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| disappointing.. |
| A nice and sweet movie for sure and the way it plays into The Cat's Return is pretty cool too |
| “I love heroes, but I don't want to be one. Do you even know what a hero is!? For example, you have some meat. Pirates will feast on the meat, but the hero will distribute it among the people! I want to eat the meat!” - Monkey D. Luffy |
| I love this movie so much! It's not only my favorite Ghibli movie, but it might also be my favorite movie ever. This story has so much to offer. It's about growing up, about hesitating and doubting as you try to find your path and get to know yourself while striving for it. It's also about friendship, family, and about falling in love. I love Shizuku, and Seiji's relationship so much, it's just so cute. He fell in love with her first, and started to read a lot of books because he knew she was a bookworm, and hoped she would eventually notice his name on the book cards, and his effort brought result! She got interested on him as well, and their meeting, the way they got close to each other, it was all so beautifully done. One of my favorite moments is when she asks him to play the violin for her, and he says that he will do it if she sings the song she translated. It's just so heartwarming and so wholesome; especially when his grandfather arrives with his friends and it gets so, I don't know, festive and lively. Shizuku is also a pretty relatable, and likeable character, but it's not like she is perfect or anything, she just feels very real, just like Seiji to be honest, but he doesn't have the same amount of screen time. I'm all in for fantasies with flying castles, giant bugs, dragons, fantastical creatures, magic, and more; but if you ask me a movie like this one, a Slice of Life so well written and directed, is also magical, just in a different way and I think I prefer it. |
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| The first thing I noticed about the poster was the cat man so I thought that it would be a straight up fantasy movie like a lot of other Ghibli movies but it ended up being like Totoro with the titular furry yokai making way less appearances in the movie than expected. It's actually better that the Baron made a more prominent role in another movie (in this case, The Cat Returns ) because the parts where Tsuki ran with him really felt out of place even if she was just trying to get a feel on how her novel should look like. I liked how it referenced other Ghibli movies like Porco Rosso in the clock. It usually takes a while for a Ghibli movie to pick up with some being halfway into the movie and some being the last 15 minutes but this one's the former. For a whole hour, it felt like barely anything had happened but by the second half ends, a full two months had passed without obviously saying it to the viewer. This is more like a coming of age story than anything else so I appreciate its simplistic charm because it succeeded in making me feel all emotional and sentimental in parts throughout the movie. It has that nostalgic feel for some reason. It's quite unfortunate that Gramps and the Baron's story has yet to reach a satisfying conclusion so I hope that the time for them to meet their other half comes later than never. The last scene reminds me of my own relationship ♡ There are so many things that come in between them in life but they still decided to set a long term goal both of them will hold onto right until they have done everything that's needed to be done. As they polish their own metaphorical rocks, their memory of each other stays within them as whispers of the heart. Thank you, Country Roads: The Movie, very cool! |
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| My God, the version I watched had such awful subs. I think it was actually the dub subtitles with a japanese audio? But rather mismatched and I was just :/ Became more tolerable once I figured out the deal with them but still would have preferred proper subs. The movie itself was very nice and had a good message and that was the more important thing. The characters grew well esp. main ones and Shizuku in particular. Became quite likable by the end. Had some slow and almost oddly fast pacing here and there, but overall a good movie. Start was quite slow and that lasted for a while, mid-part was the strongest imo, when she discovered the antique shop all the way until she sang for Seiji and his grandparent n his friends joined, how it impacted her performance, was exciting. From then it was a battle of ups n slight lows. I liked the scenes when she showed determination with her checking her limits, and later when she made the grandfather read her novel right there and got all anxious, also with the grandfather's reviews latter, both sugercoated and honest and her reaction on that. Found Seiji's arrival to be a bit abrupt, but ended nice enough. |
OrangeCloudsFeb 28, 2019 2:07 PM
