Though the last episode was quite good, this was easily the best since the first. This episode felt superbly meticulous in it's construction, rather than the occasionally middling execution found in the majority of those that came before, as it deftly weaved a plethora of small, but meaningful character developments into the story, while also satisfyingly illuminating a heightened complexity within the larger narrative.
Akane's transition into an Enforcer and the possibility that her mind could eventually succumb to her darker inclinations continues to be foreshadowed, as intimated during Ginoza's conversation with his Chief. This particular scene alluded to the intriguing mystery involving Kogami's irrevocable descent, while also slipping in another element of characterization for Ginoza with the brief mention of his seemingly disgraced father. Surprisingly, the case from the second episode was momentarily focused on once more, which I thought was an excellent touch, since it contributes to a greater understanding of the narrative, as it could potentially indicate a much less episodic nature to the story than initially expected.
The opening and ending scenes were the best moments of the episode. The opening greatly elaborated on Shinya's past, effectively developing his character and fully divulging the expected truth behind his motivations. The final scene, in which Satsuki's body had been dismembered and rearranged into a revolting work of art, and the last line, in particular, provided an incredibly effective cliffhanger to conclude the episode with, as it excellently illustrated the unsettling brutality that permeates their society.
Akane and Shinya continue to be the only characters with a heightened level of satisfying characterization, but I felt this episode worked quite well in establishing another level of depth to several characters, particularly Ginoza. This episode also illustrated further parallels between Akane and Shinya, which have always been quite evident, but these similarities are starting to be noticed by the others as well. The character interactions are gradually improving. I especially enjoyed Akane's drunken conversation with Kagari, since their few scenes throughout the show have been rather engaging.
Shougo is a fascinating antagonist, as he subtly manipulates murderous intent, providing the trigger for the inevitability of their mental deterioration. As such, though somewhat predictable, the reveal that he was assisting Rikako with her considerably disturbing desires was terrific. It seems likely that these nuanced machinations will inevitably result in the orchestrated formation of a complex, all-encompassing plan, which very well could already be the reason for his intricately designed actions, rather than a purely simplistic explanation of mere enjoyment.
The direction was solid, but largely unspectacular, save for the first and final sequences. The opening, for example, was directed with a very effective approach towards visual storytelling. The distorted colors and bizarre camera angles illuminated the essential elements within Shinya's nightmare, such as Shinya's anguished expression at the sight of his mangled friend, followed by a shot of the dead Sasayama's face, culminating with Shinya's own contorted face reflected in his eyes.
All in all, Psycho-Pass, following several disappointing episodes, has impressed considerably with it's last two. It still has yet to reach it's potential, but, throughout the previous two episodes, there's been a noticeable improvement in that area. As such, for the first time since the introductory episode, the story that was told felt relatively ambitious. I definitely hope that continues and that it will eventually filter into the narrative. |