From my review on the first series:
Holo is what, to many, makes the show memorable.
First of all, there's her concept. She's a 'Roggenwolf', a wolf-spirit from folk legend who was a protector of the rye fields and the harvest; the legend depicted in the anime, including the idea that the wolf hides in the last sheaf of rye, comes directly from the actual legend (although the anime most likely speaks about barley, not rye - it's hard to tell, with 'mugi' meaning barley as well as rye and wheat). But Spice and Wolf adds to this simple notion, mentioning how she agreed to be present in the fields in days when the success of the harvest depended on the whims of nature and the supernatural, only to be forgotten when progress and developing technology made her antiquated, until she roused herself from her placidity, longing to return to her old home, a semi-mythical place where everything was bathed in a brilliant silver.
A being who is not human, Holo is shown to enjoy the marvels of the human world with all the lack of solicitude of a child. Seeing herself as better than humans, she is a trickster, toying with whatever interests her, shown to like mind-games, wittiness and swiftness in conversation, all the while seemingly thoroughly enjoying being pampered, being treated to large amounts of alcoholic beverages and socialising.
While this might make her likable, perhaps even charming, it doesn't make her stand out as a character. What does manage to do so is the fact that, every now and again, without too much attention being piled on it, she, and the audience with her, is reminded of the fact that she is, in truth and not only in word, different, a spirit. At such times realisation creeps through that she is, in fact, hundreds of years old and wise in the ways of the world - but in the ways of the world that was and now is gone. She is a stranger in a strange land, having awoken from slumber only to find that what she once knew is lost. It infuses her with a sense of loneliness that might not always be the most convincing, but at least appears to be sincere.
It is this latter point, her being a stranger to the world she now travels through, which, to me, is the most consistent part of this character's, eh, character. It is also because of this that I don't really see the criticism heaped on the second season: Story-wise, that is purely an 'on the road' chapter, without beginning or end, whilst the characters solidify, Holo in particular more strongly showing her longing to return to what it was she once knew.
However, all of the above mainly becomes visible through the skills of the writers and animators, and isn't so much the hallmark of good characterisation. Holo, interesting a concept though she might be, and not needing development (it would cut against her grain, so to speak, to have a spirit developing), is, as a character, very much dependent on her companion to shine. She isn't required for the story or its setting and, frankly, actually stays rather detached from it. As I mentioned in the Spice and Wolf spotlight, I believe the world portrayed to be the main focus of the show, the characters just being tools of movement to be able to show more and more of it.
Within the greater setting, Holo adds a touch of the supernatural, a poignant remark on the ravages of time - and on what will never change. But as a character on herself, she at best is interesting and charming, but not one that could stand on her own.
Like her I might, but I don't consider her exemplary enough to warrant induction here.
A final note on her design, then.
The manga and anime version of Holo stays very close to the description given in the novels, the phrasing of which make me doubt very much whether anything was at all intended to be even remotely considered in any way arousing. While I will not base my opinion about her on her portrayal in the novels, I think her design was never intended to be a service to the fans, but rather a nod to her duality as both a very old supernatural creature and one who is like a child in a world she does know nothing about. |