Saiteihen no Otoko

Masahiko Murai is a loser, but at least he isn't the biggest loser in his class. That "honor" belongs to Yamada, a smelly, disgusting individual who suddenly winds up with a girlfriend, meaning that Masahiko is now the class' resident failure. In order to save himself from further disgrace, he decides to lie and tell everyone that he is in a long-distance relationship with a girl named Haruka Mizusawa, his childhood friend.

However, Masahiko gets the shock of his life when Haruka transfers into his class the next day. She proudly declares that she is dating Masahiko, and everything seems to be going his way. There's just one catch: known only to Masahiko, Haruka died five years ago. So who or what is his new girlfriend?

[Written by MAL Rewrite]

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Background

Saiteihen no Otoko was published in English as Scumbag Loser by Yen Press in a complete omnibus on November 29, 2016. Ki-oon published the series in French from September 12, 2013 to March 20, 2014.

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Characters

Mizusawa, Haruka

Main

Murai, Masahiko

Main

Ookura, Yumi

Supporting

Shinozaki, Maya

Supporting

Shimowada

Supporting

Nishimoto, Haruki

Supporting

Yamada

Supporting

Chihaya, Satou

Supporting

Reviews

Jul 17, 2022

ArtIsCruel

Recommended

I finished the manga and honestly it is a amazing description of how people can be shitty; But I mean it shows our humanity; How shitty can someone be to survive, how does mental illness develop in a shitty household. How can people be blind to the past, how can bullying and trauma create inferiority complex's. I mean honestly this is an amazing manga and it will leave you with a gutwrenching heartache feeling, finished reading this in one day and by the end of it I was out of breathe in tears... Honestly an amazing manga for anyone that IS human, we all are ...

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Jan 25, 2023

hexashadow13

Mixed Feelings

tl;dr: A bit of an interesting take on the theme of unconditional love, but beyond that it’s either generic psychological horror or uninteresting nonsense.

This manga is a three-volume length psychological thriller centered around supernatural beings that are killing and replacing people. It is from the point of view of Masahiko, a high school boy that one of said beings, Haruka, seems to grow fond of. Masahiko has always been near the bottom rung of the school hierarchy, and thus has come to be someone that’s very good at sniffing out the biggest losers through scent alone. The mysterious beings that are killing and replacing people ... are primarily after such losers, and thus Masahiko is given the job of selecting targets.

Through this set up it touches on various themes. The main one starting out is everyone’s obsession with social hierarchies. It doesn’t delve that much into it, basically showing off an example that’s supposed to be disturbing to try to convey how awful things can get, but to be honest it wasn’t all that bad relatively speaking and didn’t leave that much of an impression. As the series progressed it also touched upon the more interesting theme of how people don’t really view the inside of someone as who there are, wherein even if someone’s personality changes completely as long as they look the same and seem to be fitting into the same slot in society, they’ll be viewed as exactly the same person.

That in and of itself isn’t that interesting because it’s relying entirely on the supernatural aspect in order to work and thus doesn’t say much about real life, however tangentially it did bring up quite often the much more interesting point about the hollowness of unconditional love. In a conditional relationship, or at least a healthy one, those involved are in love with each other for who they are and want to be loved in a similar vein. There obviously will be things that one might wish were different about one’s partner, but in general one wouldn’t want them to change completely because they’re in love with them in the condition that they currently exist in and thus it is likely love would wane if said partner changes too much. On the other hand, unconditional love doesn’t really have any sort of foundation to it. There’s no real reason for it to exist, but it still has to exist. Thus, a parent will love their child regardless of how much they change over the course of their life. That’s generally a touching sentiment, but on the other hand it’s also not at all. The love isn’t of the person themselves but rather simple of the role they’re inhabiting, and thus they’d be perfectly fine with anyone else in that role. Rather, it would be perfectly reasonable to wish that the one fulfilling that role was essentially someone completely different. While this isn’t really anything more than stating the obvious I suppose, actually thinking about it somewhat depressing.

The plot was incredibly lacking. The first half is fine. It’s pretty typical psychological horror with inexplicable changes and the feeling of helplessness and solitude in the face of the mysterious that proceed in a pretty generic manner. It’s not all that unique, but it isn’t bad either, so it’s decent enough. The second half is where things go off the rails. It drops most of the psychological horror in favor of more in your face scares but isn’t all that good at it thus just isn’t scary at all, nor is there much in terms of good suspense. It begins focusing much more on two new characters, but in the end there was no thematic or plot purpose to either of them. This is the type of story where all the main characters are horrible and unlikable, which isn’t all that rare for psychological horror, but towards the end it felt like it was trying for beats that actually relied on having some investment in the main character and his struggles, but that just didn’t land at all considering it’s not like he went through any sort of character arc or anything like that. On top of that, the pacing is pretty bad with it wasting a bunch of time on the aforementioned pointless characters and then rushing a bunch during the ending. This results in a bunch of plot holes, some minor such as why a character looked like what they did, and some major, like characters seemingly knowingly allowing themselves to be killed off for no real reason.

The art was solid enough quality. Style wise it could be good at times, meaning both in terms of looking nice and in terms of looking horrific, wherein the looking nice aspect is important for helping the horrific parts stand out. However, most of the time it wasn’t either, it was just kind of meh in a way that didn’t enhance the tone or atmosphere at all, and design wise it was pretty dull in general.

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Jun 23, 2021

tigdogboy1313

Not Recommended

The narrative is like Invasion of the Body Snatchers meets your typical edgy high school manga. Scumbag Loser follows a high school kid that is almost at the bottom of the male hierarchy and discovers a way to boost his status by lying about getting a girlfriend with photoshopped images of his deceased childhood best friend—who happens to transfer to his school the following day.

To be real, this manga has an original premise but falls completely flat trying to tell it. The main issue for me is that this manga suffers from going too big and beyond when it should have only been focused ...

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Poll: Saiteihen no Otoko Chapter 14 Discussion bunny1ov3r - Jan 10, 2014	15 replies	by elgatosaika »» Feb 9, 2023 5:19 AM
Poll: Saiteihen no Otoko Chapter 13 Discussion bunny1ov3r - Jan 11, 2014	2 replies	by tearofmankind »» Apr 23, 2019 3:05 PM
Poll: Saiteihen no Otoko Chapter 12 Discussion bunny1ov3r - Jan 10, 2014	3 replies	by tearofmankind »» Apr 23, 2019 2:58 PM
Poll: Saiteihen no Otoko Chapter 11 Discussion bunny1ov3r - Jan 10, 2014	6 replies	by tearofmankind »» Apr 23, 2019 2:53 PM
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Saiteihen no Otoko
Scumbag Loser
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