First: no, there are no proper scans floating around on the Internet. The only sure way to get a good English translation for the last three volumes is to get the physical book (singular, as, for some reason, the last three were only published in an omnibus).
Second: I would love to hear from someone if it would matter, as far as being able to decide on one's opinion of the whole, to have read the final volumes, seeing as how Mushishi thus far has been wholly episodic.
My first thought after reading the 7 volumes out there was a simple 'the anime did it better'. Which ideally accounts for absolutely nothing when considering whether to induct the manga. Unfortunately, here I feel it does.
The art is technically solid, of a very consistent quality and a natural accompaniment to the stories, switching from the sharp to the hazy, from the crisp to the shaded whenever needed. The backgrounds are at times irksome by being wholly absent or a tad lifeless, while the characters are sometimes a bit too bereft of detail, but these are minor irritants.
The stories should be intimately familiar to anyone who has watched the anime and pretty much follow the same pattern (yes, I should say that the anime copies the manga well), with main character Ginko stumbling upon a (usually problematic) situation caused by the mushi and often not so much resolving it as pointing out how to either live with the mushi or to be able to avoid them.
Most stories are of a simple nature and effective because of it: it's the simplicity of folk stories and of the ability to get to the centre of things. As a result, most if not all single stories can be satisfyingly explained and wrapped up within a rather limited number of pages, employing only a few characters and locations, and doing away with superfluous additions.
And yet, there is something missing. By being devoid of colour, deprived of movement and unable to produce sound, the mushi simply do not feel as alive as they do in the anime. By being and remaining still, they do not induce anticipation. In short, they do not instill awe. The bridge to the moon, the living swamp: in the anime these were big, impressive, unknowably protean, primaeval. In the manga, they almost become objects.
To me, this meant that what I could consider to be the essence of the entire series suddenly came up somewhat lacking and I find I have difficulty finding some other reason to really support the manga.
Perhaps I'm unfair in placing so much importance on this one matter, but it does mean that, currently, I'm on the fence. |