| I go into Studio Ghibli films with pretty high expectations because despite me having seen a very small amount of them, the critical acclaim the studio gets definitely gives them quite the reputation. And despite me WISHING I could find a reason to hate this movie... I just can't. I really enjoyed this movie. It wasn't perfect under any circumstance, but for its time period it looks awesome and it sounded amazing. I loved the characters and I loved the story this told (although them deciding to get married at such a young age was pretty ridiculous, almost certainly intentionally so). This is a movie that I would genuinely recommend to someone, and the people over at Ghibli did a damn good job. I'd give Mimi wo Sumaseba a low 8/10. |
GytanzoJun 29, 2019 7:35 PM
| This is a film of a completely different kind, here or almost, which is very different from the previous ones, having as a subject no longer magic in the broad sense, but a story that speaks purely of youth and the difficulties of growing and understanding one's own path to take; therefore, another piece that seems to reconnect this film with "Kiki's Delivery Service". The ecological message so dear to Miyazaki, is very clear and clear at the beginning of the film, in a dialogue between the mother of the protagonist and herself. The play of light and the scenographic effects are really beautiful here and highlight the great care in the drawings. Narration a bit slow, but the plot is not boring despite the rhythm. Too romantic the ending with the background song "Country Road", performed by Youko Honna, however in general the OST is beautiful even if there is no Joe Hisaishi, as in all past or almost. Excellent the direction of the late Kondou Yoshifumi. 9/10 |
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| Yep wtf is this poster it's false advertising at this point x'D But it's better than what I expected, so it's all good. Better re-watching The Cat Returns after this one I guess since it seem the cats are the same. |
| I truly did not see this coming. I had seen the Cat Returns and remember fondly of how I felt when I watched it. Which is why I was excited when I learnt that this movie was somewhat where the inspiration for the former. I have seen quite a lot of Ghibli movies lately (most for the first time) in this marathon that I'm doing... and quite honestly, I did not think I would love this movies as much as I did. It was so touching and relatable. I teared up a few times c': I think it did splendidly in quite a lot of areas. The music was beyond amazing, whenever I hear that song I will automatically think fondly of this movie. The impromptu singing session has to be one of my favorite Ghibli movie moment so far <3 Also loved the characters, the protagonists were very likable. I love watching innocent love stories but that marriage proposal did come out of nowhere xD I would say that would be my only complain about the movie. The beeeest thing thou... apart from introducing the Baron, hands down... the Grandpa! His words of wisdom will stay with me (: With all this said.. I think... Whisper of the Heart is my favorite studio Ghibli movie so far.. thou I am very BEYOND excited to watch Princess Mononoke... which is the next on the list (:!!!!! I have huuuuge expectations to say the least |
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| Classics always leaves you with satisfied look on your face 8/10 |
| Porco Rosso reference on the clock |
| This was beautiful! Simple, down to earth with great execution. And as pretty much all Ghibli movies, very atmospheric, I was immediately captivated and it didn't let me go till the end :) |
One Piece episode 914 & 915 & 1027 were a mistake and 957 brought the salvation - FMmatron |
| An entertaining movie. 7/10 |
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| Now I get why people were saying that the ending of this Ghibli movie is rushed. Overall, I liked it especially that sudden "Will you marry me?" hahahaha |
| Well, it seems I've found a new favourite Ghibli movie! I watched Nausicaa last week and it became my favourite (out of three total watched including it though) Ghibli movie, but this one surpasses it by far! I always love romance and slice of life. And this was the first time I really felt that sort of feeling in a Ghibli movie. I really liked how "Country Roads" was used here. Usually, I'm a bit skeptical about English songs in anime (one example being "Twinkle Twinkle Little Star" in Shigatsu wa Kimi no Uso), but it really fit here. Shizuku's rendition in Japanese was also really good, to the point where I could probably choose to hear the Japanese one! I really liked the romance between Seiji and Shizuku too. More than once I found myself just grinning at these two lovebirds. It was also great to see each of them working hard towards their dreams, and even better to see how meeting each other helped move them forward in it, especially Shizuku. The "Will you marry me?" part took me by surprise, because I don't see it that often. But I don't think it was weird or bad or rushed. I actually really liked it. Felt like something out of a fairy tale (a theme that seems to be present in the movie) and also felt just like a breather. These two wanted to commit to each other, even if it was going to take time. Felt something like from an age past. I read here on the forums that Miyazaki explained that part being about "these days young people never want to commit to anything, always putting off this and that for their careers and other things." And I really like their statement, in this modern world where people either don't get married because they don't want the commitment or they put it off until who knows how long. So I found the last bit very romantic! 8/10. A Ghibli movie I can finally say I do like, and maybe even love it. |
