise of the original .REC (not the poorer sequel)
No shaky cam though but lots of dread.
That said, this manga is still a Tezuka manga and whether you consider that a pro or a con, the bottomline here is that you're not getting several of these:
-the hot blooded eruption of shonen (or cold blooded if you are thinking of Death Note's Yagami Light)
-the willow mystery of shojo
-the boyish feel of seinen (despite the tag)
-the depths of mysteries in thrillers
-nor the psychological nor disgusting bits of horror
...yet many of those elements are still packaged into this series and the combination of it all is what makes it a 10. It would be like enjoying a Golgo 13 except dealing with demonic possession. (Don't let the premise of a schizophrenic monster fool you - unless you're one of those who fear Hannibal Lecter because you think he mimics a serial killer semi-accurately especially the Hopkins version - this is as close to a down to earth semi-realistic demonic possession portrayal you can get from a horror manga)
P.S. Sci-fi fans (those who are less into spaceships but monsters) will also be pleasantly surprised by this manga. I haven't read any quality sci-fi books or manga that deals with this subject matter so let's just say this is like the Outer Limits TV show (the classic as far as consequences go with mixes of the more modern version as far as the horror goes) read more
Aug 17, 2012
It's slightly hard to understand what Tezuka was going for with MW, in my opinion. It's a deeply flawed thriller lacking commonsense, justice, and did I say commonsense?
The portrayal of homosexual relationships is laughable, until you realize Tezuka is quite serious with his portrayal of their relationship. But this is only one of the many problems with this manga.
You have characters introduced, only to be killed off for no particular reason once they served their purpose in the story. Wait, you can't even call these characters. They're lifeless, empty, silhouettes. Tezuka appears to have been rather frustrated with women, considering how most of them die cruel deaths.
Amazingly the authorities and the ENTIRE government had a hard time dealing with Yuki. It took them over half the manga to even CONSIDER him, but it was far too late. Yuki in general is full of stupid little plots, which people actually fall for. His stunt at the end being the most absurd. The "great" and all "knowing" detective appears to have lost his sense during the ending scene . Funny how no one even bothered checking Yuki's identity at the end, though.
The art is extremely gritter, as opposed to Tezuka's clean trademark style.
Don't worry, Tezuka randomly uses a cartoonish style during serious moments, Strange how people praise his art when he can't even properly draw a person walking.
Speaking of art... The design choices are rather questionable. Yuki, the "cunning" and "intelligent" man who often disguises himself as a women, has sideburns. He certainly isn't very feminine- unless you consider Jeff Goldblum feminine....
Deeply flawed thriller with poor storytelling. Read Angel's Hill instead. read more