Hoo boy, that was a heavy episode!
Yajiro can turn into a train! That's big news. I hope that shows up again in. And the next episode seems to be about Kaisei at last? Yes!
So there's been complaints about, among other things, the slow pacing of this show. I'm not saying that those points aren't valid, but I want to chime in my opinion on why I feel it works in this show's favour.
First off, it takes place in a grounded setting where people are living their everyday lives; no one's trying to solve some big mystery, or fight in a war for the fate of blah blah blah. The Shimogamo family have been trying to move on since the father died, so they're not desperately seeking answers or baring all the secrets in their hearts to each other.
So the plot points are unfolded gradually, and upon aligning the right circumstances: the Ebisugawa boys wouldn't have revealed their nasty secret unless the tanuki elections were going on. Yasaburou wouldn't have met the Friday Fellows if he hadn't broken the tea house Benten gave him in the fireworks festival (and lost her fan). Events have to be established first before the writers can start throwing their curve balls: how the humans view tanuki, the circumstances behind the father's death, why Benten is how she is...
Second: most of the characters are very simple; the writers don't try to hide it. In this episode, Yasaburou boils him and his brothers down to a single trait each. Professor Akadama lives only for flying and women, and has already lost one of those things. Tanuki transform to protect themselves, but also to have fun. It's the humans who are the tricky ones; their views and motivations are ambiguous and bizzare. Yasaburou wonders why Benten has "changed", but she acts like it's the most normal thing in the world. Of course, she intentionally remains distant from everyone. I find it appropriate that Tatami Galaxy was much the same, showing that people had lots of different sides to themselves, but that was apart of who they were.
Third point: the main character himself, Yasaburou. As protagonists go, he's pretty passive. Despite his adventurousness, things tend to happen to him more often then be set in motion by him. He's taken from place to place, only to stand there as people yap about how they've been doing or express their weird philosophical musings.
But I like that. Someone mentioned it before, but he acts as a neutral force, bearing witness to all different kinds of views. Not just for our benefit, he's shown actively listening. Whenever he narrates it's usually to summarize his thoughts on the subject of the episode. He thinks before he speaks, because he's trying to understand.
And that's what's beautiful about this show; it has simple characters who live simply, who coexist with each other through boundaries of race, class, power, mentality. But that doesn't mean that they can't understand each other; whether it's brothers with clashing personalities, or an old Tengu and his old Tanuki friend, or a young Tanuki and the humans who ate his father. The show makes a lot of points on living a full life; Yasaburo strives to do this by exposing himself to all sorts of lifestyles and weighing the values of each person he comes across. And if that ultimately leads to a cooking pot, then who's to say that that isn't fulfilling either?
But yeah, it's slow. Things proceed at a snail's pace, and the show likes to dance around the important issues, when things could be summarized neatly in about half the time. It's got pretty weird ideas (although not really) about being eaten equating to love.
For me, what makes it all work is that I love the characters. I love the way they play off each other, and that the show gives everyone enough lines to speak when it matters. So watching them interact is just as much fun for me, if not more than pushing the story along. If you don't like the characters, then of course it all falls apart.
More and more often, I find there's more interesting things going on than the plot: the imagery, the designs, the animation, the music, the atmosphere, the dialogue, the acting, the characters. Plot's been done before. But in a visual medium? There's so much cooler stuff that can be the focus or merit of a work. That's where I feel Uchouten Kazoku shines. |