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| I have vague memories of watching this around 2006 on Turner Classic Movies and liking it quite a bit. If it's possible I think I actually liked it even more just now. Deeply moving, touching, heartwarming, whatever word you wanna use. Quite possibly Top 5 Studio Ghibli. 9/10 And yeah, the ending was VERY abrupt, but I don't care damnit, just too cute! XD |
| A Ghibli film that wasn't made by either of 2 masters but still feels like it was. All the realism scenes in the film really reminds me of Takahata style and those beautiful scenes in dreams definitely have Miyazaki fingerprints all over them. This movie does many things good and takes on very serious topics other movies fail to fully display like existential crisis and regretting for not being the person you used to be. The simplicity makes this movie special Also this is where the legendary Lofi girl was first shown. Which inspired whole Lofi radio on youtube. I think this film is as good as previous Ghibli film I saw Porco Rosso and I'l also give this 8.6/10 |
| Country roads, take me home To the place I belong West Virginia, mountain mama Take me home, country roads Memes ruined this movie for me. At least partially. Starting off, the film is oddly indicative of technology used in libraries. As someone who has worked a library for a few years, arranging, handling, and keeping track of inventory by hand is miserable and time consuming. I suppose there's nostalgic value to the punch cards and such, but the dialogue feels like someone much older using much younger characters as mouth pieces to vent frustrations over the changing world. For example, Shizuku is way too young to be saying things like "why do we change" or "books don't even excite me like they used to," as she comes across as a hybrid of a melodramatic teenager and an old man lamenting his past and present. There are also snide environmental remarks that don't really serve the plot in any particular way. Again, they just feel like offhanded complaints which, despite being valid concerns, seem out of place, spiteful, and detract from the story itself. Also, did Shizuku take credit for making "Take Me Home, Country Roads?" From what I can tell, the Japanese cover was made specifically for the film, and was performed by Shizuku's seiyuu, so while I guess it's fine, the way it's presented is certainly awkward in a self-indulging manner. I don't get why Shizuku's parents let her do what she wants, as it seems kind of negligent. Realistically speaking, it would make more sense for the father to let her continue writing if she also keeps her grades up. Sacrificing one for the other gives the sense of an unfair ultimatum, so doing both seems like a fair compromise. It's fine to follow your dreams, but Shizuku should at least fulfill responsibilities she has toward herself and others. I guess she feels pressured due to Seiji's circumstances, but he has tangible and demonstrable skills. It doesn't help that Shizuku seemed engrossed with that image of an imprisoned violinmaker, but the idea of a tortured artist is a bit head-scratching. Also, that marriage proposal at the end was certainly abrupt. I guess this film was supposed to be something of a coming-of-age story for Shizuku, who is uncomfortable with herself, uncertain of her future, and is in constant conflict with herself and others. She's in awe at Seiji's passion, and she thinks that by also becoming impassionately engrossed with something, she'd also find excitement and meaning in her life. This story has been done time and time again, but I suppose for as long as there are people uncertain with their lives, these stories will always be relevant. The film just seems...lukewarm? Half-baked? I think it had a direction, but it didn't really go all out. Whisper of the Heart just felt very matter-of-fact, to where I think it might have been more suitable for a short rather than a full film. I suppose the subtleties of life, combined with the struggles of growing up, might make for an interesting film, but even as a fan of slice-of-life shows, Whisper of the Heart felt like it tried to protrude a sense of self-importance with its messages and themes, but without adequately exploring them. It feels like the film takes the appearance of observing the slow passage of the world while also being critical of life. It creates a world, remarks at its beauty in passing, insults it passive aggressively, and leaves off on a sudden marriage proposal. For a film about a girl trying to find enthusiasm in her life, Whisper of the Heart seemed to also lack enthusiasm for both the things it tries to exalt and admonish. |
| The violin scene was really great. But I felt like the end was kinda rushed. Still really liked this movie but not the best imo |
