The first notable thing regarding Abandon the Old in Tokyo is its context. Penned during the decade of the 60's and published in 1970, this manga is largely a reaction to the Showa reinvigoration of Japan, and the somewhat insidious debilitations this growth caused.
It's also 'gekiga', as live2win states. This was a movement away from the simplistic and moralistic stories abound in the mainstream magazines, which were aimed primarily at children/teens. Such works as Adolf, Nejishiki, Samurai Executioner and Kamui typify these traits as well.
Tatsumi was one of a very few who first trod these waters. In fact, he was the one who coined the term in 57'. He started his work in 54' after being unable to continue his schooling as his parents were poor, though sadly most of what he has done has never seen the light of day for Western readers.
Gekiga translates to 'dramatic pictures'. It's a style that was more influential in its panelling, it's lack of dialogue [at points], and it's exploitation of cinematic-ally stylised pictures, than the actual content. Tatsumi, along with Masuhiko Matsumoko and Yoshiharu Tsuge, revolutionised the manga industry, and the way a mangaka developed their manga technically. This impact has long not been recognised by most conventional fans of manga however- stemming mainly from unfamiliarity with context, and not having read much early manga [especially as it's not available in English mostly].
As for the content, I don't think I can agree with live2win's "the impact dwindle considerably". Abandon the Old in Tokyo contain elegy-like narratives on those less fortunate in Tokyo (it's actually important noting Tokyo- Tatsumi came from Osaka, so this is his view as an outsider). The poetic sadness and grief, humiliation and degradation of the individuals power in respect to the collected masses makes Abandon the Old in Tokyo gripping. The actual artwork was completely new and is quite effective; no perfected forms but simple men and woman. This manga is really to be devoured slowly; the lack of dialogue thus makes us take in the portents of the visuals which have bounteous depths of communication.
The one objection I have to Abandon the Old in Tokyo is the misogynistic vein that runs through it; though of course this is a result of its context.
But I definitely think it's worth inducting. I mean it's an absolute classic, and a monumentally important work in manga historically. |