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| What a beautiful coming-of-age story, I was brought to tears many times. It truly is beautiful, so many memorable scenes! I actually loved the ending, it’s bittersweet as obviously if it were to be realistic they probably wouldn’t even end up together, as foreshadowed by that grandpa’s love that didn’t have a happy ending, but such is life. They were such a sweet little couple though. Everyone was just so wholesome. I really liked Shizuku’s character, she’s very inspiring even though she’s just a teenager, I feel like I have learnt/realised a thing or two through her :’) The credits showing people from different walks of life was a really nice touch. And they even included Yuuko & Sugimura in there! |
 ꕤ but i’ll probably remember over and over again you were there and everyone else was there — the day we all searched for just one thing ꕤ |
| Country Roooooooooooooooads! Take me home! This was a little boring at the start, but it pulled me in gradually as I watched in. It was good movie! |
| i really love this movie, and i love how shizuku's parents are so undertanding and they really trust her, which is really rare, specially when you think about this movie being made in japan. it's heartwarming and i don't really think the last scene was bad. i didn't see it as a serious proposal, to me it was more like a dream for him and she genuinely wanted the same thing at the time. and that's what matters here, it's a coming fo age story and that scene portrays what they were feeling at that time. |
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| Country roads is what brought me to watch this beautiful ghibli film. Loved the first rendition they used at the opening. The end credits one though, not so much, but it’s all just personal preference. It’s chill, it’s slow, it takes it’s time, but it has every right to do so even though it’s just a simple coming of age story. Not really much to it but it’s done right and that’s all you need to do. Now it kind of ended abruptly for me at first, but when looking back, it actually really concluded after she talks with the old man and has those jumbo sized noodles lol. Then she goes back and tells her mother that she’s going to get her life back on track. It’s actually a nice, sweet, simple ending. What follows with the dude taking her away on a bike to watch the sunrise is just some bonus stuff that some people may have wanted to see. All in all, I had some big smiles while watching this, especially when they all came together to sing country roads there in the workshop. When looking at the cover art I thought there was going to be super natural elements to this, which I would have preferred there not to be. Thankfully those images are just her book coming to life, and that the whole story is actually very much grounded in reality. Only other ghibli film I’ve watched is spirited away, but even after just watching 2 you can already tell this man has made some quality stuff. I really appreciate all the little things, like how they animate her when she goes to turn off her lamp before going to sleep. It’s just so accurate but it’s easy to look over it. Anyway, really had a good time watching this. It’s 2am but I’m still wide awake just thinking about it. Really liked it, would give it a 6.5/10 but there’s no decimal rating on MAL (yet!) so I think I’ll choose it to be a 7/10 which I think it absolutely deserves. Edit: also is this the origin of LOFI GIRL, LOL???!!! |
  NYANPASU  5700XT |
| The best non-fantasy but wholesome movie of Miyazaki. The pace is fluid and the message behind the history is amazing. It hit hard the feels of anyone who tried once to create art. The end is typical Ghibli: without a epilogue, abrupt. "let's marry!" (after the 2 really met for a couple days only) aaaaand finished. But it is kinda a charm of Ghibli adaptations. The best part was the violin song. That is PURE CINEMA, magic moment. |
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| no one could understand Shizuku's art of sin I can't wait to continue can someone explain to me how this comes 12 views 23 comms and 122 thanks🤔  |
| This film is now apart of me i adore it sooooooooooooo much 10/10 |
| One of my favorite Ghibli movie. It never gets old. |
| omg I would give sooooo much to live there. Idk why but Studio Ghibli movies make me wanna travel back in time and move to Japan. ughhhhhh about the movie : it was good but lost me for a bit towards the end. but I enjoyed it |
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| very comfy movie, one of the best Ghibli film for me. |
   » [The World's Continuation【世界のつづき】- UTA/Ado ♪] « 0:00 〇────── 4:55 ↺ |◁ II ▷| ♡ ✦ Come and Join us! ✦ Evil Club ψ FuwaFuwa Sanctuary ✿ ✿ DeaD Blossoms ✿ |
| i loved it so much :((( it was so wholesome and the message was beautiful <3 |
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| Pretty average movie imo. 5/10 |
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| This reminded me a lot of Only Yesterday, but not as good. The character interactions were well constructed. I give it a 7/10 |
| The poster is so decieving. thought it would be some good looking magical adventure, but its just some boring teen romance. Worst Ghibli movie I have watched...so far. |
| :v |
| Like so many Miyazaki films this is comforting and a joy to watch. I love when we get to look into the baron's eyes. I love the daily minutiae. I love when the old men just jump and play along with the song and sing along. I love Yuuko's room. I love grandpa Nishi's pep talk about art. I love that moment in the library when Shizuku is writing. I love the bicycle riding scene. This whole movie makes me happy. |
skatensleepJul 6, 2022 9:50 PM
I mean Ghibli('s Miyazaki) movie. His influence over the studio's works at that time were enormous. Only because other member from S. Ghibli of that time signed the direction, it don't avoided Miyazaki's style as we can see. |
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| It's beautiful both in the animation (it's Ghibli, duh) and in the story, the song the kids sing I had heard the original before and it surprised me, I didn't know it was in the movie. |
Rob7 said: I mean Ghibli('s Miyazaki) movie. His influence over the studio's works at that time were enormous. Only because other member from S. Ghibli of that time signed the direction, it don't avoided Miyazaki's style as we can see. Absolutely. It was created and produced by Miyazaki. He did the storyboard...direction isn't the whole movie, the concept is his. |
| Love how happy Shizuku got singing the song along with the entire group. It's a simple story yet it has a lot to tell and I think they did a fantastic job doing so with the messages they were trying to convey. What a joy to watch this movie though, really wholesome, so many beautiful scenes and a lot of detail went into this movie. 9/10 |
PrOxAntoFeb 5, 2023 6:18 AM
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| Almost heaven, West Virginia Blue Ridge Mountains, Shenandoah River Life is old there, older than the trees Younger than the mountains, growin' like a breeze Country roads, take me home To the place I belong West Virginia, mountain mama Take me home, country roads All my memories gather 'round her Miner's lady, stranger to blue water Dark and dusty, painted on the sky Misty taste of moonshine, teardrop in my eye Country roads, take me home To the place I belong West Virginia, mountain mama Take me home, country roads I hear her voice in the mornin' hour, she calls me The radio reminds me of my home far away Drivin' down the road, I get a feelin' That I should've been home yesterday, yesterday Country roads, take me home To the place I belong West Virginia, mountain mama Take me home, country roads Country roads, take me home To the place I belong West Virginia, mountain mama Take me home, country roads Take me home, (down) country roads Take me home, (down) country roads |
"......If I told you that I was a real witch, would you believe it?"  |
| Ok, so my expectations coming into this weren't really high. From the previous Ghibli the one that stood out to me was Spirited Away with all of its fantastical elements, character development as well as presentation overall, but the rest weren't as good on those departments or fell a bit more or less rushed towards it. This wasn't the case for Whisper of the Heart... mostly. For starters, the first part shows us the daily routine of Shizuku with her family and junior school. She reads a lot of books, does a lot of chores, she has good grades and is relatively popular. However, this is all interrupted by two things: Yuko's love letter and Seiji's name appearing frequently in her loaned books. The first leads to a surprising to her confession from one of her friends and the realization of how dense she is on those matters. The second is the one that ignites the second part as her encounters with him are teases that she doesn't appreciate and conflict with the way she has portrayed him without her knowing. As so, considering that throughout a while there were love talks with her friends and she has a fantastical pursue of that name, there was something to build up the foundations of when they properly introduced to each other. Now, from this point on is when I feel the romantic development rushes a bit. I get that with Shizuku's sister moving out, Seiji's future plan and her mom's thesis there is a message of commitment that then pushes her to do the same, but that comes a bit in detriment of developing a bond between the main two. Sure, you can say that the romantic subplot isn't the point, just a motivation and that's how I took it, but with the final scene between the two it's hard to tell if that was really the case. Without it I would believe more the bond that they were forming between fiction and work but maybe there was also a correlation with commitment by having a very young marriege proposal I dunno. In any case, the music is good apart from the different versions of Country Road splashed in between, the animation is of its time, shinning mostly during the book partrayal scenes, and the fact that the movie lasts almost two hours and it got me engaged throughout its course was a good sign. Good to see a down to Earth movie coming out from this studio that isn't Ocean Waves. |
| ⠓⠥⠍⠁⠝⠊⠞⠽ ⠞⠓⠗⠕⠥⠛⠓ ⠎⠕⠍⠑ ⠎⠞⠥⠏⠊⠙⠊⠞⠽⠂ ⠎⠕⠍⠑ ⠺⠊⠇⠇ ⠎⠅⠊⠏ ⠺⠁⠎⠓⠊⠝⠛ ⠞⠓⠑⠊⠗ ⠓⠁⠝⠙⠎ ⠁⠝⠙ ⠑⠝⠙ ⠥⠏ ⠗⠥⠊⠝⠊⠝⠛ ⠊ ⠞ ⠋⠕⠗ ⠑⠧⠑⠗⠽⠕⠝⠑ ⠎⠓⠊⠊⠅⠕ ⠁⠕⠎⠕⠊⠂ ⠼⠃⠼⠚⠼⠁⠼⠓ |
| Por favor, yo también quiero, por favor. |
Lo que lleva la guatona!:      |
| Can't believe I had to repeatedly hear this stupid song in an anime too. Pure cancer in the ears. I would rather listen to chalkboard scratching. If you are not overexposed to this song, consider yourself lucky. |
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